1998 Loans from the Collection

Home , Alexandre Benois, Marion Koogler McNay, McNay Art Museum, Radcliffe Bailey, Tucson Museum of Art

Kenneth Adams, New Mexico. Crayon on paper, 18 x 24 in. Oscar Berninghaus, Cemetery in New Mexico, ca.1940. Oil on Bequest of Marion Koogler McNay, 1950.1. panel, 9 x 13 in. Gift of Dr. and Mrs. William C. Winter, 1981.35.

E. Martin Hennings, Thistle Blossoms, 1929. Oil on canvas, 40 x Berninghaus: Taos Founder/Taos Son. Panhandle-Plains Museum, 40 in. Collection of the Tobin Foundation. Canyon, Texas, November 15, 1998–February 28, 1999.

John Ward Lockwood, Summer Landscape, Taos, N.M. Arthur Dove, The Brothers, 1942. Tempera and wax emulsion on Watercolor on paper, 13 15/16 x 20 in. Bequest of Marion Koogler canvas, 20 x 28 in. Gift of Robert L. B. Tobin through the Friends McNay, 1950.88. of the McNay, 1962.3.

Enchanted: Taos Art from Texas Collections. Panhandle-Plains Arthur Dove: A Retrospective Exhibition. Last two venues only; Historical Museum, September 6—November 15, 1998. Addison Gallery of American Art, Andover, Massachusetts, April 24–July 14, 1998; Los Angeles County Museum of Art, Rafael Aragón, Our Lady of Guadalupe. Water soluble paint August 2–October 4, 1998. on panel, 22 3/4 x 17 in. Bequest of Marion Koogler McNay, 1950.290. Paul Gauguin, Portrait of the Artist with the Idol, ca.1893. Oil on canvas, 17 1/4 x 12 7/8 in. Bequest of Marion Koogler McNay, El Alma del Pueblo: Spanish Folk Art and its Transformation in 1950.46. the Americas. San Antonio Museum of Art, October 17, 1997– January 4, 1998; Art Museum at Florida International University, Paul Gauguin Tahiti, 1891-1893. Staatsgalerie, Stuttgart, Miami, January 23–March 20, 1998; Tucson Museum of Art, Germany, February 7–June 2, 1998. Exposition Gauguin. April 24–August 2, 1998; The Spanish Institute and Americas La Fondation Pierre Gianadda, Martigny, Switzerland, June 10– Society, New York, September 15–December 31, 1998. November 22, 1998.

Leon Bakst, Costume design for Catalabutte in Sleeping Alberto Giacometti, Bust of Annette IV, 1962. Bronze, 22 7/8 in. Princess, 1921. Graphite, watercolor, gouache, and metallic high. Mary and Sylvan Lang Collection, 1975.63. paint on paper, mounted on board, 11 1/2 x 8 7/8 in. Collection of Alberto Giacometti. Montreal Museum of Fine Arts, June 18– Robert L. B. Tobin October 18, 1998. Leon Bakst, Costume for Catalabutte in Sleeping Princess, 1921. Robert Indiana, Flagellant, 1963–69. Painted wood, iron and Brocade, velvet, silk, metallic, embroidery and fur. Collection of rope, 63 1/2 in. high. Collection of Robert L. B. Tobin Robert L. B. Tobin. Robert Indiana, The Metamorphosis of Norma Jean Mortenson, Leon Bakst, Costume for Royal Page in Sleeping Princess, 1921. 1967. Oil on canvas, 102 x 102 in. Collection of Robert L. B. Velvet, silk ribbon, metallic embroidery, and lace. Collection of Tobin Robert L. B. Tobin. Robert Indiana Retrospective. Musée d’Art Moderne et d’Art Alexandre Benois, Scene design for Armide’s Garden, Act II, in Contemporain, Nice, France, June 26–November 22, 1998. Le Pavillon d’Armide, 1907. Watercolor, gouache, graphite, and ink on paper, 18 1/2 x 26 1/2 in. Collection of Robert L. B. Tobin. Ralph Koltai, Maquettes for Die Soldaten, Taverner, and Otello; various media and sizes. Collection of Robert L. B. Tobin Alexandre Benois, Scene design for the King’s Bedroom, Act III, in Le Rossignol (The Nightingale), 1914. Gouache and oil pastel Ralph Koltai Theatre Design: The Exploration of Space. on paper, mounted on canvas, 39 x 43 in. Collection of Robert Tour organized by the Central St. Martins College of Art L. B. Tobin. and Design, London, and the British Council; Beijing, September 22–October 10, 1998; Kuala Lumpur, November 23– Theatre of Reason/Theatre of Desire; The Art of Alexandre Benois December 15,1998; Hong Kong, January 22–February 9, 1999; and Léon Bakst. Villa Favorita, Thyssen-Bornemisza Foundation, Taipei, March 8–April 5, 1999; Prague Quadrennial, June 3–28, Lugano, Switzerland, June 4–November 1, 1998. 1999.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS mcnayart.org 1998 Loans from the Collection

John La Farge, Vaiala in Upolo, Samoa, 1890. Watercolor on Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. paper, 11 1/4 x 12 in. Gift of Alice N. Hanszen, 1977.10. Bequest of Marion Koogler McNay, 1950.215.

Recreation and Idleness: The Pacific Travels of John La Farge. Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest Vance Jordan Fine Art, Inc., New York, April 28–June 9, 1998. of Marion Koogler McNay, 1950.778.

Georgia O’Keeffe, Pink and Yellow Hollyhocks, 1952. Oil on The Umlauf Sculpture Garden and Museum, Austin, Ongoing. canvas, 40 x 24 in. Bequest of Helen Miller Jones, 1989.37. Andrew Wyeth, Kuerner’s Hill, 1946. Watercolor, 21 3/4 x 44 1/4 in. Reciprocal exhibition loan. The Albuquerque Museum, Collection of Robert L. B. Tobin. March 31–August 30, 1998. Georgia O’Keeffe: The Artist in Unknown Terrain: The Landscapes of Andrew Wyeth. Whitney Focus. Museum of Fine Arts, St. Petersburg, Florida, Museum of American Art, New York, May 28–August 30, 1998. November 15, 1998–January 19, 1999.

Helen Pond and Herbert Senn, Scene design for Harrington’s 1998 TRAVELING EXHIBITIONS Patio in What Makes Sammy Run, 1963. Watercolor and ink on Ansel Adams: An American Photographer. Museum of the board, 20 x 25 1/2 in. Collection of Robert L. B. Tobin Southwest, Midland, Texas, January 17–March 2, 1997; Tyler Museum of Art, April 10–June 8, 1997; Museums of Helen Pond and Herbert Senn, Scene design for Sammy’s Abilene, June 21–August 16, 1997; Wichita Falls Art Museum, Mansion in What Makes Sammy Run, 1963. Watercolor, September 6–November 1, 1997; McAllen International gouache, and ink on board, 17 1/2 x 23 1/2 in. Collection of Museum, January 8–March 5, 1998. Robert L. B. Tobin Designing the Musical Play. Colorado Springs Fine Arts Center, Stealing the Show: Forty Years of Stage Design by Helen August 28–November 29, 1998. Pond and Herbert Senn. Cape Museum of Fine Arts, Dennis, Massachusetts, July 5–September 20, 1998.

Maurice Prendergast, Roma-Flower Stall, ca.1898-99. Monotype, 9 5/16 x 7 1/2 in. Gift of the Friends of the McNay, 1976.5.

Singular Impressions: Monotypes in America. National Museum of American Art, Washington, D.C., April 4–August 3, 1997; Snite Museum at the University of Notre Dame, South Bend, Indiana, January 15–March 31, 1998.

