New Stones Just In!

Total Page：16

File Type：pdf, Size：1020Kb

New Stones Just In! Indigo Gabbro is available in both polished palm pieces and rough stones. Indigo Gabbro is a relatively new crystal mined in Madagascar and a few locations in Alaska. It ranges in color from light indigo purple to black. This stone is a combination of minerals including feldspar, chlorite, serpentine, muscovite, pyroxene, and magnetite. In fact, Gabbro is an essential part of the oceanic crust that underlies the Earth’s surface. The energy of Indigo Gabbro creates a bridge between the physical and spiritual worlds inspiring the holder to accept and highly value their psychic abilities. Also good for easing temper, calming hot flashes, bruises, sprains and immune system disorders, Indigo Gabbro is associated with the 3rd eye and root chakras and aligns with the astrological sign of Sagittarius. Nuummite is available in polished palm pieces. Nuummite is a new stone for us at Elysian Fields and it is beautiful! It has flashes of gold iridescent color in a dark charcoal/black base and is a stone of inner power, self-mastery and alignment with elemental forces. Nuummite is mined only in a remote region in Greenland, and can only be reached when the weather is warm there, hence it is very rare. Only a few pieces available! Copal is available in rough form in the stone bin spinner. Copal is fossilized tree resin on it’s way to becoming amber. Copal carries the same energies but is thousands of years old and amber is millions. Both Copal and Amber dispel negativity, bring cheer and good luck. We have a large selection of copal for you to peruse. Turquoise – from Tibet and available in palm size and larger pieces Tibetan Turquoise is hard to come by and we are excited to share this with you. The stones are very nice and the prices are reasonable. Don’t delay as these will go quickly! Lepidolite – available in both slabs and points Lepidolite is a wonderfully calming stone (much because of the high content of lithium salt) and we most always have rough pieces in the stone spinner. This time we have also found natural slabs or slices as well as some small points. Don’t miss these beauties. Lapis – oh my! – available in pyramids, spheres, palm sized rounds and free forms The incredible deep blue color of this lapis, with gold pyrite flecks, is amazing! This shipment comes from one of our vendors who owns a mine in Pakistan and is some of the best we have ever seen. Excellent quality! Ruby and Sapphire – available in natural, rough pieces polished on one end Years ago we had some of these rough points from India and we have not seen them since until now. The polished ends are pinkish (ruby) or bluish (sapphire) or a combination which has a purple hue. Ruby is associated with the heart and root chakras and encourages passion and a zest for life. Sapphire, known as the “wisdom stone”, helps restore balance in the body and brings serenity and peace of mind. Come in soon and enjoy! .

Copy Link

Recommended publications

Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
[Show full text]
“Among the Most Unusual Substances on Earth, Amber Combines Alluring Physical Properties with an Unparalleled Archive of Ancient Life on Our Planet
(a.) (b.) Figure 1. a) Termites in Colombian copal showing gas bubbles; b) Close view, showing termites in Colombian copal showing gas bubbles. “Among the most unusual substances on Earth, amber combines alluring physical properties with an unparalleled archive of ancient life on our planet. No other substance brings together such richness in art and science.” David A. Grimaldi, American Museum of Natural History (Ross, 2010) 16 FUNGI Volume 11:5 2019 Figure 2. A rough piece of blue Dominican amber. y quest for mushrooms in Mushroom lovers were treated to a and so versatile. As a gemologist, amber amber and copal lasted about small, extremely rare piece of light- was an organic, semi-precious gemstone a decade, from the mid-1990s colored amber, inside which a tiny gilled for me, soft for a gemstone (only 2-2.5 Mto the early part of the 2000s. During mushroom was barely visible. Through on the Mohs scale), and with multiple this period of time, I found mushrooms a strategically placed magnifying glass, places of origin around the world. It in Mexican red amber from Chiapas, excited visitors could get a glimpse of came in multiple colors, and lended itself and in Colombian copal from the what the ancestor of today’s Mycena to carving and the creation of beautiful Santander region; these pieces make up looked like, down to its cap, delicate works of art. As a mycologist seeking the bulk of my collection. The unique gills, and stipe. Though an extinct mushrooms inside the amber, amber fossils of mushrooms, amber, and copal species and millions of years old, the was the fully polymerized tree resin that in this collection are still waiting to be fossilized mushroom looked fresh and formed millions of years ago in what studied.
