P Un Lw U N Lv MM Ya Tln D La Napo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Mink Deville Each Word's a Beat of My Heart Mp3, Flac, Wma
Mink DeVille Each Word's A Beat Of My Heart mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Each Word's A Beat Of My Heart Country: US Released: 1983 Style: Blues Rock MP3 version RAR size: 1381 mb FLAC version RAR size: 1371 mb WMA version RAR size: 1334 mb Rating: 4.1 Votes: 964 Other Formats: VOX VOC MOD WMA DXD AHX MPC Tracklist A Each Word's A Beat Of My Heart 3:24 B River Of Tears 3:26 Companies, etc. Manufactured By – Atlantic Recording Corporation Credits Associate Producer – Willy DeVille Executive Producer – Joseph Fontana, Louis Ragusa Producer – Howard Albert, Ron Albert Written-By – Willy DeVille Notes From Atlantic LP 80115 "WHERE ANGELS FEAR TO TREAD" Barcode and Other Identifiers Matrix / Runout (Label A-Side): ST-A-45534-SP Matrix / Runout (Label B-Side): ST-A-45535-SP Other versions Category Artist Title (Format) Label Category Country Year Mink Each Word's A Beat Of 78-9750-7 Atlantic 78-9750-7 Netherlands 1983 DeVille My Heart (7", Single) Mink Each Word's A Beat Of 7567-87344-2 Atlantic 7567-87344-2 Germany 1993 DeVille My Heart (CD, Single) Mink Each Word's A Beat Of 78-9750-7 Atlantic 78-9750-7 Europe 1983 DeVille My Heart (7", Single) Mink Each Word's A Beat Of 78-9750-7 Atlantic 78-9750-7 Scandinavia 1983 DeVille My Heart (7", Single) Mink Each Word's A Beat Of Liberation LS 1230 LS 1230 Australia 1983 DeVille My Heart (7", Single) Records Related Music albums to Each Word's A Beat Of My Heart by Mink DeVille Willy DeVille - Still Mink DeVille - Coup De Grâce Willy DeVille - Backstreets Of Desire Mink DeVille - Spanish Stroll Mink DeVille - Where Angels Fear To Tread Mink DeVille - Sportin' Life Mink DeVille - Maybe Tomorrow Willy DeVille - Even While I Sleep Mink DeVille - Return To Magenta Mink DeVille - Cabretta. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Willy Deville (Live) Greatest Hits ´76-´93 Mp3, Flac, Wma
Willy DeVille (Live) Greatest Hits ´76-´93 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: (Live) Greatest Hits ´76-´93 Country: Germany Released: 1993 Style: Blues Rock, Acoustic MP3 version RAR size: 1569 mb FLAC version RAR size: 1208 mb WMA version RAR size: 1379 mb Rating: 4.8 Votes: 118 Other Formats: XM TTA APE MP4 MOD AA WMA Tracklist 1 Lilly's Daddy's Cadillac 4:20 2 This Must Be The Night 3:08 3 Savoir Faire 3:02 4 Cadillac Walk 5:47 5 Bamboo Road 4:58 6 Mixed Up, Shook Up Girl 5:58 7 Heart And Soul 4:20 8 Can't Do Without It 3:45 9 Maybe Tomorrow 3:16 10 I Must Be Dreaming 4:50 11 Heaven Stood Still 3:16 12 Demasiado Corazon 3:41 13 Spanish Stroll 5:45 14 Stand By Me 4:10 15 Hey! Joe 4:35 Companies, etc. Phonographic Copyright (p) – Fnac Music Production Copyright (c) – Fnac Music Production Produced For – Bastille Productions Made By – Warner Music Manufacturing Europe Published By – Fire Escape Music Published By – Bug Music Published By – Rockslam Music Published By – Crosstown Music Published By – Sanpan Music, Inc. Published By – Trio Music Co., Inc. Published By – Progressive Music Pub. Co., Inc. Published By – Third Story Music Recorded At – The Bottom Line Recorded At – Effanel Music Mobile Truck Recorded At – L'Olympia Recorded At – Le Voyageur Recorded At – The Looking Glass Studios Mixed At – Ocean Way Recording Mastered At – The Mastering Lab Credits Backing Vocals – The Valentines: Billy and Briz* Design – Geneviève Gauckler Drums – Shawn Murray Electric Bass, Acoustic Bass, Backing Vocals – -
Wavelength (July 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from -
AUGUST 1984 LH: I Wanted to Sit In, If Conway Would Let Me