Silverhorn. 8 sheets from Sketchbook. Crayon and graphite on paper, 9 1/4 x 13 3/4 in. each. Gift of Mrs.Terrell Bartlett, 1962.1.1, 4, 9, 11, 13, 23, 24, 30.

Plains Indian Drawings, 1865-1935: Pages of a Visual History. The Drawing Center, New York, November 2–December 21, 1996; Milwaukee Art Museum, Milwaukee, January 17–March 30, 1997; Joslyn Art Museum, Omaha, April 26–July 13, 1997; Frick Art Museum, Pittsburgh, August 7–October 19, 1997; Art Gallery of Ontario, November 16, 1997–January 4, 1998.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 1999 Loans from the Collection

Kenneth Adams, Western Landscape. Watercolor on paper, Jane Freilicher, In Broad Daylight, 1979. Oil on canvas, 70 x 18 3/8 x 22 1/4 in. Bequest of Marion Koogler McNay, 1950.2. 80 in. Gift of the Semmes Foundation, 1980.35.

Howard Cook, Taxco Market, 1932. Etching and aquatint, Intimate Interiors: Paintings by Jane Freilicher and Fairfield 8 15/16 x 11 15/16 in. Bequest of Marion Koogler McNay, 1950.454. Porter. Whitney Museum of American Art at Champion, (Albuquerque and McNay venues only) Stamford, Connecticut, March 12–May 19, 1999.

John Ward Lockwood, August Bargain Days. Watercolor on Robert Indiana, Flagellant, 1963–69. Painted wood, iron, and paper, 13 7/8 x 19 15/16 in. Bequest of Marion Koogler McNay, rope, 63 1/2 in. high. Collection of Robert L. B. Tobin. 1950.84. (not shown at the Snite Museum) Robert Indiana, Four Numbers Summing Thirty, 1963. Oil on John Ward Lockwood, Spring in the Valley. Watercolor on paper, canvas, 24 x 24 in. Gift of Robert L. B. Tobin, 1999.95. 14 x 19 15/16 in. Bequest of Marion Koogler McNay, 1950.87. Robert Indiana, The Metamorphosis of Norma Jean Mortenson, (not shown at the Albuquerque Museum) 1967. Oil on canvas, 102 x 102 in. Gift of Robert L. B. Tobin, John Marin, Taos, 1930. Watercolor and graphite on paper, 1999.94. (Portland venue only) 12 3/4 x 17 1/4 in. Bequest of Marion Koogler McNay, 1950.96. Robert Indiana, Model-T Ford from The Mother of Us All, 1966. (Albuquerque and McNay venues only) Cut paper, 24 x 18 in. Gift of Robert L. B. Tobin, 1978.11.38. Taos Artists and their Patrons, 1898-1950. Gilcrease Museum, Love and the American Dream: The Art of Robert Indiana. Tulsa, Oklahoma, May 16–July 18, 1999; Snite Museum at Portland Museum of Art, Portland, Maine, June 24–October 17, Notre Dame University, August 29–November 14, 1999; 1999; Marietta-Cobb Museum, Marietta, Georgia, November Phoenix Art Museum, December 18, 1999–March 5, 2000; 23, 1999–January 30, 2000. Albuquerque Museum, April 16–August 6, 2000; McNay Art Museum, September 12–December 3, 2000. Ralph Koltai, Maquettes for Die Soldaten, Taverner, and Otello. Various media and sizes. Collection of Robert L. B. Tobin Leon Bakst, Scene design for Oedipus at Colonna, ca.1900. Gouache and pastel on paper, mounted on canvas, 55 1/2 x Ralph Koltai Theatre Design: The Exploration of Space. 62 in. Gift of Robert L. B. Tobin, TL1998.60. Tour organized by the Central St. Martins College of Art and Design, London, and the British Council; Beijing, Spectacular St. Petersburg: 100 Years of Russian Theatre September 22–October 10, 1998; Kuala Lumpur, Design. Columbus Museum of Art, Columbus, Ohio, November 23–December 15,1998; Hong Kong, January 22– December 11, 1999–January 30, 2000; McNay Art Museum, February 9, 1999; Taipei, March 8–April 5, 1999; Prague February 25–May 5, 2000. Quadrennial, June 3–28, 1999. Oscar Berninghaus, Cemetery in New Mexico, ca.1940. Oil on Florence Miller-Pierce, Rising Red, 1942. Oil on canvas, 36 x panel, 9 x 13 in. Gift of Dr. and Mrs. William C. Winter, 1981.35. 36 in. Museum purchase with the Ralph A. Anderson Jr. Berninghaus: Taos Founder/Taos Son. Panhandle-Plains Museum, Memorial Fund and the Helen and Everett H. Jones Purchase Canyon, Texas, November 15, 1998–February 28, 1999. Fund, 1999.21.

Raoul Dufy, Golfe Juan, 1927. Oil on canvas, mounted on panel, Transcendental Painting Group. Michael Rosenfeld Gallery, 32 3/16 x 39 5/8 in. Bequest of Marion Koogler McNay, 1950.38. New York, November 4, 1999–January 8, 2000.

Raoul Dufy: Last of the Fauves. Norton Museum, West Palm Georgia O’Keeffe, Goat’s Head, 1957. Oil on canvas, 20 x 16 in. Beach, Florida, March 27–June 6, 1999; Dixon Gallery and Gift of the Estate of Tom Slick, 1973.34. Gardens, Memphis, Tennessee, June 27–September 5, 1999; O’Keeffe. Georgia Museum of Art, University of Georgia, New Orleans Museum of Art, October 2–November 28, 1999; Athens, September 15, 1999–February 6, 2000. McNay Art Museum, January 17–March 29, 2000.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS mcnayart.org 1999 Loans from the Collection

Georgia O’Keeffe, Leaf Motif #2, 1924. Oil on canvas, 35 x 18 in. Mary and Sylvan Lang Collection, 1975.45.

Georgia O’Keeffe: The Poetry of Things. The Phillips Collection, Washington, D.C., April 24–July 25, 1999; Georgia O’Keeffe Museum, Santa Fe, New Mexico, August 14–October 10, 1999; Dallas Museum of Art, October 30, 1999–January 30, 2000; Fine Arts Museums of San Francisco, February 19–May 14, 2000.

Georgia O’Keeffe, Pink and Yellow Hollyhocks, 1952. Oil on canvas, 40 x 24 in. Bequest of Helen Miller Jones, 1989.37.

Georgia O’Keeffe: The Artist in Focus. Museum of Fine Arts, St. Petersburg, Florida, November 15, 1998–January 19, 1999.

Diego Rivera, Portrait of Delfina Flores, 1927. Oil on canvas, 32 1/4 x 26 in. Bequest of Marion Koogler McNay, 1950.124.

Mexican Modern Art. Montreal Museum of Fine Art, November 4, 1999–Feburary 6, 2000; National Gallery of Canada, February 25–May 21, 2000; Antiguo Colegio de San Ildefonso, Mexico City, July 6–October 8, 2000.

Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215.

Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest of Marion Koogler McNay, 1950.778.

The Umlauf Sculpture Garden and Museum, Austin, Ongoing.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2000 Loans from the Collection

Kenneth Adams, Western Landscape. Watercolor on paper, Paul Cézanne, Houses on the Hill, ca.1900-06. Oil on canvas, 18 3/8 x 22 1/4 in. Bequest of Marion Koogler McNay, 1950.2. 23 3/4 x 31 38 in. Bequest of Marion Koogler McNay, 1950.23.

