Mother Carey's Chickens

Total Page:16

File Type:pdf, Size:1020Kb

Mother Carey's Chickens « a all In all It is a thoroughly enjoyable away as the exiled duke, and Maurice numbers. The play was preceded by production of Mr. Shakespeare’s light- Jarvis as Jacques, in line fettle. Idea of Stars’ The Entire Brood being a concert by the United States Army Independence hearted comedy of the doings in the This latter gentleman, it might be Shakespeare Band, playing, under the forest of Arden that has been ar- added, leaned back and let fire with direction ranged and directed by Bess Davis the “All the world’s a stage” passage of Capt. Thomas r. Darcy. “As You Has Schreiner. as he “As You Provocative Aspect Is , though thought Like Like It” will be played again tonight. Comedy To lead the cast on Sts merry way It” a mere vehicle for those lines you last night would have found as Instead of the lines being part of AMUSEMENTS. fine a Rosalind Selziiick as you could hope the dialogue, but there probably is no Proposal That They Produce In Well Done for Miss Yerby Pannlll. Maybe point in quibbling about it now. ■he Is not so a Own Pictures May Results. quite perfect Rosalind Other bright moments in the pro- Bring as Elisabeth Bergner, but Miss Pannlll duction of the Shakespearean comedy IfQJ^ the •t«r»«TROeiN HOOD" I ‘As brought a wealth of warmth were ‘Mother Carey’ at Keith’s. You Like It’ Is and vi- contributed by Robert Frederick vacity to her playing of the role, both Freund, singing “Under the Green- MNN o,™ JAVIIUUID when By JAT CARMODV. A Hit at beigg completely feminine and wood Tree” and “Blow, Blow, Thou Sylvan when mischievously playing her coun- Winter Wind,” and by a group of Es- Selznlcks” are all "amazing amazing, right. Comes now brother terfeit of a man, and she telle THE CHARBEmfUSHTIKIBADF Theater. proyed Wentworth's singers in other tmtrtr.d iv TIHNYSON‘3 ■ ,.tm Myron, the agent, splashing the front pages with the that mm.rt.t suggestion once again she Is one of our better it would be a idea for the stars to their own grand produce pictures, By HARRY MacARTHUR. local actresses. AMUSEMENTS. a 1. THEstarring themselves, naturally. O FINALLY the rains stopped There were other roles, too, of It is one of the most provocative thoughts that has come out of seeping and the stars shone down course, that were played more than Hollywood since the famous group of players headed by Douglas Fairbanks. brightly and it was safe to passing well, Marcella Bertram as Mary Pickford and Charles Chaplin1 I-- go to the Sylvan Theater Celia, Thomas Cahill as Oliver, Wil- (which isn't the right order in which liam some of the without a pup tent and a of Milton as Orlando, Hugh C. to mention them! decided to cut things they ask players pair boots. Smith as to do. And, on the other it hip Thus last night the largest Touchstone, Harrison Hath- away from the restrictions of studio hand, result in audience of the current Summer Fes- affiliations and became United Artists. may showing the loudly tival season AMUSEMENTS. screaming stars that the studios are thronged the Monument Brother Myron's theory may be sound. not the dumb ones. slope and filled every reserved, Or it may not be. Only the future chair, A lot of for a session with William Shake- mNS-LVX m'iru ■» can tell and the future is picture goers undoubtedly amazingly — CORRIGAN IN IRELAND k c would like to know speare. = the of the which group has Indifferent to demands A ENG. ROYALTY IN PARIS B the smarter view of film And mighty pleasant session it was, r °f that it reveal