DOCSLIB.ORG

Hermes Summer School 2012: Literature and Intervention

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hermes Summer School 2012: Literature and Intervention THE HERMES CONSORTIUM FOR LITERARY AND CULTURAL STUDIES Hermes Summer School 2012: Literature and Intervention The Relevance of Literature in a Changing World Amsterdam, June 10-14 Welcome to Amsterdam This year is Amsterdam the host of the HERMES seminar. We would like to welcome you and wish you a very inspiring seminar and pleasant stay. This map will help you find your way around Amsterdam. Amsterdam is a beautiful, historic and very compact city, making it easy to get around on foot or by bike. The excellent public transport infrastructure also makes it possible to move around the city quickly and easily. 2 Hotel Internet We have made reservations at the Easyjet hotel, van Public transport www.gvb.nl Ostadestraat 97 Amsterdam, for you. Unfortunately Tourist information www.iamsterdam.com the hotel does not serve breakfast. However, near the hotel are several places where they do serve Amsterdam Tourism & Convention Board breakfast (at you own expenses, with discount for Visitors to Amsterdam can contact one of the full- hotel guests). The staff at the hotel can inform you service VVV (tourist office) branches for the following about that. Or grab a croissant and orange juice at a services: supermarket or bakery on the way to university. • I amsterdam Card Public Transport: • excursions and admission tickets Hotel • souvenirs You can take tram 16 or 24 from Central Station to • public transport passes and information tram stop Albert Cuypmarkt. Walk 350 meters • tourist information southbound on the Ferdinand Bolstraat (towards the • souvenirs RAI) and you will find the hotel on the corner of the • cycling and walking routes Ferdinand Bolstraat and the van Ostadestraat. • maps, books and guides Adresses: The VVV branches can be found at the following • Easyjet hotel – van Ostadestraat97 (A) locations: • Oudemanhuispoort - Oudemanhuispoort 4-6 (B) Central Station, Platform 2b • Bushuis - Kloveniersburgwal 48 (C) Leidseplein 26, terrace side / AUB ticket shop • Café de Jaren - Nieuwe Doelenstraat 20 (D) Noord-Zuid Hollandsch Koffiehuis (historic grand café), • Kapitein Zeppos - Gebed Zonder End 5 (E) Stationsplein 10 (Central Station) • De Brakke Grond - Nes 43 (F) Schiphol Airport, Holland Tourist Information, arrivals • Tram stop Spui (G) hall 2 • Rederij Kooij - Jetty for canal tour – opposite Spuistraat 44, specialising in gay tourist information Rokin 125 (I) Stadhouderskade 550, opposite no 78 Take tram 16 or 24 to Central Station, stop at Spui, all For updated information and for making reservations addresses are within walking distance. for accommodation and excursions, please call 020 - 201 8800 or visit www.iamsterdam.com. GVB day-ticket for public transport If you wish to explore Amsterdam using public Restaurants transport, then the GVB (municipal transport You will find as many different restaurants as there authority) day-ticket is a great option. After you check are nationalities in Amsterdam. The best thing to do is in for the first time, you can take as many rides as you go and see for yourself but to give you some tips… wish on any of the GVB trams, buses and metro trains Near the hotel as well as the night buses without worrying about Go to Albert Cuypstraat and around, for instance transfer times. The tickets are available for 1, 2, 3 or 4 Burgermeester, Albert Cuypstraat 48, for the best days (valid for 24 to 96 hours). The staff at GVB gourmet burgers (also veggie!) Tickets & Info would be glad to give you more info Bazar, Albert Cuypstraat 182, for Middle Eastern about day-ticket options and other public transport delicacies options in Amsterdam. Ask them for the free “Public Near the university and other venues Transport Tourist Guide”, with everything you need to Go to the Zeedijk (street behind Nieuw Markt), for all know about public transport facilities in Amsterdam in sorts of oriental restaurant. six different languages as well as attractive discounts Jordaan for various Amsterdam highlights. The GVB Tickets & There are a lot of good restaurants in this picturesque Info desks are located at the following public part of Amsterdam, especially around transport stations: Egelantiersgracht and Westerstraat. • Central Station (railway station) And last but not least, try to avoid the tourist traps • Central Station metro station around de Dam (Dam