Howard Cook, Taxco Market, 1932. Etching and aquatint, Cézanne: Finished-Unfinished. Kunstforum, Vienna, January 19– 8 15/16 x 11 15/16 in. Bequest of Marion Koogler McNay, 1950.454. April 25, 2000; Kunsthaus, Zurich, May 5–August 13, 2000. (Albuquerque and McNay venues only) Paul Gauguin, Portrait of the Artist with the Idol, ca.1893. Oil John Ward Lockwood, August Bargain Days. Watercolor on on canvas, 17 1/4 x 12 7/8 in. Bequest of Marion Koogler McNay, paper, 13 7/8 x 19 15/16 in. Bequest of Marion Koogler McNay, 1950.46. 1950.84. (not shown at the Snite Museum) Gauguin and Brittany: A New Beginning. Landesmuseum John Ward Lockwood, Spring in the Valley. Watercolor on paper, Joanneum, Graz, Austria, June 10–October 1, 2000 14 x 19 15/16 in. Bequest of Marion Koogler McNay, 1950.87. Natalia Gontcharova, Curtain design for Act III, scene 3, in (not shown at the Albuquerque Museum) Le Coq d’Or, 1914. Watercolor and graphite on paper, 22 1/2 x John Marin, Taos, 1930. Watercolor and graphite on paper, 28 3/4 in. Gift of Robert L. B. Tobin, TL1998.177. 12 3/4 x 17 1/4 in. Bequest of Marion Koogler McNay, 1950.96. Mikhail Larionov, Costume design for Vaslav Nijinsky as the Fox (Albuquerque and McNay venues only) in Le Renard, 1922. Watercolor on graphite on board, 19 1/4 x Taos Artists and their Patrons, 1898-1950. Gilcrease Museum, 12 1/2 in. Gift of Robert L. B. Tobin, TL1998.266. Tulsa, Oklahoma, May 16–July 18, 1999; Snite Museum at Mikhail Larionov, Scene design for Le Renard, ca.1922. Gouache Notre Dame University, August 29–November 14, 1999; and graphite on paper, 13 1/2 x 19 3/4 in. Gift of Robert L. B. Phoenix Art Museum, December 18, 1999–March 5, 2000; Tobin, TL1998.264. Albuquerque Museum, April 16–August 6, 2000; McNay Art Museum, September 12–December 3, 2000. El Teatro de los Pintores en la Europa de las Vanguardias. Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Leon Bakst, Scene design for Oedipus at Colonna, ca.1900. September 26–November 20, 2000. Gouache and pastel on paper, mounted on canvas, 55 1/2 x 62 in. Gift of Robert L. B. Tobin, TL1998.60. Robert Indiana, Flagellant, 1963–69. Painted wood, iron, and rope, 63 1/2 in. high. Collection of Robert L. B. Tobin. Spectacular St. Petersburg: 100 Years of Russian Theatre Design. Columbus Museum of Art, Columbus, Ohio, December 11, Robert Indiana, Four Numbers Summing Thirty, 1963. Oil on 1999–January 30, 2000; McNay Art Museum, February 25– canvas, 24 x 24 in. Gift of Robert L. B. Tobin, 1999.95. May 5, 2000. Robert Indiana, Model-T Ford from The Mother of Us All, 1966. Leon Bakst, Costume design for Vaslav Nijinsky as Chinese Cut paper, 24 x 18 in. Gift of Robert L. B. Tobin, 1978.11.38. Dancer in Les Orientales, 1917. Watercolor and graphite on paper, 18 x 25 3/8 in. Gift of Robert L. B. Tobin, TL1998.34. Love and the American Dream: The Art of Robert Indiana. (Stockholm only) Portland Museum of Art, Portland, Maine, June 24– October 17, 1999; Marietta-Cobb Museum, Marietta, Georgia, Malvina Hoffman, Nijinsky as the Faun. Bronze, 8 3/4 in. high. November 23, 1999–January 30, 2000. Collection of the Tobin Foundation. Florence Miller-Pierce, Rising Red, 1942. Oil on canvas, 36 x Robert Edmond Jones, Costume design for Til in Til 36 in. Museum purchase with the Ralph A. Anderson Jr. Eulenspiegel, ca.1916. Chalk and graphite on paper, 12 5/8 x Memorial Fund and the Helen and Everett H. Jones Purchase 10 in. Gift of Robert L. B. Tobin, TL1999.118. Fund, 1999.21.

Nijinsky: Legend and Modernist. Dansmuseet, Stockholm, Transcendental Painting Group. Michael Rosenfeld Gallery, March 2–May 21, 2000; Hamburg Museum fur Kunst und New York, November 4, 1999–January 8, 2000. Gewerbe, July 1–August 27, 2000; Musée d’Orsay, Paris, October 23, 2000–February 18, 2001.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2000 Loans from the Collection

Georgia O’Keeffe, Evening Star No. V, 1917. Watercolor on George Stubbs, A Horse Affrighted at a Lion, 1788. Etching with paper, 8 5/8 x 11 5/8 in. Bequest of Helen Miller Jones, 1989.36. roulette, plate 9 3/4 x 13 in. Collection of The Tobin Theatre Arts Fund O’Keeffe on Paper. National Gallery of Art, Washington, D.C., April 9–July 9, 2000. George Stubbs, A Lion Devouring a Horse, 1788. Soft-ground etching with roulette, plate 11 3/8 x 14 1/2 in. Collection of The Georgia O’Keeffe, Goat’s Head, 1957. Oil on canvas, 20 x 16 in. Tobin Theatre Arts Fund Gift of the Estate of Tom Slick, 1973.34. Fearful Symmetry: George Stubbs, Painter of the Enlightenment. O’Keeffe. Georgia Museum of Art, University of Georgia, Hall and Knight, Ltd., New York, January 20–February 28, 2000. Athens, September 15, 1999–February 6, 2000. Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Georgia O’Keeffe, Leaf Motif #2, 1924. Oil on canvas, 35 x 18 in. Bequest of Marion Koogler McNay, 1950.215. Mary and Sylvan Lang Collection, 1975.45. Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest Georgia O’Keeffe: The Poetry of Things. The Phillips Collection, of Marion Koogler McNay, 1950.778. Washington, D.C., April 24–July 25, 1999; Georgia O’Keeffe Museum, Santa Fe, New Mexico, August 14–October 10, 1999; The Umlauf Sculpture Garden and Museum, Austin, Ongoing. Dallas Museum of Art, October 30, 1999–January 30, 2000; Fine Vincent Van Gogh, Women Crossing the Fields, 1890. Oil on Arts Museums of San Francisco, February 19–May 14, 2000. paper, 11 15/16 x 23 1/2 in. Bequest of Marion Koogler McNay, Pierre-Auguste Renoir, Lemons and Tea Cup, Cagnes, 1912. Oil 1950.49. on canvas, 9 x 13 3/4 in. Collection of the Lucien Abrams Family. Vincent Van Gogh. Gianadda Foundation, Martigny, Pierre-Auguste Renoir, The Bouquet, 1910. Oil on canvas, 17 1/4 x Switzerland, June 21–November 26, 2000. 12 1/4 in. Collection of the Lucien Abrams Family. 2000 TRAVELING EXHIBITIONS Pierre-Auguste Renoir, Woman with Hat, 1896. Oil on canvas, An American Sculptor: Seymour Lipton. Co-organized with the 13 3/4 x 13 in. Collection of the Lucien Abrams Family. Palmer Museum of Art, State College, Pennsylvania, January Old Jail Art Center, Albany, Texas, December 2000–June 2001. 20–June 4, 2000; Elvehjem Museum, University of Wisconsin, Madison, June 24–August 27, 2000; University of Iowa Diego Rivera, Portrait of Delfina Flores, 1927. Oil on canvas, Museum of Art, Iowa City, October 21–December 17, 2000; 32 1/4 x 26 in. Bequest of Marion Koogler McNay, 1950.124. McNay Art Museum, January 29–April 8, 2001.