itself, if such a making. W MARCH OF TIME 8 present too, the ACADEMY r"*u M E,UBlmr *»•• vice versa! Washington Players’ produc- |Mw| E. Lawrence Phillips’ Theatre Beautiful. CALVFRTvnL 1 «5*5t.Yl*w,to statement does no represent a case fjL»I\ Cl. 2.140. Mat. 2 p.M. Go Mr. Selznick. tion of “As You Like It" S5SS Continuous Prom 1:00 PM, _Healthfully Air Cooled. of to ahead, turning out SHORT SUBJECTS (flal JEANETTE MacDONALD and tearing the obvious shreds. to * * * * rank right along Vith their “Mid- NELSON EDDY in Even before realization catches up summer Night's which for "THE GIRL OF THE with Mr. Selznlck's thought, there since it made “Little Dream,’’ Women,” the past few be for examination J?VER seasons has been a GOLDEN WEST.” may Justification and “Little Women" in turn made Summer CENTRALm,4L2M Ui.M. of what he Even if Festival stand-by. “As You has proposed. it rich, R-K-O has dreamed of re- *'*' in\5^ni Like It" is a gay and CAROLINA ROBERT there is not, it is a suggestion that is that sprightly piece, llthA*r-cinditionei I SULLA VANTAYL^R^ind^AlIbARIT In -THREE peating success. That such as you well KATHARINE HEPBURN In "BRINGING COMRADES1 too to know, full of some of UP 6--°-7;36-C provocative go unnoticed, which should be the case is one of the most BABY and ’CITY GIRL 4S- the brightest shafts of the Bard'c MTcii'cVVim?:80- undoubtedly is falling right into the completely logical in the world. flPfl C Penna. Are. at 21st St. things wit. What’s more It fits LIALLC Home of Mirrophonie Sound hands of the Selznicks who never were All of which perfectly Matinees Sat.. Hun. PENN constitutes an overture into the mi* Tues.. Thurs.. Un?°„?9-. A"SV« VphT M' scorn leafy arboreal setting pro- BING CROSBY. MARY CARLISLE In He.UhlnUy Air boys to the value of publicity. to the announcement that R-K-O has “fflWBOY/K»| „„T, Cooled. vided by the Sylvan Theater. _"DOCTOR RHYTHM." Comedy_ CRIME SCHOOL." with "DEAn One thought that comes to mind is a feeling it may have just such a 6R00KLYT 1 JgPB. HUMPHREY BOGART Thus it makes for a f?? *' 5 4° that it is the to ‘‘Mother Chickens" completely ***-, »* n DUMBARTON Air-Conditioned 7:40’ y 3&- Di*™* just thing encourage picture'in Carey's uke placid KATHARINE Short. which entertaining evening when “As You HEPBURN and CARY GRANT further mutiny in Hollywood, the opens tomorrow at Keith's. Like in BRINGING UP BABY.” Also News It” is performed in that setting planting of the right seed in the egos It is based, of course, upon the ICE SHOW _and Cjimedy._ SHERIDAN Ro. 2100 with the skill with which last MM$Jl B M* —or the sound artistic comparative classic of the same name night's maybe aspira- was Ml« «itl Eric Hit FAIRLAWN Air-Conditioned playing graced. There may be. 1 RITZ »an- tions—of the glamour boys and girls. by Kate Douglas Wiggin who in 1910 Fay Bainter’s children surround her in this scene to be BROTHERS in "KENTUCKY MOON- asp^HfeSt-V^ratwtwd"lu2. cl,aude rains fay from sure, some members of the d-Brnmni _SHINE BAINTER. At l:2u. 3 25. 6:26, The ground has been prepared for started making herself a lot of royal- "Mother and fitafliUK i| 7:25. Carey’s Chickens,” they are, moving in the usual Washington Players' cast who do not that the recent outbursts ties on the of a whimlsical planting by story family direction, Anne Shirley, Jackie Moran and Donnie >1 rnsNMiii CONGRESS ^^'d-it^ed8'- St. A Ruby Keeler, bring professional finesse to their "MR. MOTO R TIVOI I JHh Fork Rd. N.W. of numerous stars, Bette Davis, left the death of naval GAMBLE ^ * 1800. Kay penniless by jts Dunnagan. The