VOL. 8, NO. 8 Cover Photo by Robert Herman FEATURES LEVON HELM During the late '60s and early '70s, Bob Dylan and The Band were musically a winning combination, due in part to the drumming and singing talents of Levon Helm. The Band went on to record many classics until their breakup in 1976. Here, Levon discusses his background, his work with Dylan and The Band, and the various projects he has been involved with during the past few years. by Robyn Flans 8 THOMMY PRICE Price, one of the hottest new drummers on the scene today, is cur- rently the power behind Billy Idol. Before joining Idol, Thommy Carneau had a five-year gig with Mink DeVille, followed by a year with Fred Scandal. In this interview, Thommy reveals the responsibilities of by working with a top act, his experiences with music video, and how Photo the rock 'n' roll life-style is not all glamour. by Connie Fisher 14 BOB MOSES Bob Moses is truly an original personality in the music world. Although he is known primarily in the jazz idiom for his masterful drumming, he is also an active composer and artist. He talks about his influences, his technique, and the philosophies behind his Jachles various forms of self-expression. by Chip Stern 18 Michael by DRUMMING IN ATLANTIC CITY Photo by Rick Van Horn 22 Malkin WILL DOWER Rick Australian Sessionman by by Rick Van Horn 24 Photo CLUB SCENE ON THE MOVE COLUMNS Attention To Detail James D. Miller and Bob Pignatiello. 78 by Rick Van Horn 90 IN THE STUDIO EDUCATION DRUM SOLOIST Jim Plank CONCEPTS Philly Joe Jones: "Lazy Bird" by Ted Dyer 84 Drummers And Put-Downs by Dan Tomlinson 96 by Roy Burns 28 REVIEWS EQUIPMENT LISTENER'S GUIDE ON TRACK 46 by Peter Erskine and Denny Carmassi 30 PRODUCT CLOSE-UP NEWS ROCK PERSPECTIVES Remo PTS Update Beat Study #13 by Bob Saydlowski, Jr. -
Willy Deville ~
OP HET LIVE GESCHREVEN ~ de soundtrack van mijn leven ~ Voorpublicatie van 2 hoofdstukgedeelten © 2009 G-design Niets uit deze uitgave mag gekopieerd en/of verspreid worden zonder schriftelijke toestemming van de auteur “Het leven is een open boek… je schrijft de bladzijden zelf…” ~ Willy DeVille ~ LEVEN & DOOD Vrijdag 7 augustus 2009 14:45 uur, Marja een goede vriendin van ons uit Zeeland stuurt me een sms-bericht dat ze het gerucht heeft vernomen dat Willy DeVille is overleden. Of ik het kon verifiëren? Willy is al enkele maanden ziek en lijdt aan alvleesklierkanker. Via de Internationale Willy DeVille-Mink DeVille fanclub werden de 650 leden al op de hoogte gehouden over zijn ziekte middels nieuwsbrieven per e-mail en via het officiële fanclub orgaan per post simpelweg Willy DeVille genaamd. Het laatste nummer van het fanclubblad bevatte een A4’tje als bijlage dat opende met: “Het valt me zwaar om de brief/ nieuwsletter te typen. In het laatste fanblad heb je kunnen lezen dat Willy het op dit moment zwaar heeft. In eerste instantie dacht men dat het Hepatitis C [een virale leverontsteking] was en dat klopt ook wel, maar hij werd zieker en zieker. Vandaar dat er in maart en april 2009 meerdere onderzoeken zijn uitgevoerd. De onderzoeken hebben aangetoond dat er helaas meer aan de hand is.” [alvleesklierkanker dus]. De brief eindigde met: “Uiteraard heeft de fanclub namens ons allen rozen gestuurd. Ik snap dat er nu direct een groot aantal vragen bij je opkomt. Ik ga die nu niet beantwoorden. De situatie is niet rooskleurig en behoorlijk ernstig .” Was getekend Gurrie van Brug [fanclub voorzitter]. -
Elliott Murphy It Takes a Worried Man Blue Rose/Sonic Rendezvous
