Luis Cruz Azaceta
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Curriculum Vitae
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com LUIS CRUZ AZACETA BORN: Havana, Cuba, 1942. Emigrated to the US 1960; US Citizenship 1967. LIVES: New Orleans, LA. EDUCATION: School of Visual Arts, New York, 1969. GRANTS AND AWARDS: Joan Mitchell Foundation Grant, 2009. Penny McCall Foundation Award, 1991-92. Mid-Atlantic Grant for special projects, 1989. Guggenheim Memorial Foundation Grant, New York, 1985. New York Foundation for the Arts, 1985. Mira! Canadian Club Hispanic Award, 1984. Creative Artistic Public Service (CAPS), New York, 1981-82. National Endowment for the Arts, Washington, D.C., 1980-81, 1985, 1991-92. Cintas Foundation, Institute of International Education, New York, 1972-72, 1975-76. SOLO EXHIBITIONS: “Personal Velocity in the Age of Covid,” Lyle O. Rietzel, Santo Dominigo, DR, 2020-21. “Personal Velocity: 40 Years of Painting,” George Adams Gallery, New York, NY, 2020. “Between the Lines,” Arthur Roger Gallery, New Orleans, LA, 2019. “Luis Cruz Azaceta, 1984-1989,” George Adams Gallery, New York, NY, 2018. “Luis Cruz Azaceta: A Question of Color,” Lyle O. Reitzel, Santo Domingo, DR, 2018. “On The Brink,” Arthur Roger Gallery, New Orleans, LA, 2017. “Luis Cruz Azaceta Swimming to Havana,” Lyle O. Reitzel, New York, NY, 2016-17. “Luis Cruz Azaceta: Dictators, Terrorism, War and Exiles,” American Museum of the Cuban Diaspora, Miami, FL, 2016. “Luis Cruz Azaceta: War & Other Disasters,” Abroms-Engel Institute for Visual Arts, University of Alabama, Birmingham, AL, 2016. “State of Fear,” Pan American Art Projects, Miami, FL, 2015.* “PaintingOutLoud,” Arthur Roger Gallery, New Orleans, LA, 2014.* “Dictators, Terrorism, Wars & Exile,” Aljira: A Center for Contemporary Art, Newark, NJ, 2014.* “Louisiana Mon Amour,” Acadiana Center for the Arts, Lafayette, LA, 2013.* “Falling Sky,” Lyle O. -
DORIS SALCEDO Education Solo Exhibitions
DORIS SALCEDO 1958 Born in Bogotá, Colombia Lives and works in Bogotá Education 1984 MA, New York University 1980 BFA, Universidad de Bogotá Jorge Tadeo Lozano Solo exhibitions 2019 Doris Salcedo: Tabula Rasa, Kunsthalle St. Annen, Lubbeck, Germany Doris Salcedo: Acts of Mourning, IMMA, Dublin 2018 Fragmentos, Bogota Palimpsest, White Cube, London Prints 2003 – 2009, Alexander Bonin, New York 2017 Palimpsest, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid 2016 The Materiality of Mourning, Harvard Art Museum, Boston, Massachusetts Nasher Sculpture Center, Dallas, Texas 2015 Doris Salcedo, Museum of Contemporary Art Chicago; Solomon R. Guggenheim Museum, New York; Perez Art Museum, Miami, 2016 2014 Hiroshima Art Prize: Doris Salcedo, Hiroshima City Museum of Contemporary Art, Japan FLORA arts+natura, Bogotá 2013 Robert Kinmont/Doris Salcedo, Alexander and Bonin, New York 2011 Plegaria Muda, Museo Universitario Arte Contemporáneo, Mexico; Moderna Museet Malmö, Sweden; Gulbenkian, Centro de Art Moderna, Lisbon; Museo nazionale delle arti del XXI secolo, Rome, 2012; White Cube, London, 2012; Pinacoteca, São Paulo, 2012 2008 Alexander and Bonin, New York 2007 Shibboleth, Turbine Hall, Tate Modern, London White Cube, London 2004 Neither, White Cube, London 2001 Camden Arts Centre, London 2000 Tenebrae: Noviembre 7, 1985, Alexander and Bonin, New York 1998 Doris Salcedo: Unland, New Museum of Contemporary Art, New York; SITE Santa Fe, New Mexico; San Francisco Museum of Modern Art, 1999; Tate Gallery, London, 1999 1997 -
David Furman Short Form Resume/Career Summary ONE