picturization of the Kate Douglas novel roles and bT i^ol. Mat 2 PM Wiggin ,there may have been a slip 3-in m st. n.w. Alr Cooled2 Francis, Krroll Flynn, Katharine Hep- father in the war with Spain. comes to R-K-O EetAeUlinn nAWTm*^r?,,y Keith’s tomorrow. or two—a line or Double Feature DOUGLAS etc. the One of the two. mayhap, that GLORIA STUART FABREANKfi DAtdRI*',UX bum, Recognizing futures interesting features of went MICHAEL WHELAN In with the wind last "ISLAND IN THE SKY have at and further the is that it the night—but and JACK they stake, recog- picture represents BENNY m "COLLEGE HOLIDAY" effort of Ferde Grofe is conducting his madrigal seen some of these days in Steve _ nizing the quality of some of the Ruby Keeler, assisted by the 608 ®‘h n.w. from his amusements. ***I ITT! * * F to Mississippi suite at the Na- Cochran’s Theater _ f / Air-Conditioned convert parts assigned to them, the big box studio, herself from a Olney company _ sing- &;/ afflfStc ERROL tional Symphony concert tonight where Irene Purcell will be next week FLYNN and UPT0WNa^tVTV.tN7Vk5L office names have been wont to speak ing-dancing star into a dramatic OLIVIA DE HAVILLAND In (Wednesday) Stafford and Louis will In three of Noel Coward's one-act their minds with considerable free- actress. Miss Keeler, who gave up golf "THE CHARGE OF iVL.?Ay^HSULLAVA!?? in YVH^',C”ARhA THREE COMRADES. RF^ which she be doing the same thing in the Shore- plays. At 2. 3.o6. 5:5(L_T:45. dom in recent months. Maybe they thinks is the finest pastime THE LIGHT 9:45,_ ham floor show" .. who will HERBIE BRIGADE.” will scream the louder now that Mr. in the world, to return to the movies Barnee, 7'i'.M,r,_2*vinr *>*• Performance.
Recommended publications
  • Boxoffice Records: Season 1937-1938 (1938)
    ' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J.
    [Show full text]
  • Learning with Anne: Jason Nolan 8/14/09 4:13 PM Deleted: Chapter Seven Early Childhood Education Looks at New Media for Young Girls
    Learning with Anne: Jason Nolan ! 8/14/09 4:13 PM Deleted: Chapter Seven Early Childhood Education Looks at New Media for Young Girls Forthcoming in: Gammel, I. and Lefebvre, B. (Eds.) Anne of Green Gables: New Directions at 100. Toronto: University of Toronto Press. Jason Nolan, PhD School of Early Childhood Education Ryerson University Here, too, the ethical responsibility of the school on the social side must be interpreted in the broadest and freest spirit; it is equivalent to that training of the child which will give him such possession of himself that he may take charge of himself; may not only adapt himself to the changes that are going on, but have power to shape and direct them. -- John Dewey1 In L.M. Montgomery’s Anne of Avonlea (1909), sixteen-year-old Anne Shirley articulates a progressive pedagogical attitude that seems to coincide with Dewey’s Moral Principles in Education, published the same year: ‘No, if I can’t get along without whipping I shall not try to teach school. There are better ways of managing. I shall try to win my pupils’ affections and then they will want to do what I tell them.’2 Drawing from her own childhood experience depicted in Anne of Green Gables, fledgling teacher Anne describes a schooling experience that would treat the student as she once wished to be treated. As a child, Anne embodied the model of a self-directed learner who actively engaged with her physical and social environment, making meaning and constructing her own identity and understanding of the world, indeed creating a world in which she could live.
