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Home , Drum stick, Fred Sanford (musician), Ralph Hardimon, Thom Hannum, Vic Firth

PRODUCT GUIDE 2020 of our sticks are Superior DESIGN. Superior FEEL. SUSTAINABLY SOURCED 90% made from hickory Superior SOUND. 2.45 :1 2.45 new Appalachian Hardwood trees grow naturally for everyone that is harvested or dies.* Net annual growth has been THE DIFFERENCE increasing for more than fifty years. Responsible sourcing ensures hickory WE STRIVE TO USE EVERY and other Appalachian hardwoods will be around for generations to come. SCRAP OF WOOD. *USDA data Our state of the art dust collection system increases ACCURACY IS EVERYTHING. our supply of wood-based fuel and decreases our dependence on fossil fuels. CONTROLLING MOISTURE CONTENT & WARPAGE IS KEY IN OUR PROCESS.

WE ARE PROUD SUPPORTERS OF WHY DO STICKS WARP? Sticks warp when they lose moisture. Sticks manufactured with 6%-8% moisture content come out of the factory with very little SUSTAINABLE FORESTRY: moisture to lose. On the other hand, sticks that are manufactured to 10%-12% moisture content have a fair amount of evaporating to do before they reach average indoor humidity, which is 6%-8%. It is this post-manufacturing water loss that warps a drumstick. 90% of the water we 6% - 8% . use is reclaimed MOISTURE CONTENT STICKS During the centerless grinding process which shapes the profile of each stick, water is used to keep the wood from burning. Water and sawdust is filtered STAGE through a de-watering press, allowing us 10% - 12% HOME STUDIO XYZ SINCE to continuously reclaim the water we use. MOISTURE CONTENT 6% - 8% STICKS AVERAGE INDOOR HUMIDITY 1992 We were the first company to package paired sticks together in paper sleeves which are now the industry standard–eliminating THE CLEAR FINISH OUR ANTI-WARP PROCESS millions of plastic bags from on our sticks is free of materials listed by Wood is inspected for straightness throughout the manufacturing process, not just at the end. Any wood that does not meet our landfills every year. EPA as hazardous air pollutants. stress and warpage standards goes to our boiler to heat the kilns.

Boards and squares are sawn on- Dowels are gradually reduced in size and site and sent to the kiln. shape to minimize stress until they are sand- WE CARE ABOUT OUR PLANET. ed and straight, and ready for the grinder. AND HAVE BEEN COMMITTED TO DOING OUR PART FOR DECADES. IT’S PART OF OUR DNA. Sticks are dried for 10 days Our stick sleeves and catalogs are printed by our FSC certified supplier using wind power and vegetable based This is how pool cue manufacturers produce a 5-foot long in our on-site kiln. piece of wood that is straight! inks. Recycling matters. All our cardboard, paper and metal is sorted. The rest goes to a zero-sort single-stream recycling program.

1 2 PRODUCT GUIDE 2020

4 DRUMSTICKS 10 SIGNATURE SERIES 19 ALTERNATIVE IMPLEMENTS 23 CONCERT STICKS & 34 CORPSMASTER 43 ACCESSORIES

DRUMSTICKS

3 4 7AN 8DN 5AN X5AN 5BN X5BN 3AN 2BN ROCKN CMN KIDS KIDSPINK HD4 7A 8D X8D 85A ESTICK 5A X5A 55A X55A

® HICKORY ® HICKORY AMERICAN CLASSIC WOOD TIP AMERICAN CLASSIC NYLON TIP

The American Classic® line combines tradition and Vic Firth style. With bold designs, the Classics For over 30 years, American Classics® have been the popular choice of countless worldwide. are turned from select hickory—a dense wood with little flex for a more pronounced sound. Hickory Wood tips were the originals, followed by nylon for a more durable and brighter sounding option. Vic is also capable of withstanding a great deal of shock, making it highly durable. The tips are deeply 5A Firth was the first manufacturer to offer nylon tips designed to mirror their wood tip counterparts, The Vic Firth 5A is the back-cut for intensified response. number one selling stick in the world. allowing drummers to switch from the richness of a wood tip to the brilliance of nylon without sacrificing Cutaway showing injection molded nylon tip feel and balance. And with our injection molding process, they won’t chip or fly off—guaranteed!

KIDSTICKS ESTICK 5B 1A Engineered to make playing easy for the very A one of a kind design specifically for today’s electronic Also in black (5BB), white (5BW) Tear drop Extra long with a “Taj Mahal” tip. 7AN EXTREME 5AN (X5AN) EXTREME 5BN (X5BN) 2BN young set player—ages 3 to 8. Produces . Long taper also provides great touch and sound tip. Ideal for rock, band and practice. Powerful, fast and responsive. Tear drop tip. Perfect for light jazz and combo. For the 5AN player who wants more Like the 5BN, with more power and reach. Tear drop tip. Ideal for heavy rock, band and practice. a quality sound in blue or pink. on acoustic drums and . Length: 16” Length: 16 13/16” Length: 15 1/2” power and reach. Length: 16 1/2” Length: 16 1/4” 1/2 1/2 Length: 13” Length: 16 ” Diameter: .595” Diameter: .580” Diameter: .540” Length: 16 ” Diameter: .595” Diameter: .630” Diameter: .520” Diameter: .563” Diameter: .565” 8DN ROCKN HD4 HD9 3AN EXTREME 5B (X5B) Like the 7AN, with a bit more reach. 5BN Barrel tip produces bright, articulate Oval tip. Great for rock and band. Vic’s original SD4 design, but in hickory. For a 5A The SD9, in hickory. A favorite of play- Also in black (5AB), white (5AW) and Pink (5AP) Tear Like the 5B, with more power and reach. Tear drop tip. Ideal for rock, band cymbal sounds. Great for light rock 5/8 light touch and great feel around the drums. ers who love the 5B but want a little Length: 16” Length: 16 ” drop tip for rich cymbal sounds. The #1 stick in the 1/2 and practice. and fusion. Length: 15 7/8” Length: 16 ” more weight and length. Diameter: .540” Diameter: .630” world—great for every style. Length: 16” Length: 16 3/16” Diameter: .530” Diameter: .595” Length: 16 1/4” Length: 16” Diameter: .595” Diameter: .580” (CMN) Diameter: .610” 5AN METAL N 7A Diameter: .565” Tear drop tip. Light and fast—great for every Oval tip. Offers extra reach and power. style of music! Tear drop tip. Perfect for light jazz and combo. EXTREME 55B (X55B) Length: 17” 1/2 Length: 16” Length: 15 ” EXTREME 5A (X5A) A 5B with increased shaft thickness and 2B Diameter: .635” Tear drop tip. Ideal for heavy rock, Diameter: .540” Like the 5A, with more power and reach. length. Leverage and power with a great feel! Diameter: .565” band and practice. Length: 16 1/2” Length: 16 1/2” 8D Length: 16 1/4” Diameter: .565” Diameter: .610” Like the 7A, with a bit more reach. Diameter: .630” ® HICKORY Length: 16” AMERICAN CLASSIC SPECIALTY 55A Diameter: .540” F1 Combines the dimensions of a 5A and 5B. A great choice As part of our commitment (5ABRL) (5BCO) Medium round tip with a short tapered neck. ROCK 5A BARREL 5B "CHOP-OUT" KINETIC FORCE when a 5B is just a little more stick than required. Our classic 5A design, featuring a proportionately Practice stick, Rubber tip with an elongated taper X8D Great for fusion or electric jazz. Oval tip for a full sound. Great for rock to offering drummers Kinetic energy is a function of mass Perfect for the 8D player looking for more perfect barrel-shaped tip. An impeccably balanced stick to simulate the balance of the 5B. Length: 16” 3/16 and band. and speed. By adding a more dense reach and leverage. Length: 16 ” ever-expanding Diameter: .580” Length: 16 5/8” creating supreme clarity with a beautiful tone. Length: 16 1/4” material to the butt end, these sticks Length: 16 1/2” Diameter: .580” possibilities with their can be played longer and harder with Diameter: .630” Length: 16” Diameter: .595” Diameter: .540” playing, Vic Firth has Diameter: .565” less fatigue. They can also help you EXTREME 55A (X55A) play faster! Available in 5A (5AKF) and added these revolutionary (5ADT) 85A A one of a kind design specifically for today’s electronic 3A 5A DUAL-TONE 5B (5BKF). (5BBRL) Combines the dimensions of an 8D and 5A. A drums. The long taper also provides great touch and Barrel tip produces bright, articulate cymbal METAL (CM) options for practice and 5B BARREL 5A wood tip with a durable synthetic felt A 5B profile with a barrel-shaped tip. The reduced great jazz stick. sound on acoustic drums and cymbals. sounds. Great for light rock and fusion. Oval tip. Offers extra reach and power. sound production. head attached to the butt end. surface area of the tip provides a more focused cymbal 1/8 Length: 16 1/2” 3/16 Length: 17” Length: 16 ” Length: 16” Length: 16 ” sound while retaining great playability and versatility. Diameter: .580” Diameter: .565” Diameter: .550” Diameter: .580” Diameter: .635” Length: 16” Diameter: .595” 5ABRL 5BBRL 5BCO 5ADT 5AKF 5BKF 5B X5B X55B F1 3A 1A HD9 2B ROCK CM

5 6 AS7A AS8D AS5A AS5B AJ1 AJ2 AJ3 AJ4 AJ5 AJ6 DOUBLE-GLAZE PUREGRIT VIP Double Coat of No Finish, Raw Vic Grip is an anti-slip drumstick coating that Lacquer Finish Wood Texture provides a comfortable and slip resistant grip to our top selling American Classic® models. The Now expanded to all Newly expanded to our specially formulated material is extremely durable of our most popular top models, customized and an ideal choice for players who prefer an models, treated with for players who prefer enhanced grip on their sticks. Look for the red our DoubleGlaze a more raw and natural coating and put a stop to slippage! lacquer formula. A feel. Lacquer-free consistent and classic with special PureGrit 7AVG 7ANVG feel that’s great for a processing for an added Length: 15 1/2” Length: 15 1/2” bit of extra grip when textured feel. Diameter: .540” Diameter: .540” you need it.

5APG 5AVG 5ANVG Length: 16” Length: 16” Length: 16” 5ADG Diameter: .565” Length: 16” Diameter: .565” Diameter: .565” AMERICAN JAZZ AMERICAN SOUND Diameter: .565” 5BPG Length: 16” X5AVG X5ANVG 5BDG Developed for the player who is looking for an ultimate rebound on the drums and The American Sound series features our most popular American Length: 16” Diameter: .595” Length: 16 1/2” Length: 16 1/2” Diameter: .595” Diameter: .565” Diameter: .565” cymbals, the American Jazz® line is comprised of six models which feature a long taper Classic models, but with a full round tip. The surface area of the round 7APG in the shaft for that great feel! The neck specifications are sizeable enough to create tip brings increased focus and clarity to the drums and cymbals. 7ADG Length: 15 1/2” Length: 15 1/2” Diameter: .540” 5BVG 5BNVG dark cymbal sounds and the small tear drop tip keeps everything in focus. Diameter: .540” Length: 16” Length: 16” X5APG AS7A AS8D X5ADG Length: 16 1/2” Diameter: .595” Diameter: .595” AJ1 AJ4 1/2 Length: 16 1/2” Diameter: .565” Length: 15 ” Length: 16” Diameter: .565” A 5B shaft that feels full-sized A thin stick that still produces great X5BPG X5BVG X5BNVG Diameter: .540” Diameter: .540” 1/2 yet plays “lightning fast”. cymbal sound. X5BDG Length: 16 ” Length: 16 1/2” Length: 16 1/2” Length: 16 1/2” Diameter: .595” Length: 16” Length: 16” Diameter: .595” Diameter: .595” Diameter: .595” Diameter: .595” Diameter: .520” AS5A AS5B Length: 16” Length: 16” Diameter: .565” Diameter: .595” AJ2 AJ5 ® HICKORY A 5A shaft for a light touch. The thinnest stick in the entire catalog! Built with great AMERICAN CLASSIC SPECIAL FEELS Length: 16” balance in mind, making it light and easy to play. Diameter: .565” Length: 16” Diameter: .490” STONES VS LATHES For over 20 years, Vic has used state-of- AJ3 AJ6 the-art, custom built centerless grinders An 8D shaft that feels like it A 7A-like shaft coupled with a very small neck to shape VF sticks. Sticks shaped by a plays itself. and tip for the sweetest cymbal sounds. No

VIC FACT grindstone have less warpage, and Length: 16” fear of “overplaying” with this model! 1/2 can be cut into complex shapes with Diameter: .545” Length: 15 ” Diameter: .550” unparalleled consistency.

