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Timothy Bonenfant CV 2020-21
Timothy Bonenfant, D.M.A., Clarinetist Carr Education Fine-Arts Building, Room 217 ASU Station #10906; San Angelo, TX 76909-0906 (325) 486-6029 | [email protected] TEACHING EXPERIENCE 2005-present Professor of Music Angelo State University: San Angelo, TX Teach single reed studio (clarinet and saxophone) and advise students within the studio. Direct ASU Jazz Ensemble. Teach classes in Improvisation, Woodwind Methods, Jazz History, Introduction to Music and Survey of Rock and Roll. Direct/coach small woodwind ensembles (saxophone quartet, clarinet choir). 2017-2018 Adjunct Professor of Music Hardin Simmons University: Abilene, TX Taught saxophone studio while a search for a permanent replacement was conducted. 1996-2005 Instructor Las Vegas Academy for the Fine and Performing Arts: Las Vegas, NV Taught private lessons, fundamentals of music, and coached woodwind sectionals. 1993-2005 Lecturer University of Nevada, Las Vegas Taught Jazz Appreciation, Music Appreciation, History of Rock and Roll, History of American Popular Music, Finale: An Introduction, Music Fundamentals (for non-majors), Remedial Music Theory/Ear-Training. Also taught private lessons for clarinet and saxophone students. Developed new courses for the department; History of American Popular Music, and Finale: An Introduction. UNIVERSITY CLASSES TAUGHT Applied Music: Clarinet/Saxophone Woodwind Chamber Music Jazz Ensemble Improvisation Survey of Rock and Roll History of Jazz History of American Popular Music Introduction to Music Woodwind Methods Senior Recital Finale™ -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
John M. Cipolla, Clarinetist Curriculum Vitae 1367 Rolling
John M. Cipolla Curriculum Vitae 1367 Rolling Ridge Way Bowling Green, Kentucky 42013 Office: 270-745-7093, Mobile: 270-996-9270 E-mail: [email protected] Click on this symbol throughout the CV to link to related sites or documents SelectedWorks from the WKU TopSCHOLAR Research and Creative Activity Database EDUCATION The University of North Carolina-Greensboro Greensboro, North Carolina Doctor of Musical Arts in clarinet performance 2002 • Dissertation: Linear Aspects of Harmony in the Countermelodies of New Orleans Jazz Musician, Sidney Bechet • Advisor and major professor, Dr. Kelly Burke The Mason Gross School of the Arts, Rutgers University New Brunswick, New Jersey Master of Music in clarinet performance 1987 • Major professor, Dr. George Jones The Eastman School of Music, The University of Rochester Rochester, New York Bachelor of Music in saxophone performance 1984 • Major professors Dr. Ramon Ricker, William Osseck The Juilliard School of Music New York, New York One year of study towards Bachelor of Music in saxophone performance degree 1980 • Scholarship student • Major professor, Joseph Allard ACADEMIC EMPLOYMENT HISTORY Western Kentucky University Bowling Green, Kentucky Professor of Music 2015–present Western Kentucky University Bowling Green, Kentucky Associate Professor of Music 2008–2014 Western Kentucky University Bowling Green, Kentucky Assistant Professor of Music 2002–2008 University of North Carolina at Greensboro Greensboro, North Carolina GTA, Full–Time doctoral student 2000–2002 Wagner College Staten Island, -
Instructions for Authors
