PASIC 2010 Marching Percussion Festival by Neal Flum, Chair, PAS Marching Percussion Committee

Total Page:16

File Type:pdf, Size:1020Kb

PASIC 2010 Marching Percussion Festival by Neal Flum, Chair, PAS Marching Percussion Committee PASIC 2010 MARCHING PERCUSSION FESTIVAL By Neal Flum, Chair, PAS Marching Percussion Committee n November 11 and 12, the 29th edition of the PASIC Marching Percus- ment (The Old Guard). The Fife and Drum Corps is stationed at Fort Myer, Osion Festival took place in Indianapolis, Indiana. The festival featured Virginia. The musicians of this unit recall the days of the American Revolu- two competitions: an Individuals and Small Ensemble Competition that took tion as they perform in uniforms patterned after those worn by the musicians place on Thursday evening, Nov. 11, and a Drumline Competition that took of Gen. George Washington’s Continental Army. Military musicians of the place the next day and featured three high schools in the standstill competi- period wore the reverse colors of the regiments to which they were assigned. tion, the high school and college individuals winners performing in exhibi- The uniforms worn by the members of the Corps are dated circa 1781, and tion, and exhibitions by the Indiana University marching band percussion consist of black tri-corner hats, white wigs, waistcoats, colonial coveralls section and the Paris High School Bass Ensemble from Paris, Texas. Prior to and red regimental coats. the awards ceremony, everyone in attendance at the Drumline Competition Here are the results from the Drumline Competition: was able to take in an exhibition by the Old Guard Fife and Drum Corps— official ceremonial unit and escort to the President of the United States. High School Standstill Every now and then mistakes are made in inputting the info for the Paris HS (Texas) 87.1 1 marching festival. Where a university/college/high school is located is im- Victor J. Andrew HS (Illinois) 86.75 2 portant. We apologize to Texas A&M Commerce and the University of North Rampart HS (Colorado) 78.5 3 Alabama for not correctly listing their school names in the marching festival (Judges: Tom Aungst, Mike Huestis, Scott Johnson, Brian Mason) materials. For the second year in a row the Marching Percussion Festival included High School Small Ensemble (no competition) an Interactive Session. Six high schools participated in the 2010 Interactive In exhibition: Paris High School Bass Ensemble, Paris, Texas Session: Rampart High School (Colorado), Ben Davis High School (Indi- ana), Brunswick High School (Ohio), Hamilton Southeastern High School College Standstill (no competition) (Indiana), Alan C. Pope High School (Georgia) and Shortridge Magnet In exhibition: Indiana University, Bloomington, Indiana High School (Indiana). Groups performed and then received input from our two featured artist/educators: Tom Aungst (Percussion Arranger, Blue Stars College Small Ensemble Drum and Bugle Corps and Percussion Director for the Dartmouth City Texas State (San Marcos, Texas): 94 1 School System, Dartmouth, Massachusetts) and Michael Burritt (Professor Indiana Weslyan University (Marion, Indiana): 87.6 2 of Percussion and head of the department at the Eastman School of Music). Murray State University (Murray, Kentucky): 76.6 3 The goal of the event was to provide an educational environment in which (Judges: Paul Buyer, Matt Savage, and Paul Rennick) the artist/educators could interact with the students in an informal manner while offering constructive input. High School Marching (no participants) The Individuals Competition had 37 high school and 29 college students compete in the following categories: marching snare, multi-tenors, key- College Marching (no participants) boards and, for the first time as a part of the Marching Percussion Festival, multiple-percussion. High school and college winners of each category per- CAPTION AWARDS formed in exhibition the following day at the Drumline Competition. (provided by Remo) On Nov. 12, DCI Hall of Fame member Dennis DeLucia was master of ceremonies for the Drumline Competition, his 12th year in a row, and Al High School Standstill: Moffat was stage manager for his 20th year in a row. Dennis did double Best Front Ensemble: Paris High School duty, serving as the master of ceremonies for the Interactive Session and Best Snares: Paris High School master of ceremonies for the Drumline Competition also. Best Tenors: Paris High School Prior to this year’s Drumline Competition awards ceremony, the Old Best Bass Drums: Victor J. Andrew High School Guard Fife