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Duty Free Guide
DUTYDUTY FREEFREE GUIDEGUIDE APRIL - JUNE 2011 SHEBA DUTY FREE Your Inflight Duty free shopping guide This is arguably the best African shopping in the sky. Created on the occasion of the African Millennium, it features a selection of ‘Must have items’ at duty free prices. Selected by the consumer goods purchasing department of Ethiopian Airlines, you may be able to save from 15-20% off the rack price. 3 Fragrances Cosmetics 13 14 Spirits Cigarettes 16 Ties, Silk Scarves 17 & Special Offer Audio CD’s 18 These credit cards are welcome on Ethiopian Airlines © Camerapix Magazines Ltd | SHEBA DUTY FREE FRAGRANCES NEW GUILty POUR HOMME for men by Gucci Eau de Toilette, 50 ml Gucci Guilty for men is carefully designed for men who know what they want and who get what they want. The charismatic alpha male, a true magnet for ladies, is represented in this provocative and seductive composition. The fragrance opens with lavender and lemon, leaving enough space for very appealing scents of orange blossom. Basic tones are supported by warm woody accords of cedar and patchouli, offering a firm but exciting and soft coloring to the whole composition. New Launch for 011 US$ 55 Ref. 982-6388 GUILty FOR WOMAN for women by Gucci NEW Eau de Toilette, 50 ml Made for the woman who shatters expectations, this fragrance imbues a feeling of power, a sense that she can attain whatever she wants – even the thrill of the forbidden. A sheer, floral-oriental fragrance, it opens with a bright burst of citrus and a dangerous hint of black pepper. -
Dispspect.Pdf
DISPOSITIFS SPEC[TAC]ULAIRES La Société Terminale 2 Patrick Schmoll & al. La Société Terminale 2 Dispositifs spec[tac]ulaires Collection “Futurs Indicatifs” dirigée par Patrick Schmoll et Jean-Christophe Weber La recherche technoscientifique suscite les interrogations les plus stimulantes, en même temps que les plus inquiètes, tant les limitations habituelles de l’agir hu- main semblent pouvoir être dépassées. Nos techniques nous permettent au- jourd’hui, non plus seulement de transformer notre environnement, mais de nous transformer nous-mêmes en modifiant les données programmatiques du vivant. Les dispositifs techniques de communication reconfigurent le lien social jusque dans l’intimité du rapport de l’individu à lui-même et aux autres. Ce pouvoir de transformation, qui suscitait aux siècles précédents un culte opti- miste du progrès, nourrit au contraire aujourd’hui des craintes liées à ses dangers réels ou supposés, ainsi qu’aux interrogations éthiques qu’il soulève. La com- plexité bouscule nos capacités d’anticipation et de contrôle. Quelle place les humains se ménagent-ils dans les sociétés qu’ils produisent, dès lors qu’ils ont la possibilité technique de se traiter eux-mêmes comme des “res- sources” ou des “produits” de leurs activités ? Quels cadres de pensée pouvons- nous ouvrir pour tenter d’imaginer l’avenir ? Dans cette collection : Patrick Schmoll & al., La Société Terminale 1. Communautés virtuelles (2020) Maquette de couverture : Néothèque/Éditions de l'Ill Image de couverture : Pierre Matter, Miroir, ô mon mioir , 2010, -
Pytvdbapi Documentation Release 0.5.0