Journal of Science and Arts Supplement at No. 2(13), pp. 157-161, 2010 THE CLARINET IN THE CHAMBER MUSIC OF THE 20TH CENTURY FELIX CONSTANTIN GOLDBACH Valahia University of Targoviste, Faculty of Science and Arts, Arts Department, 130024, Targoviste, Romania Abstract. The beginning of the 20th century lay under the sign of the economic crises, caused by the great World Wars. Along with them came state reorganizations and political divisions. The most cruel realism, of the unimaginable disasters, culminating with the nuclear bombs, replaced, to a significant extent, the European romanticism and affected the cultural environment, modifying viewpoints, ideals, spiritual and philosophical values, artistic domains. The art of the sounds developed, being supported as well by the multiple possibilities of recording and world distribution, generated by the inventions of this epoch, an excessively technical one, the most important ones being the cinema, the radio, the television and the recordings – electronic or on tape – of the creations and interpretations. Keywords: chamber music of the 20th century, musical styles, cultural tradition. 1. INTRODUCTION Despite all the vicissitudes, music continued to ennoble the human souls. The study of the instruments’ construction features, of the concert halls, the investigation of the sound and the quality of the recordings supported the formation of a series of high-quality performers and the attainment of high performance levels. The international contests organized on instruments led to a selection of the values of the interpretative art. So, the exceptional professional players are no longer rarities. 2. DISCUSSIONS The economic development of the United States of America after the two World Wars, the cultural continuity in countries with tradition, such as England and France, the fast restoration of the West European states, including Germany, represented conditions that allowed the flourishing of musical education. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
Ricardo Morales in This Issue Interview with Ricardo Morales and Genesio Riboldi “Queen Clarinet”: Doreen Ketchens a New Look at Lefèvre’S Third Concerto
Vol. 48 • No. 2 March 2021 RicaRdo MoRales IN THIS ISSUE Interview with Ricardo Morales and Genesio Riboldi “Queen Clarinet”: Doreen Ketchens A new Look at Lefèvre’s Third Concerto ClarinetFest® 2021 GOES VIRTUAL TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Emily Kerski [email protected] hope that 2021 will be a year filled with joy, hope and EDITORIAL BOARD good health for everyone in the worldwide clarinet Diane Barger, Heike Fricke, Denise Gainey, community! The ICA is starting off the year with so Jessica Harrie, Rachel Yoder many things to celebrate, including a new website MUSIC REVIEWS EDITOR with enhanced abilities to serve our membership through Gregory Barrett I [email protected] online events and facilitate our outreach to clarinetists across the globe. -
Mariam Adam & Berginald Rash
Vol. 47 • No. 4 September 2020 ALSO IN THIS ISSUE Research Competition Winner: Humming and Singing While Playing Interview with Derek Bermel Nicolas Bacri’s Ophelia’s Tears The Quarter-Tone MARIAM ADAM Extended Clarinet & BERGINALD RASH THE CLARINETISTS OF CHINEKE! TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope everyone is remaining safe and healthy during the EDITORIAL BOARD COVID-19 pandemic. Although the pandemic has changed Mitchell Estrin, Heike Fricke, Denise Gainey, our lives in ways we could not have imagined just a short Jessica Harrie, Rachel Yoder time ago, inspiring musical and technological creativity is keeping us all connected. -
Clarinetfest® 2015 — Madrid
Antonio Romero and his time ClarinetFest® 2015 — madrid Volume 42, Number 2 March 2015 ABOUT THE COVER… FEATURES CLARINETFEST® 2015 – MADRID, SPAIN / JULY 22–26, 2015 by Héctor Abella . 30 Antonio Romero (engraving from his Method, 2nd ed . Library of the Royal Superior MÁXIMO MUÑOZ PAVÓN: Conservatory in Madrid, signature 1/190); A BENCHMARK OF THE CLARINET IN SPAIN by Carlos Javier Fernández Cobo . 34 Romero System clarinet by Lefêvre, Paris, DON’T GIVE ME DAPHNIS: ca. 1867. Gift of William J. Maynard, AN INJURY RECOVERY GUIDE FOR CLARINETISTS Massapequa Park, New York, 1996. by Mary Alice Druhan, with Kristin Keesey, and Debbie Gillespie . 36 (Photo by Bill Willroth, Sr., courtesy of National Music HYSTERICALLY SPEAKING by Eric Hoeprich . 