and Drum Corps performed in exhibition. The first half of the Best Cymbals: no award presented performance featured the fife and drum corps, and the second half featured the battery percussion only. The Old Guard Fife and Drum Corps is the only For complete results of the 2010 Individuals Competition, visit www.pas. unit of its kind in the armed forces, and is part of the 3rd U.S. Infantry Regi- org/PASIC/marching/2010MarchingResults.aspx P P HOTO HOTO BY BY D D R R . R R OBERT OBERT D D E E M M ATTINA ATTINA Paris High School Texas State DECEMBER 2010 8 PERCUSSION NEWS www.pas.org PAS, in conjunction with the Fred Sanford Scholarship Committee, cre- Timpani: no competitors ated the Fred Sanford Award to be presented to the highest-scoring ensemble Multiple-percussion: Ian McClaflin, University of Central Missouri—“Cold in the Drumline Competition regardless of division and category. It is a Pressed” by Dave Hollander. traveling award that this year’s recipient can display until PASIC 2011. This year’s winner is Paris High School from Paris, Texas. Congratulations to the High School Division staff, members, parents and administration of that high school and ensemble. Snare: Joshua King, Lorena High School (Texas)—“The Musical Puzzle Awards for this year’s Drumline Competition were generously provided by Sudoku,” original composition by the performer. Innovative Percussion, Pearl Drums/Adams Musical Instruments, Remo, Tenors: Forrest Moolin, Marcus High School (Texas) and Vic Firth Inc. Thank you to those companies for supporting the march- Keyboard: Anna Dunford, Flower Mound High School (Texas)—“Liber- ing percussion festival and to the outstanding adjudicators who gave of their tango” by Eric Sammut time to evaluate the competing ensembles at PASIC 2010. Timpani: no competitors Multiple-percussion: Charlotte Quaas, Lorena High School (Texas)— INDIVIDUALS COMPETITION “Bach to Bach,” original arrangement by performer. The Individuals Competition took place on Thursday evening, Nov. 11. Adjudicators for that competition were: college keyboards, Andy Harnsberg- For complete results of the 2010 Individuals Competition, visit www.pas. er and Sandi Rennick; high school keyboards, Ken Green and Bill Rice; high org/PASIC/marching/2010MarchingResults.aspx. school and college snares, Scott Johnson and Ray Ulibarri; high school and college tenors, high school and college multiple percussion and small en- PAS offers its sincere appreciation to Mike Keeton, Tony Riddle, Sean semble, Paul Buyer and Matt Savage. Also adjudicating the small ensemble and Sara Womack, and Bradley and Heather Palmer for helping coordinate competition was Paul Rennick. the Individuals Competition and tabulating the results for that event. Ad- We are deeply indebted to our Individuals Competition adjudicators, who ditional thanks to Mike Keeton and Tony Riddle for pulling double duty and took time out of their convention experience to provide for our competitors’ assisting with the Drumline Competition. PAS extends its deep appreciation outstanding performance evaluations. PAS is grateful to Vic Firth Inc. for to the Marching Percussion Committee, members of the percussion industry, providing awards for the Individuals Competition winners. Here are the re- all festival volunteers, and all those without whom the Marching Percussion sults of that competition: Festival would not have been possible. Next year’s Marching Percussion Festival should see some exciting College Division changes and additions, including the possibility of a marching percussion Snare: Tim Perry, Indiana Weslyan University—“Buzz,” original composi- showcase concert. Visit the PAS website and read the PAS publications for tion by performer. updates. We encourage you to participate in the marching percussion activi- Tenors: Eric Carr, Rowan University (New Jersey)—“Street Cred,” original ties and all that PASIC 2011 will offer. We’ll see you next year in Indianapo- composition by performer. lis—the 50th Anniversary of PAS.w Keyboard: Chris Schaub, Texas A&M University Commerce—“Cameleon” by Eric Sammut COLLEGE INDIVIDUAL WINNERS HIGH SCHOOL INDIVIDUAL WINNERS P P P P HOTO HOTO HOTO HOTO BY BY BY BY D D D D R R R R . R R R R OBERT OBERT OBERT OBERT D D D D E E E E M M M M ATTINA ATTINA ATTINA ATTINA Tim Perry Eric Carr Joshua King Forrest Moolins P P P P HOTO HOTO HOTO HOTO BY BY BY BY D D D D R R R R . R R R R OBERT OBERT OBERT OBERT D D D D E E E M E M M M ATTINA ATTINA ATTINA ATTINA Chris Schaub Ian McClaflin Anna Dunford Charlotte Quaas www.pas.org PERCUSSION NEWS 9 DECEMBER 2010.