Elliott Murphy It Takes A Worried Man Blue Rose/Sonic RendezVous It’s been 40 years since the American singer/songwriter Elliott Murphy first made his mark on the rock music scene with his debut album Aquashow. The opener of this album that has since gained cult status was entitled ‘Last Of The Rock Stars’ – in some ways that’s a clairvoyant motto for a remarkable career that’s not near its end. The 63-year-old artist who has been living in France for many years still has a few surprises up his sleeve. He never quite became a commercial rock star with #1 hits but Elliott Murphy is still a vital, seeking, creative force and someone who has never let himself be bent or pushed around, even though he might have stood in his own way once or twice. But that didn’t stop him from releasing album after album with admirable regularity and quality. It Takes A Worried Man is his brand new album on Blue Rose Records. It’s not an anniversary record, simply another excellent album by Elliott Murphy who – in his own way – may be a true rock star and certainly is a unique artist. In the New York of the 1970ies, Elliott Murphy was a member of the intellectual troubadour/songwriter scene that flirted with Bob Dylan and Lou Reed and the music of David Bowie and Bruce Springsteen. His peers were Patti Smith, Talking Heads, Ramones, David Johansen, and Velvet Underground. With Aquashow and the following albums Lost Generation, Night Lights and Just A Story From America he became one of the most ambitioned, hopeful singer-songwriters, sounding modern and taking on the zeitgeist – an eccentric and an individualist. -
Espacios Para La Subjetividad Femenina En Veo Veo, De Gabriela Bustelo
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 El Mundo Plural de la Posmodernidad y las Nuevas Narrativas en España: Espacios Para la Subjetividad Femenina en Veo Veo, de Gabriela Bustelo Morella Ortiz University of Central Florida Part of the Spanish Literature Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Ortiz, Morella, "El Mundo Plural de la Posmodernidad y las Nuevas Narrativas en España: Espacios Para la Subjetividad Femenina en Veo Veo, de Gabriela Bustelo" (2011). Electronic Theses and Dissertations, 2004-2019. 6661. https://stars.library.ucf.edu/etd/6661 EL MUNDO PLURAL DE LA POSMODERNIDAD Y LAS NUEVAS NARRATIVAS EN ESPAÑA: ESPACIOS PARA LA SUBJETIVIDAD FEMENINA EN VEO VEO, DE GABRIELA BUSTELO by MORELLA ORTIZ B.A. UNIVERSIDAD CENTRAL DE VENEZUELA A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Foreign Languages and Literatures in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2011 © 2011 Morella Ortiz ii ABSTRACT One of the most salient features of contemporary Spanish fiction is the solid participation of women in literary creation, particularly that of novels. While in the 1970s there were isolated figures, in the 80s and with the consolidation of democracy, the number grew sharply; in the 90s, they multiplied their presence and their quality continues to be outstanding. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Speellijst Mei
SPEELLIJST MEI CD1 - CLASSIC & JAZZ & MODERNA 1. Lavinia Meijer (dressner) Movement 1 2016 03.59 2. Lavinia Meijer (dressner) Movement 2 2016 01.28 3. Jimmy Giuffre Western suite - Pony express 1958 05.53 4. Carlos Cipa Today and it’s gone 2021 04.18 5. Ane Brun Fingerprints - piano version 2021 06.14 6. Carlos Cipa Arkata 2021 04.02 7. Jimmy Giuffre Western suite - Sat. night dance 1958 02.55 8. King Pleasure I’m in the mood for love 1962 03.10 9. King Pleasure Swan blues 1962 03.55 10. Slim Harpo Midnight blues 1965 02.06 11. Slim Harpo Buzzin’ 1965 02.15 12. Wild Deuces Baby please don’t go 2019 02.44 13. Wild Deuces Mango mambo 2019 02.50 14. Slim Harpo Baby scratch my back 1965 02.54 15. Slim Harpo My little Queen Bee 1965 02.35 16. King Pleasure It might as well be spring 1962 03.38 17. Jimmy Giuffre Western suite - Big Pow Pow 1958 04.58 18. Ane Brun Closer 2020 04.38 19. Ane Brun Trust 2020 04.11 20. Lavinia Meijer (dressner) Movement 3 2016 06.08 CD2- POPPIN’ “A” 1. Julie Londen People born in may 1956 01.30 2. Max Cooper End of a reason 2015 08.18 3. Roger Daltrey Into my arms 2018 04.05 4. Jonathan Jeremiah One 2015 01.45 5. Jonathan Jeremiah Rosario 2015 03.17 6. Jonathan Jeremiah U-bahn 2018 03.40 7. Valerie June The hour 2013 03.49 8. Valerie June On my way 2013 03.25 9.