Mexican Modern Art. Montreal Museum of Fine Art, November Joel Shapiro: Sculpture. Middleton Place, Spoleto Festival 4, 1999–Feburary 6, 2000; National Gallery of Canada, USA, Charleston, South Carolina, May 22–September 4, 2000; February 25–May 21, 2000; Antiguo Colegio de San Ildefonso, McNay Art Museum, October 1, 2000–January 7, 2001; Denver Mexico City, July 6–October 8, 2000. Art Museum, February 13–May 28, 2001. Silverhorn, Osage and Kiowa in Deadly Conflict from Sketchbook, 1887. Colored pencil and graphite on paper, 9 1/4 x 13 3/4 in. Gift of Mrs. Terrell Bartlett, 1962.1.17.

Transforming Images: The Art of Silverhorn and His Successors. Smart Museum, University of Chicago, April 13–June 11, 2000.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2001 Loans from the Collection

Arthur Dove, The Brothers, 1942. Tempera and wax emulsion on Helen Pond and Herbert Senn, 3 curtain designs for Showboat, canvas, 20 x 28 in. Gift of Robert L. B. Tobin, 1963.2. 1982. Acrylic and other media on board, about 18 x 26 in. each. Gift of Robert L. B. Tobin, TL1999.263.1-3. Alfred Stieglitz and Modern Art in America. National Gallery of Art, Washington, D.C., January 28–April 22, 2001. Stealing the Show II: Cape Play House Set Designs by Helen Pond and Herbert Senn. Cape Museum of Fine Arts, Dennis, Raoul Dufy, Golfe Juan, 1927. Oil on canvas, mounted on panel, Massachusetts, July 22–September 9, 2001. 32 3/16 x 39 5/8 in. Bequest of Marion Koogler McNay, 1950.38. Pierre-Auguste Renoir, Lemons and Tea Cup, Cagnes, 1912. Oil Cote d’Azur: Art, Modernity, and the Myth of the French Riviera. on canvas, 9 x 13 3/4 in. Collection of the Lucien Abrams Family. AXA Gallery, New York, April 26–July 14, 2001. Pierre-Auguste Renoir, The Bouquet, 1910. Oil on canvas, 17 1/4 x Malvina Hoffman, Nijinsky as the Faun. Bronze, 8 3/4 in. high. 12 1/4 in. Collection of the Lucien Abrams Family. Collection of the Tobin Foundation. Pierre-Auguste Renoir, Woman with Hat, 1896. Oil on canvas, Robert Edmond Jones, Costume design for Til in Til 13 3/4 x 13 in. Collection of the Lucien Abrams Family. Eulenspiegel, ca.1916. Chalk and graphite on paper, 12 5/8 x 10 in. Gift of Robert L. B. Tobin, TL1999.118. Old Jail Art Center, Albany, Texas, December 2000–June 2001.

Nijinsky: Legend and Modernist. Dansmuseet, Stockholm, Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. March 2–May 21, 2000; Hamburg Museum fur Kunst und Bequest of Marion Koogler McNay, 1950.215. Gewerbe, July 1–August 27, 2000; Musée d’Orsay, Paris, Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest October 23, 2000–February 18, 2001. of Marion Koogler McNay, 1950.778. Winslow Homer, Girl on a Garden Seat, 1878. Watercolor on The Umlauf Sculpture Garden and Museum, Austin, Ongoing. paper, 6 3/8 x 8 1/4 in. Mary and Sylvan Lang Collection, 1975.34.

Winslow Homer and the Critics: Forging a National Art in the 2001 TRAVELING EXHIBITIONS 1870s. Nelson-Atkins Museum of Art, Kansas City, February Kathy Vargas: Photographs, 1971-2000. Wiegand Gallery, 18–May 6, 2001; Los Angeles County Museum of Art, June 10– College of Notre Dame, Belmont, California, September 12– September 9, 2001. October 27, 2001; Lehigh University Art Galleries, Bethlehem, Pennsylvania, January 20–April 28, 2002; Art Museum of South Georgia O’Keeffe, From the Plains I, 1953. Oil on canvas, 47 11/16 x Texas at the South Texas Institute for the Arts, Corpus Christi, 83 5/8 in. Gift of the Estate of Tom Slick, 1973.22. October 1–November 30, 2002. Places of Their Own: Emily Carr, Frida Kahlo, and Georgia Dan Sutherland Drawings 1991-2001. Galveston Arts Center, O’Keeffe. McMichael Canadian Art Collection, Toronto, June Galveston, Texas, July 28–September 2, 2001; McAllen 29–September 9, 2001; Museum of Fine Arts, Santa Fe, International Museum, McAllen, Texas, January 12–March 24, October 5, 2001–January 7, 2002; National Museum of Women 2001. in the Arts, Washington, D.C., February 7–May 12, 2002. Joel Shapiro: Sculpture. Middleton Place, Spoleto Festival Camille Pissarro, Haymakers Resting, 1891. Oil on canvas, 25 3/4 x USA, Charleston, South Carolina, May 22–September 4, 2000; 32 in. Bequest of Marion Koogler McNay, 1950.115. McNay Art Museum, October 1, 2000–January 7, 2001; Denver Vincent Van Gogh and the Painters of the Petit Boulevard. St. Art Museum, February 13–May 28, 2001. Louis Art Museum, February 17–May 13, 2001.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2002 Loans from the Collection

Taddeo di Bartolo, The Miracle of St. Dominic. Tempera on Marsden Hartley, Portrait Arrangement, 1914. Oil on canvas, panel with gold, 15 3/4 x 15 1/4. Gift of Dr. and Mrs. Frederic G. 39 3/8 x 32 in. Museum purchase, 1959.2. Oppenheimer, 1955.11. Celebrating America: Masterworks from Texas Collections. Amon Sacred Treasures: Early Italian Panel Paintings from Southern Carter Museum, Fort Worth, September 14–November 17, 2002. Collections. Georgia Museum of Art, Athens, Georgia, Donald Judd, Untitled, 1989. Aluminum and Plexiglas, October 12, 2002–January 5, 2003; Birmingham Museum 39 3/8 x 39 3/8 x 19 5/8 in. Museum purchase with the Alvin of Art, Birmingham, Alabama, January 26–April 13, 2003; Whitley Estate, with additional funds from Ann and Fredrick Ringling Museum, Sarasota, Florida, May 31–August 10, 2003. Erck, 2001.8. Mary Bonner, Fighting Bulls, 1929. Aquatint, 10 7/16 x 29 1/8 in. Gift Donald Judd: Meter Boxes. PaceWildenstein, New York, of Robert L. B. Tobin, 1999.12. October 18–November 6, 2002 Women Printmakers Lone Star Style: Mary Bonner & the Dallas Joan Mitchell, Hudson River Day Line, 1955. Oil on canvas, Printmakers Guild. McKinney Avenue Contemporary, Dallas, 79 x 83 in. Museum purchase with funds from the Tobin November 2–December 12, 2002. Foundation, 1994.7. Edgar Degas, Seated Dancer, ca. 1885. Charcoal and chalk on The Paintings of Joan Mitchell. Whitney Museum of American Art, paper, 15 5/8 x 11in. Bequest of Marion Koogler McNay, 1950.31. New York, June 20–September 29, 2002; Birmingham Museum Degas, Forain, and Toulouse-Lautrec: Images of Dancers. Dixon of Art, Birmingham, Alabama, June 27–August 31, 2003; Modern Galley and Gardens, Memphis, October 13, 2002–January 5, 2003. Art Museum, Fort Worth, September 21, 2003–January 4, 2004; Des Moines Art Center, January 31–April 25, 2004. Kelly Fearing, Angry Little Owl, ca. 1964. Oil on canvas, 10 x 8 in. Gift of Amy Freeman Lee in honor of Blanche and John Palmer Amedeo Modigliani, Caryatid, 1913. Ink, graphite, and pastel Leeper, 1990.42. on paper, 16 3/4 x 10 1/4 in. Bequest of Marion Koogler McNay, 1950.100. Kelly Fearing, Bird’s Secret Nesting Place, ca. 1950. Oil on canvas, 8 x 10 in. Gift of Amy Freeman Lee in honor of Blanche and Amedeo Modigliani, l’Ange au Visage Grave. Musée John Palmer Leeper, 1990.35. Luxembourg, Paris, October 23, 2002–March 2, 2003.