pytvdbapi Documentation Release 0.5.0 Björn Larsson December 28, 2015 Contents I Basics 3 1 Basics 5 1.1 Getting Started..............................................5 1.2 Python 2.X and 3.X...........................................6 1.3 Examples.................................................7 II Modules 13 2 pytvdbapi modules 15 2.1 api Module............................................... 15 2.2 actor Module.............................................. 23 2.3 banner Module............................................. 24 2.4 error Module.............................................. 26 III Extras 27 3 License 29 4 Credits 31 4.1 Contributors............................................... 31 5 Contact 33 5.1 Feedback / Suggestions......................................... 33 5.2 Twitter.................................................. 33 IV Indices and tables 35 Python Module Index 39 i ii pytvdbapi Documentation, Release 0.5.0 Welcome to the documentation for pytvdbapi version 0.5.0 Contents 1 pytvdbapi Documentation, Release 0.5.0 2 Contents Part I Basics 3 CHAPTER 1 Basics 1.1 Getting Started 1.1.1 About pytvdbapi is created to be an easy to use and intuitive Python API for the TV-Show database thetvdb.com. It is designed with the intention of making it easier and faster to develop applications using data from thetvdb.com, without having to bother about working with the raw data provided. 1.1.2 Installing The best and recommended way to install pytvdbapi is to use pip. To install, issue the following command in a shell: $ pip install pytvdbapi Depending on on what system and where you install pytvdbapi you may need root privileges to perform the above command. 1.1.3 Dependencies pytvdbapi depends on the following external packages: • httplib2 If you install using the above description, the dependencies will be installed for you if you do not already have them on your system. -
TV Journalist Robin Scherbatsky of How I Met Your Mother
RIZWAN 1 Gender Confusion and the Female Journalist: TV Journalist Robin Scherbatsky of How I Met Your Mother Fatima Rizwan Master’s Thesis USC Annenberg 4/1/2013 RIZWAN 2 Contents 1. Abstract 2. Methodology 3. Literature Review 4. How I Met Your Mother: The Series 5. Robin Scherbatsky: Tomboy Childhood 6. Robin and the Image of the Female Journalist a. Louise “Babe” Bennett, Mr. Deeds Goes to Town (1936) b. Hildy Johnson, His Girl Friday (1940) c. Murphy Brown, Murphy Brown (1988-1998) 7. Robin, Family, and Fluff 8. Robin, Alcohol, and the Image of the Journalist 9. Robin, Romance, and the Image of the Female Journalist 10. Conclusion 11. How I Met Your Mother Episode Index 12. Episode Index 13. Bibliography 14. Endnotes RIZWAN 3 Abstract The female broadcaster provides one of the most stereotypical images of contemporary journalist in popular culture. Often, female journalists are portrayed as vivacious, ruthless, and driven individuals who must compete fiercely to survive in a man’s profession. Robin Scherbatsky (played by Cobie Smulders) of How I Met Your Mother is depicted as an attractive Canadian journalist with a tomboy past on the highly popular television series. Scherbatsky struggles to break free from covering stereotypical “fluff” stories, a genre that is common to female broadcast journalists. While she maintains a rugged and unemotional facade, she is still very womanly and vulnerable in both her career and personal life. This study will examine Scherbatsky’s dichotomous character, compare her image on the series to that of other female journalists in popular culture, and analyze her influence on the current stereotype of female broadcasters. -