square) For more information, go to www.gvb.nl. 3 F C E B D A 1 Tram line with stop Boat tour Canal Bus Canal Bike Museum boat, operated by Rederij Lovers P Parking location Parking location 1 Tram line with stop Museum Boat tour Theatre Canal Bus & Concert hall Canal Bike Police station Museum boat, operated Post oce by Rederij Lovers Tourist Information Oce P Parking location Legenda Tourist Information Oce Parking location Limited tourist information A - Eaysejet Hotel ± 300m 1 Tram line with stop Museum Market Boat tour Theatre Diamond B - Oudemanhuispoort & Concert hall polishing centre Canal Bus C - Bushuis/Oost-Indischhuis Police station Place of interest Canal Bike D - Café de Jaren Post oce Hospital Museum boat, operated E - Kapitein Zeppos by Rederij Lovers Tourist Information Oce Metro station P Parking location Tourist Information Oce F - De Brakke Grond Limited tourist information Parking location Market Museum Diamond Literature and Intervention Schedule Sunday, 10 June all day Arrival guests 17.00-19.00 Drinks at Café De Jaren Monday, 11 June Oudemanhuispoort room A0.09 9.00 Registration 9.15 Welcome 9.30 Keynote Sudeep Dasgupta Dissensual Configurations: The Politics of Literarity in a Cross-Medial Landscape 10.30 Coffee break 11.00 Session 1: The Politics and Aesthetics of Literary Intervention 12.30 Lunch Atrium 14.00 Session 2: Literary Intervention: Forms and Genres 16.00 Coffee break 16.30 Session 3: Literary Intervention: Authors and Intellectuals 18.00 End of sessions 19.00 Dinner Tuesday, 12 June Oudemanhuispoort room A0.09 9.30 Keynote Andrew Gibson: Contemporary Misanthropy and/as Ethics: The Provocation of Michel Houellebecq 10.30 Coffee break 11.00 Session 4: Transcultural Literature and Intervention 12.30 Lunch Atrium 16.00–18.00 Excursion Wednesday, 13 June Oudemanhuisp0ort room A0.09 9.30 Keynote Anneleen Masschelein The ”Residual Oeuvre” in the Humanities: Side-Track or Creative Necessity? 10.30 Coffee break 11.00 Session 5: Memories I 12.30 Lunch Atrium 14.00 Session 6: Futures 16.00 Coffee break 16.30 Session 7: Memories II 18.00 Drinks at Kapitein Zeppos Thursday, 14 June Bushuis room F 0.22 9.30 Session 8: Media of Intervention 10.30 Coffee break 11.00 Final Meeting 12.30 Lunch Atrium 14.00 Hermes Business Meeting 6 Programme for the panel sessions: Monday 11 June: The Politics and Aesthetics of Literary Intervention 11.00-12:30 Session 1: The Politics and Aesthetics of Literary Intervention Chair: Karen-Margrethe Simonsen • Elisa Ruiz Velasco Garcia, Alexander Solzhenitsyn: Writer, Activist, Prophet? • Tytti Rantanen, Between poetics and politics: Monique Wittig’s Les Guérillères and Le Corps Lesbien • Tereza Stejskalová, Agamben's Literary Paradigm 14:00-16:00 Session 2: Literary Intervention: Forms and Genres Chair: Beatrice Michaelis • Jennifer Ch. Müller, On the Interdependene of Literature and Society - Social Inequalities in Naturalist Drama • Salla Shhadeh, Literature and Truth: The Relevance of Analysing Plato • Matthias Somers, Rhetoric’s Relevance: The Modernists’ Ambivalent Relation to Rhetorical Expression 16:30-18:00 Session 3: Literary Intervention: Authors and Intellectuals Chair: t.b.a. • Isabel Dominguez, Presentativity against Individual Responsibility: The “Yugoslavian” Writer during the Balkan War • Vicente Lopez, The Response-ability of Intellectuals in the 21st Century • Carmen Van den Bergh, Italian young writers during the 1930s, between realism and experiment Tuesday 12 June: Transcultural Literature and Intervention 11:00-12:30 Session 4: Transcultural Literature and Intervention Chair: Susana Araujo • Agnes Broome, Can translated literature be made to succeed on the British market? • Alexander Matschi, The Persistent Relevance of Contemporary British Asian Fiction for the Renegotiation of Postcolonial Spatiality in Transcultural Contexts • Sara Vaghefian, Creativity and the Collapse of Opposition: Reading Arabic and French Texts Wednesday 13 June: Memories and Futures in Literary Intervention 11:00-12:30 Session 5: Memories I Chair: t.b.a. • Flávia Domingas Mendes Ba, The swords of the Carthaginians’ wives • Mathelinda Nabugodi, From Anarchy to Apathy: Political Satire in 1819, in 1948 and in 2011. • Daniela Silén , The Viking that shaped a nation: When poetry goes political 14:00-16:00 Session 6: Futures Chair: Pirjo Lyytikäinen • Gregers Andersen, Imaginaries about the Future: Global Warming in Literary Fiction • Ruud van den Beuken, Performing the Past, Staging the Future: Memory, Modernity, and (Inter)nationalist Identities at the Dublin Gate Theatre, 1928-1957 • Mikkel Birk Jespersen, Machiavelli’s utopian potentials With John Milton as an example 7 16:30-18:00 Session 7: Memories II Chair: t.b.a. • Sara Polak, Fictional Portrayals of Franklin D. Roosevelt as Public History – A Case Study • Radvan Markus, Connecting the Past and the Present: Literary Reflections of the 1798 Irish Rebellion and the Conflict in Northern Ireland • Tom Vandevelde, Listening Through Literature. Recapturing the Soundscapes of the Past. Thursday: Media of Intervention 11:00-12:30 Session 8: Media of Intervention Chair: Ellen Sapega • Judith Hofmann, How to Read an Animated Film –Animated Films as a Challenge
Load more

Recommended publications
  • Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly.
    [Show full text]
  • On the Origins of the Gothic Novel: from Old Norse to Otranto
    This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: https:// www.palgrave.com/gb/book/9781137465030 and https://link.springer.com/book/10.1057/9781137465047. Please be aware that if third party material (e.g. extracts, figures, tables from other sources) forms part of the material you wish to archive you will need additional clearance from the appropriate rights holders. On the origins of the Gothic novel: From Old Norse to Otranto Martin Arnold A primary vehicle for the literary Gothic in the late eighteenth to early nineteen centuries was past superstition. The extent to which Old Norse tradition provided the basis for a subspecies of literary horror has been passed over in an expanding critical literature which has not otherwise missed out on cosmopolitan perspectives. This observation by Robert W. Rix (2011, 1) accurately assesses what may be considered a significant oversight in studies of the Gothic novel. Whilst it is well known that the ethnic meaning of ‘Gothic’ originally referred to invasive, eastern Germanic, pagan tribes of the third to the sixth centuries AD (see, for example, Sowerby 2000, 15-26), there remains a disconnect between Gothicism as the legacy of Old Norse literature and the use of the term ‘Gothic’ to mean a category of fantastical literature. This essay, then, seeks to complement Rix’s study by, in certain areas, adding more detail about the gradual emergence of Old Norse literature as a significant presence on the European literary scene. The initial focus will be on those formations (often malformations) and interpretations of Old Norse literature as it came gradually to light from the sixteenth century onwards, and how the Nordic Revival impacted on what is widely considered to be the first Gothic novel, The Castle of Otranto (1764) by Horace Walpole (1717-97).
    [Show full text]
  • Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
    Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality.
    [Show full text]
  • The Way to Otranto: Gothic Elements
    THE WAY TO OTRANTO: GOTHIC ELEMENTS IN EIGHTEENTH-CENTURY ENGLISH POETRY, 1717-1762 Vahe Saraoorian A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1970 ii ABSTRACT Although full-length studies have been written about the Gothic novel, no one has undertaken a similar study of poetry, which, if it may not be called "Gothic," surely contains Gothic elements. By examining Gothic elements in eighteenth-century poetry, we can trace through it the background to Horace Walpole's The Castle of Otranto, the first Gothic novel. The evolutionary aspect of the term "Gothic" itself in eighteenth-century criticism was pronounced, yet its various meanings were often related. To the early graveyard poets it was generally associated with the barbarous and uncouth, but to Walpole, writing in the second half of the century, the Gothic was also a source of inspiration and enlightenment. Nevertheless, the Gothic was most frequently associated with the supernatural. Gothic elements were used in the work of the leading eighteenth-century poets. Though an age not often thought remark­ able for its poetic expression, it was an age which clearly exploited the taste for Gothicism, Alexander Pope, Thomas Parnell, Edward Young, Robert Blair, Thomas and Joseph Warton, William Collins, Thomas Gray, and James Macpherson, the nine poets studied, all expressed notes of Gothicism in their poetry. Each poet con­ tributed to the rising taste for Gothicism. Alexander Pope, whose influence on Walpole was considerable, was the first poet of significance in the eighteenth century to write a "Gothic" poem.