Kelly Fearing, Boy Flying Kite, Fish Watching, 1947-48. Oil Amedeo Modigliani, Girl with Blue Eyes, 1918. Oil on canvas, on canvas, 12 x 16 in. Gift of Amy Freeman Lee in honor of 24 x 18 1/4 in. Bequest of Marion Koogler McNay, 1950.99. Blanche and John Palmer Leeper, 1990.15. Modigliani and the Artists of Montparnasse. Albright-Knox Kelly Fearing, Five Small Owls and Setting Sun, 1965. Watercolor, Art Gallery, Buffalo, New York, October 18, 2002–January 12, oil pastel, and silver leaf on panel, 6 x 8 1/2 in. Gift of Amy 2003; Kimbell Art Museum, Fort Worth, Texas, February 9– Freeman Lee in honor of Blanche and John Palmer Leeper, May 25, 2003; Los Angeles County Museum of Art, May 29– 1990.34. September 28, 2003.

Kelly Fearing, Fleeing Man with Owl and Moon, 1965. Oil on Georgia O’Keeffe, From the Plains I, 1953. Oil on canvas, 47 11/16 x canvas, 8 x 9 7/8 in. Gift of Amy Freeman Lee in honor of Blanche 83 5/8 in. Gift of the Estate of Tom Slick, 1973.22. and John Palmer Leeper, 1990.44. Places of Their Own: Emily Carr, Frida Kahlo, and Georgia Kelly Fearing. Creative Research Laboratory, Department of O’Keeffe. McMichael Canadian Art Collection, Toronto, June Art and Art History, University of Texas at Austin, August 29– 29–September 9, 2001; Museum of Fine Arts, Santa Fe, September 26, 2002. October 5, 2001–January 7, 2002; National Museum of Women in the Arts, Washington, D.C., February 7–May 12, 2002.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2002 Loans from the Collection

Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215.

Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest of Marion Koogler McNay, 1950.778.

The Umlauf Sculpture Garden and Museum, Austin, Ongoing.

2002 TRAVELING EXHIBITIONS Kathy Vargas: Photographs, 1971–2000. Wiegand Gallery, College of Notre Dame, Belmont, California, September 12– October 27, 2001; Lehigh University Art Galleries, Bethlehem, Pennsylvania, January 20–April 28, 2002; Art Museum of South Texas at the South Texas Institute for the Arts, Corpus Christi, October 1–November 30, 2002.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2003 Loans from the Collection

Jose Aragón, Santa Rosalia de Palermo, ca. 1820-35. Water Natalia Gontcharova, Scene design with figures in Le Coq d’Or, soluble paint on panel, 8 3/4 x 6 3/4 in. Bequest of Marion Koogler ca. 1913-14. Watercolor and graphite on paper, 14 3/4 x 21 in. McNay, 1950.318. Gift of Robert L. B. Tobin, TL1998.175.

Rafael Aragón, San Francisco de Asis, ca. 1829-60. Wood with Natalia Gontcharova, Study for curtain design for the prologue water soluble paint and leather, 19 x 8 x 5 1/2 in. Bequest of of Le Coq d’Or, 1913. Watercolor and collage on paper, 19 x 27 Marion Koogler McNay, 1950.270. in. Collection of The Tobin Endowment.

José Benito Ortega, Nuestra Señora del Carmel. Water soluble Le Coq d’Or: Natalya Goncharova’s Designs for the Ballet paint on wood, 21 in. high. Bequest of Marion Koogler McNay, Russes. Organized by the Busch-Reisinger Museum, Harvard 1950.256. University, Cambridge, Massachusetts, May 10–August 24, 2003; McNay Art Museum, May 13–May 2, 2004. New Mexico, San Jose. Wood with water soluble paint, 19 1/2 in. high. Bequest of Marion Koogler McNay, 1950.273. Joan Mitchell, Hudson River Day Line, 1955. Oil on canvas, 79 x 83 in. Museum purchase with funds from the Tobin New Mexico, San Juan Bautista. Wood with water soluble paint Foundation, 1994.7. and gilding, 20 in. high. Bequest of Marion Koogler McNay, 1950.274. The Paintings of Joan Mitchell. Whitney Museum of American Art, New York, June 20–September 29, 2002; Birmingham Making of America. Witte Museum, San Antonio, May 31– Museum of Art, Birmingham, Alabama, June 27–August 31, September 1, 2003. 2003; Modern Art Museum, Fort Worth, September 21, 2003– Taddeo di Bartolo, The Miracle of St. Dominic. Tempera on January 4, 2004; Des Moines Art Center, January 31–April 25, panel with gold, 15 3/4 x 15 1/4. Gift of Dr. and Mrs. Frederic G. 2004. Oppenheimer, 1955.11. Amedeo Modigliani, Caryatid, 1913. Ink, graphite, and pastel Sacred Treasures: Early Italian Panel Paintings from Southern on paprer, 16 3/4 x 10 1/4 in. Bequest of Marion Koogler McNay, Collections. Georgia Museum of Art, Athens, Georgia, 1950.100. October 12, 2002–January 5, 2003; Birmingham Museum Amedeo Modigliani, l’Ange au Visage Grave. Musée of Art, Birmingham, Alabama, January 26–April 13, 2003; Luxembourg, Paris, October 23, 2002–March 2, 2003. Ringling Museum, Sarasota, Florida, May 31–August 10, 2003. Amedeo Modigliani, Girl with Blue Eyes, 1918. Oil on canvas, Edgar Degas, Seated Dancer, ca. 1885. Charcoal and chalk 24 x 18 1/4 in. Bequest of Marion Koogler McNay, 1950.99. on paper, 15 5/8 x 11 in. Bequest of Marion Koogler McNay, 1950.31. Modigliani and the Artists of Montparnasse. Albright-Knox Art Gallery, Buffalo, New York, October 18, 2002–January 12, Degas, Forain, and Toulouse-Lautrec: Images of Dancers. Dixon 2003; Kimbell Art Museum, Fort Worth, Texas, February 9– Galley and Gardens, Memphis, October 13, 2002–January 5, May 25, 2003; Los Angeles County Museum of Art, May 29– 2003. September 28, 2003. Natalia Gontcharova, Costume design for Prince Guidon in Le Pierre-Auguste Renoir, Gabrielle in Oriental Costume, 1913. Oil Coq d’Or, ca. 1913. Gouache, watercolor, ink, and graphite on on canvas, 10 3/4 x 8 7/8 in. Bequest of Marion Koogler McNay, paper, 18 1/4 x 11 1/4 in. Gift of Robert L. B. Tobin, TL1998.171. 1950.120. Natalia Gontcharova, Costume design for the Old Woman of Renoir and Algeria. Dallas Museum of Art, June 8–September 7, the Keys in Le Coq d’Or, ca. 1914. Watercolor and gouache on 2003. paper, 13 1/4 x 10 in. Gift of Robert L. B. Tobin, TL1999.6.