39 Museum, University of South Dakota, NMM 5924) A PERSPECTIVE ON ENRIQUE CALVIST (1851–1897) INDEX OF ADVERTISERS by Àngel Lluís Ferrando Morales . 40 SPANISH CLARINET MUSIC: AMB Clarinet . 46 THE PATH FROM ROMERO TO TODAY by Gregory Barrett . 44 Ann Arbor Clarinet Connection . 46 KLEZMER DANCES FOR CLARINET, Aria International Summer Academy . 96 STRINGS, PERCUSSION AND TUBA by Eugene Kavadlo . 53 AW-Reeds GbR . 45 THE ROMERO-SYSTEM CLARINET: Belgian Clarinet Academy . 93 HISTORICAL NOTES AND OTHER INQUIRIES by Pedro Rubio . 54 Brannen Woodwinds . 25 AN INTERVIEW WITH JOSÉ ANTONIO TOMÁS PÉREZ by Carlos J. Casadó . 60 Brevard Music Center . 14 Brixton Publications . 84 MIGUEL YUSTE (1870–1947): THE SEARCH FOR HIS WORKS by Malena McLaren . 64 Buffet Group USA . IFC RESTORING ALEC WILDER’S ORIGINALS by Glenn Bowen . 67 California Clarinet Clinic . 50 PATRICE SCIORTINO AND HIS WORKS WITH CLARINET by Jean-Marie Paul . -
Bass Clarinetist As Composer
The Bass Clarinetist as Composer AN INSTRUMENT WHOSE TIME HAS COME The violin had its Paganini. The piano had its Liszt. Today, it’s the bass clarinet’s turn. Although there is no single towering figure liKe a Liszt or Paganini, there is an active, stylistically diverse, intensely creative community of bass clarinetist- composers worKing today to expand the capacities of the instrument. This article provides a brief lay of the land, introducing readers to a number of the people and trends that are shaping the future of bass clarinet technique and repertoire. It’s impossible to be completely comprehensive in an article of this length, so think of it more as a starting point for further exploration than as a final word. I communicated with many thoughtful and generous bass clarinetist-composers in researching this article, and their words will be interwoven throughout to give personal voice to the larger trends. LOVE AT FIRST SIGHT Many bass clarinetist-composers feel a very powerful bond with their instrument. “It was love at first sight,” says Belgian Stephan Vermeersch. Brad Baumgardner, a founding member of Kansas City’s experimental music group Digital HonKbox Revival, remembers first starting to play bass clarinet: “It was amazing. It was like I had been wearing clothes two sizes too small for my whole life and someone finally gave me a shirt that fit.” Daniel Dorff, an in-demand composer and bass clarinetist based in Pennsylvania, explains, “I quickly fell in love with the physical sensation of the body resonance.” Cornelius Boots, leader of the heavy metal-inspired San Francisco-based Edmund Welles bass clarinet quartet, and a Bb, flute, and sax player as well, recalls that, for him “…all roads converged at the bass clarinet: ultimately the ultimate of all the single-reeds…” This is a common theme amongst many bass clarinetist-composers: the feeling that finding the bass clarinet was fated to happen or was like finally coming home. -
FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the Code and Complete Your Entry
FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the code and complete your entry. backunmusical.com gives a soul to theMusic universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. ~Plato Now, more than ever, E DWIN • HUD RE EIGAN SO • • W D N H R • T • C E R D I D IP i V Y I L E N P U S S IT T I A S play on! • S N I L R A E Meet Some I K W B • I A K S T • E L Players D A L G A E N R O R D We Love! O c a B M • B • U E L S N F O I V A D A • Z M H E Patents. See website. www.rovnerproducts.com Established 2013 Heather Rodriguez Alcides Rodriguez RMS offers a premium selection of Hand selected Buffet clarinets clarinets for the demanding artist, and accessories educator and student. Artist level set ups, upgrades, repair work and overhauls www.rodriguezmusical.com 470-545-9803 [email protected] A NEW SPECIES OF REED VENN signals the dawn of a new era in woodwinds innovation: combining the stability and longevity of a synthetic reed with the sound and feel of natural cane. To mimic the organic structure of cane, we reverse-engineered cane itself, layering di erent strengths of polymer fi bers with resin and organic reed elements to make up the reed blank. -
