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2018 WASO Ingrid Fliter Plays Mendelssohn
PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
Cellist Yo-Yo Ma Returns to Symphony Center to Present a Distant Mirror—New Music Inspired by Diverse Cultural Traditions
For Immediate Release: Press Contacts: May 31, 2016 Eileen Chambers/CSO, 312-294-3092 Lisa Dell/The Silverman Group, Inc., 312-932-9950 Photos Available By Request [email protected] CELLIST YO-YO MA RETURNS TO SYMPHONY CENTER TO PRESENT A DISTANT MIRROR—NEW MUSIC INSPIRED BY DIVERSE CULTURAL TRADITIONS Ma Performs Alongside CSO Musicians and Friends Sunday, June 12, at 3:00 p.m. CHICAGO—Celebrated cellist and the CSO’s Judson and Joyce Green Creative Consultant Yo- Yo Ma returns to Symphony Center on Sunday, June 12, at 3:00 p.m. for the final concert of the 2015/16 Symphony Center Presents PowerShares QQQ Chamber Music series. Ma performs his innovative program A Distant Mirror, and is joined by CSO cellists Loren Brown, Richard Hirschl, Katinka Kleijn, CSO principal cello John Sharp, CSO principal percussionist Cynthia Yeh, Silk Road Ensemble cellist Mike Block and percussionist Shane Shanahan, and guest cellists Jeffrey Zeigler and Ashley Bathgate. Ma curated A Distant Mirror to explore similarities between the cultural landscape of the 16th and 17th centuries and our own times. The intriguing, cello-centric program of new music is a modern response to the era’s cultural accomplishments and newly-found interest in curiosity, foreshadowing the Age of Enlightenment. The program also celebrates the impact of new ideas from the period's biggest literary figures, Shakespeare and Cervantes. Featured works include a modern twist on traditional Incan music arranged by Silk Road Ensemble cellist Mike Block and the Distant Mirror Suite with new arrangements of works by three composers—Juan Arañés, Claude Gervaise, and Ali Ufkî Bey. -
Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com
Edgar Meyer Biography by IMG Artists - IMG Artists imgartists.com Edgar Meyer In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “...the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002. As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of “The Best of Edgar Meyer”. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album. As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
Yo-Yo Ma Kathryn Stott
YO-YO MA KATHRYN STOTT ERÖFFNUNGSFESTIVAL 24. JANUAR 2017 ELBPHILHARMONIE GROSSER SAAL Dienstag, 24. Januar 2017 | 20 Uhr | Elbphilharmonie Großer Saal YO-YO MA VIOLONCELLO KATHRYN STOTT KLAVIER DIRIGENT.DER NEUE BMW 7er MIT GESTIKSTEUERUNG. DER ANSPRUCH VON MORGEN. SUITE »ARC OF LIFE« Johann Sebastian Bach (1685–1750) / Charles Gounod (1818–1893) Méditation / Ave Maria (1722/1852) Jean Sibelius (1865–1957) Var det en dröm? (War es ein Traum?) op. 37/4 (1902) Jacob Gade (1879–1963) Tango Jalousie (1925) Claude Debussy (1862–1918) Beau soir (1880) Franz Schubert (1797–1828) Ellens Gesang D 839 »Ave Maria« (1825) Dmitri Schostakowitsch (1906–1975) Sonate d-Moll op. 40 für Violoncello und Klavier (1934) Moderato, Largo – Moderato con moto – Largo – Allegretto Pause Giovanni Sollima (*1962) Il bell’Antonio (Tema III) (2005) César Franck (1822–1890) Sonate A-Dur M 8 / Fassung für Violoncello und Klavier (1886) Allegretto ben moderato – Allegro – Recitativo – Fantasia – Allegretto poco mosso Principal Sponsor der Elbphilharmonie Förderer des Eröffnungsfestivals BMW BMW Hamburg Niederlassung www.bmw-hamburg.de Hamburg www.bmw- hamburg.de Freude am Fahren Abbildung zeigt Sonderausstattungen. 5978 BMW 7er Kultur Engagements DIRIGENT 2016 148x210 NL Hamburg Abendprogramm 20160812.indd 1 01.08.16 16:20 WILLKOMMEN Wir gratulieren der Mit gerade mal acht Jahren trat Yo-Yo Ma an der Seite von Leonard Bernstein zum ersten Mal im Stadt Hamburg, amerikanischen Fernsehen auf. Heute, mehr als ihren Bürgern und 50 Jahre später, ist er der erfolgreichste Cellist allen Beteiligten der Welt, mit nicht weniger als 18 Grammys im Regal und umjubelten Konzerten auf der ganzen Welt. Mit dem Programm »Arc of Life« zieht er im zur gelungenen großartigen Komposition der heutigen Konzert Bilanz seiner bewegten Musik- karriere, begleitet von seiner engen künstleri- schen Partnerin Kathryn Stott. -
