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Cow Care in Hindu Animal Ethics Kenneth R
THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Ahmedabad Coins & Currency Fair 7Th
Shatrughan Saravagi Cordially Invites you at India’s Most Prestigious Entry Entry Free Free 7th Annual Ahmedabad Coins & Currency Fair 7th to 9th August 2015 10:00 am to 7:00 pm Venue HOTEL COMFORT INN PRESIDENT Opposite Municipal Market, C. G. Road, Navrangpura, Ahmedabad - 380009. Tel: 079-26467575, 26464020 | Fax: 079 - 26461414 Email: [email protected] | Website: www.comfortinnpresident.com classical numismatic gallery Auction 21 - 7th August 2015 Auction 22 - 8th August 2015 Attractions of Fair Kutch Portrait Silver, 10 Kori, 5 Kori, 2- ½ and 1 Kori will be on display, Coins from the Mints of Gujarat will be on display, King George V Portrait Note of 10,000 Rupees will be on display. Please contact for more information classical numismatic gallery A Proprietary Concern established by Shatrughan Saravagi (Antique Trading Licence No. 001) 105, 3rd Eye Complex, C. G. Road, Panchvati, Ahmedabad - 380006. Tel: 079 - 2646 4850 / 2646 4851 | Fax: 079 - 2646 4852 Email: [email protected] | Website: www.classicalnumismaticgallery.com classical numismatic gallery Coins | Medals | Tokens | Paper Money auction 21 on Friday, 7th August 2015, 6:00 PM onwards Venue Hotel Comfort Inn President C. G. Road, Navrangpura, Ahmedabad - 380009 (Gujarat) in conjunction with Ahmedabad Coins & Currency Fair - 2015 : conducted by : classical numismatic gallery A Proprietary Concern established by Shatrughan Saravagi 105, 3rd Eye Complex, C. G. Road, Panchvati, Ahmedabad - 380 006. Gujarat. India. Tel: +91 (0) 79 2646 4850 / 51 | Fax: +91 (0) 79 2646 4852 Email: [email protected] | Web: www.classicalnumismaticgallery.com Date of Auction: Friday, 7th August 2015, 6:00 PM onwards Online bidding ends: Friday, 7th August 2015, 4:00 PM Order of Sale Ancient India 'Dakshina-patha-pati': An Important Collection of Ancient Coins from the Deccan ..... -
Translated by Wordport from Wordstar
Updated 12 12 15 Religion V2205: HINDUISM Spring, 2016 Basics: Time: Tuesdays, Thursdays, 2:40-3:55, plus recitations Location: 504 Diana Field trips: Temples, Sat.- Sun., January 30-31 Metropolitan Museum. Sat.-Sun., March 26-27 Instructors: Jack Hawley [email protected] Office hours: Tuesday, 4-6 in Milbank 219a Manpreet Kaur [email protected] Uponita Mukherjee [email protected] Books: The following are required and available for purchase at BookCulture. They will also be found on reserve in the Barnard library, temporarily located in Barnard Hall. Substantial segments of Devi: Goddesses of India and At Play with Krishna have also been scanned to the Files & Resources page of CourseWorks. Diana L. Eck, Darśan Gavin Flood, An Introduction to Hinduism John Stratton Hawley with Shrivatsa Goswami, At Play with Krishna John Stratton Hawley and Mark Juergensmeyer, Songs of the Saints of India John Stratton Hawley and Vasudha Narayanan, eds., The Life of Hinduism John Stratton Hawley and Donna Marie Wulff, eds., Devi: Goddesses of India Barbara Stoler Miller, tr., The Bhagavad-Gita R. K. Narayan, The Ramayana Patrick Olivelle, tr., Upaniṣads Recitations: Section meetings will be held weekly at the times and places that are announced in SSOL and for which you should already have signed up. Film Resources: A number of films accompany this class. They provide a form of access to our subject that is impossible to duplicate on the printed page. In class, we will usually only have time to see clips, but the full film is available in the collection of the Barnard Media Center. -
Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching. -
Jain Philosophy and Practice I 1
