LOS ANGELES PHILHARMONIC Broadcast Schedule — Summer 2021

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LOS ANGELES PHILHARMONIC Broadcast Schedule — Summer 2021 LOS ANGELES PHILHARMONIC Broadcast Schedule — Summer 2021 Please note: These listings include selections from previous LA Phil seasons, as well as audio from the LA Philharmonic’s SOUND/STAGE online-concert-video series. PROGRAM #: LAP 21-01 RELEASE: June 22, 2021 CONDUCTOR: Gustavo Dudamel SOLOIST: Nadine Sierra, soprano Mozart: Exsultate, Jubilate Mozart: Symphony No. 41, K. 551, “Jupiter” Brahms: Symphony No. 1 PROGRAM #: LAP 21-02 RELEASE: June 29, 2021 CONDUCTOR: Gustavo Dudamel SOLOISTS: Jean-Yves Thibaudet, piano* Yuja Wang, piano** Jessie Montgomery: Banner Gershwin: Concerto in F* John Adams: Must the Devil Have All the Good Tunes? (world premiere, LA Phil commission)** Beethoven: Symphony No. 7 PROGRAM #: LAP 21-03 RELEASE: July 6, 2021 CONDUCTOR: Gustavo Dudamel SOLOIST: Sergio Tiempo, piano Chavez: Symphony No. 2 (“Sinfonía India”) Esteban Benzecry: Piano Concerto, “Universos infinitos” (world premiere, LA Phil commission) Copland: Fanfare for the Common Man Copland: Rodeo John Adams: Grand Pianola Music PROGRAM #: LAP 21-04 RELEASE: July 13, 2021 CONDUCTOR: Gustavo Dudamel SOLOISTS: Jean-Yves Thibaudet, piano Copland: Appalachian Spring Suite (chamber version) Gershwin: Rhapsody in Blue Schumann: Symphony No. 2 PROGRAM #: LAP 21-05 RELEASE: July 20, 2021 CONDUCTOR: Gustavo Dudamel SOLOISTS: Martin Chalifour, violin Joanne Pearce Martin, piano Robert deMaine, cello Esa-Pekka Salonen: LA Variations Beethoven: Triple Concerto Andrew Norman: Sustain (world premiere, LA Phil commission) PROGRAM #: LAP 21-06 RELEASE: July 27, 2021 CONDUCTOR: Gustavo Dudamel SOLOISTS: Julia Bullock, soprano* J’Nai Bridges, mezzo-soprano** Barber: Knoxville: Summer of 1915* Lieberson: Neruda Songs: “Amor mio, si muero y tu no mueres”** Mahler: Adagietto from Symphony No. 5 Mahler: Symphony No. 1 PROGRAM #: LAP 21-07 RELEASE: August 3, 2021 CONDUCTOR: Gustavo Dudamel SOLOISTS: Seong-Jin Cho, piano Thomas Adès: Dawn Thomas Adès: Inferno (world premiere, LA Phil commission) Rachmaninoff: Piano Concerto No. 2 PROGRAM #: LAP 21-08 RELEASE: August 10, 2021 CONDUCTORS: Gustavo Dudamel* Esa Pekka-Salonen** Esa-Pekka Salonen: Pollux (world premiere, LA Phil commission)* Stravinsky: Funeral Song** Stravinsky: Agon** Stravinsky: The Rite of Spring** PROGRAM #: LAP 21-09 RELEASE: August 17, 2021 CONDUCTOR: Esa-Pekka Salonen SOLOIST: Carolin Widmann, violin Hindemith: Rag Time (on a theme of J.S. Bach) Weill: Violin Concerto Bach/Schoenberg: Two Chorale Preludes “Schmücke dich, o liebe Seele,” BWV 654 “Komm, Gott Schöpfer, heiliger Geist,” BWV 667 Hindemith: Symphony: Mathis der Maler PROGRAM #: LAP 21-10 RELEASE: August 24, 2021 CONDUCTOR: Zubin Mehta SOLOIST: Yefim Bronfman, piano Brahms: Piano Concerto No. 2 Brahms: Symphony No. 2 PROGRAM #: LAP 21-11 RELEASE: August 31, 2021 CONDUCTOR: Susanna Mälkki SOLOIST: Leila Josefowicz, violin Knussen: Flourish with Fireworks Knussen: Violin Concerto