Recommended publications
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • Faculty Biographies Division Coordinators and Educational Consultants
    2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions.
    [Show full text]
  • 40 Drum Rudiments with Video Examples
    Drum rudiment 1 Drum rudiment In percussion music, a rudiment is one of the basic patterns used in rudimental drumming. These patterns of drum strokes can be combined in many ways to create music. History The origin of snare rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum rudiments. The first written rudiment goes back to the year 1612 in Basel, Switzerland.[1] The cradle of rudimental drumming is said to be France, where professional drummers became part of the King's honour guard in the 17th and 18th centuries. The craft was perfected during the reign of Napoleon I. Le Rigodon is one of the cornerstones of modern rudimental drumming.[1] There have been many attempts to formalize a standard list of snare drum rudiments. The National Association of Rudimental Drummers, an organization established to promote rudimental drumming, put forward a list of 13 essential rudiments, and later a second set of 13 to form the original 26. The Percussive Arts Society reorganized the first 26 and added another 14 to form the current 40 International Drum Rudiments. Currently, the International Association of Traditional Drummers is working to once again promote the original 26 rudiments. Today there are four main Rudimental Drumming cultures: Swiss Basler Trommeln, Scottish Pipe Drumming, American Ancient Drumming, and American Modern Drumming.
    [Show full text]
  • 056-065, Chapter 6.Pdf
    Chapter 6 parts played in units. To illustrate how serious the unison, and for competition had become, prizes for best g e g e d by Rick Beckham d the technological individual drummer included gold-tipped advancement of drum sticks, a set of dueling pistols, a safety v v n The rudiments and styles of n the instruments bike, a rocking chair and a set of silver loving n n i 3 i drum and bugle corps field i and implements of cups, none of which were cheap items. percussion may never have been i field music The growth of competitions continued a t a invented if not for the drum’s t competition. and, in 1885, the Connecticut Fifers and functional use in war. Drill moves i Martial music Drummers Association was established to i that armies developed -- such as m foster expansion and improvement. Annual m competition began t the phalanx (box), echelon and t less than a decade field day musters for this association h front -- were done to the beat of h following the Civil continue to this day and the individual snare the drum, which could carry up to War, birthed in and bass drum winners have been recorded e t e t m a quarter mile. m Less than 10 years after the p Civil War, fife and drum corps p u u w organized and held competitions. w These hard-fought comparisons r brought standardization and r o o m growth, to the point that, half a m century later, the technical and d d r arrangement achievements of the r o o “standstill” corps would shape the g l g drum and bugle corps percussion l c c foundation as they traded players , a and instructors.
    [Show full text]
  • Junior Drumline Lead Instructor: Les Schaeffer
    Junior Drumline Lead Instructor: Les Schaeffer [email protected]; 306-209-8285 Regina-based drummer, audio engineer, music producer and music educator Les Schaeffer has an extensive background as a drummer / percussionist as well as a Diploma in Professional Sound & Business with Honours from Metalworks Institute. Upon graduating from Metalworks Institute Les eventually became an assistant engineer at Metalworks Studios and other notable studios in Toronto and has since been expanding his musical talents as an active freelance audio engineer, music producer and drum tech. He has had opportunities to work on sessions with a variety of talented artists, engineers, and producers including Noah “40” Shebib (Drake), David Bottrill, Tom Cochrane, Cone McCaslin, Parkway Drive, Kim Mitchell, Kevin Shirley and Randy Bachman. Upon relocating to Regina Les continued to work out of Studio One and currently runs his own business Split Level Sound as a freelance engineer / producer offering tracking, editing, mixing and production services for clients in the Regina area. Les is an accomplished versatile drummer with a professional background of over 22 years in the Regina, Calgary, Montreal and Toronto areas. He is an experienced live and studio musician having collaborated, performed, recorded and toured with a variety of artists ranging from Juno Award winners to cruise ships and also has over 25 years of teaching experience through private instruction and large ensemble settings. Les keeps a busy schedule as an established freelance drummer and music professional in the Regina area and is also the drummer and engineer for electro / rock band Robot Hive and The New Montagues (voted best cover band in 2018).