[Show full text]
Imitation Amber Beads of Phenolic Resin from the African Trade
IMITATION AMBER BEADS OF PHENOLIC RESIN FROM THE AFRICAN TRADE Rosanna Falabella Examination of contemporary beads with African provenance reveals large quantities of imitation amber beads made of phenol- formaldehyde thermosetting resins (PFs). This article delves into the early industrial history of PFs and their use in the production of imitation amber and bead materials. Attempts to discover actual sources that manufactured imitation amber beads for export to Africa and the time frame have not been very fruitful. While evidence exists that PFs were widely used as amber substitutes within Europe, only a few post-WWII references explicitly report the export of imitation amber PF beads to Africa. However they arrived in Africa, the durability of PF beads gave African beadworkers aesthetic freedom not only to rework the original beads into a variety of shapes and sizes, and impart decorative elements, but also to apply heat treatment to modify colors. Some relatively simple tests to distinguish PFs from other bead materials are presented. Figure 1. Beads of phenol-formaldehyde thermosetting resins INTRODUCTION (PFs) from the African trade. The large bead at bottom center is 52.9 mm in diameter (metric scale) (all images by the author unless otherwise noted). Strands of machined and polished amber-yellow beads, from small to very large (Figure 1), are found today in the He reports that other shapes, such as barrel and spherical stalls of many African bead sellers as well as in on-line (Figure 2), were imported as well, but the short oblates stores and auction sites. They are usually called “African are the most common.
[Show full text]
Save/View This Catalog in PDF Format
H O W A R D N O W E S A N C I E N T A R T www.howardnowes.com - 6 - www.howardnowes.com www.howardnowes.com HOWARD NOWES ANCIENT ART ANCIENT ART & ARTIFACTS Volume III, No. 2 Winter 2001 $5.00 Welcome to this Holiday edition of GALLERY SERVICES Ancient Art & Artifacts. This catalog contains Let us sell your antiquities! We can an excellent range of sculpture and ceramics, sell your collections in our gallery, through each piece chosen for their uniqueness and direct mail or at public auction, where the competitive bidding enviornment can be eye appeal. Objects are easily viewable in full suprisingly benificial. color online at www.howardnowes.com where condition reports are also available. If We offer restoration & conservation, which is preformed by trained professionals in New York City, please call to schedule an with more the 20 years experience. appointment for a viewing in person. We Go on-line to art-restoration.net for full recommend that you check the availability of details. items to avoid disappointment. Custom mounting is done by an 5 2 experience talented artist with more then 25 TERMS OF SALE years of experience. We offer appraisals for insurance pur- All items offered are unique and pouses and can help you with the valuation of subject to prior sale. Prices are in US dollars. objects. Just send us clear photos with sizes and 4 All sales are accompanied by a typed invoice, condition and follow up with a phone call. signed by our director, with all the relevant collection and provenance information.
[Show full text]
Curandera's Altar
5/16/2019 RUE, RESIN AND ROSE: SACRED AND MEDICINAL TRILOGY OF LATIN AMERICAN M A T E R I A MEDICA Mimi Hernandez, MS, RH(AHG) CURANDERA’S ALTAR 1 5/16/2019 RUE RUE 2 5/16/2019 SACRED RESINS 3 5/16/2019 RUE An herb of grace allowing us to screen out negative influences and clearly visualize and manifest our visionary potential. RUE At one time the holy water was sprinkled from brushes made of Rue at the ceremony usually preceding the Sunday celebration of High Mass, for which reason it is supposed it was named the Herb of Repentance and the Herb of Grace. 4 5/16/2019 RUE The fibrous roots of this herb reminded some people of the blood vessels in the eye, which may account for its use as an eyestrain treatment. Rue was once believed to improve the eyesight and creativity, and no less personages than Michelangelo and Leonardo Da Vinci regularly ate the small, trefoil leaves to increase their own. RUE Rue is also used to give a person “second sight” and was believed to help see into the future. A potent remedy to ward off the “evil eye” or “mal ojo” 5 5/16/2019 RUE Also commonly known as the Herb of Fair Maidens in France, Rue has long been a symbol of virtue and purity. As part of traditional Lithuanian wedding rites, the bride wears a crown of Rue which is burned during the ceremony to symbolize her transition from the whimsy and virtue of childhood to the responsibilities of motherhood and adulthood.