Natalia Gontcharova, Front curtain design for Act III, scene 3, in Le Coq d’Or, ca. 1914. Watercolor, gouache, and graphite on board, 22 1/2 x 28 3/4 in. Gift of Robert L. B. Tobin, TL1998.177.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2003 Loans from the Collection

Henri Rivière, Thirty-Six Views of the Eiffel Tower, 1888-1902. Panama, Herrera province. Circular platform supported by 3 Book with thirty-six lithographs. Paris: Eugene Verneau, 1888- anthropomorphic effigy figures. Earthenware, 4 3/4 x 7 7/8 in. Gift 1902. Gift of Mrs. Morgan Chaney, by exchange, 1999.9. of Elizabeth Sudron, 1972.38.24.

Paris 1890: The Art of Modern Life. Grand Rapids Art Museum, San Ildefonso Pueblo, Vase, 1940. Blackware, 8 1/2 in. high. Gift Grand Rapids, Michigan, April 14–May 18, 2003. of Mr. and Mrs. Harry E. Murray, 1967.16.3.

Charles Shaw, Polygon, 1938. Stained wood, 17 5/8 x 18 in. Zia, Vessel with thunderbird motif. Ceramic, 9 1/2 x 6 7/8 in. Gift of Museum purchase with the Helen and Everett H. Jones Mr. and Mrs. Harry E. Murray, 1967.16.7. Purchase Fund, 1997.47. Creation and Cosmos: American Indian Spirituality. Institute of The Park Avenue Cubists: The Work of Gallatin, Morris, Texan Cultures, University of Texas, San Antonio. Ongoing. Frelinghuysen, and Shaw. Grey Art Gallery, New York University, New York, January 14–May 29, 2003; Addison Gallery, Phillips Academy, Andover, Massachusetts, April 22–July 31, 2003; Harn Gallery, University of Florida, Gainesville, September 2– November 30, 2003.

Julian Stanczak, Western Color, 1973. Acrylic on canvas, 48 x 48 in. Gift of Marianne and Stewart Reuter, 2003.43.

Julian Stanczak: Op Art Painting. The Art Museum of South Texas, Corpus Christi, December 8, 2003–February 22, 2004.

Henri de Toulouse-Lautrec, Portrait of Madame LeClercq, 1892. Gouache on board, 13 1/8 x 9 1/8 in. Bequest of Marion Koogler McNay, 1950.83.

Henri de Toulouse-Lautrec: Looking Inside Life. Complesso Vittoriano, Rome, October 10, 2003–February 8, 2004

Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215.

Charles Umlauf, Saint Anthony. Terra cotta, 23 in. high. Bequest of Marion Koogler McNay, 1950.778.

The Umlauf Sculpture Garden and Museum, Austin, Ongoing.

Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC- 300 AD. Female Figure. Painted and burnished clay, 9 1/2 x 5 1/2 in. Mary and Sylvan Lang Collection, 1975.82.

Mexico, Proto-classic, Jalisco, ca. 100 BC-300 AD. Seated Warrior with Club. Painted and burnished clay. Mary and Sylvan Lang Collection, 1975.84.

Panama, Herrera province. Shallow tazza (footed pedestal bowl). Painted earthenware, 2 3/8 x 4 1/16 in. Gift of Elizabeth Sudron, 1972.38.3.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2004 Loans from the Collection

Leon Bakst, Costume design for Temple Dancer in Le Dieu Bleu, Julian Stanczak, Western Color, 1973. Acrylic on canvas, 48 x 1912. Watercolor, gouache, metallic paint, charcoal on paper, 48 in. Gift of Marianne and Stewart Reuter, 2003.43. mounted on board, 25 1/2 x 18 1/2 in. Gift of Robert L. B. Tobin, Julian Stanczak: Op Art Painting. The Art Museum of South TL1998.49. Texas, Corpus Christi, December 8, 2003–February 22, 2004. Leon Bakst, Costume design for Vaslav Nijinsky as Chinese George Stubbs, A Lion Devouring a Horse, 1788. Soft-ground Dancer in Les Orientales, 1917. Watercolor and graphite on etching with roulette, plate 11 3/8 x 14 1/2 in. Collection of the paper, 18 x 25 3/8 in. Gift of the Tobin Foundation, TL1998.34. Tobin Foundation for Theatre Arts. Leon Bakst, Portrait of Leonid Massine, 1914. Graphite on paper, George Stubbs, Hay-Makers, 1791. Stipple and roulette, 19 x 12 1/2 x 9 5/8 in. Gift of Robert L. B. Tobin, TL1998.89. 26 3/4 in. Collection of the Tobin Foundation for Theatre Arts. Mikhail Larionov, Caricature of Diaghilev’s Circle. Ink on paper, George Stubbs, Reapers, 1791. Stipple and roulette, 18 15/16 x 9 3/8 x 14 5/8 in. Gift of Robert L. B. Tobin, TL1998.280. 26 3/4 in. Collection of the Tobin Foundation for Theatre Arts. Mikhail Larionov, Costume design for Wife of the Old Buffoon George Stubbs, The Anatomy of the Horse. London: J. Purser, in Chout, 1921. Watercolor and charcoal on board, 14 1/2 x 1766. Gift of Margaret Batts Tobin, TL1988.2.1. 9 5/8 in. Gift of Robert L. B. Tobin, TL1998.263. Stubbs and the Horse. Kimbell Art Museum, Fort Worth, Working for Diaghilev. Groninger Museum, Groningen, November 14, 2004–February 6, 2005; The Walters Art Netherlands, December 18, 2004–March 27, 2005 Museum, Baltimore, March 13–May 29, 2005; The National Mary Bonner, Fighting Bulls, 1929. Aquatint, plate 10 7/16 x Gallery, London, June 29–September 25, 2005. 29 1/8 in. Gift of Robert L. B. Tobin, 1999.12. Henri de Toulouse-Lautrec, Portrait of Madame LeClercq, 1892. Mary Bonner: Printmaker, Lone Star Style. Witte Museum, Gouache on board, 13 1/8 x 9 1/8 in. Bequest of Marion Koogler San Antonio, September 11, 2004–January 16, 2005. McNay, 1950.83.

George Grosz, The Gymnast, ca.1922. Oil on canvas. Gift of Henri de Toulouse-Lautrec: Looking Inside Life. Complesso Robert L. B. Tobin, 1974.26. Vittoriano, Rome, October 10, 2003–February 8, 2004.

Picasso and Modern Art: Gifts to American Museums. Fundacíon Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Marcelino Botín, Santander, Spain, July 22–September 30, 2004. Bequest of Marion Koogler McNay, 1950.215.

Ida Kohlmeyer, Meditative, 1965. Oil on canvas, 57 x 51 in. The Umlauf Sculpture Garden and Museum, Austin, Ongoing. Given anonymously, 1968.10. Vincent van Gogh, Le Pont du Carrousel (The Carrousel Bridge Ida Kohlmeyer: A Retrospective. Newcomb Art Gallery, Tulane and the Louvre), ca.1886. Oil on canvas, 13 1/8 x 18 1/8 in. University, New Orleans, August 19–November 21, 2004. Collection of Ernest G. Herman and Gunter F. Herman.