Steve Reich: Music for Ensemble and Orchestra (world premiere, LA Phil commission) Mahler: Symphony No. 5 PROGRAM #: LAP 21-12 RELEASE: September 7, 2021 CONDUCTORS: Elim Chan* Mirga Gražinytė-Tyla** SOLOISTS: Ray Chen, violin+ Patricia Kopatchinskaja, violin++ Saint-Saëns: Introduction and Rondo Capriccioso*/+ Ravel: Boléro* Debussy: La mer** Unsuk Chin: SPIRA - A Concerto for Orchestra (world premiere, LA Phil commission)** Tchaikovsky: Violin Concerto**/++ PROGRAM #: LAP 21-13 RELEASE: September 14, 2021 CONDUCTOR: Michael Tilson Thomas SOLOISTS: Measha Brueggergosman, mezzo-soprano* Mikaela Bennet, soprano* Kara Dugan, mezzo-soprano* Daniil Trifonov, piano** Tilson Thomas: Four Preludes on Playthings of the Wind* Tchaikovsky: Piano Concerto No. 1** Tchiakovsky: Symphony No. 6, “Pathétique” .
Recommended publications
  • Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
    Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker.
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  • 1 Making the Clarinet Sing
    Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Alyssa Rose Powell, M.M. Graduate Program in Music The Ohio State University 2020 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. Scott McCoy Dr. Eugenia Costa-Giomi Professor Katherine Borst Jones 1 Copyrighted by Alyssa Rose Powell 2020 2 Abstract The clarinet has been favorably compared to the human singing voice since its invention and continues to be sought after for its expressive, singing qualities. How is the clarinet like the human singing voice? What facets of singing do clarinetists strive to imitate? Can voice pedagogy inform clarinet playing to improve technique and artistry? This study begins with a brief historical investigation into the origins of modern voice technique, bel canto, and highlights the way it influenced the development of the clarinet. Bel canto set the standards for tone, expression, and pedagogy in classical western singing which was reflected in the clarinet tradition a hundred years later. Present day clarinetists still use bel canto principles, implying the potential relevance of other facets of modern voice pedagogy. Singing techniques for breathing, tone conceptualization, registration, and timbral nuance are explored along with their possible relevance to clarinet performance. The singer ‘in action’ is presented through an analysis of the phrasing used by Maria Callas in a portion of ‘Donde lieta’ from Puccini’s La Bohème. This demonstrates the influence of text on interpretation for singers.
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  • Gustavo Dudamel 2020/21 Season (Long Biography)
    GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The ​ New York Times to herald the LA Phil as “the most important orchestra in America – period.” ​ With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a ​ ​ socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles).
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  • For Release: Tk, 2013
    FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today.