From a light touch to a massive sound, no stick puts you in control the way Freestyle does. Unique specs more NEW Designed to more than than double the size of the ‘sweet spot’, giving you the double the ‘sweet spot’ MODERN JAZZ COLLECTION freedom to move around and choose the balance point that’s right for the music. Play your way with Freestyle. Some secrets are too good to keep quiet. Over the years and in collaboration with MJC4 MJC5 some of the world’s top artists, the design team at Vic has produced thousands The unmistakable sound and feel of An 8D shaft with a medium taper for maple! A 5B diameter with a long taper great balance. Unique nylon tip marries FS7A FS55A of prototypes ranging from the highly experimental to the straight-ahead. This for a great rebound. Small barrel tip elements of a barrel and an oval, for Length: 17” Length: 17” has been our secret playground. The MJC have been staples in our back room for provides a focused cymbal sound. bright and well-defined cymbal sounds. Diameter: .540” Diameter: .580” years – and while the name says ‘Modern Jazz’, we've found they are exceptional Length: 16 3/8” Length: 16” Taper: Long Taper: Long in almost any musical setting. Diameter: .595” Diameter: .540”

FS85A FS5B Never before available to the public, these five models were developed collab- Length: 17” Length: 17” oratively with drummers on the cutting edge of "America's Original Art Form", Diameter: .550” Diameter: .595” including Jeff Ballard, Greg Hutchinson, Joe McCarthy, and Lewis Nash. Taper: Long Taper: Long

FS5A MJC1 MJC2 MJC3 Length: 17” A slightly elongated 55A shaft Slightly thinner than the 5A An 8D shaft with a little Diameter: .565” with a medium taper and oval with an extra long taper for extra length for a great Taper: Long tip. The thicker diameter unbelievable response and up-front feel. Well- helps deliver a little more playability. Long arrow tip for a balanced with a medium weight and emphasis to the broad surface area, perfect for taper, proportionate . complex overtones on cymbals. neck, and oval tip. Length: 16 1/8” Length: 16” Length: 16 5/16”

Diameter: .580” Diameter: .550” Diameter: .540” MJC1 MJC2 MJC3 MJC4 MJC5

7 8 SD1 GENERAL SD1 JR. SD2 SD4 SD5 SD6 SD7 SD9 SD10 SD11 SD12 OF SD6 & SD12 BUTT END

AMERICAN CUSTOM® MAPLE

The American Custom line consists of a variety of models conceived and engineered SD9 DRIVER SD11 SLAMMER by Vic Firth—performer and educator. The first manufacturer to apply the concept of Oval tip. A favorite for jazz. Arrowhead tip cuts with minimum effort. a round striking surface to drumstick design, Vic developed the other originals that Length: 16 1/4” Length: 16 1/4” complete the line with jazz players in mind. All eleven models are turned from select Diameter: .610” Diameter: .610” rock maple for a light, fast-playing stick with great flex and rebound. The Custom line is perfect for the artist who is playing lighter types of music or prefers a beefier stick SD10 SWINGER SD12 SWIZZLE G Oval tip. Slightly lighter and An SD1 General with a hard spun felt ball without a lot of weight. faster than the SD9. attached to the butt end. Ideal for fast Length: 16 1/8” changes on cymbals. 5/8 SD1 GENERAL SD5 ECHO Diameter: .610” Length: 16 ” Round tip. Ideal for orchestral work, rock, Round tip. Extra long taper for control. Diameter: .635” 3/4 1/4 and band. A legendary practice stick. Length: 15 ” Felt Ball: 1 ” x 1” Length: 16 3/8” Diameter: .670” Diameter: .635” SD6 SWIZZLE B SD1 JR. An SD2 Bolero with a hard spun felt ball A scaled down version of our SD1 General. attached to the butt end. Ideal for fast DESIGN PROCESS Perfect for a young student’s hands. changes on cymbals. 1/4 Months, sometimes years before a new Length: 15 9/16” Length: 16 ” Diameter: .615” Diameter: .635” product goes into production, the Vic Firth Felt Ball: 11/4” x 1” design team obsesses over every detail.

SD2 BOLERO VIC FACT Because as percussionists ourselves, we Round tip. Ideal for light orchestral and SD7 WHACKER know that every detail matters, and the pit playing. For jazz and small group. Nylon tip for machines only shape, cut and create with Length: 15 3/4” great cutting power on the cymbals. the specs we set out. That’s why we make Diameter: .635” Length: 16” Diameter: .590” sure our designs are truly perfect before every product goes into production. SD4 COMBO Barrel tip. Light and fast for jazz quartet or chamber music. Length: 15 1/8” Diameter: .545”

AMERICAN HERITAGE® MAPLE

American Heritage drumsticks feature the dimensional specifications of our most popular American Classic® models but are crafted in maple rather than hickory for greater rebound and flex. This series allows drummers to have the feel of their favorite American Classic® model but with a lighter and more “airy” sound, especially on cymbals. This approach is another extension of our effort to offer drummers the ability to change their sound and color without changing feel and balance.

AH7A AH5A AH5B Teardrop tip. Great for music Teardrop tip combines with Teardrop tip. A medium stick that that requires a light touch. maple for rich cymbal sounds. still produces sweet cymbal sounds. Length: 15 1/2” Length: 16” Length: 16” AH7A AH5A AH5B Diameter: .540” Diameter: .565” Diameter: .595” SIGNATURE SERIES

9 10 SCA PP In the early 1980’s, Vic and began SCB STB1 SMC working together on a top-secret new project: a signature drumstick. A true design collaboration between two legendary world class artists had never been done before in the drumstick industry.

To this day, each signature stick we make is conceived with the same care and respect for artistry and musicality. Each Signature Series model is conceived through extensive research and collaboration with the world’s finest drummers from a variety of musical styles. The designs reflect their musical requirements in terms of feel, sound projection and cymbal color. Vic’s Signature Series truly puts the artist’s personal touch into your hands! CARMINE APPICE (SCA) (PP) CINDY BLACKMAN (SCB) TERRY BOZZIO “PHASE 1” (STB1) (SMC) All colored sticks feature a clear, natural tip. All A teardrop tip at one end and a An Extreme 5B shaft with the neck and tip Designed with a 5A shaft, enlarged neck, and full Long and thin for speed and response. A 5B style shaft with an elongated sticks are hickory unless otherwise noted. large heavy tip at the butt. Great of a Rock. Plenty of weight for heavy hitting, taper. A rounded arrow shaped tip creates a phat Helmet shaped tip provides boldness on taper. Barrel tip produces a full and back beat power. yet thin enough to play with finesse. sound on drums and is full and clear on cymbals. toms, brilliance on cymbals. satisfying cymbal sound. Length: 15 15/16” Length: 16 1/2” Length: 16” Length: 161/4” Length: 163/16” Diameter: .595” Diameter: .595” Diameter: .565” Diameter: .550” Diameter: .585”

CARMINE KENNY CARTER CHARLIE GREGG CINDY TERRY MATT DANNY KEITH CHRIS APPICE ARONOFF BEAUFORD BENANTE BISSONETTE BLACKMAN BOZZIO CAMERON CAREY CARLOCK COLEMAN SIGNATURE SERIES SIGNATURE SERIES

CARTER BEAUFORD (SBEA2) CHARLIE BENANTE (SBEN) GREGG BISSONETTE (SGB) GREGG BISSONETTE (SDC, SDCN) (SKC) CHRIS COLEMAN (SCOL) Combines a 5B shaft with an extended A Rock shaft and tip with a special A beefed-up 2B featuring a heavy “BACKBEAT” (SGB2) A truly unique stick! Features a cut-in Compressed teardrop tip for With a short taper and an oval tip, taper and elongated oval wood tip. The taper for great feel and durability. With shoulder and neck. A 5B shaft with a front-end loaded design at the gripping area for comfort a precise sound. Fast sloping this stick is bold in its design and result is a design that provides superior Vic Grip for a slip-resistant grip. Length: 161/4” neck and tip for a full sound on the and a tapered butt end for improved taper creates a superior bounce allows the player to create a full tone response, sound and versatility. Length: 165/8” Diameter: .620” of the ride. Vic Grip for a confident balance. Inwood or nylon tip. that makes playing doubles and on drums and cymbals. Length: 16” Diameter: .625” backbeat and big drum sounds. A Length: 161/2” singles virtually effortless. Length: 163/8” Diameter: .595” great all-around stick choice. Diameter: .695” bottom Length: 16” Diameter: .615” Length: 16” (.630" at Shaft) Diameter: .555” Diameter: .590” SBEA2 SBEN SGB SGB2 SDCN SDC SKC SCOL

11 12 SJDN SJD SPE SPE2 SPE3 SSG SSGN SSG2 SGRE SOH SIGNATURE SERIES PROCESS Collaborations often take many months, going back VIC FACT and forth with each artist to make sure the final stick meets the artist’s precise requirements and will feel perfect in your hands too.

JACK DEJOHNETTE PETER ERSKINE PETER ERSKINE PETER ERSKINE STEVE GADD (SGRE) (SOH) (SJD, SJDN) ORIGINAL (SPE) “RIDE STICK” (SPE2) “BIG BAND” (SPE3) (SSG, SSGN, SSG2) MATT GREINER OMAR HAKIM A stretch 5A for extra reach. Light and fast with a Extra long taper and teardrop tip Combines the shaft dimensions The quintessential studio stick! Barrel tip Medium diameter extended the length Round nylon tip for a brilliant Great for jazz and fusion. In piccolo tip for pinpoint for enhanced cymbal response. of a 5A and 5B with a long taper produces a sweet cymbal sound. In nylon and elongated taper. Dry-tumbled for a cymbal sound. In honey hickory. wood or nylon tip. articulation on cymbals. Beefed up shaft for extra power. for an effortless rebound. or wood tip, now available in clear finish. smooth and organic feel. No added finish! Length: 16” 7/16 Length: 16 5/16” Length: 16” Length: 16” Length: 16” Length: 15 3/4” Length: 16 ” Diameter: .585” Diameter: .565” Diameter: .525” Diameter: .575” Diameter: .585” Diameter: .550” Diameter: .585”

JACK PETER STEVE DAVID MATT ALEX BENNY MATT OMAR GAVIN GERALD TOMMY AKIRA DEJOHNETTE ERSKINE GADD GARIBALDI GARSTKA GONZÁLEZ GREB GREINER HAKIM HARRISON HEYWARD IGOE JIMBO SIGNATURE SERIES SIGNATURE SERIES

DAVID GARIBALDI (JM) (SGAR) ALEX GONZÁLEZ (SAG) BENNY GREB (SBG) GAVIN HARRISON (SHAR2) GERALD HEYWARD TOMMY IGOE “GROOVE AKIRA JIMBO (SAJ) Barrel tip and extra long taper Agile without losing its structural Features a barrel-shaped nylon A 5B shaft with a medium taper and An elongated ROCK shaft with a blended (SGH) ESSENTIALS” (STI) Teardrop tip for cymbal definition for great cymbal and rim integrity. This stick definitely has tip on a 5B shaft. Powerful shortened tear drop tip for focused taper and tip, delivering an ideal Features a barrel tip and plenty The length and extended taper add and tapered butt for unique balance. shot response. beef, but a blended tip and long taper and articulate. cymbal sound and excellent rebound. combination of power and playability. of length with a short taper for leverage for great feel and power. Length: 16” Length: 167/16” provide awesome finesse and speed. Length: 165/8” Length: 16” Features a royal blue matte paint in the really laying into a groove. “Taj Mahal” tip is ideal for sensitive Diameter: .565” Diameter: .560” Length: 16” Diameter: .600” Diameter: .595” gripping area for a unique feel. Length: 165/16” cymbal work. Diameter: .585” Length: 167/8” Diameter: .570” Length: 161/8” Diameter: .630” Diameter: .555” JM SGAR SAG SBG SHAR2 SGH STI SAJ

