A Norton R O Se Fu Lbright M Ag Azine Issue 10 a Norton Rose Fulbright
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Fernando Canovas
FERNANDO CANOVAS Born in Argentina in 1960 to an inventor/sculptor father, it was always clear that Fernando Canovas was destined to be an artist. Impressed by the personality, originality and impeccable execution of his earliest works as a child in Buenos Aires, his teachers encouraged him to further his artistic studies in Europe or the United States. Following his arrival at L’Ecole des Beaux Arts in Paris, Canovas began to win accolades. He was chosen from among hundreds of applicants to study with Pierre Alechinsky and was also chosen as a student by surrealist Roberto Matta. By the beginning of his third year, Canovas was the top student at the school, and his work was coveted by many galleries who fought to represent him. In his work, he shows a deep concern about space and time. His intent is to capture them, and, as a result, his paintings emanate a strong sensation of vertigo and have a no-space, no-time feeling. In his latest spatial projects, he incorporates collage in his compositions to take the image into the three dimensional world. Renowned critics, including Bonito Oliva and Lyle Rexer, have written about his art, and his works today are part of many important collections. He currently splits his time between Buenos Aires, Paris and New York. Selected Solo Exhibitions 2012 “Canovas – Polaridades” Cronopios Hall, Recoleta Cultural Center (CCR); Buenos Aires, Argentina 2007 MAMAN Fine Art Gallery; Buenos Aires, Argentina “Fernando Canovas,” IVAM Museum; Valencia, Spain 2006 Knew Gallery; Washington, D.C. 2005 Krampf-Pei -
The Perception of the Body in Diderot's Art Criticism and in Modern Aesthetics and Visual Art1
The percepTion of The body in dideroT's arT criTicism and in modern aesTheTics and visual arT1 by else marie bukdahl ''The landscape thinks itself in me and i am its consciousness'' paul cézanne (in merleau-ponty 1948a: 17) The french philosopher, encyclopédiste and art critic ('avant la lettre'), denis di- derot, was in many ways a precursor to contemporary theoreticians and theories of art, especially as embodied in the intertwining of spectator and art work in the modern tradition, inspired by the phenomenologist maurice merleau-ponty. in this tradition, mind and body are not separated in a cartesian cleavage; rather, the mind (including our perception of the world) is intimately related to the world that we perceive. When interacting with a work of art, we do not merely look at it, we 'enter' it, 'walk' through it, using all our senses. referring to pictorial examples and quotations from painters, sculptors, and art critics, the article epitomizes these features, by which the interactive viewer is experientially drawn into the space of the art forms as spectacularly instantiated in works by artists like barnett newman or richard serra. descartes' philosophy, which had a great impact on Western art and culture, is predicated on a separation of mind from body, much like disembodied eyes with a single perspective. an important early philosopher central to dismantling the car- tesian model and introducing the idea of embodied perception as a basis for this was maurice merleau-ponty (1908-1961). When he wrote Eye and Mind (1964)2 he instigated an important turning point in the history of the aesthetics of art. -
Louise Bourgeois: Ma Maison À Easton
Louise Bourgeois: Ma Maison à Easton The neatly ordered jars set in the oak cupboard were a great comfort to Louise Bourgeois in the summer of 1942. Food rationing had begun that same year as the Second World War heavily burdened US supply chains. Government posters encouraged women to preserve local harvests and help feed their families, but Louise did more than set up food storage. She literally preserved the image of her kitchen pantry, and captured that moment in time through the lines and colors of her printmaking. Within her design, she reveals something of herself with the symbolic use of red-a color that signaled complex emotions for the artist. Bourgeois, Louise, During the War: Shortage of Food in Easton, 1942-44, woodcut on paper, © The Easton Foundation As a new mother of three young boys, she had all the concerns one would expect of a parent facing economic challenges, only for her, there were added anxieties: the traumatic memories of her childhood and the horrors she witnessed during the First World War in France. On top of deep seated fears of harm and abandonment were layers of guilt and shame at having left behind her family and friends in Europe. Here in Connecticut, she found a measure of safety that allowed her to reflect on these feelings and use the creative process to liberate herself from the disquiet that plagued her. Often, she would sit at the kitchen table for hours carving into wood with a small knife creating blocks for printing and sculptural forms. Her sons would marvel at how she worked with her hands as diligently as any typical mother might have been knitting. -