Joan Mitchell, Hudson River Day Line, 1955. Oil on canvas, La Ingenieria Civil en la Pintura. Organized by the Ministerio 79 x 83 in. Museum purchase with funds from the Tobin de Formento, presented at the Sala de Exposiciones de la Real Foundation, 1994.7. Academia de Bellas Artes de San Fernando, Madrid, February 26–April 25, 2004. The Paintings of Joan Mitchell. Whitney Museum of American Art, New York, June 20–September 29, 2002; Birmingham Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC- Museum of Art, Birmingham, Alabama, June 27–August 31, 300 AD. Female Figure. Painted and burnished clay, 9 1/2 x 5 1/2 2003; Modern Art Museum, Fort Worth, September 21, 2003– in. Mary and Sylvan Lang Collection, 1975.82. January 4, 2004; Des Moines Art Center, January 31–April 25, Mexico, Proto-classic, Jalisco, ca. 100 BC-300 AD. Seated Warrior 2004. with Club. Painted and burnished clay. Mary and Sylvan Lang Collection, 1975.84.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2004 Loans from the Collection

Panama, Herrera province. Shallow tazza (footed pedestal bowl). Painted earthenware, 2 3/8 x 4 1/16 in. Gift of Elizabeth Sudron, 1972.38.3.

Panama, Herrera province. Circular platform supported by 3 anthropomorphic effigy figures. Earthenware, 4 3/4 x 7 7/8 in. Gift of Elizabeth Sudron, 1972.38.24.

San Ildefonso Pueblo, Vase, 1940. Blackware, 8 1/2 in. high. Gift of Mr. and Mrs. Harry E. Murray, 1967.16.3.

Zia, Vessel with thunderbird motif. Ceramic, 9 1/2 x 6 7/8 in. Gift of Mr. and Mrs. Harry E. Murray, 1967.16.7.

Creation and Cosmos: American Indian Spirituality. Institute of Texan Cultures, University of Texas, San Antonio. Ongoing.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2005 Loans from the Collection

Leon Bakst, Costume for Royal Page in scene 1 in La Belle au Jean Cocteau, Portrait of Igor Stravinsky, 1913. Ink and gouache Bois Dormant (The Sleeping Princess), 1921. Velvet, silk ribbon, on paper, 14 x 11 in. Gift of The Tobin Endowment, TL2001.44. metallic embroidery, and lace. Gift of Robert L. B. Tobin, Natalia Gontcharova, Costume design for The Old Woman TL1998.76. of the Keys in Le Coq d’Or (The Golden Cockerel), ca. 1914. Eugene Berman, Costume for a male character in Rigoletto, Watercolor and gouache on paper, 13 1/4 x 10 in. Gift of Robert 1951. Cotton, wool, and trim. Collection of the Tobin L. B. Tobin, TL1999.6. Foundation for Theatre Arts. Natalia Gontcharova, Front curtain design for Act III, scene Eugene Berman, Costume for Zerlina in Don Giovanni, 3, in Le Coq d’Or (The Golden Cockerel), ca. 1914. Watercolor, 1957. Velvet, cotton, silk, and trim. Collection of the Tobin gouache, and graphite on board, 22 1/2 x 28 3/4 in. Gift of Robert Foundation for Theatre Arts. L. B. Tobin, TL1998.177.

Natalia Gontcharova, Costume for King Dodon in Le Coq d’Or Natalia Gontcharova, Scene design for Les Noces (The Wedding), (The Golden Cockerel), 1938. Velvet, silk, metallic, embroidery ca.1922. Charcoal on paper, 12 7/8 x 16 3/8 in. Gift of Robert L. B. and lace. Gift of Robert L. B. Tobin, TL1998.180. Tobin, TL1998.218.

Tchaikovsky 5. San Antonio Symphony performance, Majestic Natalia Gontcharova, Scene design for Les Noces (The Wedding), Theatre, San Antonio, June 3–4, 2005. 1915. Gouache, watercolor, ink and graphite on paper, 8 x 10 1/2 in. Gift of Robert L. B. Tobin, TL1998.220. Leon Bakst, Costume design for Temple Dancer in Le Dieu Bleu, 1912. Watercolor, gouache, metallic paint, charcoal on paper, Natalia Gontcharova, Portrait of Igor Stravinsky, ca. 1916. mounted on board, 25 1/2 x 18 1/2 in. Gift of Robert L. B. Tobin, Graphite on paper, 13 1/8 x 9 1/8 in. Gift of Robert L. B. Tobin, TL1998.49. TL1998.254.

Leon Bakst, Costume design for Vaslav Nijinsky as Chinese Valentine Gross Hugo, Portrait of Vaslav Nijinsky as Le Spectre Dancer in Les Orientales, 1917. Watercolor and graphite on de la Rose (The Spirit of the Rose), ca. 1913. Graphite on paper, paper, 18 x 25 3/8 in. Gift of the Tobin Foundation, TL1998.34. 12 3/16 x 8 7/16 in. Gift of The Tobin Endowment, TL2001.75.

Leon Bakst, Portrait of Leonid Massine, 1914. Graphite on paper, Henri Matisse, Cape for the Emperor in Le Chant du Rossignol 12 1/2 x 9 5/8 in. Gift of Robert L. B. Tobin, TL1998.89. (The Song of the Nightingale), 1920. Silk with metallic embroidery and metal studs. Gift of The Tobin Endowment, Mikhail Larionov, Caricature of Diaghilev’s Circle. Ink on paper, TL2001.92. 9 3/8 x 14 5/8 in. Gift of Robert L. B. Tobin, TL1998.280. Joan Miro, 2 sheets of costume details for Jeux d’Enfants Mikhail Larionov, Costume design for Wife of the Old Buffoon (Children’s Games), ca.1932. Gouache, ink, and graphite in Chout, 1921. Watercolor and charcoal on board, 14 1/2 x on paper, 10 x 7 1/4 in. each. Gift of The Tobin Endowment, 9 5/8 in. Gift of Robert L. B. Tobin, TL1998.263. TL2001.96.1-2. Working for Diaghilev. Groninger Museum, Groningen, Vaslav Nijinsky, Two Abstract Compositions. Crayon on paper, Netherlands, December 18, 2004–March 27, 2005. 11 1/2 x 14 1/8 in. and 10 3/4 x 13 1/2 in. Gift of Robert L. B. Tobin, Leon Bakst, Costume design for Le Lac des Cygnes (Swan Lake), TL1998.283-284. ca. 1904. Watercolor, metallic paint, and graphite on paper, Il Palcoscenico delle Avanguardie (The Avant Garde Stage). 11 x 8 1/2 in. Gift of Robert L. B. Tobin, TL1998.78. Museum of Modern and Contemporary Art of Trento and Leon Bakst, Schéhérazade: The Secret of the Harem, 1912. Oil on Rovereto, Italy, December 16, 2005–May 7, 2006. canvas, 17 1/2 x 23 1/2 in. Gift of Robert L. B. Tobin, TL1998.82.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2005 Loans from the Collection

John Baldessari, Nine Feet (of Victim and Crowd) from Violent Carl Rice Embrey, Confederate Jasmine, 1979. Acrylic on panel, Space Series, 1976. Photographs on board, 24 3/8 x 36 1/2 in. 30 x 24 in. Gift of Joyce and Alfred Goodman, 1999.117. Bequest of Robert H. Halff, 2005.2. Carl Rice Embrey, Hamilton Winter, 1996. Watercolor on paper, John Baldessari: A Different Kind of Order (Works 1962–1984). sheet 24 x 32 in. Collection of Rhys Embrey. Museum Moderner Kunst, Vienna, Austria, March 4–July 3, 2005. Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Mary Bonner, Fighting Bulls, 1929. Aquatint, plate 10 7/16 x Museum purchase with funds from Charline and 29 1/8 in. Gift of Robert L. B. Tobin, 1999.12. Red McCombs, 1998.3.