13 14 SJOR SGK SAL SHM SHM3 SJM SNM

HARVEY MASON “THE (SJOR) (SGK) ABE LABORIEL JR. (SAL) (SHM) CHAMELEON” (SHM3) (SJM) NICKO MCBRAIN (SNM) Light and long for great touch and Blends elements of the popular 5A & 5B Long and thick for plenty of power. Gradual A versatile stick that covers a wide Subtle barrel bead creates extremely articulate Designed to offer a big sound A 5B shaft with a beefed up neck sound around the drums and cymbals. models. A classic barrel-shaped tip delivers taper delivers great rebound and overall feel. dynamic range. The round tip produces cymbal quality and full, clean sound on drums. and feel without a lot of weight. and tip. A medium sized stick that Length: 16 1/2” a clear cymbal sound and full drum tone. Length: 17” clean, crisp cymbal sounds. Versatile with great feel and musical expression. Length: 1521/64” produces a big sound. Diameter: .525” Length: 16” Diameter: .630” Length: 157/8” Length: 163/8” Diameter: .577” Length: 16” Diameter: .585” Diameter: .605” Diameter: .540” Diameter: .595”

STEVE GEORGE ABE THOMAS JEN PETE RAY HARVEY JOJO NICKO RUSS KEITH STANTON ROD JORDAN KOLLIAS LABORIEL JR. LANG LEDGER LOCKETT LUZIER MASON MAYER MCBRAIN MILLER MOON MOORE MORGENSTEIN SIGNATURE SERIES SIGNATURE SERIES

THOMAS LANG (STL) JEN LEDGER (SLED) PETE LOCKETT (SLOC) (SRL) RUSS MILLER “HI-DEF” (SMIL) KEITH MOON (SKM) STANTON MOORE (SSM) A large shaft and oversized tear Features a 16 1/2” length for an A very small round bead for extremely An oval tip stick designed with a thick Special “half acorn” tip for incredible Unique in its design with the A slightly elongated tear drop tip (SRM) drop tip speak loudly and clearly. “extreme” feel. Unique medium-length defined sound. Designed as a double- neck and short taper. Combining a 5B cymbal clarity. Logo at the nodal point combination of a medium shaft, creates a great cymbal sound. A Combines a 5B and a 2B. Full Designed to produce a taper flanges back out into a bold tear ended stick for multi-purpose use. shaft with the tip and taper of a ROCK. for perfect cross-stick tone, every time! fast-sloping medium taper and a versatile stick that is excellent for shoulder for endurance. thunderous sound! drop tip for excellent response and Great for drum set, electronics, tim- Can survive heavy back beats while Length: 16” length just short of 16”. Crafted jazz and funk. Length: 161/8” Length: 161/8” clear sounds on drums and cymbals. bales, metallic percussion and more! still creating great sound and feel. Diameter: .535” with an oval wood tip. Length: 161/4” Diameter: .610” Diameter: .650” Length: 161/2” Length: 16” Length: 161/8” Length: 1513/16” Diameter: .550” Diameter: .588” Diameter: .585” Diameter: .595” Diameter: .560” STL SLED SLOC SRL SMIL SKM SSM SRM

15 16 SVP JPH5A SBR SBRN SMT SAT SAT2 SCW

VINNIE PAUL (SVP) JOE PORCARO (JPH5A) BUDDY RICH (SBRLTD, SBRNLTD) MIKE TERRANA (SMT) AHMIR ?UESTLOVE THOMPSON CHARLIE WATTS (SCW) A full sized shaft and enlarged tear The exclusive diamond shaped tip provides A modified 5A with a larger tip, neck, and shoulder. Produces a big sound, even at breath- (SAT, SAT2) Elongated oval tip for dark cymbal drop tip provide plenty of power. increased articulation and a clean, bright Features a blue foil limited edition logo commemorating taking speed. With a barrel tip for clear A long and thin stick with an extended taper for a light- sounds. Creates a big sound without Length: 16 7/8” sound in any playing situation. Buddy's 100th birthday. Available in wood and nylon tip. and concise cymbal sound. weight feel. Available with anti-slip VicGrip or clear finish. a lot of weight. Diameter: .630” Length: 16” Length: 16 5/16” Length: 16 1/4” Length: 17” Length: 16” Diameter: .565” Diameter: .590” Diameter: .560” Diameter: .520” Diameter: .585”

VINNIE JOE BUDDY TONY CHRISTOPH STEVE MIKE AHMIR ?UESTLOVE CHARLIE DAVE LENNY ZORO PAUL PORCARO RICH ROYSTER JR. SCHNEIDER SMITH TERRANA THOMPSON WATTS WECKL WHITE SIGNATURE SERIES SIGNATURE SERIES

TONY ROYSTER JR. (STR) TONY ROYSTER 2 (STR2) STEVE SMITH (SSS) DAVE WECKL (SDW, SDWN) DAVE WECKL LENNY WHITE (SLW) ZORO (SZ) Barrel tip for sensitive drum and Evolving from Tony’s existing signature (SCS) Elongated tip with a long shoulder Barrel tip for broad cymbal sound. Fast, “EVOLUTION” A combination of the 5A and 5B An enlarged SD4 with a barrel tip cymbal sounds. A great choice for stick, the new STR2 is designed to match the A thick stick with a short taper and a and short taper. Provides the feel of with great leverage. In wood or nylon tip. (SDW2, SDW2N) with an oval tip for a great feel for great tone while grooving on jazz, rock, latin and funk. needs and playing style of Tony today. With teardrop tip. Packs plenty of punch! a 5A with the beef of a 5B. Length: 16 1/4” A short teardrop tip on a 5A and full ride cymbal sound. the cymbals and hi-hat. In honey Length: 16 1/8” a diameter of .585”, this stick has the feel of a Length: 16 1/4” Length: 16” Diameter: .560” shaft. Provides superior cymbal Length: 16” hickory. Diameter: .547” slimmed-down American Classic® 5B in the Diameter: .645” Diameter: .555” definition with an excellent Diameter: .580” Length: 16 3/8” hand. A slightly longer taper offers incredible rebound. Available in wood or Diameter: .555” rebound – great for fast, flowing, effortless nylon tip. chops. Length: 16” Length: 16” Diameter: .563” Diameter: .585” STR STR2 SCS SSS SDW SDWN SDW2 SDW2N SLW SZ

17 18 VICKICK BEATERS®

From the first beat, you'll hear a difference. That's because the VicKick Beaters® were designed with sound quality as the number one priority. Available in felt, wood and fleece, each model features a spherical head for a consistent striking surface and provides a distinct level of articulation, all while achieving an enhanced low-end sound.

Within the VicKick™ series, both the felt and wood beaters feature a unique dual striking position. Set in the “radial” position, the beater provides clear articulation, consistent rebound and allows for side-by-side clearance when used on double pedal setups. The “flat” position increases beater surface contact for enhanced sound. The fleece beater is crafted with an oval felt core and sets up in a singular position.

VKB1 (FELT) VKB2 (WOOD) VKB3 (FLEECE- Radial. Medium-hard premium felt head Radial. Hard maple head creates super COVERED FELT) creates clear articulation with a full low-end rhythmic clarity. Weight of ball helps produce Oval. Medium felt core sound. Dual orientation offers multiple a full sound. Dual orientation offers multiple covered with fleece for an sound and feel options. A fantastic general sound and feel options. Ideal for rockers incredibly full and warm beater for all musical styles! looking for the ultimate in articulation! sound! Outstanding for jazz! Length: 7 7/8” Length: 7 7/8” Length: 8 1/8” Head Size: 2” x 1 1/2” Head Size: 2” x 1 1/2” Head Size: 3” x 2 3/4”

VKB4 (CAJON) VKB5 (WOOD SHAFT) A spherical foam rubber head produces a Wood shaft distributes weight for an warm, full bass tone on Cajon with just the unbelievable sense of balance and throw. right amount of attack. Think outside the The VKB5 unlocks a sense of touch and "box" and try it out on your , control that is simply not attainable with too. Cajon Bru-llet on page 22! other beaters on the market. Length: 7 7/8” Length: 7 1/2” Head Size: 1 7/8” Head Size: 1 3/4”

Dual orientation offers multiple sound and feel options.

Flat Radial Flat Radial

ALTERNATIVE IMPLEMENTS 19 20 RUTE RUTE 202 RUTE 303 RUTE 505 RUTE 606 WIRE BRUSHES RUSS MILLER STEVE GAD BRUSH LIVE WIRES DREADLOCKS JAZZ BRUSH

● HERITAGE BRUSH

RUTE & R E MIX BRUSHES LEGACY BRUSH SPLIT BRUSH

● ROCK RAKE RUTES RE MIX BRUSHES JAZZ RAKE Vic Firth’s complete line of Rute is designed to provide the player with Looking for the ultimate in sound exploration? Vic Firth RE·MIX brushes are the alternative sounds and feels across a variety of musical settings. Unless first and only brushes designed to allow you to mix & match timbres, opening otherwise indicated, each Rute model features premium birch dowels up a world of sonic possibilities. Designed with world-renown percussionist Pete secured in a birch drumstick handle. The handle provides a natural feel Lockett, Vic Firth RE·MIX Brushes pair together easily so you can create unique and can also be used for back beats, cross rim work and intricate sounds not otherwise possible. Natural materials provide an organic feel and patterns on the cymbal bell. A moveable band adjusts the effect from sound, while the specially designed handles pair comfortably in your hand to crisp to splashy. give you the effortless feel you’d expect from Vic Firth. BRUSHES