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  • 2018/19 Utah Symphony | Utah Opera Season Calendar
    2018/19 UTAH SYMPHONY | UTAH OPERA SEASON CALENDAR DATE TIME CONCERT PROGRAM CONDUCTOR / ARTISTS VENUE SERIES 11 7:00 PM 59th Annual Salute to Youth Conner Gray Covington conductor AH 14 & 15 7:30 PM Bernstein on Broadway Teddy Abrams conductor Morgan James vocalist AH Barlow Bradford Thierry Fischer conductor chorus director ANDREW NORMAN Suspend a fantasy for piano and orchestra Jason Hardink piano Kirstin Chávez mezzo-soprano 21 & 22 7:30 PM Beethoven’s “Ode to Joy” BEETHOVEN Symphony No. 9 “Choral” Joélle Harvey soprano AH A, D Issachah Savage tenor Patrick Carfizzi bass-baritone SEPTEMBER Utah Symphony Chorus University of Utah Choirs GERSHWIN An American in Paris 28 7:30 PM An American in Paris RAVEL Piano Concerto in G Thierry Fischer conductor Alexandre Tharaud piano AH B, E 29 5:30 PM SCHUBERT Symphony No. 9 “The Great C Major” 13 7:30 PM 15 7:00 PM Robert Tweten conductor Vera Calábria director 17 7:00 PM Gounod’s Romeo and Juliet CT Joshua Dennis Romeo Anya Matanoviĉ Juliet 19 7:30 PM 21 2:00 PM 26 7:30 PM BERNSTEIN Three Dances from Fancy Free OCTOBER Tchaikovsky’s 4th & The Red Violin 27 5:30 PM JOHN CORIGLIANO Violin Concerto “The Red Violin” Andrew Litton conductor Philippe Quint violin AH B, E 26 10:00 AM LITTON/QUINT FINISHING TOUCHES OPEN REHEARSAL TCHAIKOVSKY Symphony No. 4 2 & 3 7:00 PM Ghostbusters in Concert Peter Bernstein conductor Utah Symphony AH Thierry Fischer conductor Garnett Bruce director James Sale lighting designer Jonathan Johnson Candide B, E 9 7:30 PM Bernstein’s Candide with the Utah Symphony BERNSTEIN Candide Lauren Snouffer Cunegonde Hugh Russell Dr.
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  • Premieres by Caroline Shaw and Tyshawn Sorey Concluding
    PRESS RELEASE [email protected] | (650) 525-6288 View Press Kits San Francisco Contemporary Music Players Present Premieres by Caroline Shaw and Tyshawn Sorey, with Concluding Concerts of 50th Anniversary Season to be Webcast in June and July SAN FRANCISCO (June 3, 2021) – San Francisco Contemporary Music Players and Artistic Director Eric Dudley announce three upcoming online events, including the world premieres of newly-commissioned works by acclaimed composers Caroline Shaw and Tyshawn Sorey, both Creative Advisors to SFCMP. For the first program, with webcast starting at 8 pm on Friday June 18 and available on-demand for 30 days following, Caroline Shaw brings her own insights as a vocalist to a new work for mixed quartet and solo voice, entitled Pine Tree and based on a text by San Francisco poet Yone Noguchi (1875-1947). Born in Japan and returning there for the latter part of his life, Noguchi spent a number of his early creative years in San Francisco and was the first Japanese-born writer to publish poetry in English. His poem I Hear you Call, Pine Tree becomes the basis for Shaw’s piece, which also features SFCMP Creative Advisor and guest artist Pamela Z on vocals. The rest of the program includes other works of vocal or vocally-inspired music, with Pamela Z performing her own composition Breathing from Carbon Song Cycle, Andrew Norman’s beautifully lyrical work Sabina for solo violin, and John Adams’s Son of Chamber Symphony, with its raucous opening movement built upon rhythmic echoes of the scherzo from Beethoven’s 9th, ‘Choral’ symphony.
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  • Transfer Learning for Piano Sustain-Pedal Detection
    Transfer Learning for Piano Sustain-Pedal Detection Beici Liang, Gyorgy¨ Fazekas and Mark Sandler Centre for Digital Music, Queen Mary University of London London, United Kingdom Email: fbeici.liang,g.fazekas,[email protected] Abstract—Detecting piano pedalling techniques in polyphonic music remains a challenging task in music information retrieval. While other piano-related tasks, such as pitch estimation and onset detection, have seen improvement through applying deep learning methods, little work has been done to develop deep learning models to detect playing techniques. In this paper, we propose a transfer learning approach for the detection of sustain- pedal techniques, which are commonly used by pianists to enrich the sound. In the source task, a convolutional neural network (CNN) is trained for learning spectral and temporal contexts when the sustain pedal is pressed using a large dataset generated by a physical modelling virtual instrument. The CNN is designed Melspectrogram and experimented through exploiting the knowledge of piano acoustics and physics. This can achieve an accuracy score of MIDI & sensor 0 127 0.98 in the validation results. In the target task, the knowledge learned from the synthesised data can be transferred to detect the Fig. 1. Different representations of the same note played without (first note) or sustain pedal in acoustic piano recordings. A concatenated feature with (second note) the sustain pedal, including music score, melspectrogram vector using the activations of the trained convolutional layers is and messages from MIDI or sensor data. extracted from the recordings and classified into frame-wise pedal press or release. We demonstrate the effectiveness of our method in acoustic piano recordings of Chopin’s music.