    [Show full text]
  • Super Regional Championship at Indianapolis November 4-5, 2016 Ÿ Lucas Oil Stadium Ÿ Indianapolis, in Adjudicator Biographies National Presenting Sponsor
    Super Regional Championship at Indianapolis November 4-5, 2016 Lucas Oil Stadium Indianapolis, IN Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Ed Argenziano, Clearwater, FL Edward D. Argenziano, received his Bachelor of Science Degree in Music Ed. from William Paterson University. Masters of Arts Degree, Music Performance, from Montclair State University. Edward has been a teacher of secondary schools in New Jersey for 30 years and, currently the Fine Arts Department Chairperson & Director of Bands and Orchestras at Clearwater High School. He has also served as the music composition middle college teacher for Fairleigh Dickinson University. Since 1987, Edward has been extremely involved as a music/percussion clinician and music adjudicator and has toured extensively throughout the United States, Canada, Netherlands and Japan. He has been involved with Drum Corps International (DCI) since 1973 as a performer, Percussion Caption Administrator, Percussion Arranger/Show Designer for a handful of corps, and is currently judging Winter Guard International (WGI). Percussion judge, Bands of America (BOA), and DCI. Carl Bly, Winchester, VA Mr. Carl A. Bly taught for 30 years at Centreville High School and Lake Braddock Secondary School in Fairfax County, Va., was the Concert Band and Orchestra Director at Georgetown University in Washington, D.C., and has taught at Shenandoah University in Winchester, Va. Mr. Bly’s bands have earned international reputations and have been finalists at the Bands of America’s (BOA) Grand National Championships in Indianapolis, Ind. His concert bands have performed at the Mid-West Band and Orchestra Clinic in Chicago, BOA’s National Concert Band Festival, and in the concert halls of the Kennedy Center, DAR Constitution Hall, Wolf Trap for the Performing Arts in Washington, D.C., and the Legrande Theatre in Quebec, Canada.
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]
  • The Evolution of PASIC by Gary Cook
    The Evolution of PASIC By Gary Cook n this our 50th anniversary year cel- tradition was established of holding annual be started by the ebration of the Percussive Arts Soci- business meetings in conjunction with the Executive Secretary ety, articles appearing in the previous Midwest Band Clinic at the Sherman House report and summary three issues of Percussive Notes have in Chicago. (The Sherman was chosen be- of P.A.S. activities Ichronicled the history of the Society up to cause of its central location and the fact that in the last ten months. With the status of 1990. These articles have included the birth many of the founders annually came to the P.A.S. clearly in our minds the discussion of the Society and its publications, advent of Clinic.) [Author’s comment: This 1960 din- will be centered around several basic topics. PAS chapters, inception of the museum and ner meeting resulted in the legendary photo These will be those most often mentioned in headquarters, and have mentioned briefly of many of the founding fourteen members correspondences, discussions, and business what has become perhaps the most integral of PAS.] On December 20, 1963, the first sessions throughout these last months and part of PAS––our conventions. Many mem- general meeting of the PAS membership took should therefore be of vital interest to the bers may recall the publication Celebrating 30 place in the Louis XVI Room of the hotel. entire membership. Years of PASIC, which was unveiled at PA- The practice of holding separate Board of The local hosts will be our members from SIC 2005 in Columbus and contained short Directors and membership meetings, fol- the Chicago area with Gordon Peters of our year-by-year reminiscences by convention lowed on the next day by breakfast, was Editorial Staff as Chairman.
    [Show full text]
  • December 1987
    VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T.