Vic Firth offers a variety of “brushes” designed to deliver a traditional sound or create bold RUTE RUTE 505 BROOMCORN (RM1) BIRCH DOWELS (RM3) LEGACY BRUSH (LB) Our original. Designed for all-around rock, jazz, This model is a cross between our Rock Rake and Delicate, subtle brush sound for softer Mid-range volume and attack while maintaining new colors. Each model makes its own musical statement and provides the opportunity for an A retractable wire brush with a wood handle provides a natural feel in the hand. Medium and combo playing. With 16 dowels (.125”). the original Rute. A great choice for light jazz and musical situations. Pairs well with RM3 & an organic sound & feel. Pairs well with any gauge wire and an infinitely adjustable brush spread capable of maintaining any playing 3/8 combo playing. Thirty-one plastic bristles (.094”) extensive range of effects. Unless otherwise noted, all brushes feature a triple crimped Length: 16 ” RM4 for more attack. RE·MIX brush. position. Features a double crimped pull-rod. secured in a vinyl handle. pull-rod for enhanced setting capability. Handle Thickness: .750” Height: 7/8” Height: 7/8” Diameter: .530” Length: 15” Length: 14 1/8” Length: 14 1/8” Spread: 5” Diameter: .690” RUTE 202 Width: 1/2” Width: 1/2” JAZZ BRUSH (WB) LIVE WIRES (LW) Perfect for the player who wants to really dig A retractable wire brush with an infinitely adjustable A retractable wire brush featuring heavy gauge wire in while still retaining the classic Rute sound. RUTE 606 RUSS MILLER WIRE BRUSHES (RMWB) (RM2) (RM4) brush spread, capable of maintaining any playing position. with a small, round bead on the tip of each strand. For Seven dowels (.188”) surround a thicker center For the Rute player who prefers a rubber handle AFRICAN GRASS RATTAN/BIRCH A brush dedicated to each hand! Features a “sweep” brush with medium gauge wire for Great balance of softness and attack. Rigid rattan & birch for the most volume and response. Medium gauge wire provides excellent coverage and an added sharp snap on cymbals and drums. dowel (.250”) and are wrapped in a thin grip. and fixed position band. Designed for all-around smooth sound, and a “ride” brush with a tight spread and heavy gauge wire for clear Pair with RM3 & RM4 for added attack Pair with any RE·MIX brush for more attack. sound. Features a double crimped pull-rod. 3/8 playing. With 19 dowels (.125”). Diameter: .530” projection with an incredible rebound. Length: 16 ” and volume. 1/8 Height: 7/8” Diameter: .575” Spread: 5” Handle Thickness: .665” Length: 16 ” Diameter: .580” Height: 7/8” 1/8 Spread: 5” Handle Thickness: .590” Length: 14 ” Sweep Spread: 4” Length: 14 1/8” Width: 1/2” Ride Spread: 3 3/4” RUTE 303 Width: 1/2” JAZZ RAKE (BJR) Designed for playing with a light touch while Birch & Rattan Dowels: 5/16” HERITAGE BRUSH (HB) A retractable plastic brush that features thin flexible retaining the classic Rute sound. Great for A retractable wire brush featuring light gauge wire and a bristles for fusion and jazz. medium and small group playing. With seven smooth rubber handle. Fast and easy to play. CAJON BRU-LLET (CB1) dowels (.156”). Diameter: .605” ® Diameter: .530” The Cajon Bru-llet marries elements of a Length: 16 3/8” Spread: 4” brush and a mallet to brilliantly translate both Spread: 5” Handle Thickness: .630” WORLD CLASSIC slap and bass tones to the Cajon! Hickory shaft with medium-stiff plastic bristles and a Vic Firth offers a selection of world music percussion products under ROCK RAKE (BRR) 1 1/2” mallet head made from XLPE foam. the World Classic® banner. This line combines Vic Firth’s attention to STEVE GADD WIRE BRUSH A retractable plastic brush with stiff thick bristles for Length: 13 1/2” greater projection. quality with the expertise of legendary artists worldwide. (SGWB) Diameter: .650” Diameter: .605” Steve and Vic have solved the age-old problem of wire Ride Spread: 3 1/4” brushes snagging on new coated drumheads by slightly Spread: 4” CAJON TMB1 ALEX ACUÑA angling the wires in the playing end. The light gauge wires BRU-LLET Our biggest and boldest timbale stick. Designed Alex Acuña’s timbale sticks are designed glide across the head‚ allowing a smoother sweep and a for the player looking for extra reach and power. to provide optimum response on velvet swish sound. DREADLOCKS (DLKS) and cymbals. In hickory. Length: 17” Diameter: .530” Braided heavy gauge stainless-steel wires produce Diameter: .500” Spread: 5” bold percussive sounds. Strike, scrape or let your CONQUISTADOR (SAA) imagination create a variety of effects. With Length: 16” Diameter: .440” hickory handles. TMB2 (SB) Length: 14" CLEAR CONQUISTADOR (SAAC) SPLIT BRUSH A unique option for the player looking for slightly Length: 16” Diameter: .440” Designed with 2 separate rows of wire producing unique Diameter: .575” more than the standard sized timbale stick. weighting of sound with different qualities of articulation. Spread: 5 1/2” 1/2 Length: 16 ” EL PALO (SAA2) Diameter: .575”

TMB1 TMB2 SAA2 SAAC SAA Diameter: .470” Length: 16 1/2” Diameter: .500” Spread: 4 1/2” Check out the VKB4 Cajon beater on page 20.

22 GB1 GB2 GB3 GB4 BD1 BD2 BD3 BD7 BD8 BCS1

SOUND POWER®

Vic Firth’s bass drum mallets combine seamless, round felt heads with tapered GB1* BD7 ROLLING MALLETS* maple handles for deep, dark sound without excessive weight. The exception is the For large , tam tam and nipple . Same hardness as BD1, for two-fisted rolls. 1/4 BD8 with its extraordinary weight and contoured shaft. The gong mallets feature Length: 17 ” Sold in pairs. 1/4 Length: 16” turned maple handles and are offered with fleece covered (GB1-2) or yarn wound Head: 4 ” Head: 2 3/4” (GB3-4) heads. The hammer is designed for durability, with a high impact GB2* head and a maple handle. For small gong, gamelan and tuned gongs. BD8 GRANDIOSO Length: 16 1/2” Specially designed for increased weight. Head: 4 1/4” x 2 1/8” Creates a round, warm sound at lower dynamics and the ultimate, full-bodied fortissimo when needed! AMERICAN GB3 For a full sound at all dynamic levels. Perfect Length: 17” MALLETS CUSTOM® for large gongs and tam-tams. Head: 3 3/8” Length: 17” Made with hand selected bamboo shafts for exceptional durability and Head: 3 1/2” BECKEN CYMBAL feel. Only the highest grade felt is used to produce these seamless MALLET (BCS1) timpani mallets, offering fantastic sound and response. GB4 Named after the German word for “cymbal”, Medium-heavy for all-around playing. these mallets are uniquely designed for playing suspended cymbals. Crafted in maple. Length: 17 1/4” Soft, large yarn wound heads for rolls and T1 GENERAL* T4 ULTRA STACCATO* Head: 3 11/32” For all-around playing. Produces rich sound Hard. Produces the clearest rhythmic long crescendi. For big cymbals where dark, yet is capable of rhythmic clarity. projection of the felt models. low partials are desired. Sold in pairs. BD1 GENERAL* 1/2 1/2 1/2 Length: 15 ” Length: 14 ” Length: 14 ” Perfect for all-purpose playing. 1/2 3/8 Head: 1 ” Head: 1 ” Length: 17” (CH) 1/4 CHIME HAMMER Head: 3 ” For brilliant chime sounds. T2 CARTWHEEL* T5 WOOD Head: 1 5/8” Very soft. Ideal for soft rolls, legato strokes Very hard. A special effects mallet. BD2 LEGATO* A soft mallet for dark sounds. and the richest sounds. Length: 14 1/2” 1/2 Length: 14 1/2” Head: 1 1/4” Length: 17 ” Head: 1 3/4” Head: 3 3/4” BD3 STACCATO* T3 STACCATO* T6 CUSTOM GENERAL* Harder, for rhythmic clarity. Medium hard for rhythmic articulation. Larger and heavier than a T1. Produces an Length: 16 1/2” 1/2 enormous sound. Length: 14 ” 3/4 3/4 Head: 2 ” Head: 1 1/4” Length: 14 ” Head: 1 3/4” CONCERT

STICKS & MALLETS *Replacement felt kits available. See page 47. T1 T2 T3 T4 T5 T6 23 24 TG01 TG02 TG03 TG04 TG06 TG07 TG08 GEN1 GEN2 GEN3 GEN4 GEN5 GEN6 GEN7 GEN8 STG STG2 SATK SNR TG15 TG25 SCS1 SCS2 SATK2 SJN

SYMPHONIC SYMPHONIC SIGNATURE SIGNATURE SYMPHONIC COLLECTION

TOM GAUGER TIM GENIS CONCERT SNARE STICKS SYMPHONIC COLLECTION Tom Gauger developed his line of mallets during his 35+ year career with the Tim Genis, Principal Timpanist of the Symphony Orchestra, designed Boston Symphony and Boston Pops Orchestras and as an educator at Boston this versatile line of timpani mallets to be tonal in character and to create TIM GENIS GENERAL (STG) TOM GAUGER (TG15) PERSIMMON SNARE (SCS1) TED ATKATZ (SATK2) University and the Boston University Tanglewood Institute. Each product was different colors and qualities of articulation. Persimmon shafts provide a darker Designed with great balance to cover all aspects of A general snare stick with a round tip. Crafted from select persimmon – a wood known for For the concert snare looking for the weight developed on the job and for the job, designed to solve a technical problem or sound. The balance and weight of each model make articulation effortless. concert snare drumming. In persimmon to produce a Length: 16 9/16” its rigidity and dark tones – the SCS1 is a premium and control of a laminated birch stick with added dark, full-bodied sound. symphonic snare for the serious player. nuance, the new Ted Atkatz II Signature achieve the desired sound. Sold as individual mallets unless otherwise noted. Diameter: .625” Length: 16 7/8” Length: 17” stick was designed with a unique nylon tip and narrow (GEN1) (GEN6) neck, offering you unparalleled control and the ultimate ROLLER HARD TONAL Diameter: .650” Diameter: .650” TG01 GENERAL TG04 ROLLERS Produces a beautiful roll quality without Retains a dark quality while achieving excellent TOM GAUGER in articulation. This stick creates a bright but full bodied drum sound with plenty of clarity at Perfect for all-purpose playing. Articulate, Rolling mallets with felt cores offer plenty of weight for attack in the stroke. Felt core. articulation. Wood core. SNARE/TIMPANI (TG25) 1/2 5/16 TIM GENIS LEGGIERO (STG2) LAMINATED BIRCH SNARE low dynamics. but not too hard. a full sound. Sold in pairs. Length: 14 ” Length: 14 ” A TG15 stick with a felt timpani mallet head For playing fast musical passages softly. The added (SCS2) 7/8 Length: 16 3/16” Length: 15 3/4” Head: 1 3/4” Head: 1 1/2” attached to the butt end. For general playing. Length: 15 ” weight and density of persimmon help produce clean Using the iconic SD1 as its inspiration, the SCS2 3/4 1/2 Length: 16 3/4” Diameter: .605” Head: 2 ” Head: 2 ” double strokes and clear articulation. adds balance with a longer taper and thinner shaft 1/8 BEETHOVEN – SOFT Length: 16 7/8” Head: 1 ” to the weight and durability of laminated birch for a (GEN7) TG02 LEGATO TG06 FORTISSIMO (GEN2) ARTICULATE Diameter: .625” truly impressive feel and sound. JAKE NISSLY (SJN) The special felt core produces subtle, dark Produces immediate attack at loud and soft dynamic Diameter: .650” Designed for the Verdi Requiem, an ideal mallet for Tonal, with enough up front attack for Length: 17” In a word: versatile. Jake designed this stick with sounds with good articulation. levels. Wood core. maximum volume. clarity. Felt core. unique specs to cover the full gamut of orchestral 3/16 5/16 (SATK) Diameter: .625” Length: 16 ” Length: 16 3/8” Length: 14 3/4” Length: 14 ” TED ATKATZ and rudimental snare drum repertoire, while 5/16 Long taper for great control and clarity at all dynamic Head: 3” Head: 2 13/16” Head: 1 5/8” Head: 1 ” utilizing laminated birch that feels both solid and levels. Persimmon provides the ideal density and lively in the hand.” weight for a concert stick. 3/4 TG03 MOLTO TG07 ULTRA STACCATO BEETHOVEN – HARD MOLTO ARTICULATE (GEN8) Length: 16 ” The unique oval design provides weight for Length: 17” With a wood core and chamois cover for (GEN3) Designed to produce the most immediate attack while Diameter: .574” (.675" at Shaft) the fullness of sound at all dynamic levels. Diameter: .660” maximum clarity. Full bodied sound with excellent clarity. retaining a dark quality of sound. Wood core. 1/2 1/8 Length: 16 ” Length: 16 ” Length: 14 3/8” Length: 14 1/4” 3/4 11/32 NEY ROSAURO (SNR) Head: 2 ” Head: 2 ” Head: 1 1/2” Head: 1 1/4” An elongated tip with an increased surface area TG08 STACCATO for enhanced sound quality. Long taper provides DOLCE ARTICULATE excellent rebound, while a slight taper towards Medium head for a full but articulate. (GEN4) the butt enhances the balance. In hickory. Length: 16 3/16” Outstanding clarity in softer passages. Length: 16 1/2” Head: 2 3/4” Length: 14 7/16” Diameter: .600” 3/4 TG21 CHAMOIS/WOOD Head: 1 ” This chamois/wood mallet is a must for The Rite of Spring. Sold in pairs. TONAL (GEN5) Length: 15 1/4” An excellent all-purpose mallet. Wood core. Head: 1 1/2” & 1 3/8” Length: 14 1/2” TG26 DOUBLE END Head: 1 11/16” Designed for one-handed rolls. 1/2 TG21 Length: 15 ” Head: 2 3/4”