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  • Beethoven, Bagels & Banter
    Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015.
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  • NMC227-Matthews-Wyastone Booklet-28-04-16.Indd
    Colin Matthews Violin Concerto Cortège Cello Concerto No.2 Leila Josefowicz violin BBC Symphony Orchestra Oliver Knussen conductor Anssi Karttunen cello Rumon Gamba conductor Royal Concertgebouw Orchestra Riccardo Chailly conductor 2 Violin Concerto 20’00 1 Movement 1 10’38 Colin 12 Movement 2 9’22 Leila Josefowicz violin Matthews BBC Symphony Orchestra Oliver Knussen conductor Recorded live by BBC Radio 3 for the BBC Proms 3 Cortège 18’35 Royal Concertgebouw Orchestra Riccardo Chailly conductor Cello Concerto No.2 26’40 4 I Declamation. Sostenuto 4’40 5 II Song without text. Molto sostenuto 4’00 6 III Scherzo. Allegro energico 4’40 7 IV Song without text. Sostenuto 4’09 8 V Resolution. Sostenuto - Vigoroso 9’41 Anssi Karttunen cello BBC Symphony Orchestra • Rumon Gamba conductor Total 66’09 Rumon Gamba appears on this recording with the kind permission of Chandos Records Riccardo Chailly appears courtesy of Decca Music Group photo © Fiona Garden The critic Paul Griffiths, as usual, hits at least one nail on the in 2012, the other, from 2015, And there has, of course, been head. Colin Matthews, he writes, is “… the Isambard Kingdom another restrained work exploring more orchestral music. Traces Brunel of contemporary music: master of great time machines, silence, bring the tally to five. For Remain (2012-13) is an ingenious Claire Booth he has set Rilke in the summoning back and re-imagining steamy with energy derived from pulse and from massive, short cycle The Island (composed of discarded or unfinished fragments surging harmony, and openly displaying their structural in 2007-8, exactly a hundred years of others’ work, primarily the Robert engineering, all finished with a craftsman’s care.” after the words were written), Johnson lute song which may be accompanying soprano with seven all that remains of Shakespeare’s Since the inevitable but helpfully composer, made orchestral versions instruments.
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  • EAS 23 July 2020 Program.Pdf
    Green Mountain Online Emerging Artists Series Thursday, July 23, 2020 7:30 pm EDT GMCMF Emerging Artists YouTube Channel Suite No. 5 in C minor, BWV 1011 Johann Sebastian Bach Prelude (1685-1750) Todd Humphrey, cello Suite No. 5 in C minor, BWV 1010 Johann Sebastian Bach Allemande Courante Matthew Wiest, cello Sonata No. 2 in A minor, BWV 1003 Johann Sebasitan Bach Grave Luciano Marsalli, violin Caprice in C minor, Op. 1, no. 4 Niccolò Paganini (1782-1840) Simon Ho Yin Cheng, violin Caprice in A minor, Op. 1, no. 5 Niccolò Paganini Abigail Yoon, violin Capricen B flat major, Op. 1, no. 13 Niccolò Paganini Jessie Zimmermann, violin Introduction and Allegro, Op. 44 Miklós Rózsa (1907-1995) Ashley Park, viola Suite No. 1 in G minor, Op. 131d Max Reger Molto sostenuto (1873-1916) Vivace Andante sostenuto Molto vivace Colin Henley, viola Sonata, Op. 27, No. 5 Eugène Ysaÿe L'Aurore (1858-1931) ​ Danse rustique Maitreyi Muralidharan, violin Piano Sonata No. 2 in D minor, Op. 14 Sergei Prokofiev Allegro, ma non troppo (1891-1953) Sofia Marina, piano Fantasiestücke, Op. 12 Robert Schumann In der Nacht (1810-1856) Fabel Traumes Wirren Ende vom Lied Ellie Taylor, piano Todd Humphrey, 22, is from Atlanta, Georgia. He completed his undergraduate degree at Florida State University ​ where he studied with Greg Sauer. At Florida State, Todd served as principal cellist of the University Philharmonia Orchestra and was cellist of the Lux String Quartet. This ensemble was known for its heartfelt and engaging performances along with its numerous community outreach events. Currently Todd is completing his masters at Miami University of Ohio where he studies with Sarah Kim.