David Furman Short Form Resume/Career Summary ONE PERSON EXHIBITIONS Since l970, 47 one person shows including American Museum of Ceramic Art, Pomona, CA; Gallery 221, New York, NY; Frumkin Duval Gallery, Santa Monica, CA; O.K. Harris Works of Art, New York, NY; Margulies Taplin Gallery, Miami, FL; Elaine Horwitch Galleries, Santa Fe, NM; O.K. Harris/Kline Gallery, Birmingham, MI; Solomon Dubnick Gallery, Sacramento, CA; Dorry Gates Gallery, Kansas City, MO; Judy Youens Gallery, Houston, TX; Chicago Center for Ceramic Art, Chicago, IL; San Francisco Int'l Airport, San Francisco, CA; Southern Oregon State College, Ashland, OR; David Stuart Galleries, Los Angeles, CA; Quay Gallery, San Francisco, CA; Salt Lake Art Center, Salt Lake City, UT; North Carolina State University, Raleigh, NC; Galleria "9", Lima, Peru; University of Oregon Museum of Art, Eugene, OR; Jacqueline Anhalt Gallery, Los Angeles, CA; Gayle Weyher Gallery, Salt Lake City, UT; Tortue Gallery, Santa Monica, CA; J. Cotter Gallery, Vail/Beaver Creek, CO; UMKC Belger Art Center, Kansas City, MO, San Angelo Museum of Art, San Angelo, TX; Bakersfield Museum of Art, Bakersfield, CA. HONORS/AWARDS/FELLOWSHIPS 2011 Elected to the International Academy of Ceramics 2008 Sole Juror, California Small Images, Bakersfield Museum of Art, Bakersfield, CA 2007 Juror, XI Sculpture and Ceramics Biennale, Honduras, Central America Fellowship, Office of Citizen Exchanges, United States Dept. of State/Cultural Affairs, Honduras, Central America 2005 Silver Medal, 3rd International Ceramic Biennale, -
The University of Arizona School of Art Faculty Exhibition | 2007 the University of Arizona School of Art Faculty Exhibition | 2007 Table of Contents
The University of Arizona School of Art Faculty Exhibition | 2007 The University of Arizona School of Art Faculty Exhibition | 2007 TABLE OF CONTENTS Foreword 5 Sama Alshaibi 6–7 Jackson Boelts 8–9 Carlton Bradford 10–11 Aurore Chabot 12–13 Dr. Jacqueline Chanda 14–15 James Cook 16–17 Joanna Frueh 18–19 Moira Geoffrion 20–21 Lawrence Gipe 22–23 Frank Gohlke 24–25 Charles Guerin 26–27 Mike Holcomb 28–29 Dimitri Kozyrev 30–31 Joseph Labate 32–33 Kelly Leslie 34–35 Dr. Keith McElroy 36–37 Ellen McMahon 38–39 Barbara Penn 40–41 Sheila Pitt 42–43 Andy Polk 44–45 Alfred Quiroz 46–47 Barbara Rogers 48–49 Carrie Seid 50–51 Gary Setzer 52–53 Dr. Maurice Sevigny 54–55 Ken Shorr 56–57 Cerese Vaden 58–59 Will Wilson 60–61 Karen Zimmerman 62–63 4 Foreword The University of Arizona School of Art Faculty Exhibition | 2007 Since its beginning, the School of Art at the University of Arizona has been a At an institution like this one, it is no wonder that The School of Art continues to center of scholarly research, creative production, and collaboration of artistic expand, explore, and develop its reputation as a nationally-ranked leader in arts disciplines. At once reverent and exploratory, the faculty and students at the education. Essential to our growth is our diverse faculty who teach and mentor School of Art work together to continually expand, develop, and understand our undergraduate and graduate students as they create and understand their the role of art, artists, and art scholars in a context that is both traditional and artistic and academic identities. -
The Oceania Cruises Art Collection
THE OCEANIA CRUISES ART CoLLECTION THE OCEANIA CRUISES ART CoLLECTION “I had the same vision and emotional connection in our art acquisitions as I did for Marina and Riviera themselves – to be beautiful, elegant, sophisticated and stylish. The ships and art are one.” – Frank Del Rio 2 | OCEANIA CRUISES ART COLLECTION Introduction In February of 2011, Oceania Cruises unveiled the cruise ship Marina at a gala ceremony in Miami. The elegant new ship represented a long list of firsts: the first ship that the line had built completely from scratch, the first cruise ship suites furnished entirely with the Ralph Lauren Home Collection, and the first custom-designed