PANCHA PARAMESTHI Chapter 01 - Pancha Paramesthi Namo Arihantänam: I bow down to Arihanta, Namo Siddhänam: I bow down to Siddha, Namo Äyariyänam: I bow down to Ächärya, Namo Uvajjhäyänam: I bow down to Upädhyäy, Namo Loe Savva-Sähunam: I bow down to Sädhu and Sädhvi. Eso Pancha Namokkäro: These five fold reverence (bowings downs), Savva-Pävappanäsano: Destroy all the sins, Manglänancha Savvesim: Amongst all that is auspicious, Padhamam Havai Mangalam: This Navakär Mantra is the foremost. The Navakär Mantra is the most important mantra in Jainism and can be recited at any time. While reciting the Navakär Mantra, we bow down to Arihanta (souls who have reached the state of non-attachment towards worldly matters), Siddhas (liberated souls), Ächäryas (heads of Sädhus and Sädhvis), Upädhyäys (those who teach scriptures and Jain principles to the followers), and all (Sädhus and Sädhvis (monks and nuns, who have voluntarily given up social, economical and family relationships). Together, they are called Pancha Paramesthi (The five supreme spiritual people). In this Mantra we worship their virtues rather than worshipping any one particular entity; therefore, the Mantra is not named after Lord Mahävir, Lord Pärshva- Näth or Ädi-Näth, etc. When we recite Navakär Mantra, it also reminds us that, we need to be like them. This mantra is also called Namaskär or Namokär Mantra because in this Mantra we offer Namaskär (bowing down) to these five supreme group beings. Recitation of the Navakär Mantra creates positive vibrations around us, and repels negative ones. The Navakär Mantra contains the foremost message of Jainism. The message is very clear. -
Language Politics and State Policy in Nepal: a Newar Perspective
Language Politics and State Policy in Nepal: A Newar Perspective A Dissertation Submitted to the University of Tsukuba In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Public Policy Suwarn VAJRACHARYA 2014 To my mother, who taught me the value in a mother tongue and my father, who shared the virtue of empathy. ii Map-1: Original Nepal (Constituted of 12 districts) and Present Nepal iii Map-2: Nepal Mandala (Original Nepal demarcated by Mandalas) iv Map-3: Gorkha Nepal Expansion (1795-1816) v Map-4: Present Nepal by Ecological Zones (Mountain, Hill and Tarai zones) vi Map-5: Nepal by Language Families vii TABLE OF CONTENTS Table of Contents viii List of Maps and Tables xiv Acknowledgements xv Acronyms and Abbreviations xix INTRODUCTION Research Objectives 1 Research Background 2 Research Questions 5 Research Methodology 5 Significance of the Study 6 Organization of Study 7 PART I NATIONALISM AND LANGUAGE POLITICS: VICTIMS OF HISTORY 10 CHAPTER ONE NEPAL: A REFLECTION OF UNITY IN DIVERSITY 1.1. Topography: A Unique Variety 11 1.2. Cultural Pluralism 13 1.3. Religiousness of People and the State 16 1.4. Linguistic Reality, ‘Official’ and ‘National’ Languages 17 CHAPTER TWO THE NEWAR: AN ACCOUNT OF AUTHORS & VICTIMS OF THEIR HISTORY 2.1. The Newar as Authors of their history 24 2.1.1. Definition of Nepal and Newar 25 2.1.2. Nepal Mandala and Nepal 27 Territory of Nepal Mandala 28 viii 2.1.3. The Newar as a Nation: Conglomeration of Diverse People 29 2.1.4. -
Resource Guide on Climate Change for RELIGIOUS COMMUNITIES © Religions for Peace December 2016
Resource Guide on Climate Change FOR RELIGIOUS COMMUNITIES © Religions for Peace December 2016 For more information: [email protected] ACKNOWLEDGEMENTS Dear Esteemed Colleague: On behalf of Religions for Peace, I would like to acknowledge the many people and organizations that supported the creation of this climate resource guide. Our acknowledgements begin with Won Buddhism, which helped us to start to build this guide. Special appreciation goes to Religions for Peace International Trustee, Mrs. Christina Lee Brown, a long-term supporter. Mrs. Brown has enabled Religions for Peace to advance an expertly staffed multiyear programme on the protection of the earth. This generous leadership has borne much fruit, including greatly assisting in the production of this guide. Additional appreciation goes to Religions for Peace International Trustee, Prof. Jeffrey Sachs, who has advanced dynamic partnerships for Religions for Peace that have greatly strengthened its work. Sincere thanks goes to Dr. Anthony Annett, the principal drafter of the resource guide; Rev. Kyoichi Sugino, Deepika Singh, and Valerie Nash for valuable input and guidance; Florence Brunert, Emma Bausert, and Caroline McCutcheon for excellent research assistance; Emma Stieglitz and Hannah Vogel from Climate Nexus for providing significant drafting input; Lou Doucette for top-quality editing; and Jana Jedličková for outstanding design and layout. Religions for Peace would also like to thank the esteemed religious leaders and affiliates who provided valuable feedback—especially H.E. Shaykh Abdullah bin Bayyah, Dr. Anantanand Rambachan, Bhai Sahib Bhai Mohinder Singh, H.E. John Cardinal Onaiyekan, Chief Rabbi David Rosen, and Rev. Kosho Niwano. Sincerely yours in Faith, Dr. William F. -