    [Show full text]
  • Percussive Arts Society International Convention a CUSTOM a of a LIFETIME HAL BLAINE HAL ZILDJIAN PLAYING
    Percussive Arts Society International Convention 2012 PAS HALL OF FAME HAL BLAINE A LIFETIME OF A CUSTOM PLAYING ZILDJIAN ©2012 Avedis Zildjian Company©2012 Avedis Congratulations to Hal Blaine 2012 Inductee, PAS Hall of Fame. Visit the Zildjian and Gen16 Booth, #701 PAS President’s Welcome 6 Special Thanks 8 Donations to the Logistics Incentives Program 8 Area Map 12 Convention Center Map 14 Exhibitors by Name 16 Exhibit Hall Map 17 Exhibitors by Category 18 Exhibitor Company Descriptions 22 Artist Sponsors 34 Wednesday, October 31 Schedule of Events 42 Thursday, November 1 Schedule of Events 44 Friday, November 2 Schedule of Events 50 Saturday, November 3 Schedule of Events 56 Artists and Clinicians Bios 60 History of the Percussive Arts Society 92 PAS 2012 Awards 96 PASIC 2012 Advertisers 98 PAS President’s Welcome n behalf of the Percussive Arts featuring Marvin “Smitty” Smith on Society (PAS), I am pleased and drumset; and the Pedrito Martinez Group honored as PAS President to with Martinez on congas and special guest welcome you back to my “home” State of Steve Gadd on drumset. O th Texas for the 37 Percussive Arts Soci- The greatest percussion show on earth, ety International Convention (PASIC). PASIC, certainly portrays our core values After celebrating our 50th anniversary at of Quality, Community, Opportunity, PASIC 2011 in Indianapolis, Indiana, Discovery, and Service providing further I am proud to say that year fifty-one evidence of valued membership and the features another grand celebration of global promotion of the percussive arts. It the percussive arts in Austin, Texas from has been such an honor for me to serve as October 31 through November 3, 2012.
    [Show full text]
  • 336-341, Santa Clara Vanguard
    by Christina “MAV” Mavroudis with a wealth of oral/written history culled from alumni & boosters Tradition. Innovation. Class. Santa Clara Vanguard embodies them all, with even their name defining a (photo from the collection of ). legacy of brilliance that resonates The 1967 Santa Clara Vanguard Drum Corps World throughout the drum corps d married and started a family. By 1967, some blouses with a red stripe, black shoes, hats community 35 years after d in the organization wanted to return to a bell with the side turned up and pants from inception. r corps. JCPenney. The color guard wore black Statistically, the corps sweeps r At a parents meeting on March 6, 1967, cotton pleated skirts and white majorette honors like an epic. They have citing differences of opinion in artistic boots. a won six Drum Corps International a direction of the Sparks, the majority of Some equipment was purchased from the titles (1973, 1974, 1978, 1981, parents voted to disband the bugle corps and Sparks for $300 during the disbandment 1989 and 1999), the Spirit of return to a drum and bell corps with negotiations. Money was borrowed to buy the u Disney Award (2001), an American u majorettes. Having learned of a proposed horns. Voluntary pledges were also solicited Legion Championship (1970), a reversal, several members waited anxiously from parents with dues at 50 cents per week. g VFW Championship (1971), two g outside for the outcome. After the meeting, The Stockton Commodores loaned drums and California Color Guard Circuit the adults took them aside and explained there were offers to help from others.
    [Show full text]
  • Interviews with Successful Percussionists Volume
    THE 10,000-HOUR THRESHOLD: INTERVIEWS WITH SUCCESSFUL PERCUSSIONISTS VOLUME TWO ____________________________ DISSERTATION _____________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the College of Fine Arts at the University of Kentucky. By Colin Jeffrey Hill Lexington, Kentucky Director: James B. Campbell, Professor of Music Lexington, Kentucky 2013 Copyright © Colin Jeffrey Hill 2013 TABLE OF CONTENTS VOLUME TWO Part One Personal Interviews ............................................................................................................. 1 Joakim Anterot and Anders Holdar ........................................................................ 1 Jason Baker ............................................................................................................. 9 Kevin Bobo ........................................................................................................... 17 Michael Burritt ...................................................................................................... 20 Thomas Burritt ...................................................................................................... 30 James Campbell .................................................................................................... 35 Omar Carmenates .................................................................................................. 40 Gary Cook ............................................................................................................
    [Show full text]