    [Show full text]
  • Part 5 Poland and Sweden
    part 5 Poland and Sweden ∵ Kristoffer Neville - 9789004378216 Downloaded from Brill.com10/03/2021 01:47:52PM via free access Kristoffer Neville - 9789004378216 Downloaded from Brill.com10/03/2021 01:47:52PM via free access chapter 21 History and Architecture in Pursuit of a Gothic Heritage Kristoffer Neville In the sixteenth and seventeenth centuries, Gothicism, or a self-identification with the ancient Gothic people, was a deeply important phenomenon. This drew on fairly diffuse medieval traditions, but took concrete form in a series of historical works produced in the sixteenth century, most specifically a chron- icle by Johannes Magnus, which was complemented by a more anecdotal his- tory produced by his brother, Olaus.1 The brothers were Catholic exiles living in Rome, and although they produced their works there for an Italian audience, the impact of their books was greatest in Northern Europe, where new edi- tions soon appeared for an eager audience. Johannes Magnus’s text, which be- came the fundamental modern basis for all subsequent iterations of the idea, traces the Goths, generation by generation, from the sons of Noah to modern rulers – the kings of Sweden, in his case, although other authors produced vari- ants that traced these Gothic ur-ancestors to other princes.2 This offered an unsurpassable antiquity to one’s ancestry, and with it tremendous prestige. The ancient lineage was enhanced by the Goths’ great feats: their defeat of the Romans in the fifth century gave them an unmatched reputation for strength and power that was presumed to be still present in their descendants, if latent.
    [Show full text]
  • Scandinavia and the Balkans
    Scandinavia and the Balkans Scandinavia and the Balkans: Cultural Interactions with Byzantium and Eastern Europe in the First Millennium AD Edited by Oksana Minaeva and Lena Holmquist Scandinavia and the Balkans: Cultural Interactions with Byzantium and Eastern Europe in the First Millennium AD Edited by Oksana Minaeva and Lena Holmquist Editor of the Bulgarian-English translation, Galina Velichkova Copy editor and proof-reader, Ginevra House This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Oksana Minaeva, Lena Holmquist and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7761-1 ISBN (13): 978-1-4438-7761-9 TABLE OF CONTENTS Preface ....................................................................................................... vii Introduction…………………………………………………………….... ix Scandinavia and the Balkans in the Eyes of Each Other Part I: Glimpses on Early Contacts between Scandinavia and the Balkans The Gundestrup Cauldron: Iconography and Semantics of the “Warriors’ Frieze” ............................................................................. 3 Ivan Marazov An Epigraphic Monument of the Goths from Constantinople ................... 15 Zarko Zhdrako and Emilia Dencheva The Old German Runics and the Gotho-Moesian Alphabet of Bishop Wulfila from the Foot of the Balkan Mountain Range (Village of Bogomolsko, Antonovo Municipality) .................................... 29 Pavel Georgiev Part II: Meetings of Scandinavia and the Balkans as Reflected in Written Sources Rus’, Scandinavians, and the Balkans in the Ninth and Tenth Centuries ..............................................................