SANA GUTHI and the NEWARS: Impacts Of
SANA GUTHI AND THE NEWARS: Impacts of Modernization on Traditional Social Organizations Niraj Dangol Thesis Submitted for the Degree: Master of Philosophy in Indigenous Studies Faculty of Humanities, Social Sciences and Education University of Tromsø Norway Autumn 2010 SANA GUTHI AND THE NEWARS: Impacts of Modernization on Traditional Social Organizations By Niraj Dangol Thesis Submitted for the Degree: Master of Philosophy in Indigenous Studies Faculty of Social Science, University of Tromsø Norway Autumn 2010 Supervised By Associate Professor Bjørn Bjerkli i DEDICATED TO ALL THE NEWARS “Newa: Jhi Newa: he Jui” We Newars, will always be Newars ii ACKNOWLEDGEMENTS I regard myself fortunate for getting an opportunity to involve myself as a student of University of Tromsø. Special Thanks goes to the Sami Center for introducing the MIS program which enables the students to gain knowledge on the issues of Indigeneity and the Indigenous Peoples. I would like to express my grateful appreciation to my Supervisor, Associate Prof. Bjørn Bjerkli , for his valuable supervision and advisory role during the study. His remarkable comments and recommendations proved to be supportive for the improvisation of this study. I shall be thankful to my Father, Mr. Jitlal Dangol , for his continuous support and help throughout my thesis period. He was the one who, despite of his busy schedules, collected the supplementary materials in Kathmandu while I was writing this thesis in Tromsø. I shall be thankful to my entire family, my mother and my sisters as well, for their continuous moral support. Additionally, I thank my fiancé, Neeta Maharjan , who spent hours on internet for making valuable comments on the texts and all the suggestions and corrections on the chapters. -
Bhakti Movement
TELLINGS AND TEXTS Tellings and Texts Music, Literature and Performance in North India Edited by Francesca Orsini and Katherine Butler Schofield http://www.openbookpublishers.com © Francesca Orsini and Katherine Butler Schofield. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Orsini, Francesca and Butler Schofield, Katherine (eds.), Tellings and Texts: Music, Literature and Performance in North India. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0062 Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ In order to access detailed and updated information on the license, please visit: http://www.openbookpublishers.com/isbn/9781783741021#copyright All external links were active on 22/09/2015 and archived via the Internet Archive Wayback Machine: https://archive.org/web/ Digital material and resources associated with this volume are available at http:// www.openbookpublishers.com/isbn/9781783741021#resources ISBN Paperback: 978-1-78374-102-1 ISBN Hardback: 978-1-78374-103-8 ISBN Digital (PDF): 978-1-78374-104-5 ISBN Digital ebook (epub): 978-1-78374-105-2 ISBN Digital ebook (mobi): 9978-1-78374-106-9 DOI: 10.11647/OBP.0062 King’s College London has generously contributed to the publication of this volume. -
Satavahana Coins Cracked
M. Kasturi Bai and Shailendra Bhandare (with an appendix by D. Kennet) Chapter 9 The Coins Introduction ‘Hollow cross’-type coins The excavations at Paithan yielded a total of 56 coins, This type consists of a hollow cross on the obverse. including two that were found on the surface. Many These are square in shape. They are also corroded, of these are in a very poor condition, making identi- cracked, worn out and sometimes flaked. All of these fication difficult and tentative or, in 17 cases, impos- coins can be attributed to the post-Mauryan and pre- sible. Those coins that can be identified are broadly Satavahana period. classified in the catalogue below as pre-Satavahana Coin 1. Find No. 574 (Context: 458), Tr. B. (c. 370–150/100 bc), Satavahana (c. 140 bc–ad 220), Period 1. Fig. 