[Show full text]
Copal Vs. Amber
Gems&Jewellery / Summer 2011 / Volume 20 / No. 2 Gem-A OrganicsCalendar Copal vs. amber Maggie Campbell Pedersen and Bear Williams investigate the infrared and optical characteristics of treated and natural ambers and copals. Part I: Observation and simple gemmological tests The correct identification of ambers and heat-treated Baltic amber — other ambers greened, 40 million year-old Baltic amber is copals can be extremely difficult. Not only are seldom, if ever, treated this way. This is more valuable than greened, 300 year-old are we expected to be able to differentiate because they are too rare and expensive, Colombian copal, and clarified and heat- between them, but we are also expected to and, secondly, the younger ambers such treated Baltic amber would be more valuable be able to recognize and identify all of the as those from Mexico or the Dominican than heat-treated copal used in imitation of treatments given to them. Unfortunately Republic have a lower melting point than Baltic amber. these are constantly increasing in number Baltic amber and would melt if heated to the The normal gemmological tests are and complexity. One treatment that is high temperatures necessary to produce the not very useful for resins. We know that appearing more and more is autoclave- fractures. However, nowadays we are seeing all ambers float in saturated salt water, treated copal (including the greened variety), copals treated in an autoclave to produce but so do natural or treated copals, as yet still many misunderstandings remain sun spangles. well as pressed amber. In general, specific gravity tests can therefore only differentiate about this material.
[Show full text]
Updated 2012
American Federation of Mineralogical Societies AFMS Approved Reference List of Lapidary Material Names “Gem List” August 1996 Updated January 2003 AFMS Pubications Committee B. Jay Bowman, Chair Internet version of Approved Lapidary Material Names. This document can only be downloaded at http://www.amfed.org/rules APPROVED NAMES FOR LAPIDARY LABELS Prepared by the American Federation Nomenclature Committee and approved by the American Federa- tion Uniform Rules Committee, this list is the authorized guide and authority for Lapidary Label Names for exhibitors and judges in all competition under AFMS Uniform Rules. All materials are listed alpha- betically with two columns on a page. The following criteria are to assist in the selection and judging of material names on exhibit labels. 1. The name of any listed material (except tigereye), which has been cut to show a single chatoyant ray, may be preceded by “CAT’S-EYE”; the name of any material which has been cut to show asterism (two or more crossed rays) may be preceded by “STAR”, i.e.: CATS-EYE DIOPSIDE, CAT’S-EYE QUARTZ, STAR BERYL, STAR GARNET, etc. 2. This list is not all-inclusive as to the names of Lapidary materials which may at some time be exhibited. If a mineral or rock not included in this list is exhibited, the recognized mineralogical or petrological name must be used. The names of valid minerals and valid mineral varieties listed in the latest edition of the Glossary of Mineral Species by Michael Fleisher, or any other authorized reference, will be acceptable as Lapidary names. Varieties need only have variety name listed and not the root species.
[Show full text]
Mushroom in Copal Gilalite Altered to Cuprite in Quartz
Editor Nathan Renfro Contributing Editors Elise A. Skalwold and John I. Koivula Mushroom in Copal Copal is widely popular among gem collectors due to its eclectic inclusion scenes. As a fossilized tree resin, copal can contain a wide range of flora, fauna, and inorganic ma- terials. It is not uncommon to find spiders, termites, leaves, and petals inside this resinous gem. In a 19.83 ct brownish orangy yellow copal, the author recently observed a re- markably well-preserved mushroom that was easily seen with the naked eye and had a cap that was just over 5.5 mm in diameter. Stalks of broken mushrooms, miscella- neous plant materials, and gas bubbles were also found in this specimen. Interestingly, copal was also used for many years by some indigenous peoples in Mexico and Central America as incense for ceremonial purposes such as the sa- cred mushroom ceremony. The mushroom inclusion in Figure 1. This copal from Mexico contained a this copal, reportedly from Mexico, may have a more sig- remarkably well-preserved eye-visible mushroom in- nificant meaning for the people of Mesoamerica that goes clusion. Photomicrograph by Nathan Renfro; field of beyond a gemological standpoint (figure 1). view 9.59 mm. Rebecca Tsang GIA, Carlsbad “Medusa quartz,” so named for the medusa phase of a jel- Gilalite Altered to Cuprite in Quartz lyfish, which has an umbrella-like shape similar to these In 2004, gem-quality quartz that contained blue to green brightly colored inclusions. One specimen of this material inclusions of the hydrated copper silicate mineral gilalite contained an unusual red inclusion with the same um- was found in Paraíba, Brazil.