TG26

25 26 M111 M112 M113 M114 M115 M116 M121 M122 M123 M124 M125 M126 M160 M161 M162 M163 M164 M23 M25 M27 M31 M32 M33 M36

SIGNATURE MALLETS

ROBERT VAN SICE GIFFORD HOWARTH Respected internationally as a soloist and educator, Robert van Sice designed An active recitalist and educator, Gifford Howarth designed this line of this series of yarn wound marimba mallets with an exclusive hand-wrapping marimba mallets to create the highest quality of sound for the recital hall or SIGNATURE KEYBOARD MALLETS technique that virtually eliminates the sound of bar contact. Rubber core within an ensemble. Each model allows the specific characteristics of each models are mono-tonal; synthetic core models are multi-tonal. 17" maple range of the instrument to shine through. With long lasting yarn for durability Each Vic Firth Signature Keyboard model was conceived GARY BURTON YARN (M25) TERRY GIBBS (M31, M32, M33) handles provide excellent feel and control at extended intervals. and clear, unfinished birch shafts for a natural feel. through extensive discussion and research with the finest Yarn wound heads and rattan handles accommodate Gary’s This line offers a rattan handled mallet for every dynamic requirements on . range on vibraphone or marimba. Cord wound heads. keyboard percussionists from a variety of musical styles. 1/2 1/4 RUBBER CORE (MONO-TONAL) SYNTHETIC CORE (MULTI-TONAL) Length: 15 ” Length: 15 ” M160 M163 The designs are a reflection of their musical requirements Very soft. Huge sounding low-end mallets. Medium hard. For general playing on the entire M111 M121 in terms of balance, feel, hardness and tone color. For a full, overtone-rich bass sound. instrument, with excellent clarity in the upper range RUSTY BURGE MEDIUM CORD (M27) ED SAINDON Very soft. For a warm, round sound that is Very soft. Produces a heavy, dark sound. Perfect for 5/8 and rich tones in the lower and mid-ranges. Length: 17 ” Generates a full sound that maintains its characteristics across all MEDIUM-HARD (M39) perfect for low register chorales. use in the bass position. 1/4 Length: 17 ” VICTOR MENDOZA CORD (M23) registers and at all dynamic levels. Durable synthetic cord over a A natural rubber core tightly wrapped with thin cord M161 Medium hard cord wound mushroom heads produce a brilliant rubber core produces a nice jump off the bar. With rattan handles. generates a full sound with exceptional clarity at all M112 M122 M164 sound on vibraphone. With rattan handles. Length: 15 1/2” dynamic levels. Perfect for both vibraphone and marimba. Soft. Produces a broad sound with tremendous Soft. An ideal mallet for pieces such as the Bach Soft. A Deep open bass sound in the lower “Multi-tone”. Hard to medium. Provides sharp clarity 1/2 Rattan handles. projection that is dark, but not muffled. Cello Suites. two-thirds of the instrument while still speaking Length: 15 ” in the highest range of the instrument without a through the mid-range. Length: 15 1/2” harsh “core attack” sound in the lower range. Length: 17 1/2” M113 M123 Length: 17 1/4” Medium soft. A general mallet that covers the Medium soft. A very versatile mallet that covers the lower four octaves of the marimba.. entire instrument. M162 Medium. For a lush quality in the lower range M114 M124 with the attack needed through most of the Medium. The most popular model in the series, Medium. The most popular mallet in the series. upper range. this mallet covers the entire range of the An extraordinary range of color, which is easily Length: 17 3/8” marimba and produces a singing sound that is manipulated by the performer. full of life. M125 M115 Medium hard. This is the most expressive mallet Medium hard. Bright, but not to the point of of the series and is an ideal choice for the modern “-like” brilliance. marimba repertoire.

M116 M126 Hard. When extreme cutting power and a sharp Hard. For those moments where the player needs edge are required. maximum cutting power and edge to the sound. GARY TERRY BURTON GIBBS

VICTOR RUSTY ED MENDOZA BURGE SAINDON

27 M221 M222 M223 M224 M225 M226 M227 M228 M229 M281 M282 M283 M284 M285 M287 M286 M290 M291 M292 M293 M294 M30 0 M301 M302 M303 M304

SIGNATURE KEYBOARD MALLETS SIGNATURE KEYBOARD MALLETS

NEY ROSAURO THEODOR MILKOV ANDERS ÅSTRAND Internationally renowned composer and percussionist, Renown for his creative approach to the instrument and astounding technical ability, As a performer and clinician, Vic Firth artist Anders Åstrand has shared his unique sense of melodic and rhythmic exploration with audiences around the globe. As a Ney Rosauro, designed this special series of marimba and Theodor now offers his sound in a series of unique marimba mallets that provide a soft, dark composer, his work with brass quintets, choirs, and big bands has helped to inform his own playing. This compositional mindset – knowing when voices need to blend vibraphone mallets to reflect the sound he desires for his sound while still maintaining an incredible amount of articulation and feel. and when they need to shine – set the tone for the two series of mallets Anders created with Vic Firth. award-winning compositions. The blended Mohair yarn balances with the core to create a focused sound where the true ORANGE BLUE All of the models feature rattan shafts and rubber cores tone of the marimba bar is singularly realized at all times. Played at the softest of dynamics, Inspired by string quartets, brass quintets, and vocal Designed to support the soloist as coupled with special yarn and cord choices. This assures the bar truly sings without unwanted extraneous sounds. The premium hickory shafts choirs, the individual mallets in this series share well as the percussionist playing in an the player a pure and natural sound that projects the full provide the added weight the mallet needs to produce low frequencies, and the strength of a common sound color that allows their individual ensemble setting, the Blue series is a bit capabilities of the instrument. Unique to this series are two the wood increases control and longevity. voices to speak beautifully together. While they are a heavier, producing rich sounds with great “hybrid” models designed to cross-over between marimba, great choice for solo playing, the Orange series are projection. Added weight allows the mallets vibraphone, and xylophone. exceptional mallets for keyboard ensemble settings, to speak clearly without the player needing M281 M283 M286 where instruments must blend. to do all of the work. Soft. With a dark fundamental, this Medium. A full sounding mallet Hard & Bright. A crystal clear sound MARIMBA mallet projects a beautiful sound with articulation for the lower half of can be created and yet with a tone that in the low register of the marimba. the marimba. is full and rich. (M290) (M300) M221 M223 Length: 17” Length: 17” Length: 17” SOFT SOFT Soft. For rich bass and well defined Medium hard. A versatile and general Designed for the bass part on the marimba, great for Full bass sound with a great dynamic. A light fundamentally in the lower register. mallet that produces full and natural sound ensemble. Brings out the bass with clear articulation. touch brings out the big warm bass. Length: 16 3/4” throughout the entire keyboard. M282 M284 M287 Length: 16 3/4” Length: 16 3/4” Length: 16 3/4” Medium soft. Ideal when articulation is Medium Hard. The "General" mallet Very Hard. Designed for the top 3 required in the low register while of the series. Covers the entire range octaves for the most projected clarity. M222 maintaining a fundamental dark sound. of the marimba with an articulated Length: 17” Medium soft. Produces a warm and M224 Length: 17” dark fundamental sound with a MEDIUM-SOFT (M291) MEDIUM-SOFT (M301) round sound while maintaining Hard. Cuts well, but still maintains a touch of high overtones. Articulation over the whole range on the instrument. Brings out the fundamental on the instrument. Allows clear articulation. pure fundamental sound. Length: 17” Well-suited for the mid-part in an ensemble. you to play softly and still achieve a full, warm sound. Length: 16 3/4” Length: 16 3/4” Length: 16 3/4” Length: 16 3/4” M285 Hard. A bold and articulate mallet VIBRAPHONE HYBRID Well balanced mallet between MEDIUM (M292) MEDIUM (M302) fundamental and high overtones. Gives a full, warm sound on both Vibes Works great for both Marimba and Vibes. Ideal M225 M228 Length: 17” and Marimba in any musical setting. for solo performance or in smaller ensembles. Soft. Designed specifically for the low General. An all-purpose mallet for Length: 16 3/4” Length: 16 3/4” register of the extended range vibraphone. rich, full sound on any keyboard. Length: 15 3/4” Length: 16 1/4” HARD (M293) MEDIUM HARD (M303) M226 M229 Very clear and warm in the top range on the Plays great on Marimba and Vibraphone. Medium. For full and extremely rich Very hard. A very articulate and marimba and all ranges on the vibes. Works in all different styles and settings. sound throughout the keyboard. extremely powerful mallet. Length: 16 3/4” Length: 16 3/4” Length: 15 3/4” Length: 16 1/4”

M227 VERY HARD (M294) HARD (M304) Medium. For full and extremely rich Allows the xylophone to blend nicely Great choice for chamber settings when you sound throughout the keyboard. with other keyboard instruments. want a full sound with bright articulation. Length: 15 3/4” Length: 16 3/4” Length: 16 3/4”

29 30 M200 M201 M202 M203 M204 M205 M206 M207 M208 M130 M131 M132 M133 M134 M135 M136 M137 M138 M139 M140 M141 M142 M143 M144 M145 M146

ORCHESTRAL SERIES

For the discriminating orchestral and symphonic band performer, the Orchestral M138 M143 Series offers an extraordinary range of sound color possibilities for xylophone and Medium poly with an added brass weight creates a Hard acetal. Very small head for very thin warm, dark sound on and xylophone. texture on bells. PESANTE SERIES bells. With rattan shafts, these mallets are also an outstanding choice for marching Length: 14 1/4” Length: 14 1/8” band, drum corps, indoor marching, , and solo playing. Head: 1 1/8” Head: 3/4” The musical term “Pesante” means to “play with weight M200 M205 M139 Bass Marimba. Produces a huge low-end sound with virtually no attack. Soft. Big low-end sound with articulation to help M130 M134 and emphasis.” With these extraordinary marimba/ Hard Lexan® with an added brass weight creates 3/8 bring out the written line in the low register. Soft plastic for a warm sound on a xylophone. Medium hard urethane. Dark and bold for xylophone M144 Length: 15 ” a full, pure and clear tone on bells and xylophone. vibraphone mallets, this is just what you can achieve. 3/16 Also great on marimba. and bells. The round brass head creates a bright Length: 16 ” Length: 14 1/4” M201 Length: 14 3/8” Length: 14 3/8” sound on bells. Soft. Little attack, yet capable of projecting low register voicing. Head: 1 1/4” 1/8 The Pesante Series is designed to produce a dark and bold M206 Head: 1 1/4” Head: 1 1/4” Length: 14 ” Length: 16 3/8” 5/8 sound that projects with a beautiful sonority! M200-M204 Medium soft. A very versatile mallet throughout the M140 Head: ” entire range of the instrument. M131 M135 Medium nylon makes this a full sounding, general feature a thick yarn which minimizes attack and produces M202 Medium-soft rubber. Full sound on a xylophone. Hard PVC. Bright and cutting for xylophone and bells. Length: 16 3/8” mallet on the xylophone and bells. Medium soft. Great for all-around playing in the lower two-thirds of 3/8 1/4 a very lush quality. M205-M208 are wrapped in a high- Length: 14 ” Length: 14 ” 1/4 M145 the instrument. Length: 14 ” 1/4 1/8 Large oval brass head for a very big, density cord for enhanced articulation with a dark and 3/8 Head: 1 ” Head: 1 ” 1/8 Length: 16 ” M207 Head: 1 ” bright and bold sound on bells. pleasing sound. Rattan shafts provide ideal feel with these Medium hard. Projects a very clear, broad presence M132 M136 M141 Length: 14 3/16” M203 within the ensemble. weighted mallets. Medium rubber. Dark sound with clarity on Hard acetal produces a very full and lyrical sound on bells Medium hard nylon for a focused sound on Head: 7/8” Medium hard. A great choice for all-around playing in the upper 1/8 Length: 16 ” a xylophone. and xylophone. two-thirds of the instrument. xylophone and bells. 1/4 1/4 3/16 3/8 Length: 14 ” Length: 14 ” Length: 14 ” Designed for the keyboard choir, these mallets are also an Length: 16 ” M208 Head: 1 1/8” Head: 1 1/4” Head: 1” M146 outstanding choice for marimba and vibraphone in every M204 Medium hard. Projects a very clear, broad presence The medium round aluminum head conceivable ensemble. Hard. Designed for articulate playing. Clarity with a full-bodied tone. within the ensemble. M133 M137 M142 creates a full and shimmering sound on Length: 16 3/8” Length: 16 1/8” Medium poly. Light and clear for xylophone and Medium hard Teflon® produces a bold and dark sound. A Very hard phenolic. Small head for brilliant and and bells. Also great on bell trees bells. A great choice for “rags”. very unique choice for xylophone and bells. pointed sounds on bells. and other metallic effect instruments. Length: 14 1/4” Length: 14 1/4” Length: 14 1/4” Length: 14 3/8” Head: 1 1/8” Head: 1 1/4” Head: 7/8” Head: 7/8” ENSEMBLE SERIES

