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tecehnique made light of the for- the latter works following the Pro- bussy’s ‘‘Reverie,’* Campos’ "Gloria” disclosed In Schumann's “Quintet" by Lvovsky, as well as works by the is an a cappella choir and sings en- midable passage work of the first kofleff. and Sarasate's ‘‘Navarra,” the last a fine understanding of his respon- outstanding choral writers, F. Melius tirely from memory. Leah Effenbach Reveals The performance of the three Don Jesus Fi- sibilities towards the strings and Christiansen, Noble Cain, Allan movement which gldSved with symphony arranged by was one of those rewarding in- gueroa, head of the family and how to blend and to atune the piano Murray, Mortan Luvaas, Hall John- Uncle Sam ran nse this newspaper healthy vitality in her brilliant de- stances when the very essence of conductor and composer In his own to them. All five young men show son and others. The Concert Choir when you’ve finished reading it. livery. in the second movement a Wealth of Talent the work is brought out with ex- right. musicanship and an excellent warm tone and rich musical singing ceptional Insight. Built up emo- It was rather unusual that the schooling. A good size audience, feeling were disclosed. Gifted Young Pianist Applauded tionally in gripping fashion. Dr. playing of the group was free from hearing their local debut, was The Prokofiefl concerto is an Kindler’s reading was beautifully blemishes, often Inevitable in family responsive. Enthusiastically as Soloist on amazing work both in its pianistic varied in nuance and color. The groups where the less capable or demands and in its revelation of gay overture, the amusing excerpt advanced are made to fit into the Varied another angle of the composer’s from Shostakovich’s “The Golden picture. It was, in fact, the per- Choir Concert Symphony’s Program musical thought. Sharply rhyth- Age’’ and the works that are Stra- formance of the younger brothers, The it at were Concert Choir of the First ALICE EVERSMAN. mic, surges onward at white heat, vinsky his best, finely worked Guillermo, a brilliant violist, and By Church will in a full offering intricate problems for the out and played excellently by the Rafael, cellist, that added texture Baptist appear Leah Effenbach, exceptionally gifted young pianist of this city, concert tomorrow performer both technically and mu- orchestra. The program had so and robustness to the ensemble and evening evening carried off the honors of the National Symphony's last mid-week con- under its Harwood Hall. sically. There is little of the suav- much variety that the interest of supplied the necessary balance. director, cert of the season at Constitution Hall last night. She revealed herself This of 32 trained voices has ity or lightheartedness of other of the large audience was kept keenly Dvorak’s "American Quartet,” group as a new musical personality, fresh and vital and endowed with a wealth been developed from the School of his works but the same abounding alive and its appreciation for the first number on the program, gives of talent. In a dynamic performance of Prokoflefl’s “Concerto No. 3 Choirs of the church for the ex- fantasy woven in a harmonic work of conductor and men was gen- equal opportunity to each instru- in C” she stirred her listeners to an ovational enthusiasm that acclaimed pat- clusive of concert work. tern of ment while the first car- purpose •----—_ great originality. The sure- erously outspoken. and, violin her as an artist of the first rank,<l Numbers to be sung include the ness and conciseness of its struc- ries and sustains most of the themes, apart from her local affilia- There have been a few women Brahms’ quite only ture the second around "Motet, Opus 29, No. 2,” a and its positive employment spins them, add- tion. Recently returned from pianists who have earned a lasting and the Russian "Gospodi Pomilui,” I of new ideas within a set form are ing to their appeal. Kachiro Fi- triumphant South American tour place in musical history. Miss Effen- Figueroa Brothers 1 a as second disclosed won the work of master with intensity gueroa, violinist, CURTAIN after having recognition in re- bach is on her way to joining that -ZZTm of purpose. Whether its new a concentrated tone of carrying citals throughout the country, it select coterie with her rich natural speech Heard in Local Debut S'ockuponSTEERO is remains to be power and a pleasing quality. Jose IMPADTANtI i was the first opportunity for the endowment and She generally appealing IITirUniHni I -the concentred DYE ripe artistry. as ECRU ELENA DE SAYN. leader, showed a de- 1 I food drink to fortify hear her as seen, but its genuineness and vigor By Figueroa, local public to soloist possesses the the I the family in air raids sweeping delivery, cannot be The five in- cided talent in this direction in JQ/L with the orchestra. questioned. Figueroa brothers, I and blackout!. Hot Tintex free, broad style and the brilliant (f For the orchestral part of the strumentalists who appeared under spite of occasional slips in pitch. technique of a Carreno, together DANCING. program Dr. Kindler a the of the Puerto On with an provided auspices Rican the whole the players have not AIR RAIDSl exuberance that rejoices in B and AAliguc. rich fare that included the over- Government at Wardman Park in a wide of at their both the music and the difficulties range dynamics ture to Mozart's "The Impressario,” recital last night, made a favorable finger tips but carry their listeners it may present. * the Cesar Franck in D Their somewhat hack- the of their l 3 / a SAMBA In her choice of the ProkoilefT "Symphony impression. along by vitality per- HJl | it s the latest dance groctrs ■ 1 crate. It's fun and it's Minor,” the introduction and polka neyed program was relieved at the formance and the innate apprecia- 15. «—•»«»■ J Concerto she had a test of all her s „d easy to learn the simplified from Shostakovich's "The Golden close by a few novelties, such as tion of what they play. As profes- cubesL.jzggjE^PVA ** Ecn.nO. Arthur Murray "Way. Learn sheer en- ( powrers, including physical and the berceuse a Age" and finale Turina’s “La Oracion del Torero,” sionals they rate when the ir now. Enroll today. Come durance. She higher a played it dazzlingly, in for free euest lesson from Stravinsky's “The Firebird," Glazounow's two “Novelettes,” De« piano is added. Narclso Figueroa ^tmssxsm and dance analysis with a fire and assurance that swept Ethel M. Eistere, Director her audience into a spontaneous ARTHUR MURRAY applause that called the young artist 1101 Conn. Ave. Dl. 2460 out repeatedly. Her sure, crisp AMUSEMENTS. AMUSEMENTS. 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