    [Show full text]
  • LIR.Skrifter
    LIR.skrifter Yvonne Leffler, Åsa Arping, Jenny Bergenmar, Gunilla Hermansson & Birgitta Johansson Lindh SwediSh women’S writing on export Tracing Transnational Reception in the Nineteenth Century LIR.skrifter.10 Yvonne Leffler (volume editor), Åsa Arping, Jenny Bergenmar, Gunilla Hermansson & Birgitta Johansson Lindh Swedish Women’s Writing on Export: Tracing Transnational Reception in the Nineteenth Century LIR.skrifter.10 © LIR skrifter & författarna 2019 Form: Richard Lindmark Tryck: BrandFactory AB, Kållered 2019 iSbn: 978-91-88348-96-8 ContentS ACknowledgementS 7 ContributorS 9 INTRODUCTION 11 Swedish Women’s Writing on Export. Tracing Transnational Reception in the Nineteenth Century Conceptualising Circulation 13, World Literatures, Canon, and Gender 16, Trans - lation and Other Reception Events 19, Methodological Challenges 21, Outline 24 Gunilla Hermansson JuliA nyberg / euphroSyne 33 Romantic Poetry, World Literature, and Superficial Reception Entering the Swedish Canon 34, Poetry and Transcultural Reception 36, Translations, and the Lack Thereof 41, Translation, Nationalism, and Gender Stereotypes 47, Secondary and Superficial Reception 52, Gender, Nationality, and Poetry Reception Patterns 59, Poetry, World Literature, and the Potential of Distant Reading 63, Nyberg, World Literature, and the Art of Forgetting 67, Biography: Julia Nyberg 70 Åsa Arping “the miss AuSten of Sweden” 97 Fredrika Bremer’s Transatlantic Triumph in the Age of Reprint The European Dissemination 99, The Launching and Reception in the United States 103,
    [Show full text]
  • When Historiographical Actors Get a Life of Their Own
    With víkingr into the Identity Trap: When Historiographical Actors get a Life of their Own Kerstin P. Hofmann* As the field of genetic history has grown, academic interest in migration, peoples and ethnic identities has also grown apace. The people of the British Isles have been a focus of research in this area. Specifically, researchers have been fishing for Vikings in the gene pool. My paper begins, therefore, with some brief remarks on the etymology of the term »Viking«, its his- torical usage and the reception of Vikings in modern times. I address practices of naming as well as the role of romanticization and mythologization as constituents of the popular image of »the Vikings«. The discussion makes it apparent that the term »Viking« has a wide variety of associations and that behind the shared designation, which functions as a kind of semantic shorthand, lie many relationships that have yet to be studied. For that reason, in a second step, this paper outlines what are, in some cases, the greatly diverging conceptualizations of time, space, mobility and identity on which archaeological and genetic interpretations are based. I discuss in particular the problem posed by the essentialization of archaeological subjects as well as the »naturalization« of protagonists of historiographical narratives and their equation with historical actors. Finally, I address the dangers associated with identity politics, which go on both outside the academic discourse and within academia itself. Our duty now is to steer clear of mere battles over the prerogatives of interpretation. Instead, we must cultivate academic and political reflexivity, as well as mutual acceptance.
    [Show full text]
  • The Royal Placat of 1666 Briefly About Background and Further Importance
    6 THE ROYAL PLACAT OF 1666 BRIEFLY ABOUT BACKGROUND AND FURTHER IMPORTANCE THOMAS ADLERCREUTZ, Jur.kand. The royal ”Placat” of 1666, issued by the governing council under the minority of King Charles XI Sweden, has in some circles in Sweden been hailed as ”the first antiquities legislation of the world”. Ironically, this is very much in keeping with theories, entertained by the 17th century academicians particularly at Uppsala University, that Sweden Thomas Adlercreutz itself was also the origin of all civilisation. This extravagant notion has been fuelled both by Sweden`s military has a law degree from Uppsala success in the Thirty Year`s War and by a very imaginative reading of the Old Testament, compared to remains and University (1971). place names in Sweden. In the article, I shall endeavour to translate excerpts of the placat into modern English. I shall also look into preceding legal texts from other jurisdictions, and investigate possible similarities. Furthermore, His legal career includes I will look into the Swedish background to this document. An interesting trace is one leading to Rome, where the serving as a judge in various abdicated Swedish Queen Christina resided, still with many bonds to Sweden and her cousin`s dowager and their courts, serving in various son, Charles XI, and his governing council. Finally, I shall try to evaluate the importance of the placat and summarise capacities for ministries of what happened afterwards. the Swedish Government and as a secretary to the Planning, Building and Housing The Placat: the condensed version any manner make asunder or destroy re- Committee of the Swedish Parliament.