Evolución De La Comedia De Situación
UNIVERSIDAD DE SEVILLA FACULTAD DE COMUNICACIÓN ESTUDIO DE LA COMEDIA DE SITUACIÓN Y SU EVOLUCIÓN ANÁLISIS DE ROCKEFELLER PLAZA YTHE BIG BANG THEORY TRABAJO DE SAIDA HERRERO MORALES | [email protected] DIRIGIDO POR Dra. INMACULADA GORDILLO ÁLVAREZ Septiembre 2016 MÁSTER EN GUION, NARRATIVA Y CREACIÓN AUDIOVISUAL DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL y PUBLICIDAD En memoria de Garry Shandling, creador y protagonista de The Larry Sanders Show (1949-2016). Y de mi tío Mario. Cincuenta y tres años de anécdotas que van más allá de lo que cualquier sitcom podría recoger. Nuestros momentos contigo han quedado enlatados como aquellas risas de estudio, pudiendo recordarlos una y otra vez. Inolvidables cuál gran éxito de la pequeña pantalla. Descansa en paz. ÍNDICE Resumen ............................................................................................................... 4 Palabras Clave ...................................................................................................... 4 Agradecimientos ................................................................................................... 4 1. INTRODUCCIÓN .................................................................................................. 5 2. PLANTEAMIENTO DE LA INVESTIGACIÓN .................................................. 6 Justificación ........................................................................................................ 6 La ‘sitcom clásica’ frente a la ‘sitcom televisiva’ ............................................... -
É®'Å‹Ƒâ·È–©Æ ¼ Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
é®‘å‹ƒÂ·è–©æ ¼ 电影 串行 (大全) Belly Full of Turkey https://zh.listvote.com/lists/film/movies/belly-full-of-turkey-4884249/actors ç¦å ˆ© https://zh.listvote.com/lists/film/movies/%E7%A6%8F%E5%88%A9-4887462/actors è‡ªç„¶åŽ†å² https://zh.listvote.com/lists/film/movies/%E8%87%AA%E7%84%B6%E5%8E%86%E5%8F%B2-6980510/actors Slap Bet https://zh.listvote.com/lists/film/movies/slap-bet-7538689/actors No Tomorrow https://zh.listvote.com/lists/film/movies/no-tomorrow-7045118/actors 女伴 对 è¥¿æœ https://zh.listvote.com/lists/film/movies/%E5%A5%B3%E4%BC%B4-%E5%AF%B9-%E8%A5%BF%E6%9C%8D-740754/actors The Limo https://zh.listvote.com/lists/film/movies/the-limo-7747382/actors The Duel https://zh.listvote.com/lists/film/movies/the-duel-7731151/actors Where Were We? https://zh.listvote.com/lists/film/movies/where-were-we%3F-7993362/actors Game Night https://zh.listvote.com/lists/film/movies/game-night-4809956/actors 枫浆玉液 https://zh.listvote.com/lists/film/movies/%E6%9E%AB%E6%B5%86%E7%8E%89%E6%B6%B2-7084332/actors Matchmaker https://zh.listvote.com/lists/film/movies/matchmaker-9030442/actors æˆ‘äº†è§£ä½ å— ï¼Ÿ https://zh.listvote.com/lists/film/movies/%E6%88%91%E4%BA%86%E8%A7%A3%E4%BD%A0%E5%90%97%EF%BC%9F-5286037/actors Milk https://zh.listvote.com/lists/film/movies/milk-6857975/actors Best Prom Ever https://zh.listvote.com/lists/film/movies/best-prom-ever-8247171/actors Everything Must Go https://zh.listvote.com/lists/film/movies/everything-must-go-5418077/actors å»ºç‘ æ¯ç å ¸ˆ https://zh.listvote.com/lists/film/movies/%E5%BB%BA%E7%AD%91%E6%AF%81%E7%81%AD%E5%B8%88-4786988/actors å®¶å›ç ´åè €… https://zh.listvote.com/lists/film/movies/%E5%AE%B6%E5%9B%AD%E7%A0%B4%E5%9D%8F%E8%80%85-5888848/actors Nothing Good Happens After 2 https://zh.listvote.com/lists/film/movies/nothing-good-happens-after-2-a.m.