    [Show full text]
  • A Third Wave Feminist Re-Reading of Anne of Green Gables Maria Virokannas University of Tampere English
    The Complex Anne-Grrrl: A Third Wave Feminist Re-reading of Anne of Green Gables Maria Virokannas University of Tampere English Philology School of Modern Languages and Translation Studies Tampereen yliopisto Englantilainen filologia Kieli- ja käännöstieteenlaitos Virokannas, Maria: The Complex Anne-Grrrl: A Third Wave Feminist Re-reading of Anne of Green Gables Pro gradu -tutkielma, 66 sivua + lähdeluettelo Syksy 2011 ------------------------------------------------------------------------------------------------------------------------ Tämän pro gradu -tutkielman tavoitteena oli selvittää voidaanko Lucy Maud Montgomeryn 1908 ilmestyneestä romaanista Anne of Green Gables löytää kolmannen aallon feminismin piirteitä. Erityisesti tutkin löytyykö romaanista piirteitä ristiriitaisuudesta ja sen omaksumisesta ja individualismin ideologiasta, feministisestä ja positiivisesta äitiydestä sekä konventionaalisen naisellisuuden etuoikeuttamisesta. Tutkielmani teoreettinen kehys muodostuu feministisestä kirjallisuuden tutkimuksesta, painottuen kolmannen aallon feministiseen teoriaan. Erityisesti feminististä äitiyttä tutkittaessa tutkielman kulmakivenä on Adrienne Richin teoria äitiydestä, jota Andrea O'Reilly on kehittänyt. Tämän teorian mukaan äitiys on toisaalta miesten määrittelemä ja kontrolloima, naista alistava instituutio patriarkaalisessa yhteiskunnassa, toisaalta naisten määrittelemä ja naiskeskeinen positiivinen elämys, joka potentiaalisesti voimauttaa naisia. Kolmannen aallon feminismi korostaa eroja naisten välillä ja naisissa itsessään,
    [Show full text]
  • SAFEWAY Timmalm-(Juuu
    tecehnique made light of the for- the latter works following the Pro- bussy’s ‘‘Reverie,’* Campos’ "Gloria” disclosed In Schumann's “Quintet" by Lvovsky, as well as works by the is an a cappella choir and sings en- midable passage work of the first kofleff. and Sarasate's ‘‘Navarra,” the last a fine understanding of his respon- outstanding choral writers, F. Melius tirely from memory. Leah Effenbach Reveals The performance of the three Don Jesus Fi- sibilities towards the strings and Christiansen, Noble Cain, Allan movement which gldSved with symphony arranged by was one of those rewarding in- gueroa, head of the family and how to blend and to atune the piano Murray, Mortan Luvaas, Hall John- Uncle Sam ran nse this newspaper healthy vitality in her brilliant de- stances when the very essence of conductor and composer In his own to them. All five young men show son and others. The Concert Choir when you’ve finished reading it. livery. in the second movement a Wealth of Talent the work is brought out with ex- right. musicanship and an excellent warm tone and rich musical singing ceptional Insight. Built up emo- It was rather unusual that the schooling. A good size audience, feeling were disclosed. Gifted Young Pianist Applauded tionally in gripping fashion. Dr. playing of the group was free from hearing their local debut, was The Prokofiefl concerto is an Kindler’s reading was beautifully blemishes, often Inevitable in family responsive. Enthusiastically as Soloist on amazing work both in its pianistic varied in nuance and color. The groups where the less capable or demands and in its revelation of gay overture, the amusing excerpt advanced are made to fit into the Varied another angle of the composer’s from Shostakovich’s “The Golden picture.
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • Anne-Girls: Investigating Contemporary Girlhood Through Anne with an E
    Title Page ANNE-GIRLS: INVESTIGATING CONTEMPORARY GIRLHOOD THROUGH ANNE WITH AN E by Alison Elizabeth Hnatow Bachelor of Philosophy, University of Pittsburgh, 2020 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2020 Committee Membership Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Alison Elizabeth Hnatow It was defended on November 13, 2020 and Approved by Julie Beaulieu, PhD, Lecturer, DAS, Gender, Sexuality, and Women's Studies Geoffrey Glover, PhD, Lecturer II, DAS, English Marah Gubar, PhD, Associate Professor, Literature at Massachusetts Institute Technology Committee Chair: Courtney Weikle-Mills, PhD, Associate Professor, DAS, English ii Copyright © Alison Elizabeth Hnatow 2020 iii Anne-Girls: Investigating Contemporary Girlhood Through Anne with an E Alison Elizabeth Hnatow, B.Phil University of Pittsburgh, 2020 Anne of Green Gables is a 1908 coming of age novel by L.M. Montgomery. Adapted into over 40 multimedia projects since its publication, it has a significant historical and cultural presence. This research blends feminist media and literature analysis in an investigation of the representation of girlhood in Anne with an E, the 2017 to 2019 CBC & Netflix television program. This work focuses on Anne with an E, the Kevin Sullivan 1984 film, the 1934 George Nicholls Jr. film, and the original novel based on Anne’s Bildungsroman characteristics. Through the analysis of how Anne and the narrative interact with concepts of gender, race, class, sexuality, and ability status, emerges how the very definition of what it means to be a ‘girl’ and how it has changed.