    [Show full text]
  • Abstract( This! Thesis! Engages! In! The! Discussion! On! The! Nature! Of
    ! Abstract( This!thesis!engages!in!the!discussion!on!the!nature!of!nationalism!by!posing!the!questioning!the! modern! and! primordial! essentialist! conceptualizations.! Instead! it! argues! for! the! view! of! seeing! aspects!of!nationalism!as!highly!mutable.!To!demonstrate!this!view,!two!case!studies!are!posited!of! the!development!of!a!myth!of!origin,!a!strong!element!of!nationalism,!both!in!the!context!of!the! Low! Countries! (1517Y1610)! and! Sweden! (1523Y1612).! It! concludes! that! as! a! consequence! of! the! developing!political!situation,!the!scholarly!discourse!on!the!myth!of!origin!in!both!cases!became! increasingly!intertwined!with!the!political!debate,!even!though!the!scope!and!content!differs.!With! this!coalescence!the!myth!is!accompanied!by!a!change!in!content!and!interpretation!in!order!to!fit! the!political!rhetoric!better,!thus!demonstrating!the!mutability!of!this!aspect!of!nationalism.! ! ! ! ! Written!by!Thomas!Modder!(Leiden:!s1441914/!Oxford:!765191)! MA!Thesis!Europeaum!Programme:!European!History!and!Civilization,! Summer!2014,!Leiden!University/University!of!Oxford.! ! ! Supervisor!Leiden:!dr.!F.!Roşu!!! Supervisor!Oxford:!F.!Verhaart Introduction! ! ! ! ! ! ! ! ! ! !4 ! ! ! ! ! ! ! ! ! ! ! ! ! CHAPTER!1!–!(The(Batavian(Myth(in(the(Low(Countries((1517;1610)( ( !9( 1.1!The!Birth!of!a!Myth!on!the!Eve!of!the!Rebellion! ! ! ! !10! 1.2!Hadrianus!Junius’!Batavia! ! ! ! ! ! ! !13! 1.3!Hugo!Grotius’!De(Antiquitate(Reipublicae(Batavicae! ! ! ! !19! 1.4!The!Case!of!the!Low!Countries:!Reflections!and!Conclusions!
    [Show full text]
  • The Gothic Versus the Russian. the Conflict Between the Church of The
    Södertörn University | School of Historical and Contemporary Studies | Bachelor's essay 15 credits | The Study of Religions C Specialization: Contemporary Studies | Fall Semester 2014 , The Gothic versus the Russian. The conflict between the Church of the Goths and the Russian Orthodox Church – A comparison between the Church of the Goths (and similar churches) and the Moscow Patriarchate By: Isak Nygren Supervisor: Jørgen Straarup Examiner: David Thurfjell Abstract This essay is mainly about the Church of the Goths and about the Russian Orthodox Church, and their conflict. The essay will be focusing about important persons in these two churches. This essay will be tracing back the roots of the Church of the Goths, since it is a church, that is unknown by most people in this world. My research will be making a distinction of the differences between the Church of the Goths and the Russian Orthodox Church. This essay will also be discussing the heritage of the Gothic people and the theories of the Goths. The methods in the essay, is academic sources, information from the Church of the Goths and from the Russian Orthodox Church. The results shows how the information was found, and now it is published for the first time about the Church of the Goths. This means the Church of the Goths has a stronger ground than first expected. The methods were comparing what the different sources says, and if it was possible to connect the Church of the Goths to the Metropolitanate of Gothia, and so on. i Table of contents Abstract………………………………………………………………………………………………......i 1 Introduction……………………………………………………………………………………..1 1.1 Aim and purpose………………………………………………………………………………….
    [Show full text]
  • Whiteness and 19Th Century Representations of Scandinavia
    University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 Septentrionalism: Whiteness and 19th Century Representations of Scandinavia Madison Elisabeth Boland Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Boland, M. E.(2020). Septentrionalism: Whiteness and 19th Century Representations of Scandinavia. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/5791 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Septentrionalism: Whiteness and 19 th Century Representations of Scandinavia by Madison Elisabeth Boland Bachelor of Arts Presbyterian College, 2018 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts and Sciences University of South Carolina 2020 Accepted by: Rebecca Stern, Director of Thesis Eli Jelly-Schapiro, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Madison Elisabeth Boland, 2020 All Rights Reserved ii Abstract During the nineteenth century, the British Empire grappled with a rapidly changing world, both in terms of the industrializing landscape at home and the multi-ethnic nature of their expanding empire. With native white British making up the privileged minority, the understanding of what a subject of the British Empire looked like began to change, contributing to racial anxieties and a rise in British nationalism. To consolidate and strengthen their sense of national identity, many white Victorians sought to define Britishness upon racially exclusive lines, prioritizing a Germanic or Anglo-Saxon ethnicity above all others, including other European ethnicities.
    [Show full text]