-11696021/actors A.M. -
Social Penetration Theory in How I Met Your Mother
SOCIAL PENETRATION THEORY IN HOW I MET YOUR MOTHER Javier Ogaz Submitted in partial fulfillment of COMM 451 Communication Theory Robert R. Mendenhall 10 April 2015 SOCIAL PENETRATION THEORY IN HOW I MET YOUR MOTHER Social penetration theory is one of the most common and key communication theories in the field of communication and it can be used to understand why people intentionally share personal information with others. A great example of how this theory plays out with people of different backgrounds and personalities is CBS' hit comedy "How I Met Your Mother." The show began in 2005 and aired its last episode in 2014. To summarize the show, the main character (Ted Mosby) is telling his kids the story of how he met their mother in the year 2030. Throughout the progression of the show, Ted tells his kids of all the wacky and crazy adventures he had with his friends Marshall Eriksen, Lily Aldrin, Barney Stinson and Robin Scherbatsky. In my opinion, this show was successful because of the character development and I believe social penetration theory explains to us why many fans of the show felt a "closeness" and a type of connection to each of the characters. "Social psychologists Irwin Altman and Dalmas Taylor proposed a social penetration process that explains how relational closeness develops."1 They suggested that "people are like onions" in the sense that there is a multilayered structure of personality. Altman & Taylor say that the outer layers are what the world sees, which are characteristics such as gender, age, occupation, and hobbies. -
美國影集的字彙涵蓋量 語料庫分析 the Vocabulary Coverage in American
國立臺灣師範大學英語學系 碩 士 論 文 Master’s Thesis Department of English National Taiwan Normal University 美國影集的字彙涵蓋量 語料庫分析 The Vocabulary Coverage in American Television Programs A Corpus-Based Study 指導教授:陳 浩 然 Advisor: Dr. Hao-Jan Chen 研 究 生:周 揚 亭 Yang-Ting Chou 中 華 民 國一百零三年七月 July, 2014 國 立 英 臺 語 灣 師 學 範 系 大 學 103 碩 士 論 文 美 國 影 集 的 字 彙 涵 蓋 量 語 料 庫 分 析 周 揚 亭 中文摘要 身在英語被視為外國語文的環境中,英語學習者很難擁有豐富的目標語言環 境。電視影集因結合語言閱讀與聽力,對英語學習者來說是一種充滿動機的學習 資源,然而少有研究將電視影集視為道地的語言學習教材。許多研究指出媒體素 材有很大的潛力能激發字彙學習,研究者很好奇學習者要學習多少字彙量才能理 解電視影集的內容。 本研究探討理解道地的美國電視影集需要多少字彙涵蓋量 (vocabulary coverage)。研究主要目的為:(1)探討為理解 95%和 98%的美國影集,分別需要 英國國家語料庫彙編而成的字族表(the BNC word lists)和匯編英國國家語料庫 (BNC)與美國當代英語語料庫(COCA)的字族表多少的字彙量;(2)探討為理解 95%和 98%的美國影集,不同的電視影集類型需要的字彙量;(3)分析出現在美國 影集卻未列在字族表的字彙,並比較兩個字族表(the BNC word lists and the BNC/COCA word lists)的異同。 研究者蒐集六十部美國影集,包含 7,279 集,31,323,019 字,並運用 Range 分析理解美國影集需要分別兩個字族表的字彙量。透過語料庫的分析,本研究進 一步比較兩個字族表在美國影集字彙涵蓋量的異同。 研究結果顯示,加上專有名詞(proper nouns)和邊際詞彙(marginal words),英 國國家語料庫字族表需 2,000 至 7,000 字族(word family),以達到 95%的字彙涵 蓋量;至於英國國家語料庫加上美國當代英語語料庫則需 2,000 至 6,000 字族。 i 若須達到 98%的字彙涵蓋量,兩個字族表都需要 5,000 以上的字族。 