The Ensemble Series mallets are crafted with a 1 1/4” rubber core and a latex covering. This CONTEMPORARY SERIES combination of components generates a full-bodied sound and a rich fundamental. Each model has its own latex recipe for true graduation of timbre and tone production, and rattan shafts enhance Developed along with some of the world’s greatest contemporary chamber rebound—making them very easy to play. music ensembles, the Contemporary Series vibraphone mallets are perfectly suited for the demands of contemporary repertoire. The vibraphone mallets M150 M153 For bass marimba, weight creates great projection of Medium. Great for the middle register. A very feature 100% synthetic cord for maximum durability and consistent tone. the low-end voice and is ideal for bass line parts. versatile mallet. Medium-weighted rubber cores create a clear and appropriate sound. Length: 15 3/4” Length: 15 3/4” High-grade rattan shafts provide the ideal feel and sound on the vibraphone, 3/16 1/16 Latex Thickness: ” Latex Thickness: ” making this series the perfect choice for the contemporary chamber, M151 M154 percussion ensemble, orchestral and solo literature. Soft. Excellent for use in the lower third of the Medium hard. A fine choice for the top third register. instrument. Produces a fine low-end sound. Also a fine choice for legato “lead line” playing. No M240 M242 Length: 15 3/4” latex cover. Medium. Produces a pure warm tone, Hard. A bold mallet that provides Latex Thickness: 3/16” Length: 15 3/4” making this a very lyrical choice. outstanding projection and clarity. Length: 15 3/8” Length: 15 3/8” M152 M155 Medium soft. Produces a warm, full-bodied sound with Hard. Designed for articulate “lead line” playing within M241 M243 excellent clarity for the lower two-thirds register. the top third of the instrument. With a thermal plastic Medium hard. The most universal choice in Very hard. Brilliant clarity is achieved M240 M241 M242 M243 Length: 15 3/4” core for plenty of clarity with this mallet! No latex cover. the series. A virtual all-purpose mallet! even at the softest dynamic level. 1/8 3/4 3/8 3/8 Latex Thickness: ” Length: 15 ” M150 M151 M152 M153 M154 M155 Length: 15 ” Length: 15 ”

31 32 M210 M211 M212 M213 M214 Designed for the solo marimba performer, the Virtuoso Series features a rubber core wrapped with a wool blend yarn for an especially warm and full-bodied sound. The 17” handles are made of birch with a unique “slip-resistant” finish for excellent feel and enhanced control. A fine choice in ensemble settings, as well.

M210 M213 Soft. Creates a beautiful singing Medium hard. Provides excellent sound in the low register. clarity throughout the full range of the marimba. M211 Medium soft. Produces a full-bodied M214 sound that still affords a degree of clarity. Hard. Designed for repertoire that requires superb articulation. M212 Medium. The most versatile mallet of the series. An all-purpose marimba mallet.

VIRTUOSO SERIES

AMERICAN KEYBOARD MALLETS CUSTOM ®

The American Custom® Keyboard Mallets are designed YARN WOUND to address a range of instruments and all dynamic levels. VIBRAPHONE & MARIMBA UNWOUND CORD WOUND The yarn models feature a 3-ply nylon yarn that is virtually M1 M5 M10 indestructible yet provides excellent cushioning for a Soft round head for soft playing. Medium rubber. For practice on Very hard round head for softer sound. The corded model is wrapped with a harder marimba, xylophone and vibes. aggressive playing. M2 finished material which produces a stronger percussive Medium hard round head for M6 effect. The unwound models deliver maximum sound. all-around playing. Hard phenolic 1” ball. For all-around playing on bells and xylophone. With birch shafts for rigidity and consistency, they are M3 SPECIALTY favored by players who prefer extra reach without the Medium mushroom head for added flexibility of rattan. All Custom mallets are 16” long. all-around playing. M7 M11 Hard phenolic 1 1/8” ball. For Brass-headed for bells and . M4 aggressive playing on bells and xylophone. Super-soft large round head M14 where pianissimo is required. Soft poly 1 1/4” ball for xylophone.

M1 M2 M3 M4 M5 M6 M7 M10 M11 M14 CORPSMASTER 33 34 M230 M231 M231H M232 M232L M233 M234 M235 M260 M261 M262 M263 M264 M265 M266 M267 M170 M171 M172 M180 M181 M182 M183 M184 M185 M168 M187 M188 M189

CORPSMASTER ® MULTI-APPLICATION KEYBOARD SIGNATURE KEYBOARD CORPSMASTER ® CORPSMASTER ® Multi-Application Series says it all—a versatile line of mallets that offers excellent choices for M182 M186 KEYBOARD virtually any musical situation. Developed with some of the very best DCI corps, these mallets Medium yarn marimba mallet that is ideal in the Medium cord vibe mallet provides full lower two-thirds of the instrument. Synthetic tone without a lot of attack. Weighted are great for drum corps, , indoor marching, concert and solo playing. This core; birch shafts. rubber core; rattan shafts. series features 100% synthetic yarn and cord for maximum durability and weather resistance. Length: 17” Length: 16” MAX-PROJECTION KEYBOARD SERIES IAN GROM The Corpsmaster® Max-Projection Keyboard Series features Ian Grom is a composer and educator whose work in the WGI arena has cemented his M170 M180 M183 M187 eight models—five for marimba and three for vibraphone. The reputation as one of the brightest minds in marching music today. The Signature Series Soft yarn marimba mallet with very little attack. Soft yarn marimba mallet that provides a warm Medium hard yarn marimba mallet with full tone Medium hard cord vibe mallet that is Designed to provide a full-bodied tone in the low register. sound while still offering some articulation in the and excellent clarity throughout the entire range big in sound without being overbearing. marimba mallets feature large birch shafts (11/32” diameter) for features eight models—five for marimba and three for vibraphone. All models share the Rubber core; birch shafts. low register. Synthetic core; birch shafts. of the instrument. Synthetic core; birch shafts. Weighted rubber core; rattan shafts. increased articulation and sound projection, while the vibe mallets same unique warm rubber core for a superior universal blend and even quality across the Length: 17” Length: 17” Length: 17” Length: 16” are offered with thick rattan shafts. All are wrapped with 100% range of the instruments. synthetic yarn with double-stitching for maximum durability and M171 M181 M184 M188 Medium yarn marimba mallet that is ideal across the full range weather resistance. Medium soft yarn marimba mallet that projects Hard yarn marimba mallet with medium weight. Hard cord vibe mallet provides MARIMBA VIBRAPHONE of the instrument. Rubber core; birch shafts. well in the lower half of the instrument. Synthetic An ideal choice for the middle to top register. maximum projection and clarity. Birch shafts ( 5/16” dia.) and double-stitched Thick rattan shafts and 100% synthetic cord provide clarity Length: 17” core; birch shafts. Rubber core; birch shafts. Weighted rubber core; rattan shafts. MARIMBA VIBRAPHONE 100% synthetic yarn for maximum durability with maximum durability and weather resistance. and weather resistance. Length: 17” Length: 17” Length: 16” M172 M230 M233 Very hard yarn marimba mallet that provides excellent clarity M260 M265 Soft. Produces many overtones from the Soft. Clear response with lots of in the middle to top register. Rubber core; birch shafts. M185 M189 Soft. Superior for rolls and agile enough for Medium soft. Warm resonance, while producing a huge low register. Great combination of warmth projection and vibrant sound in the Soft yarn vibe mallet with a full, lush sound. Very hard cord vibe mallet that provides rhythmic clarity in the lowest register. fundamental sound. The bottom octave absolutely sings with Length: 17” and clarity. low register. Virtually no attack. Weighted rubber core; the utmost in articulation. Weighted Length: 16 3/4” these mallets! Length: 16 3/4” Length: 16” rattan shafts. rubber core; rattan shafts. Length: 16 1/2” Length: 16” Length: 16” M234 M261 M231 Medium soft. Produces a huge low-end M266 Medium. Warm sound with clarity in Medium. Full and clear sound in sound while creating clarity in the bottom Medium. Clarity with pure tone through the full range of all registers. all ranges of the instrument. two octaves. the instrument. The most versatile vibe mallet in this series. 3/4 Length: 16” Length: 16 ” Length: 16 3/4” Length: 16 1/2” CORPSMASTER ® MARCHING KEYBOARD M231H M235 M262 M267 Medium Hard. A blend of warmth and in- Hard. Huge sound! Very clear Medium. Beautiful tone with medium articula- Medium hard. Creates transparency with quality. Ideal for creased articulation that bridges the M231 and articulation without glassy sound. tion to the top octave. the top half of the instrument. M232. The "H" indicates increased hardness. Length: 16” Corpsmaster® keyboard mallets are specifically designed to withstand the demanding playing and 3/4 Length: 16 1/2” 3/4 Length: 16 ” environmental requirements of outdoor performance applications. Length: 16 ” M263 M232 Medium hard. Great tone and clarity through Hard. Articulate and bold with great tone. XYLOPHONE & BELLS MARIMBA & VIBES the entire marimba range. The most versatile 3/4 Length: 16 ” marimba mallet in this series. With medium-heavy heads for great sound quality and projection, these cord M61 3/4 wound models are specifically designed to withstand the demanding playing and Length: 16 ” Hard. 1 1/8” Lexan® ball offers excellent environmental requirements of outdoor performance applications. M232L projection for all around use. Two-step Hard. Thinner shaft (Dia. = 5/16”) and design features rugged plastic handles for M264 synthetic core offer increased agility for those Hard. Built to be fast, articulate and have a gripping and control, and fiberglass shafts for M70 M75 who appreciate the M232. The "L" indicates a comfortable weight. Perfect when looking for maximum rebound, response, and durability. Medium marimba—grey cord. Medium vibe—grey cord. lighter weight. clarity in upper 2 1/2 octaves. 1/2 3/4 Length: 15” Length: 16 ” Length: 15 ” 3/4 Length: 16 ” Length: 16 3/4” M63 M71 M76 Medium. 1 1/2” poly ball on rattan shafts Hard marimba—black cord. Hard vibe—black cord. produces a warm sound on xylophone that Length: 16 1/4” Length: 15 3/4” blends nicely within a keyboard ensemble. 1/4 M61 M63 M70 M71 M75 M76 Length: 14 ”