Overzicht Van Artikelen
Overzicht artikelen tijdschrift de Klarinet (per rubriek) Hieronder staat een overzicht van (een selectie van) artikelen uit de tot nu toe verschenen jaargangen van de Klarinet. Het eerste getal verwijst naar het (editie)nummer van de Klarinet. De Klarinet 1 verscheen in maart 1999. Daarna kwam steeds om de twee maanden een nummer uit. De meeste nummers zijn nog voorradig. Ze kosten € 2,00 per stuk, als u een hele jaargang/zes nummers bestelt, betaalt u € 10,00 (deze bedragen zijn exclusief verzendkosten). Het is ook mogelijk een kopie of scan van een artikel op te vragen. Hieraan zijn ook kosten verbonden (minimaal € 2,-). U kunt uw bestelling schriftelijk, telefonisch of per e- mail doorgeven (de Klarinet, Postbus 40008, 8004 DA Zwolle, tel. 038 2302084, [email protected]. Serie: De Docent 1 Johan Bijen (Muziekschool Noord-Twente en Veendam) 2 Luc Feikens (Muziekschool Sneek en Wymbretseradiel) 3 Erwin Hogeboom (Muziekschool Woerden) 4 Ria Boeijen (Muziekschool Helmond, Rosmalen en Schijndel) 6 Rob Streevelaar (Muziekschool Rotterdam) 7 Maarten Stalpers (Muziekstudio Stalpers, Bergen op Zoom) 10 Maarten Jense (Muziekschool Hilvarenbeek en Omstreken) 12 Gerrit Boeschoten (docent in Zwitserland) 14 Emilie de Lanoy Meijer (Toonkunst Muziekschool voor de Drechtsteden) 16 Marc Kerckhof (Stedelijke Academie voor Woord en Muziek te Izegem) 18 Rien Stein (docent te Maartensdijk) 21 Bart Picqeur (docent te Oostende) 24 Joop Boerstoel (docent te Zutphen) Serie: Jong & Leerling en Meester (over klarinetleerlingen en hun docent) 28 Margo Zeeuw 29 -
Richard Nunemaker Career Highlights
Richard Nunemaker (Career highlights) Gave Houston Symphony Orchestra premieres of the Ingolf Dahl, Saxophone Concerto, Pierre Max DuBois Saxophone Concerto, Glazunov, Saxophone Concerto, Ibert, Concertino da Camera, Villa Lobos, Fantasia for soprano saxophone. Also, commissioned arrangements for clarinet and orchestra for a Benny Goodman Tribute, Artie Shaw Medley and the Artie Shaw Clarinet Concerto. Nunemaker recorded and did live television broadcasts of all three with The Houston Symphony Orchestra. In 1994 performed in Carnegie Hall with William Thomas McKinley and bassist Peter Herbert as part of the New and Improvised Music concert. At that concert performed Alone Together by Janice Misurell Mitchell, a piece Nunemaker commissioned. Following that concert toured Austria with bassist Peter Herbert and the Camerata Bregenz performing Mitchell’s Alone Together along with a new piece by William Thomas McKinley, Golden Petals (which he recorded on his CD Golden Petals) and another new piece by Christoph Cech, Jazz Suite for Bass Clarinet, Contra-bass and Chamber Orchestra. This tour culminated in Vienna at the Grosser Musikvereins. Commissioned over 100 compositions and arrangements. This included large scale commissions, arrangements and original music for my quartet Airmail Special and compositions for my annual studio recitals (14) clarinet choir and mixed ensembles. Many of these were Houston composers. Served four years as president of Houston Composers Alliance, Music by Living American Houston Composers. In this capacity, we presented four annual concerts of new music by Houston Composers. Recordings produced featuring music Nunemaker commissioned are: The Louisville Project, Arizona University Recordings, LLC, AUR 3127 Between Silence and Darkness, Arizona University Recordings, LLC, AUR CS3119 Magical Place of My Dreams, Arizona University Recordings, LLC, AUR CD 3118, Multiplicities, Red Mark CD 9213 Golden Petals, MMC 2005.