    [Show full text]
  • 2019 Maverick Graphic Novel Annotated Reading List
    2019 Maverick Graphic Novel Annotated Reading List Grades 6-8 Breach, J., & Holgate, D. (2018). Clem Hetherington and the Ironwood race. New York: Graphix, an ​ ​ imprint of Scholastic. ISBN: 9780545814461 Publisher’s Summary: “A dangerous rally race... and archaeology?! Clementine Hetherington and her robot brother, Digory, have run away from the orphanage they've been living in since their parents died. Clem and Dig want to follow in their famous archaeologist mother's footsteps, but no one will take them seriously. Their chance arrives when a man from their past saves Digory's life, and to repay the debt they enter a multi-day rally race... to recover stolen artifacts! Clem and Dig hope to win so they can give them to a museum, but their opponents want to sell them on the black market. The Ironwood Race has no rules, and Clem and Dig might be in over their heads!” Great story about orphaned girl and her robot brother. The siblings must repay a debt by competing in a race for archeological artifacts.” Commentary: Clem Hetherington and the Ironwood race is a fun adventure that will appeal to both middle ​ grade and high school students. 2018 Maverick Graphic Novel Annotated Reading List 1 Brosgol, V. B. (2018). Be Prepared. Place of publication not identified: First Second. ​ ​ ISBN: 9781626724457 Publisher’s Summary: "In Be Prepared, all Vera wants to do is fit in—but that’s not easy for a Russian girl in the ​ ​ suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps.
    [Show full text]
  • Family Melodrama for the Nation
    Re-visioning Emily of New Moon: Family Melodrama for the Nation • Christopher Gittings • Resume: L'arlicle analyse la problematique de I''adaptation televisuelle de I'oeuvre litteraire de L.M. Montgomery dans Ie contexte de I'elaboration de la culture natio- nals au Canada anglais: dans I 'ensemble, les adaptations pour la television valori- sent cet ecrivain en tant que figure d'une culture populaire compatible avec la percep- tion actuelle de I'identite canadienne. Summary: Drawing on theories of culture, communication, nation and melodrama, this essay engages the problematic of adaptation from the literary to the televisual within the context of contemporary national culture. The paper suggests that pro- ducers of a contemporary national culture work to rehabilitate L.M. Montgomery as a national popular culture icon compatible with late-twentieth century Canadian imaginings of nation. ove over Anne, Emily has arrived. While images of the eponymous Mcharacter of Lucy Maud Montgomery's Anne of Green Gables are im- pressed upon Prince Edward Island license plates, and while Anne is described by Canadian pop culture gurus Geoff Pevere and Greig Dymond as a Canadian "Mickey Mouse" at the nexus of a multimillion-dollar tourist trade, over the past year Emily Byrd Starr has received more media attention than her red- haired counterpart (Pevere and Dymond 13). The reason for this interest is, of course, the most recent commodification of Montgomery's work, the $13 mil- lion, thirteen-episode, Salter Street/CINAR co-production of the 1925 novel Emily of New Moon1 broadcast on CBC from January to April of 1998.
    [Show full text]
  • Sing-Along Words for Shirley Temple Songs
    SEVEN-SONG SING-ALONG Come And Get Your Happiness: Cheer Yourself Up With Shirley Temple AT THE CODFISH BALL Music by Lew Pollack • Lyrics by Sidney Mitchell From Captain January Next Friday night, you’re all invited To a dance from eight till five All the fishes still alive Are having a ball It’s some affair; they’ll all be there From the herring to the whale They’ll turn out to shake a scale In Neptune’s Hall Come along and follow me To the bottom of the sea We’ll join in the jamboree At the Codfish Ball Lobsters dancing in a row Shuffle off to Buffalo Jelly fish sway to and fro At the Codfish Ball Finnan haddie leads the eel Through an Irish reel The catfish is a dancing man But he can’t can-can like the sardine can! Tunas truckin’ left and right Minnies moochin’ -- what a night There won’t be a hook in sight At the Codfish Ball ON THE GOOD SHIP LOLLIPOP Music and Lyrics by Sidney Clare and Richard Whiting From Bright Eyes On the good ship Lollipop It’s a sweet trip to a candy shop Where bon-bons play On the sunny beach of Peppermint Bay Lemonade stands everywhere Crackerjack bands fill the air And there you are Happy landing on a chocolate bar See the sugar bowl do a tootsie roll With the big bad devil’s food cake If you eat too much Oooh! Oooh! You’ll awake with a tummy ache On the good ship Lollipop It’s a night trip Into bed you hop With this command: “All aboard for Candy Land” WHEN I’M WITH YOU Music and Lyrics by Mack Gordon and Harry Revel From Poor Little Rich Girl Every street I walk down becomes a lovers’ lane When I’m with you I
    [Show full text]
  • Copyrighted Material
    335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition.