YO-YO MA Cellist
YO-YO MA Cellist Yo-Yo Ma’s multi-faceted career is testament to his enduring belief in culture’s power to generate trust and understanding. Whether performing new or familiar works from the cello repertoire, collaborating with communities and institutions to explore culture’s role in society, or engaging unexpected musical forms, Mr. Ma strives to foster connections that stimulate the imagination and reinforce our humanity. Mr. Ma maintains a balance between engagements as a soloist with orchestras, recital and chamber music activities, and collaborations with a wide circle of artists and institutions. With partners from around the world and across disciplines, Mr. Ma creates programs that stretch the boundaries of genre and tradition to explore music-making as a means not only to share and express meaning, but also as a model for the cultural collaboration he considers essential to a strong society. Expanding upon this belief, in 1998 Mr. Ma established Silkroad, a collective of artists from around the world who create music that engages their many traditions. In addition to presenting performances in venues from Suntory Hall to the Hollywood Bowl, Silkroad collaborates with museums and universities to develop training programs for teachers, musicians, and learners of all ages. Silkroad has commissioned more than 100 new works from composers and arrangers around the globe, and released seven albums, most recently a collection of music recorded for The Vietnam War, a documentary film from Ken Burns and Lynn Novick. Through his work with Silkroad, as well as throughout his career, Yo-Yo Ma seeks to expand the classical cello repertoire, frequently performing lesser-known music of the 20th century and commissions of new concertos and recital pieces. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
Sounds Like Paradise
Music in the tropics... Sounds like paradise. Australian Festival of Chamber TOWNSVILLE Music 27 JULY — 5 AUGUST 2018 ARTISTIC DIRECTOR KATHRYN STOTT Wu Tong Enjoy a truly unique combination of exquisite music and tropical winter warmth at the Australian Festival of Chamber Music. Explore the natural beauty of Townsville with its stunning coastline, beaches and lush rainforests. Take a dip in the ocean before immersing yourself in some of the world’s finest chamber music. Don’t miss your chance to experience an internationally acclaimed ten-day Festival program with more than 30 musicians visiting from around the world. WELCOME FROM KATHRYN STOTT 02 TRAVEL & ACCOMMODATION 30 2018 PROGRAM 04 PRE & POST TOURING 31 ARTISTIC DIRECTOR 13 DAY OFF DISCOVERIES 32 IN RESIDENCE 14 FESTIVAL VENUES 34 ARTISTS 15 FESTIVAL BUSES & MAP 34 ENSEMBLES 21 BOOKING INFORMATION 36 SPECIAL EVENTS 22 FREQUENTLY ASKED QUESTIONS 37 TICKET PACKAGES 24 TRANSPORT OPTIONS 38 HOLIDAY PACKAGES 26 SUPPORTING THE FESTIVAL 52 WINTERSCHOOL 28 CONTACT INFORMATION 52 Magnetic Island KATHRYN STOTT Welcome from the Artistic Director Hurray! It’s with great pleasure that I finally find myself in the position of being able to tell you about this year’s festival. This moment is one of both relief and great excitement! I don’t really want to single out any For my Composer-in-Residence, I welcome young cellists from one person because I feel strongly I have chosen Julian Yu who, years ANAM who will make up part of that every artist, whether they are ago, made a brilliant arrangement our Cello Octet. -
The James Taylor Encyclopedia
The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.