9.1. post-Satavahana (2nd–7th centuries ad), Islamic (c. Copper alloy, squarish, broken, corroded and worn out. ad 1300–19th century) and British (ad 1818 and later), Size: 1.75 × (-) × 0.50 cm, weight: 3.49 g. some of which are subdivided into types. Table 9.1 Obv: Traces of a hollow cross are present. shows the occurrence of each of these categories and Rev: Indistinct due to corrosion. types by period. Coin 2. Find No. 504 (Context: 453), Tr. B. Period 1. Fig. 9.1. Copper alloy, squarish, corroded, greenish patina and Pre-Satavahana coins cracked. Size: 1.94 × 1.85 × 0.57 cm, weight: 5.85 g. The pre-Satavahana coins are subdivided into ‘hollow Obv: Hollow cross is faintly visible. -
The Iconography of Nepalese Buddhism
TheThe IconographyIconography ofof NepaleseNepalese BuddhismBuddhism by Min Bahadur Shakya HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. P H A N I C- ZDH / T A P P H A N / M, T P. O. B N: , K, N e of Nepalese Buddhism M B S v A A Min Bahadur Shakya is a scholar of Newar and Tibetan Buddhism. Among his major publications are hort istory of uddhism in epal, . ntroduction to uddhist onasteries of athmandu alley, . He was elected Vice President of World Fellowship of Buddhist Youth WFBY for the years –. His major re- search work on ife and ontribution of epalese rincess hrikuti evi is shortly forthcoming. Mr. Shakya was nomi- nated by Venerable Master Hsing Yun, Fokuang Shan, Taiwan as Research Associate in Fokuang Shan Chinese Buddhist Research Academy for the years –. In , he was granted a SAARC Fellowship (Buddhist Studies) by the Ministry of Foreign Affairs, impu, Bhutan. Currently he is working as the Chief Editor of uddhist ima- laya, a bi-annual journal dealing with Buddhism in the Hima- layan regions. He has also contributed more a dozen research papers in reputed foreign journals. Since , he is teaching in Engineering Institute, Pulchowk Campus, Lalitpur. Presently he is the Director, Nagarjuna Institute of Exact Methods. F Under the definition of andicrafts there are multiple products. Of them the statues of gods and goddesses of Buddhism and Hinduism stand foremost.eir importance is enhanced not only because of the fact that they are hand made but also that they are made by using meticulously time-consuming traditional tech- v niques: Lost Wax Process, Chiselling, antique finishing and so on. -
Sources of Ancient Indian Iconography: - Vedas Are the Primary Sources of All Ideology of the Indian Culture
Sources of Ancient Indian Iconography: - Vedas are the primary sources of all ideology of the Indian culture. Various forms of various deities have been praised in the Vedas, icons or idols have mentioned in the various eulogies of Vedas. Many deities were conceived in Indian religions. Different sect of Brahmin religion such as Shaivite, Vaishnavism, Shakt, and solar belong to Siva, Vishnu, Shakti and Sun deities respectively. Similarly, Jain and Buddhism are related to Tirthankaras and Buddha respectively. The Brahmin literature: - The early literature of various religions gives a description of the imagination, origin and development of various deities. Various stories, events and different themes related to the deities are found in the early religious literatures such as Vedic texts, Puranas and later Vedic literature. In the Rigveda, Yajurveda, Atharvaveda, Taittariya Samhita, Shatapatha Brahmana, Aitreya Brahmana, Ramayan, Mahabharat, Vayu Purana, Vishnu Purana, Shiva Purana, Markandeya Purana, Matsya Purana, Linga Purana, Harivansh Purana, Padma Purana, Brahma Purana, Devi Bhagavata Purana and Garuna Purana has described the character and nature of Gods and Goddesses, their stories, Armaments, hobbies and interrelations etc. In all the Puranas, the ten chapters of the ancient Matsya Purana described the shape and size of the idols. In this Purana, the details related to the Shivalinga and the human idols of Shiva are presented prominently. The sixteen chapter of Agni Purana describe iconography. In addition to the Saiva and Vaishnav idols in this Purana Devi (Goddess) and sun idols have been discussed. The Vishnu Dharmottar Purana is particularly notable in this context, it has a more detailed description than others Purana.