[Show full text]
Identification and Care of Amber
Conserve O Gram September 2011 Number 11/17 Identification and Care of Amber Introduction Amber Products Amber can be cut, ground, heated, pressed and Amber is fossilized plant resin. During burial shaped into a variety of objects. Treated and (fossilization), the volatile components of resin untreated amber products have similar physical evaporate and the remaining hydrocarbons properties, except for color. polymerize and harden. Many museum col- lections contain amber, including archeologi- Clarified and colored amber. Cloudy amber is cal and fine art objects, and natural history slowly heated in a vegetable oil of similar refrac- specimens, either alone or in combination with tive index to clarify it. The oil fills the tiny other materials. This Conserve O Gram (COG) air bubbles that make it cloudy. Dyes may be provides guidance on the identification and care introduced to improve or darken the color. of amber. It does not address the preparation Heating can also produce “sun spangles” or or special care of fossiliferous amber. “flying saucers,” flat circular stress zones that are sometimes marketed as natural inclusions. Physical Properties of Amber Pressed amber or ambroid. Low-quality amber Color and opacity. Amber varies in color from and amber fragments are cleaned of impurities, honey yellow to off-white, through shades of ground, heated and pressed to form large blocks brown, yellow and red, to almost black. Rarely, used to make objects such as smoking parapher- it displays a greenish or bluish hue. Amber nalia, jewelry or ornaments. Ambroid often ranges from transparent to opaque, depending appears cloudy but pressed amber can also be on the amount of air bubbles and other inclu- clarified as described above.
[Show full text]
Procurement and Distribution of Pre-Hispanic Mesoamerican Obsidian 900 BC–AD 1520: a Social Network Analysis
J Archaeol Method Theory (2015) 22:206–247 DOI 10.1007/s10816-014-9211-1 Procurement and Distribution of Pre-Hispanic Mesoamerican Obsidian 900 BC–AD 1520: a Social Network Analysis Mark Golitko & Gary M. Feinman Published online: 7 May 2014 # Springer Science+Business Media New York 2014 Abstract Ancient economies have been characterized by many researchers as local- ized, highly controlled by political actors, and static over long periods of time. In Mesoamerica, recent research has cast doubt on these views, with the recognition of early market place exchange, production by households for exchange, and the wide- ranging integration of communities into regional trade networks. Here, we expand on an earlier network analysis of obsidian assemblages from the Maya region during the Classic and Postclassic periods to incorporate data for all of Mesoamerica between 900 BC and AD 1520. Using both visual graphical representations and formal network metrics, we find that the Mesoamerican economy was dynamic and generally not highly centralized over time. The topology of this interactive network underwent significant changes over time. In particular, trends towards decreasing network hierar- chy and size culminated in the highly commercialized “international” economy of Late Postclassic period as noted in previous studies. Based on this analysis, we make the case that the ancient Mesoamerican economy was neither predominantly top-down nor static, and so does not conform with oft-held presumptions regarding preindustrial economies. Keywords Mesoamerica . Obsidian . Network analysis . Exchange . Ancient economy Introduction Debates over the character and vibrancy of preindustrial economies are reaching a tipping point. For decades, discussions of precapitalist economic systems, including Electronic supplementary material The online version of this article (doi:10.1007/s10816-014-9211-1) contains supplementary material, which is available to authorized users.
[Show full text]
Signature Redacted Thesis Supervisor
An Assessment of Stingless Beeswax as a Pattern Material in Ancient Mesoamerican Lost-Wax Casting by Eleni Chrisoula Pitses Submitted to the Department of Mechanical Engineering in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Mechanical Engineering at the Massachusetts Institute of Technology June 2018 2018 Eleni Chrisoula Pitses. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature redacted Signature of Author: Department of Mechanical Engineering May 11, 2018 Signature redacted Certified by: Michael J. Tarkanian Senior Lecturer in Materials Science and Engineering Signature redacted Thesis Supervisor Accepted by: MASSACH SETS INSTrrUTE Rohit Kamik QF TECHNOWGY Professor of Mechanical Engineering Undergraduate Officer SEP 13 2018 1 LIBRARIES ARCHIVES 2 An Assessment of Stingless Beeswax as a Pattern Material in Ancient Mesoamerican Lost-Wax Casting by Eleni Chrisoula Pitses Submitted to the Department of Mechanical Engineering on May 11, 2018 in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Mechanical Engineering ABSTRACT Metal objects were of great cultural significance in pre-Columbian Mesoamerica. Historical and archaeological evidence prove that these items were made by the process of investment casting, or "lost wax" casting, by which a wax model of the object is created, and a ceramic mold is built around it. The wax is melted out to allow for the pouring of the molten metal. Considerable research has focused on the alloy composition of these objects, and some research has been done on the ceramic molds, but little is known about the composition, source, and manufacture of the wax itself.
[Show full text]
Ancient Carved Ambers in the J. Paul Getty Museum
ANCIENT CARVED AMBERS IN THE J. PAUL GETTY MUSEUM Faya Causey Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http:// Library of Congress Cataloging-in-Publication Data museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to http://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2019, J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figs. 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher.
[Show full text]