Innovate 4 Water a Matchmaking Forum for Sustainable Development
E WIPO /I NN /H20/ GE/1 7/INF/ 1 ORIGINAL: ENGLISH JUNE 9, 201 7 Innovate 4 Water A Matchmaking Forum for Sustainable Development Organized by Waterpreneurs, WaterVent and the World Intellectual Property Organization (WIPO) Geneva, Switzerland, June 7 to 9, 2017 WIPO Headquarters, Rooms AB 13.1, B and A PROGRAM prepared by the Secretariat Sponsors Open Challenges Sponsor WIPO/INN/H20/GE/17/INF/1 page 2 Confirmed participants include expert representatives from the following organizations: WIPO/INN/H20/GE/17/INF/1 page 3 Wednesday, June 7, 2017 COACHING SESSIONS (ROOM AB 13.1) 14.00 – 18.00 For all entrepreneurs pitching on June 8 16:00 – 16:30 Coffee break WIPO/INN/H20/GE/17/INF/1 page 4 Thursday, June 8, 2017 MATCHMAKING DAY (ROOM B ) Moderators: Mr. Ulf Leonhard, Founder, WaterVent, Berlin Mr. Nicolas Lorne, Director and Cofounder, Waterpreneurs, Geneva, Switzerland 08.15 – 09.00 Coffee and Registration 09.00 – 09.20 Opening and Welcome Speaker: Mr. Minelik Alemu Getahun, Assistant Director General, Global Issues Sector, World Intellectual Property Organization (WIPO) 09.20 – 09.30 Speakers: Mr. Ulf Leonard Mr. Nicolas Lorne 09:30 – 10:00 Different Ways of Dealing with Water Issues Speakers: Ms. Sally Gutierrez, Director, Environmental Technology Innovation Cluster Development and Support Program, Environmental Protection Agency (EPA), Cincinnati, United States of America Mr. Booky Oren, CEO, Booky Oren Global Water Technologies, Tel Aviv, Israel 10:00 – 10.15 Panel I: Statement on Water by a Senior Insider Speaker: Mr. Herbert Oberhänsli, Former Vice President, Economics and International Relations, Nestle, Vevey, Switzerland 10.15 – 10.45 Panel II: Universities and Researchers Speakers: Ms. -
Participant List
Participant List 10/20/2019 8:45:44 AM Category First Name Last Name Position Organization Nationality CSO Jillian Abballe UN Advocacy Officer and Anglican Communion United States Head of Office Ramil Abbasov Chariman of the Managing Spektr Socio-Economic Azerbaijan Board Researches and Development Public Union Babak Abbaszadeh President and Chief Toronto Centre for Global Canada Executive Officer Leadership in Financial Supervision Amr Abdallah Director, Gulf Programs Educaiton for Employment - United States EFE HAGAR ABDELRAHM African affairs & SDGs Unit Maat for Peace, Development Egypt AN Manager and Human Rights Abukar Abdi CEO Juba Foundation Kenya Nabil Abdo MENA Senior Policy Oxfam International Lebanon Advisor Mala Abdulaziz Executive director Swift Relief Foundation Nigeria Maryati Abdullah Director/National Publish What You Pay Indonesia Coordinator Indonesia Yussuf Abdullahi Regional Team Lead Pact Kenya Abdulahi Abdulraheem Executive Director Initiative for Sound Education Nigeria Relationship & Health Muttaqa Abdulra'uf Research Fellow International Trade Union Nigeria Confederation (ITUC) Kehinde Abdulsalam Interfaith Minister Strength in Diversity Nigeria Development Centre, Nigeria Kassim Abdulsalam Zonal Coordinator/Field Strength in Diversity Nigeria Executive Development Centre, Nigeria and Farmers Advocacy and Support Initiative in Nig Shahlo Abdunabizoda Director Jahon Tajikistan Shontaye Abegaz Executive Director International Insitute for Human United States Security Subhashini Abeysinghe Research Director Verite -
Louise Bourgeois at Heide
HEIDE EDUCATION Louise Bourgeois at Heide Louise Bourgeois: Late Works Exhibition dates: 24 November 2012 to 11 March 2013 Curator: Jason Smith Louise Bourgeois and Australian artists Exhibition dates: 13 October 2012 to 14 April 2013 Curator: Linda Michael Louise Bourgeois: Late Works installation view Heide Museum of Modern Art Photograph: John Gollings, 2012 This Education Resource has been produced by Heide Museum of Modern Art to provide information and support school visits to the museum and as such is intended for this use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. ©Heide MoMA 2013 Educational use only Page 1 of 28 HEIDE EDUCATION Introduction Louise Bourgeois: Late Works assembles 23 of the most important of Bourgeois’ works from 1996 to 2009. It is only the second significant survey of Bourgeois’ work in Australia. The first was organised by the National Gallery of Victoria in 1995 and travelled to the MCA in 1996. That first exhibition, simply titled Louise Bourgeois, included works from two critical decades in her career: the mid 1940s to mid 1950s, when Bourgeois first exhibited her personages sculptures; and the mid 1980s to early 1990s, the years following her acclaimed 1982 retrospective at the Museum of Modern Art In New York. Heide’s 2012 exhibition has been curated to follow on from the 1995 exhibition with a tightly selected group of works that are central to Bourgeois’ late oeuvre, and which represent the diverse subjects and forms produced in the last years of her life. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Autobiographical in the Oeuvre Of