第二,有研究表示,適當的文本理解需要 95%的字彙涵蓋量 (Laufer, 1989; Rodgers & Webb, 2011; Webb, 2010a, 2010b, 2010c; Webb & Rodgers, 2010a, 2010b),為達 95%的字彙涵蓋量,本研究指出連續劇情類(serial drama)和連續超 自然劇情類(serial supernatural drama)需要的字彙量最少;程序類(procedurals)和連 續醫學劇情類(serial medical drama)最具有挑戰性,因為所需的字彙量最多;而情 境喜劇(sitcoms)所需的字彙量差異最大。 第三,美國影集內出現卻未列在字族表的字會大致上可分為四種:(1)專有 名詞;(2)邊際詞彙;(3)顯而易見的混合字(compounds);(4)縮寫。這兩個字族表 基本上包含完整的字彙,但是本研究顯示語言字彙不斷的更新,新的造字像是臉 書(Facebook)並沒有被列在字族表。 本研究也整理出兩個字族表在美國影集字彙涵蓋量的異同。為達 95%字彙涵 蓋量,英國國家語料庫的 4,000 字族加上專有名詞和邊際詞彙的知識才足夠;而 英國國家語料庫合併美國當代英語語料庫加上專有名詞和邊際詞彙的知識只需 3,000 字族即可達到 95%字彙涵蓋量。另外,為達 98%字彙涵蓋量,兩個語料庫 合併的字族表加上專有名詞和邊際詞彙的知識需要 10,000 字族;英國國家語料 庫字族表則無法提供足以理解 98%美國影集的字彙量。 本研究結果顯示,為了能夠適當的理解美國影集內容,3,000 字族加上專有 名詞和邊際詞彙的知識是必要的。字彙涵蓋量為理解美國影集的重要指標之一, ii 而且字彙涵蓋量能協助挑選適合學習者的教材,以達到更有效的電視影集語言教 學。 關鍵字:字彙涵蓋量、語料庫分析、第二語言字彙學習、美國電視影集 iii ABSTRACT In EFL context, learners of English are hardly exposed to ample language input. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
ˋ͜¨Íš¸Ë¦Í•´Ë¦¬Ìš¤ ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
ë‹ íŒ¨íŠ¸ë¦ í•´ë¦¬ìŠ¤ ì˜í ™” 명부 (작품으로) Belly Full of Turkey https://ko.listvote.com/lists/film/movies/belly-full-of-turkey-4884249/actors Benefits https://ko.listvote.com/lists/film/movies/benefits-4887462/actors Natural History https://ko.listvote.com/lists/film/movies/natural-history-6980510/actors Slap Bet https://ko.listvote.com/lists/film/movies/slap-bet-7538689/actors No Tomorrow https://ko.listvote.com/lists/film/movies/no-tomorrow-7045118/actors Girls Versus Suits https://ko.listvote.com/lists/film/movies/girls-versus-suits-740754/actors The Limo https://ko.listvote.com/lists/film/movies/the-limo-7747382/actors The Duel https://ko.listvote.com/lists/film/movies/the-duel-7731151/actors Old King Clancy https://ko.listvote.com/lists/film/movies/old-king-clancy-7084332/actors Where Were We? https://ko.listvote.com/lists/film/movies/where-were-we%3F-7993362/actors Game Night https://ko.listvote.com/lists/film/movies/game-night-4809956/actors Matchmaker https://ko.listvote.com/lists/film/movies/matchmaker-9030442/actors Do I Know You? https://ko.listvote.com/lists/film/movies/do-i-know-you%3F-5286037/actors Architect of https://ko.listvote.com/lists/film/movies/architect-of-destruction-4786988/actors Destruction Milk https://ko.listvote.com/lists/film/movies/milk-6857975/actors Home Wreckers https://ko.listvote.com/lists/film/movies/home-wreckers-5888848/actors Best Prom Ever https://ko.listvote.com/lists/film/movies/best-prom-ever-8247171/actors Everything Must Go https://ko.listvote.com/lists/film/movies/everything-must-go-5418077/actors Nothing Good Happens After 2 https://ko.listvote.com/lists/film/movies/nothing-good-happens-after-2-a.m.-11696021/actors A.M. -
Lista De Episódios De How I Met Your Mother
LISTA DE EPISÓDIOS DE HOW I MET YOUR MOTHER TEMPORADA 1 (2005–2006) SEQ. EP. TÍTULO DIREÇÃO ESCRITO POR DATA DE EXIBIÇÃO COD. PROD. 1 1 "PILOT" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 19 DE SETEMBRO DE 2005 1ALH79 2 2 "PURPLE GIRAFFE" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 26 DE SETEMBRO DE 2005 1ALH01 3 3 "SWEET TASTE OF LIBERTY" PAMELA FRYMAN PHIL LORD & CHRIS MILLER 3 DE OUTUBRO DE 2005 1ALH02 4 4 "RETURN OF THE SHIRT" PAMELA FRYMAN KOURTNEY KANG 10 DE OUTUBRO DE 2005 1ALH03 5 5 "OKAY AWESOME" PAMELA FRYMAN CHRIS HARRIS 17 