culinary studio at sea offering hands-on cooking classes. But, one of the most remarkable firsts caught many by surprise. As journalists, travel agents and the first guests explored the decks of the luxurious new vessel, they were astounded to discover that they had boarded a floating art museum, one that showcased a world-class collection of artworks personally curated by the founders of Oceania Cruises. Most cruise lines hire third party contractors to assemble the decorative art for their ships, selecting one of the few companies capable of securing a collection of this scale. The goal of most of these collections is, at best, to enhance the ambiance and, at worst, to simply match the decor. Oceania Cruises founders Frank Del Rio and Bob Binder wanted to take a different approach. “We weren’t just looking for background music,” Binder says. “We wanted pieces that were bold and interesting, pieces that made a statement, provoked conversation and inspired emotion.” Marina and her sister ship, Riviera, were designed to eschew the common look of a cruise ship or hotel. -
Marlborough Gallery
Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O. -
Alberto Rey's Balsa Series in the Cuban American Imagination
College of the Holy Cross CrossWorks Spanish Department Faculty Scholarship Spanish Department 2014 Alberto Rey’s Balsa Series in the Cuban American Imagination Isabel Alvarez-Borland College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/span_fac_scholarship Part of the Modern Languages Commons, Painting Commons, and the Spanish and Portuguese Language and Literature Commons Required Citation Alvarez-Borland, Isabel. "Alberto Rey’s Balsa Series in the Cuban American Imagination." Life Streams: Alberto Rey’s Cuban and American Art, edited by Lynette M.F. Bosch and Mark Denaci, SUNY Press, 2014, pp. 67-83. This Article is brought to you for free and open access by the Spanish Department at CrossWorks. It has been accepted for inclusion in Spanish Department Faculty Scholarship by an authorized administrator of CrossWorks. Alberto Rey’s Balsa Series in the Cuban American Imagination Isabel Alvarez Borland Then I saw that the days and the nights were passing and I was still alive, drinking sea water and putting my head in the water, as long as I could, to refresh my burning face….When the raft came apart each one grabbed a tire or one of the planks. Whatever we could. We had to cling to something to survive. .But I was sure I wasn’t going to perish….It was like the end of a novel, horrible. Someone had to remain to tell the story. Guillermo Cabrera Infante In one of the final vignettes of Cabrera Infante’s View of Dawn in the Tropics (1974), history becomes dramatized in a first-person narrative as life is pitted against death.1 For Cabrera Infante (1929-2005), the use of a balsero perspective creates a new empathy in the reader, who is immediately drawn to the lives of those who speak and to their suffering. -
Art Teacher's Book of Lists
JOSSEY-BASS TEACHER Jossey-Bass Teacher provides educators with practical knowledge and tools to create a positive and lifelong impact on student learning. We offer classroom-tested and research-based teaching resources for a variety of grade levels and subject areas. Whether you are an aspiring, new, or veteran teacher, we want to help you make every teaching day your best. From ready-to-use classroom activities to the latest teaching framework, our value-packed books provide insightful, practical, and comprehensive materials on the topics that matter most to K–12 teachers. We hope to become your trusted source for the best ideas from the most experienced and respected experts in the field. TITLES IN THE JOSSEY-BASS EDUCATION BOOK OF LISTS SERIES THE SCHOOL