35 36 M270 M271 M272 M273 M274 M275 M276 M277 MTS1 MTS1SW SRHTSW SRHTS SRHTSN STHTS SMAPTS SBBTS STATH STATHF

SIGNATURE KEYBOARD CORPSMASTER ® MULTI-TENOR STICKS CORPSMASTER ®

MARIMBA VIBRAPHONE IAIN MOYER The Corpsmaster® multi-tenor sticks produce a bold, articulate sound with “QUADBALÉ” TOM AUNGST Over the course of a continually blossoming career, Dr. Iain Moyer has Multi-tonal. Synthetic yarn with color-coded Birch shafts for rigidity, accuracy, and speed. star-shaped stitching identifies each model. A synthetic cord with color-coded star-shaped plenty of projection. Swizzle versions feature a hard, spun felt ball attached to TENOR STICK (STHTS) TENOR HYBRID (STATH) amassed numerous accomplishments and made significant contributions Birch handles. stitching identifies each model. Birch handles. the butt end. In hickory. Full-sized gripping area with smaller shaft, neck, and tip The original. Blends the feel of a traditional tenor to the world of . He has composed, arranged and emphasize a high pitch and timbre for imitating timbale mallet with the sound of a snare stick. Great for M270 M274 style parts. both indoor and outdoor applications. Nylon head. instructed at the highest levels of the Drum Corps activity – including ten MTS1 TENOR Medium-soft to medium. Produces a lush Medium. Great for chordal material in the 1/2 Elongated taper and length for additional comfort. Unique nylon tip helps pull more STICK (SRHTS) Length: 16 ” years at The Cadets, contributing to a World Championship in 2011 and a and full sound in the bottom half of the bottom two octaves. Length: 15 3/4” sound from the drum. Full-sized shaft with an exceptionally large barrel Diameter: .690" (.640" at Shaft) instrument, while maintaining the multi-tonal 7/8 High Percussion Award in 2013. Iain has additionally worked Length: 16 ” Length: 16 1/4” tip for a big sound with clarity. Diameter: .700" (.650" at Shaft) characteristics of the series. with the Madison Scouts, Glassmen, Crossmen, and has held directorial Diameter: .680" Length: 15 15/16” JOHN MAPES TENOR STICK Length: 17” M275 (SMAPTS) positions at the University of North Alabama and Widener University. TOM AUNGST Medium-hard. Perfect for both chordal and Diameter: .690" MTS1 SWIZZLE (MTS1SW) A full, black nylon tip provides increased surface area and TENOR HYBRID FELT M271 virtuosic playing across the entire range of durability for a sound that lasts! The hickory shaft generates Ideal for fast changes between nylon and (STATHF) Medium to medium-hard. Equally suited for the instrument. a great response for a deep, dark sound. Elongated taper and The Corpsmaster® Iain Moyer Signature Series offers a fresh approach felt sounds. RALPH HARDIMON TENOR Combines the sound of a traditional felt soft, expressive playing and articulate playing 7/8 length for additional comfort. Length: 16 ” 5/8 STICK (SRHTSN) tenor mallet with the feel of a snare stick. to the marching percussion idiom. The marimba models are based on in the bottom two-thirds of the instrument. Length: 16 ” A true extension of Ralph’s original tenor stick. Length: 16 3/4” a multi-tonal concept, and the vibraphone models feature birch handles Diameter: .680" Round felt ball head. Length: 17” Extra length for comfort and rebound. Large 13/16 M276 1/4 Diameter: .697" Length: 15 ” instead of the traditional choice of rattan. Hard. A light and articulate mallet that really Felt Ball: 1 ” x 1" barrel-shaped red nylon tip creates a huge sound Diameter: .725" (.650" at Shaft) M272 sings in the top two octaves. with tremendous clarity. BILL BACHMAN “BILLY CLUB” Medium-hard to hard. A well-rounded mallet 3/4 Length: 16 7/8” RALPH HARDIMON Length: 16 ” (SBBTS) Each mallet is color coded. that beautifully covers the entire range of TENOR SWIZZLE (SRHTSW) Diameter: .690" Crafted in hickory to provide an improved rim-shot sound the instrument. Warm and articulate with a Ideal for fast changes between wood and while enhancing the durability of the stick. The overall weight comfortable weight. M277 felt sounds. has been reduced, making it easier to maneuver around the Very hard. Produces an appropriately Length: 17” Length: 16 5/6” drums at high speeds. Produces very big and dark sound. brilliant sound that shimmers over the Diameter: .690" Length: 15 13/16” M273 entire ensemble. 1/4 Diameter: .725" Hard to very hard. Ideal for the top two Length: 16 7/8” Felt Ball: 1 ” x 1" octaves of the instrument, or in the middle register when played with a lighter touch. Length: 17” MULTI-TENOR MALLETS CORPSMASTER ®

The Corpsmaster® multi-tenor mallets are available with heavy gauge MTT MT2A aluminum for excellent speed, response, and durability. Textured “anti- Tapered hickory shafts offer excellent A super hard, round felt head for buzz” rubber handles eliminate vibration and enhance gripping. balance and control. No rubber grip. excellent rebound and articulation. Length: 14 5/8” Length: 14 1/2” Head: 1 1/4” x 1/2” Head: 1 1/8” x 1” MT1A MT3A* A nylon head with a curved playing A soft felt core covered with a fleece surface for ultra-staccato sounds. for lush sounds. Length: 14 1/4” Length: 14 3/4” Head: 1 1/4” x 1/2” Head: 1 3/8” MT1A-S MT4A Extra-heavy gauge aluminum for A tapered nylon cartwheel style head increased power and durability. Head provides a comfortable playing angle is the same as the MT1. and warm tones. Length: 14 1/4” Length: 14 1/4” 1/4 1/2 19/32 1/4 MTT MT1A MT1A-S MT2A MT3A MT4A Head: 1 ” x ” Head: 1 ” x ”

37 38 SRH2CO SRH2 SRHN SRH SRHI SRHJR SMJ STA STA2 SLB SRC STF

RALPH HARDIMON (SRH/SRHN) With a unique barrel tip and long taper for quick rebound and added control. In wood or nylon tip. Length: 17” Diameter: .710”

RALPH HARDIMON “HAMMER” (SRH2) A scaled down Hardimon, made in Sta-Pac for added weight and sound production. Length: 16 7/8” Diameter: .695”

TOM AUNGST (STA, STA2) LEE BEDDIS (SLB) ROGER CARTER (SRC) TOM FLOAT (STF) RALPH HARDIMON “CHOP-OUT” RALPH HARDIMON RALPHIE JR. (SRHJR) MIKE JACKSON (SMJ) A long, “reverse teardrop” tip and moderately long Medium tear drop tip and A durable marching stick that plays like a drumset A full tear drop tip and PRACTICE STICK (SRH2CO) INDOOR (SRHI) Scaled down version of the SRH. Perfect A thick shoulder and long taper provide quick taper. Rebounds with ease. Also available scaled short taper for clarity stick. Long taper unlocks the groove and stylistic medium taper combine for The Hardimon “Hammer” with a rubber tip. Quick taper and barrel tip provide for indoor marching and smaller hands rebound and a great “ping-shot”. Long reverse down for indoor drumline. and projection. flow. Round tip works with the taper to create a durability and speed. The ultimate workout stick! great sounds and articulation. of young percussionists. taper pushes more mass to the front of the stick. STA Length: 17” STA2 Length: 16 3/8” Length: 17” focused sound over a wide dynamic range. Length: 16 7/8” Length: 16 7/8” Length: 16 3/4” Length: 16 1/2” Length: 17” Diameter: .697” Diameter: .675” Diameter: .700” Length: 17” Diameter: .715” Diameter: .695” Diameter: .695” Diameter: .675” Diameter: .635” Diameter: .585” (.740" at Shoulder, .710" at Shaft)

MARCHING CORPSMASTER ®

MS1 MS4 MAGNUM Full oval tip and short taper In Sta-Pac® for maximum strength bring out the dark sounds and density. Plays “through” on drums and cymbals. Kevlar® heads for maximum snare 1/2 TOM LEE ROGER TOM MURRAY THOM JOHN RALPH MIKE COLIN JEFF Length: 16 ” and batter head response. AUNGST BEDDIS CARTER FLOAT GUSSECK HANNUM MAPES HARDIMON JACKSON MCNUTT QUEEN Diameter: .695” Length: 16 1/2” Diameter: .695” MS2 Like the MS1, but with MS5 extra length for more lever- A medium taper and full round MARCHING SIGNATURE age and power. tip enhance the colors that are Length: 17” possible on Kevlar® heads. Diameter: .695” Length: 17” Diameter: .705” MS3 Very long taper for quick “CHOP-OUT” (MS6CO) MURRAY GUSSECK (SMG) THOM HANNUM THOM HANNUM THOM JOHN MAPES (SMAP) COLIN MCNUTT (SCM) JEFF QUEEN SOLO STICK (SJQ) rebound and smooth action. Combines a rubber tip design With a thick shaft and medium long ORIGINAL (STH) PICCOLO (STH3) HANNUM BEAST This hickory stick design focuses Oval tip with a medium-long taper Full round tip for consistent sound The tip produces a full, yet and a special taper to simulate the taper for great balance from front A round tip with a very A full sized marching shaft (STH4) on feel. Balance of the shaft and provides great balance with quick quality. Long taper and reduced neck size crisp snare sound. authentic feel of the MS5. Great to back. The slightly elongated long taper and thick neck with an exceptionally short A higher shoulder adds a a fast taper creates comfort and response at all dynamic levels. for excellent speed. Slight taper toward the Length: 17” for practice or for special effects tip provides quick rebound with a for great control and taper and a very small tip. bit of weight as well as extra sound quality. Tip size and shape Length: 17” butt improves back-sticking control. Diameter: .715” on snares and tenors. bright sound. response, especially at For clearly defined highs and durability in the rim shot allow for lower pitched tuning and Diameter: .690” Length: 17” Length: 17 1/8” Length: 17” low dynamic levels. unique timbre possibilities. area. This is balanced out by improved sound. Diameter: .725” (.675" at Shaft) Diameter: .705” Diameter: .715” Length: 16 5/8” Length: 16 5/8” a specially-designed taper that Length: 17” Diameter: .690” Diameter: .690” increases flex. Diameter: .710” Length: 16 5/8” Diameter: .690” SMG STH STH3 STH4 SMAP SCM SJQ MS1 MS2 MS3 MS4 MS5 MS6CO

39 40 MBOH MB1H MB1S MBSH MB2S M3H M3S M4H MB45 GSTH GSSC GSTE SJLL

LPAD BASS MALLETS CORPSMASTER ® MB5H GROOVE SERIES CORPSMASTER ® The Corpsmaster® marching bass mallets feature tapered hickory shafts, which shift the weight of the stick towards the hand for improved The Corpsmaster® Groove Series is a line of sticks and mallets designed balance and control. Spherical heads provide a consistent striking specifically for the musical style reflected by the Historically Black Colleges and surface. With super hard felt heads (H) or with soft felt cores covered Universities (HBCU) marching band activity. Developed with some of the top with fleece (S). THIRTY YEARS HBCU bands, this series features sticks and mallets for marching snare, single OF MARCHING tenor, Scotch bass and large tonal bass. MB0H MB3 (H+S*) MB5H For 14”– 18” bass drums. For 26”– 28” bass drums. For 30”– 32” bass drums. PERFECTION JOHNNY LEE LANE SCOTCH GROOVE (GSSC) 1/4 1/4 1/4 Length: 14 ” Length: 14 ” Length: 14 ” For the Scotch bass drum, this mallet is made VIC FACT Vic was the first to offer a SIGNATURE STICK (SJLL) 1/4 1/2 1/2 Head: 1 ” x 1" Head: 2” x 1 ” Head: 2 ” complete line of products A snare stick with a large shaft and a medium with heavy gauge aluminum for excellent speed, response, and durability. A medium spherical for the contemporary long taper. The tip is designed with an increased MB1 (H+S*) MB4 (H+S*) surface area for excellent sound quality. Creates felt ball provides a full, articulate sound. For 18”– 22” bass drums. For 28”– 30” bass drums. marching activity. Today a great carrying sound for outdoor playing yet Textured rubber handles enhance the grip and feature a cord that can be attached to the wrist. Length: 14 1/4” Length: 14 1/4” we continue to follow has an excellent feel. In hickory. Head: 2 1/2” x 1 1/2” Head: 1 1/2” x 1 3/16” Head: 2 1/4” x 1 3/4” where the music leads Length: 17” Length: 12 1/4” us, offering exciting new Diameter: .715" MB2 (H+S*) MB4 (H+S*) designs that meet the For 22”– 26” bass drums. For 28”– 30” bass drums. TENOR GROOVE (GSTE) 1/4 1/4 needs of today's players! FASP Length: 14 ” Length: 14 ” For the single tenor, this mallet is made with THUNDER GROOVE (GSTH) Head: 1 3/4” x 1 5/16” Head: 2 1/4” x 1 3/4” heavy gauge aluminum for excellent speed, For large tonal bass drums. Made with extra response, and durability. A small spherical felt heavy gauge aluminum for serious impact ball provides a full, articulate sound. Textured *Replacement felt kits available. See page 47. and durability. A very large spherical felt ball rubber handles enhance the grip and feature a provides a thunderous and articulate sound. cord that can be attached to the wrist. Textured rubber handles enhance the grip. 1/2 3/16 Head: 1 ” x 1 ” Head: 2 1/2” x 1 3/4” 1/4 TIMPANI MALLETS CORPSMASTER ® Length: 12 ” Length: 14 3/4” EDUCATION PACKS Designed to include the correct tools for producing quality Specifically designed to withstand the rigors of outdoor application, sound at the student level, Education Packs were developed Corpsmaster® Timpani Mallets are also a great choice for indoor marching with a “step up” approach. As the student advances from and concert playing as well—especially for the program looking for beginner to intermediate, he or she will acquire the essentials extended durability from their timpani mallets! With maple shafts, the series for band and orchestra literature. All packs include a lanyard, provides a quality sound with ease. catalog, and poster! CT1 GENERAL CT4 ULTRA STACCATO For all-around playing. Produces exceptional rhythmic clarity. LAUNCH PAD (LPAD) Length: 15” Length: 15” A starter kit that includes an SD1 Jr., a 6” practice pad and Vic Firth’s Snare Drum Head: 1 1/2” Head: 1 3/8” Method—Book 1.