CALIFORNIA STATE UNNERSITY, NORTHRIDGE LONGING FOR MAMAN: AUTOBIOGRAPHICAL IMAGES IN THE OEUVRE OF LOUISE BOURGEOIS A the is . ubmitted jn partial fulfillment of the requirement for the degree of Master of Alts in Art Hi tory by Karen Jo Schifmao December 2003 DEDICATION For Norman and Jonathan lll ACKNOWLEDGEMENTS It has been a privilege to learn and write about the work of Louise Bourgeois. I never would have embarked upon this task without the support of many people. First, I would like to acknowledge my mother, Gloria Derchan, who introduced me to the subject of art history back in 1973 when we both began taking classes at Los Angeles Valley College, and who also has instilled in me an appreciation for aesthetics. I thank my father, Harold Derchan, who always encouraged my educational endeavors and taught me to have perseverance and determination. I thank my brother, Randall Derchan, who so patiently assisted me with the desktop publishing of this document, and my sister, Patti Meiselman, who always supports me. I thank my fellow art history graduate students, colleagues, and professors at the university, who have served as mentors and supporters throughout these past years, most especially, Professor Trudi Abram, Nina Berson, Anna Meliksetian, and Rachel Pinto. I thank my thesis committee members for their help and guidance. Firstly, Professor Jean-Luc Bordeaux, who has taught me to recognize and focus on the formal qualities in art, and to keep my knowledge base in the fi eld as broad as possible. Special thanks go to Professor Kenon Breazeale who has served on my committee since its inception. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
New Jazz Label Discography
New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With -
Psychopathology-Madjirova.Pdf
NADEJDA PETROVA MADJIROVA PSYCHOPATHOLOGY psychophysiological and clinical aspects PLOVDIV 2005 I devote this book to all my patients that shared with me their intimate problems. © Nadejda Petrova Madjirova, 2015 PSYCHOPATHOLOGY: PSYCHOPHYSIOLOGICAL AND CLINICAL ASPECTS Prof. Dr. Nadejda Petrova Madjirova, MD, PhD, DMSs Reviewer: Prof. Rumen Ivandv Stamatov, PhD, DPS Prof. Drozdstoj Stoyanov Stoyanov, PhD, MD Design: Nadejda P. Madjirova, MD, PhD, DMSc. Prepress: Galya Gerasimova Printed by ISBN I. COMMON ASPECTS IN PSYCHOPHYSIOLOGY “A wise man ought to realize that health is his most valuable possession” Hippocrates C O N T E N T S I. Common aspects in psychophysiology. ..................................................1 1. Some aspects on brain structure. ....................................................5 2. Lateralisation of the brain hemispheres. ..........................................7 II. Experimental Psychology. ..................................................................... 11 1. Ivan Petrovich Pavlov. .................................................................... 11 2. John Watson’s experiments with little Albert. .................................15 III. Psychic spheres. ...................................................................................20 1. Perception – disturbances..............................................................21 2. Disturbances of Will .......................................................................40 3. Emotions ........................................................................................49 -
Jazz Preparation Pack Trumpet Congratulations on Your Successful Audition to Study Jazz at Leeds College of Music
@LeedsMusic www.lcm.ac.uk | Jazz Preparation Pack Trumpet Congratulations on your successful audition to study Jazz at Leeds College of Music. We are very much looking forward to welcoming you to our community! This booklet has been designed to give you some advice as to the sort of things you might want to spend some time looking at between now and the onset of your course. The idea is to make sure that we ‘hit the ground running’ in September, by giving you a bit of notice as to the sort of topic areas that may be covered. It’s important to clarify that you will be assigned to a 1-to-1 tutor upon enrolment, and the content of the lessons you receive will be determined by them once they have met you and got a sense of what you would benefit from the most. Naturally, your own interests and aspirations will come into it as well – we don’t deliver ‘one size fits all’ lessons. Having said that, though, there are certain fundamentals that every Jazz musician needs to deal with in one way or other, and the purpose of this booklet is to give you a bit of a head start in these areas. No-one expects you to have fully mastered all of this before you start, but any progress you can make towards that goal will be time very well spent! Technical Exercises Get a copy of the following books: Technical Studies for Cornet Herbert Clarke Lip Flexibilities Charles Colin An Integrated Warm Up Laurie Frink (Download only, available here) Listening List One of the great pleasures of being a musician is listening to music every day, and as jazz is an aural/oral tradition it is imperative that you listen to some music every day.