COUNSELOR’S BOOK OF LISTS, SECOND EDITION Dorothy J. Blum and Tamara E. Davis • ISBN 978-0-4704-5065-9 THE READING TEACHER’S BOOK OF LISTS, FIFTH EDITION Edward B. Fry and Jacqueline E. Kress • ISBN 978-0-7879-8257-7 THE ESL/ELL TEACHER’S BOOK OF LISTS, SECOND EDITION Jacqueline E. Kress • ISBN 978-0-4702-2267-6 THE MATH TEACHER’S BOOK OF LISTS, SECOND EDITION Judith A. Muschla and Gary Robert Muschla • ISBN 978-0-7879-7398-8 THE ADHD BOOK OF LISTS Sandra Rief • ISBN 978-0-7879-6591-4 THE ART TEACHER’S BOOK OF LISTS, FIRST EDITION Helen D. Hume • ISBN 978-0-7879-7424-4 THE CHILDREN’S LITERATURE LOVER’S BOOK OF LISTS Joanna Sullivan • ISBN 978-0-7879-6595-2 THE SOCIAL STUDIES TEACHER’S BOOK OF LISTS, SECOND EDITION Ronald L. -
Feminist Art and Media in Post-1968
NEWSLETTER VOLUME 31 No. 01 April 2019 New Books Women made visible: feminist art and media in post-1968 Mexico City The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s Borderbus Holy Organ or Unholy Idol? The Sacred Heart in Art, Religion, and Culture of New Spain Sandra Eleta: The Invisible World Still Nowhere in an Empty Vastness Dreaming in Silver / Soñar en Plata: Silver Artists of Modern Mexico Exhibitions Papel Protagonista Gráfica América Apuntes graáficos de Beatriz González Words/Matter: Latin American Art and Language at the Blanton Painted Cloth: Fashion and Ritual in Colonial Latin America Mapping Memory: Space and History in 16th-century Mexico The Living Art of Roberto Burle Marx El Arte Gráfico Contemporáno de Oaxaca and Maestros Oaxaqueños Culture and the People: El Museo del Barrio, 1969-2019 Michele Greet | President [email protected] Department of History and Art History MS 3G1, George Mason University 4400 University Drive Fairfax, VA 22030 Ananda Cohen Aponte | Vice-President [email protected] History of Art Department GM08 Goldwin Smith Hall Cornell University Ithaca, NY 14853-3201 Helen Burgos Ellis | Secretary-Treasurer [email protected] Chicana(o) Studies Department 7349 Bunche Hall University of California Los Angeles, CA 90095 Jamie Ratliff | Webmaster [email protected] Department of Art and Design 1201 Ordean Ct. HUM 317 University of Minnesota Duluth Duluth, MN 55812 Patrick Frank | Newsletter Editor [email protected] 1622 Crescent Place Venice, CA 90291 Eleanor A. Laughlin | Listserve Manager [email protected] School of Art + Art History University of Florida 101 Fine Arts Building C Gainesville FL 32611-5800 Lacy Vain | Newsletter Designer [email protected] NEWSLETTER VOLUME 31 No. -
1998 Loans from the Collection
1998 Loans from the Collection Kenneth Adams, New Mexico. Crayon on paper, 18 x 24 in. Oscar Berninghaus, Cemetery in New Mexico, ca.1940. Oil on Bequest of Marion Koogler McNay, 1950.1. panel, 9 x 13 in. Gift of Dr. and Mrs. William C. Winter, 1981.35. E. Martin Hennings, Thistle Blossoms, 1929. Oil on canvas, 40 x Berninghaus: Taos Founder/Taos Son. Panhandle-Plains Museum, 40 in. Collection of the Tobin Foundation. Canyon, Texas, November 15, 1998–February 28, 1999. John Ward Lockwood, Summer Landscape, Taos, N.M. Arthur Dove, The Brothers, 1942. Tempera and wax emulsion on Watercolor on paper, 13 15/16 x 20 in. Bequest of Marion Koogler canvas, 20 x 28 in. Gift of Robert L. B. Tobin through the Friends McNay, 1950.88. of the McNay, 1962.3. Enchanted: Taos Art from Texas Collections. Panhandle-Plains Arthur Dove: A Retrospective Exhibition. Last two venues only; Historical Museum, September 6—November 15, 1998. Addison Gallery of American Art, Andover, Massachusetts, April 24–July 14, 1998; Los Angeles County Museum of Art, Rafael Aragón, Our Lady of Guadalupe. Water soluble paint August 2–October 4, 1998. on panel, 22 3/4 x 17 in. Bequest of Marion Koogler McNay, 1950.290. Paul Gauguin, Portrait of the Artist with the Idol, ca.1893. Oil on canvas, 17 1/4 x 12 7/8 in. Bequest of Marion Koogler McNay, El Alma del Pueblo: Spanish Folk Art and its Transformation in 1950.46. the Americas. San Antonio Museum of Art, October 17, 1997– January 4, 1998; Art Museum at Florida International University, Paul Gauguin Tahiti, 1891-1893. -
Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection
Teacher Resource Guide Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection © Armando Marino, The Raft, 2002 October 10, 2008 ABOUT THE PRESENTERS Guest Presenter: Merrill Watrous Merrill taught in K12 for 20 years, graduate classes on the teaching of writing, reading, and children's literature for 5 years, and at LCC for 8 years. Merrill teaches K12 teachers through the National Council of Teachers of English, the National Writing Program, and the JSMA. Her first book on the teaching of art and writing was published by Simon and Schuster, and she is now revising her second on the same topic, Writing in Color. Merrill has published widely for teachers of adult learners and younger learners including: The Magazine of American History, Techniques, Clearing, The Oregon Science Teacher, Instructor, Learning, Mailbox, Oregon English, Writing Teacher, Teacher and others. Merrill's K12 students published their own writing statewide, nationally, and internationally. She has won various teaching awards such as: a Monticello-Stratford summer fellowship, an LCC teaching award with multiple year nominations, inclusion in an Oregon English Best of 25 years' publication, and election to an honorary technology society. Merrill is passionate about arts integration. It is the major theme of her reading, her writing, her teaching and her life. She is the mother of a writer and mother-in-law of a composer (himself the child of children’s book illustrators). She was especially excited to learn more about Cuba for CUBA AVANT-GARDE because of her interest in the Spanish-speaking world. Her grandson Max, the love of her life at 13 months, is being raised to be Spanish-English bilingual. -
Summer 2021 7/24/2021-7/25/2021 LOT # LOT
Summer 2021 7/24/2021-7/25/2021 LOT # LOT # 1 Chinese 14K Gold Figural Dragon on Stand 3 8 pcs. Meiji Japanese Silver Tea Set, Iris Decorat Chinese 14K gold (tested) figural dragon, Asian Export Sterling Silver Tea Service with depicted standing with raised head. Fitted with high relief iris decorations, eight (8) pieces. a conforming hardwood stand. 2" H x 3 1/2" W. ARTHUR & BOND, STERLING, and 73.3 grams. Provenance: the estate of Camille YOKOHAMA stamped to underside of bases. Gift, Nashville, Tennessee by descent from Sara Includes a kettle on stand, coffee pot, teapot, tea Joan Wilde (1923-2014), Colorado Springs, caddy, covered sugar bowl, creamer, CO. Mrs. Wilde and her husband, Lt. Col. Adna double-handled waste bowl, and a pair of sugar Godfrey Wilde (1920-2008) traveled tongs. Also includes an International Silver extensively throughout Asia as part of his career Company burner. Pieces ranging in size from 9 as an officer with the U.S. Army. Condition: 3/4" H x 8" W to 1" H x 5" L. 116.60 total troy Overall very good condition. 2,400.00 - ounces. Meiji Period. Provenance: private 2,600.00 Chattanooga collection. Consignor's Quantity: 1 grandparents acquired this set and the Arthur & Bond teacups also in this auction (see lot #3) while traveling in Asia in the early 1900s. Condition: All items in overall very good condition. Handles slightly loose to teapots. 2 Asian Export Silver Cocktail Set, incl. Shaker, Be 4,800.00 - 5,200.00 Japanese export silver cocktail set, comprised of Quantity: 1 one (1) shaker, eight (8) beaker style liqueur cups, and one (1) tray with wooden center insert and silver rim, 14 items total.