CT3 STACCATO (FASP) Medium hard for rhythmic articulation. FRESH APPROACH STARTER PACK Includes an SD1, a 6” practice pad, a Vic Firth Rudiment Poster and A Fresh Approach Length: 15” to the Snare Drum by Mark Wessels. Included with the book are streaming audio 3/8 CT1 CT3 CT4 Head: 1 ” play-along tracks and video tutorials.

41 42 STOCKPAD SLIMPAD

QUADROPAD-LARGE QUADROPAD-SMALL

BASSPAD LAMINATES

HEAVY HITTER PADS

The Heavy Hitter practice pads were designed to provide the most BASSPAD (HHPBASS) LAMINATES authentic feel possible. And with features that help the player maximize Original steel “barbell” design mounts on any cymbal Heavy duty mylar laminates are now stand for vertical and quiet practice of the marching bass included with Quadropads and are also practice time and avoid developing bad drumming habits, the Heavy Hitter drum. The player can see stick angles, stick heights and available separately to simulate the pads are a perfect choice for players of all levels and musical styles! “side-to-side line up” while practicing. response and feel of an actual drum.

(HHPSL) HHPSN-L QUADROPADS SLIMPAD For Slim and Stock pads. For practicing quads. Spacing is to scale with 1/4” rim to rim drums, and pads are laid out ac- Very thin rubber mounted on a sturdy wooden base curately for all playing areas—both standard and scrape. Includes two Spock pads made of thinner gives the feel of a contemporary marching snare drum. HHPQS-L rubber for an authentic feel. For small Quadropads. STOCKPAD (HHPST) QUADROPAD–SMALL (HHPQS) The wooden base provides the support of a full sized HHPQL-L For quads with an 8” #1 drum. pad, but without the added size and weight. Perfect to For large Quadropads. carry in a backpack. QUADROPAD–LARGE (HHPQL) For quads with a 10” #1 drum.

PRACTICE PADS

Available with soft rubber for quiet practice and with hard PAD6 & PAD12 PAD6D & PAD12D PAD12H rubber for intensifying the workout and hearing each In single-sided with soft rubber In double-sided with soft and In single-sided with a double stroke. Single sided pads feature a non-skid rubber base. (6” and 12”). hard rubber (6” and 12”). surface (12” only). All feature dense wooden bases for an authentic feel.

ACCESSORIES 43 44 D822 KIDPHONES SIH2

ESSENTIAL BASIC MARCHING DOUBLE MARCHING STICK BAG STICK BAG STICK BAG STICK BAG

ISOLATION HEADPHONES VICPACK

Developed with Rod Morgenstein, these isolation headphones were designed to protect ISOLATION KIDPHONES (KIDP) musicians from the high sound levels associated with their instruments. Prolonged HEADPHONES (DB22) From the start, caring for kids’ hearing is important! These non-electric headphones exposure to these excessive levels of noise can have traumatic and lasting effects, Non-electronic headphones which reduce overall noise levels by 25 decibels. Ideal for practice. are specially sized for children and reduce including hearing fatigue, tinnitus, and permanent hearing loss. These specialty overall noise levels by 22 decibels. headphones drastically reduce levels of external sound reaching a musician’s ears, STEREO ISOLATION offering valuable protection from potential damage. HEADPHONES (SIH2) Redesigned larger driver for a more powerful low end, cleaner mids, and clear highs. Improved padded headband for comfort. Reduce noise levels by 25 decibels. For live DRUM AND situations or playing with recorded music at safe sound levels. CYMBAL MUTES CLASSIC CONCERT PROFESSIONAL KEYBOARD BAG KEYBOARD BAG STICK BAG STICK BAG Made of non-slip pure rubber, these mutes make quiet practicing an option on the drum set. Available individually or as a pre-pack in the EARPLUGS following sizes: STICK & MALLET BAGS

PREPACKS MUTEPP6 The world’s highest fidelity non-custom earplugs. Developed in Having the right tools is important, but having them (KBAG) Drums: 10”, 12”, 14”, 16” conjunction with Etymotic, Vic Firth Earplugs are configured to DOUBLE MARCHING KEYBOARD BAG MUTEPP3 close at hand is crucial! No matter what you play or STICK BAG (MSBAG2) Hangs from the bar post of any keyboard instrument and holds a full Bass: 22” replicate the natural response of the ear canal so that sound is complement of mallets and sticks. Designed to facilitate fast mallet Drums: 12”, 13”, 14”,16” where you play, Vic Firth has what you need to keep Attaches to marching snare drums or multi-tenors Hi-Hat and Cymbal (2) changes. Features pockets for music, pencils, and accessories. In Bass: 22”, Hi-Hat and Cymbal (2) reproduced exactly as the ear would hear it, only quieter. Clarity and holds two pairs of sticks, brushes or mallets. your sticks and mallets well protected and within reach. water-resistant nylon. of speech and richness of music are preserved rather than Provides easy access during quick stick changes. MUTEPP7 So, what’s your bag? Water-resistant nylon. Length: 24” MUTEPP4 muffled. 20db sound reduction across all frequencies. Heavy-duty Drums: 10”, 12”, 14”(2) Length: 17” Open Width: 27” Drums: 10”, 12”, 14”(2) Bass: 18" neck cord and carrying case included. ESSENTIALS STICK BAG (ESB, ESBRED) Bass: 22”, Hi-Hat and Cymbal (2) Hi-Hat and Cymbal (2) Designed to hold 4-5 implements such as sticks, brushes, Rutes, and PROFESSIONAL STICK BAG (SBAG3) VICEARPLUGR VICEARPLUGL mallets—the essentials! The bag features a hook-and-strap system, which VICPACK - DRUMMER'S BACKPACK Made from waxed premium canvas material for a rugged, For drummers with more to carry than sticks—a backpack with a MUTEPP5 INDIVIDUAL Regular size Large size allows for secure suspension from the or snare and fits neatly into vintage style, the Professional Stick Bag is heavily padded. detachable stick bag! The backpack features two full-zip padded Drums: 10”, 12”, 14”(2) Drums: 8", 10”, 12”, the bag when not in use. An internal pocket and elastic drum key loop make Expandable front accessory pocket and internal pockets that compartments, one with a removable laptop insert. The stick bag holds Bass: 20", Hi-Hat and cymbal (2) the bag complete! In durable‚ water-resistant nylon. After countless requests 13”, 14”, 16” hold up to 24 pairs of sticks and or mallets. Features a rear 12 pairs of sticks. In water-resistant nylon with heavy duty zippers. from retailers and artists worldwide, the ESB is now also available in red. padded pocket for your tablet (fits up to 9.57” tablet). Bass: 18", 22” Length: 21” Height: 19” Length: 17” Cymbals: 16-18” Open Width: 13 1/2” Opened Width: 18 1/4” & 20-22” Hi-Hats Open Depth: 22”

EARPLUGS REGULAR (BSB) BASIC STICK BAG (VFCSB) Holds 12 pairs of sticks and a few small accessories… CONCERT KEYBOARD BAG CLASSIC STICK BAG The Classic Drumstick is a portable, lightweight bag for more than just perfect for students! In water-resistant nylon. (CKBAG) sticks, pocket space is large enough to accommodate tablets, in-ears, 1/2 Suspend this bag from the bar post of any keyboard Height: 18 ” sheet music and more. instrument for easy access to mallets and sticks DRUM Open Width: 17 1/2” from top or bottom. Additional pockets hold music, Length: 20” MUTES accessories, and pencils. A corduroy lining and a flap Open Width: 19” MARCHING STICK BAG protect mallet heads. In water-resistant leather-like (MSBAG) vinyl for durability and good looks. Attaches to marching snare drums and holds a spare pair of sticks. Provides Length: 25” easy access during quick stick changes. Water-resistant nylon. Open Width: 36 1/2” EARPLUGS LARGE Length: 15 1/4” Closed Width: 18 1/4”

46 RE-COVER KITS UNIVERSAL PRACTICE TIPS

VIC VIC TAPE GLOVES VICKEY 2

UNIVERSAL MARCHING STICK CADDY DRUM TIPS VICKEY 3 VICWAX ACCESSORIES

With a stick or mallet for every musical situation, it’s only natural VICKEY 3 MULTI TOOL DELUXE DRUM RUG that Vic Firth offers a line of accessories to solve certain challenges (VICKEY3) (VICRUG1) Be prepared for emergencies at the gig! Solid steel Introducing our new Vic Firth Deluxe Drum Rug, a new and make every drummer’s experience more complete. drum key/tool combo with a 4mm hex wrench, option for drummers who want support and stability for 3mm hex wrench, Phillips head screwdriver and a their drum kits. The Deluxe Rug is highly durable and VICTAPE snap-on drumkey bit. is large enough to fit any full-size acoustic or electronic Ultra-thin and absorbent, Victape reduces slippage and drum set. Comes with a nylon carrying case making for provides a comfortable feel. So durable it’s reusable. easy transportation and storage. Great for home, studio, STICK CADDY (CADDY) school and stage. Easy access to your sticks when you need them. VIC GLOVES Clamps to any stand or hardware. (VICGLVS, VICGLVM, VICGLVL, VICGLVXL) Protect your hands while improving your grip without sacrificing feel! Premium Cabretta leather with ventilated synthetic mesh palm and back. Unique synthetic rubber grip on thumb and forefinger.

UNIVERSAL PRACTICE TIPS (UPT) SNARE WIRES Rubber tips that fit over virtually all drum set and concert sticks. Great for practice and creating interesting timbres on drums and cymbals. (2 pair). Created in partnership with Canopus drums, these RE-COVER KITS Japanese steel snare wires feature narrower than These re-cover kits are designed to extend the life of your well-loved mallets. standard bronze end plates. Perfect for modern and vintage snare drums. They snap at all dynamic levels VICWAX without choking the bottom snare. Your snare drum will Specially formulated to be 25% tackier than all other sound fuller with more tone. waxes on the market. Convenient compact container. Berry scented. For 14” snare drums in two configurations:

DRUM KEY (VICKEY)

Stylish, wearable tool of the trade. VF20SNSW 20 strands for standard depth drums.

VICKEY 2 HIGH TENSION VF26SNSW (VICKEY2) DRUM KEY 26 strands for more snare sensitivity on deeper snare Designed with extended “T” for added power and faster drums. tuning. Special grip handle for added comfort. Carabiner clip for easy access.

UNIVERSAL MARCHING DRUM TIPS (UMPT) These durable rubber tips fit virtually all marching drumsticks. Great for practice and creating interesting timbers on drums and cymbals. Includes 2 pairs per package.

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PCAT20 2020 VIC FIRTH PRODUCT GUIDE MADE IN THE