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  • Commissions and Premieres
    Commissions and Premieres In its 2020–2021 season, Carnegie Hall continues its longstanding commitment to the music of tomorrow, commissioning 19 works, and presenting 8 world and 24 New York premieres. This includes daring new solo, chamber, and orchestral works by established and emerging composers, as well as thought-provoking performances that cross musical genres. Carnegie Hall Commissions COMPOSER TITLE PERFORMERS THOMAS ADÈS Angel Symphony City of Birmingham Symphony Orchestra (NY Premiere, co-commissioned by Carnegie Hall) Mirga Gražinytė-Tyla, Music Director and Conductor LERA AUERBACH New Work Artemis Quartet (NY Premiere, co-commissioned by Carnegie Hall) KINAN AZMEH New Work Kinan Azmeh Cityband (World Premiere, commissioned by Carnegie Hall) LISA BIELAWA Sanctuary American Composers Orchestra (NY Premiere, co-commissioned by Carnegie Hall) George Manahan, Music Director and Conductor Jennifer Koh, Violin TYONDAI BRAXTON New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists OSVALDO GOLIJOV Falling Out of Time Silkroad Ensemble (NY Premiere, co-commissioned by Carnegie Hall) JLIN New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists VLADIMIR MARTYNOV New Work Kronos Quartet (NY Premiere, co-commissioned by Carnegie Hall) JESSIE MONTGOMERY Divided Sphinx Virtuosi (NY Premiere, co-commissioned
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  • Los Angeles Philharmonic
    LOS ANGELES PHILHARMONIC Critical Acclaim “The most successful American orchestra.” - Los Angeles Times “It should be chiseled above the doors of every symphony hall: What an orchestra plays matters as much as how it plays, if not more so. By that measure a strong case can be made that the Los Angeles Philharmonic…is the most important orchestra in the country.” - The New York Times “If ever an orchestra was riding the crest of a wave, it is the Los Angeles Philharmonic.” - The Times (London) “…the most multi-faceted orchestra in the world and certainly the one putting the greatest emphasis on music of our time.” - Los Angeles Times “Under Salonen, the [Los Angeles] Philharmonic became the most interesting orchestra in America; under Dudamel, it shows no signs of relinquishing the title.” - The New Yorker Best Orchestras of 2012 – #1) Los Angeles Philharmonic Orchestra – “The most talked-about and widely-travelled US orch, carrying Brand Dudamel to all four corners of the earth, split a Mahler cycle between US and Venezuela, advanced tremendous outreach work across its own urban area.” - Norman Lebrecht’s Slipped Disc “The L.A. Phil still boasts the most varied and venturesome offerings of any major orchestra.” - Los Angeles Times “At a time when many orchestras are offering ‘safer,’ crowd-pleasing repertoire picks online, it’s refreshing to see the LA Phil coming out of the gate with programming that speaks to why it is at the forefront of American orchestras today.” - Billboard “‘Blow bright’ is the seventh work commissioned and performed by the L.A.
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