DE OUTUBRO DE 2005 1ALH04 6 6 "SLUTTY PUMPKIN" PAMELA FRYMAN BRENDA HSUEH 24 DE OUTUBRO DE 2005 1ALH05 7 7 "MATCHMAKER" PAMELA FRYMAN SAM JOHNSON & CHRIS MARCIL 7 DE NOVEMBRO DE 2005 1ALH07 8 8 "THE DUEL" PAMELA FRYMAN GLORIA CALDERON KELLETT 14 DE NOVEMBRO DE 2005 1ALH06 9 9 "BELLY FULL OF TURKEY" PAMELA FRYMAN PHIL LORD & CHRIS MILLER 21 DE NOVEMBRO DE 2005 1ALH09 10 10 "THE PINEAPPLE INCIDENT" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 28 DE NOVEMBRO DE 2005 1ALH08 11 11 "THE LIMO" PAMELA FRYMAN SAM JOHNSON & CHRIS MARCIL 19 DE DEZEMBRO DE 2005 1ALH10 12 12 "THE WEDDING" PAMELA FRYMAN KOURTNEY KANG 9 DE JANEIRO DE 2006 1ALH11 13 13 "DRUMROLL, PLEASE" PAMELA FRYMAN GLORIA CALDERON KELLETT 23 DE JANEIRO DE 2006 1ALH12 14 14 "ZIP, ZIP, ZIP" PAMELA FRYMAN BRENDA HSUEH 6 DE FEVEREIRO DE 2006 1ALH13 15 15 "GAME NIGHT" PAMELA FRYMAN CHRIS HARRIS 27 DE FEVEREIRO DE 2006 1ALH14 16 16 "CUPCAKE" PAMELA FRYMAN MARIA FARRARI 6 DE MARÇO DE 2006 1ALH15 17 17 "LIFE AMONG THE GORILLAS" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 20 DE MARÇO DE 2006 1ALH16 18 18 "NOTHING GOOD HAPPENS AFTER 2 A.M." PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 10 DE ABRIL DE 2006 1ALH17 19 19 "MARY THE PARALEGAL" PAMELA FRYMAN CHRIS HARRIS 24 DE ABRIL DE 2006 1ALH18 20 20 "BEST PROM EVER" PAMELA FRYMAN IRA UNGERLEIDER 1 DE MAIO DE 2006 1ALH19 21 21 "MILK" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 8 DE MAIO DE 2006 1ALH20 22 22 "PILOT" PAMELA FRYMAN CARTER BAYS & CRAIG THOMAS 15 DE MAIO DE 2006 1ALH21 TEMPORADA 2 (2006–2007) SEQ. -
Sitcom Amerykański W Układach Translacyjnych
Uniwersytet Wrocławski Wydział Filologiczny Instytut Filologii Germańskiej mgr Kwiryna Proczkowska Sitcom amerykański w układach translacyjnych Specyfika genologiczna jako determinanta strategii tłumaczeniowej Rozprawa doktorska napisana pod kierunkiem dr hab. Anny Małgorzewicz, prof. UWr Wrocław 2020 Spis treści 1. WSTĘP 4 2. PRZEDMIOT I CEL PRZEPROWADZONYCH BADAŃ 10 2.1. MATERIAŁ BADAWCZY 10 2.2. ORGANIZACJA I PRZEBIEG BADAŃ 11 3. PARADYGMAT METODOLOGICZNO-INTERPRETACYJNY 14 3.1. TRANSLATORYKA ANTROPOCENTRYCZNA 14 3.1.1. Układ translacyjny jako układ komunikacyjny 15 3.1.2. Zadanie, strategia i problem jako kategorie translacyjne 19 3.1.3. Kompetencje translatora 22 3.2. TRANSLACJA AUDIOWIZUALNA W PARADYGMACIE TRANSLATORYKI ANTROPOCENTRYCZNEJ 23 3.2.1. Translacja audiowizualna jako przedmiot badań translatoryki 24 3.2.2. Stan badań translatoryki w odniesieniu do translacji audiowizualnej 29 3.2.2.1. Geneza translacji audiowizualnej 30 3.2.2.2. Polisemiotyczny charakter utworów audiowizualnych 32 3.2.2.3. Typy translacji audiowizualnej 39 3.2.3. Sitcom w układach translacji audiowizualnej 42 3.2.3.1. Sitcom jako komunikat 43 3.2.3.2. Układ translacji lektorskiej 44 3.2.3.3. Układ translacji dubbingowej 54 3.2.4. Translacja humoru w utworach audiowizualnych 64 3.2.4.1. Hierarchia priorytetów w translacji utworów humorystycznych 68 3.2.4.2. Status ontologiczny humoru 70 3.2.4.3. Typologie dowcipów 75 4. CHARAKTERYSTYKA GENOLOGICZNA SITCOMU 80 4.1. STAN BADAŃ 80 4.1.1. Próby zdefiniowania sitcomu jako gatunku 80 4.1.2. Cechy charakterystyczne sitcomu jako gatunku w literaturze przedmiotu 82 4.2. WARUNKI TECHNICZNE NAGRYWANIA SITCOMU 94 4.3. FABUŁA SITCOMÓW 98 4.4.