    [Show full text]
  • Andrea Slane*
    McGill Law Journal ~ Revue de droit de McGill GUARDING A CULTURAL ICON: CONCURRENT INTELLECTUAL PROPERTY REGIMES AND THE PERPETUAL PROTECTION OF ANNE OF GREEN GABLES IN CANADA 2011 CanLIIDocs 197 Andrea Slane* This article uses the various intellectual Faisant référence aux différentes protections property protections afforded to the classic chil- en matière de propriété intellectuelle dont dren’s novel Anne of Green Gables as a means of il- bénéficie le livre pour enfants Anne aux pignons lustrating the blurring between copyright, trade- verts, cet article met en évidence le brouillage des mark, and official marks regimes in Canada. By lignes entre les régimes canadiens de droit not keeping these regimes distinct, the author ar- d’auteur, de marque de commerce et de marque gues, Canadian intellectual property law seriously officielle. L’auteure soutient qu’en ne maintenant threatens the integrity of the public domain, a cen- pas ces régimes distincts l’un de l’autre, le droit tral means by which an appropriate balance is canadien en matière de propriété intellectuelle struck between the interests of authors, other cul- menace sérieusement l’intégrité du domaine public, tural producers, and the public at large. The blur- qui est essentiel au juste équilibre entre les ring between regimes is located in three conceptual intérêts des auteurs, des autres producteurs sites: origin in copyright versus source in trade- culturels et ceux du grand public. Le brouillage mark; reputation in copyright versus goodwill in entre les régimes survient
    [Show full text]
  • Washhtf 5 30, 5' Missouri Ave.) Riggs MONOAR AM RICTURI at Fl:50, 12
    KM* NTS columnist. That's just, as well for where he was born, he always an- AMUSFMENTS AMT'S Pete because Keenan shows me his swers, "The United States.” Actually muscles, and boy, oh boy! they’re Eddie was bom in Rumania. “But,” Hollywood: terrific. “I do weight lifting," says he explains on the set of his current Vivien Due to Return Keenan, modestly. “I have a hole picture, “All my sons.” "I don’t con- Leigh June Practices in my head and that's the only sport sider I was born until I came to I can do!” America when I was 10 years old In Romance in 1948 4 Hours Daily * * * * That's a nice way of saying “thank Major Her Paul Henreid goes to Eagle-Lion you” to this country. For Role for “Hollow Triumph.” The reason they changed Charles By Joy Cormody to! Sheiiah Graham Wait ’til you see Ann Miller's Boyer’s picture. “Mortal Coils,” Save for "Caesar and Cleopatra.’’ which was made when she was By hobble skirts in "Easter Parade!” “Vengeance,” is because people been Bob will do his weekly radio V A quite ill and far from looking her fiery best, Vivien Leigh has Hope I hope it won't start the fashion thought the coils had something a stirred broadcast on the S. S. America at 3 v Wierely a beautiful memory to American movie audiences, memory again, because you can't walk in ’em to do with electricity! sea, while coming back from Eng- (Released by North American Newspaper by the recent re-issue of “Gone With the Wind." —you just skip, hop and jump! man who land after the royal command Alliance.) That will be changed, and radically, early in 1948 and the per- Jack Carson has canceled his trip n-ill h p rpsnnncihU frvr t.h* rhflncrp*- foimance! to New York—he says he is too tired houses November lo.
    [Show full text]