Mary Bonner: Printmaker, Lone Star Style. Witte Museum, Carl Rice Embrey: A Retrospective. Waco Art Center, Waco, Texas, San Antonio, September 11, 2004–January 16, 2005. June 11–August 31, 2005.

Alson Clark, Rooftops, Paris, 1936. Oil on canvas, 22 x 18 1/2 in. Alberto Giacometti, Bust of Annette IV, 1962. Bronze, 22 7/8 in. Gift of Mrs. Alson S. Clark, 1959.7. high. Mary and Sylvan Lang Collection, 1975.63.

An American Impressionist: The Art and Life of Alson Skinner The Women of Giacometti. PaceWildenstein, New York, Clark. Gibbes Museum of Art, Charleston, South Carolina, October 27–December 17, 2005; Nasher Sculpture Center, May 27–August 7, 2005; Pasadena Museum of California Art, Dallas, January 14–April 9, 2006. September 14, 2005–January 8, 2006. Blanche McVeigh, Decatur Courthouse. Etching and aquatint, Piero Dorazio, Façade of the Cathedral of Prague, 1947. Oil 12 7/8 x 8 7/8 in. Gift of Blanche and John Palmer Leeper, 1982.71. on canvas, 23 3/4 x 15 3/4 in. Mary and Sylvan Lang Collection, Paths to the Press: Printmaking and American Women Artists, 1975.26. 1910–1960. Block Museum of Art, September 23–December 11, Sintesi Reivocativa della Quadriennale del 1948. Galleria 2005; McNay Art Museum, February 1–April 2, 2006; Louisiana Nazionale d’Arte Moderna di Roma, Rome, March 8–May 31, State University, Baton Rouge, July 22, 2006–January 7, 2007; 2005. Marianna Kistler Beach Museum of Art, Manhattan, Kansas, October 21–December 18, 2007. Arthur Dove, Dawn III, 1932. Oil on canvas, 22 x 22 in. Mary and Sylvan Lang Collection, 1975.27. Pablo Picasso, Woman with a Plumed Hat, 1901. Oil on canvas, 18 3/8 x 15 1/8 in. Bequest of Marion Koogler McNay, 1950.113. George L. K. Morris, Pocahontas, 1932. Oil on canvas, 25 1/2 x 19 1/4 in. Gift of Robert L. B. Tobin, 1999.102. Prelude to Spanish Modernism: Fortuny to Picasso. The Albuquerque Museum, August 21–November 27, 2005; The The Great American Thing: Modern Art and the National Meadows Museum, Dallas, December 11, 2005–February 26, Identity 1915-1935. Figge Arts Center, Davenport, Iowa, 2006. September 17, 2005–January 1, 2006; Tacoma Art Museum, Tacoma, Washington, January 29–May 21, 2006. George Stubbs, A Lion Devouring a Horse, 1788. Soft-ground etching with roulette, plate 11 3/8 x 14 1/2 in. Collection of the Tobin Foundation for Theatre Arts.

George Stubbs, Hay-Makers, 1791. Stipple and roulette, 19 x 26 3/4 in. Collection of the Tobin Foundation for Theatre Arts.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2005 Loans from the Collection

George Stubbs, Reapers, 1791. Stipple and roulette, 18 15/16 x 2005 TRAVELING EXHIBITIONS 26 3/4 in. Collection of the Tobin Foundation for Theatre Arts. High Drama: Eugene Berman and the Legacy of the Melancholic Sublime. Georgia Museum of Art, Athens, Georgia, January 15– George Stubbs, The Anatomy of the Horse. London: J. Purser, March 20, 2005; McNay Art Museum, May 18–August 14, 1766. Gift of Margaret Batts Tobin, TL1988.2.1. 2005; Long Beach Museum of Art, Long Beach, California, Stubbs and the Horse. Kimbell Art Museum, Fort Worth, September 10–October 31, 2005; Allentown Art Museum, November 14, 2004–February 6, 2005; The Walters Art Allentown, Pennsylvania, February 6–May 14, 2006. Museum, Baltimore, March 13–May 29, 2005; The National Gallery, London, June 29–September 25, 2005.

Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215.

The Umlauf Sculpture Garden and Museum, Austin, Ongoing.

Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC- 300 AD. Female Figure. Painted and burnished clay, 9 1/2 x 5 1/2 in. Mary and Sylvan Lang Collection, 1975.82.

Mexico, Proto-classic, Jalisco, ca. 100 BC-300 AD. Seated Warrior with Club. Painted and burnished clay. Mary and Sylvan Lang Collection, 1975.84.

Panama, Herrera province. Shallow tazza (footed pedestal bowl). Painted earthenware, 2 3/8 x 4 1/16 in. Gift of Elizabeth Sudron, 1972.38.3.

Panama, Herrera province. Circular platform supported by 3 anthropomorphic effigy figures. Earthenware, 4 3/4 x 7 7/8 in. Gift of Elizabeth Sudron, 1972.38.24.

San Ildefonso Pueblo, Vase, 1940. Blackware, 8 1/2 in. high. Gift of Mr. and Mrs. Harry E. Murray, 1967.16.3.

Zia, Vessel with thunderbird motif. Ceramic, 9 1/2 x 6 7/8 in. Gift of Mr. and Mrs. Harry E. Murray, 1967.16.7.

Creation and Cosmos: American Indian Spirituality. Institute of Texan Cultures, University of Texas, San Antonio. Ongoing.

Mexico, ca. 1500, Standing Male Figure. Tezontle, 35 3/4 in. high. Mary and Sylvan Lang Collection, 1975.85.

San Antonio Museum of Art, Ongoing.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2006 Loans from the Collection

Leon Bakst, Costume design for Le Lac des Cygnes (Swan Lake), Joan Miro, 2 sheets of costume details for Jeux d’Enfants ca. 1904. Watercolor, metallic paint, and graphite on paper, 11 (Children’s Games), ca.1932. Gouache, ink, and graphite x 8 1/2 in. Gift of Robert L. B. Tobin, TL1998.78. on paper, 10 x 7 1/4 in. each. Gift of The Tobin Endowment, TL2001.96.1-2. Leon Bakst, Schéhérazade: The Secret of the Harem, 1912. Oil on canvas, 17 1/2 x 23 1/2 in. Gift of Robert L. B. Tobin, TL1998.82. Vaslav Nijinsky, Two Abstract Compositions. Crayon on paper, 11 1/2 x 14 1/8 in. and 10 3/4 x 13 1/2 in. Gift of Robert L. B. Tobin, Jean Cocteau, Portrait of Igor Stravinsky, 1913. Ink and gouache TL1998.283-284. on paper, 14 x 11 in. Gift of The Tobin Endowment, TL2001.44. Il Palcoscenico delle Avanguardie (The Avant Garde Stage). Natalia Gontcharova, Costume design for The Old Woman Museum of Modern and Contemporary Art of Trento and of the Keys in Le Coq d’Or (The Golden Cockerel), ca. 1914. Rovereto, Italy, December 16, 2005–May 7, 2006. Watercolor and gouache on paper, 13 1/4 x 10 in. Gift of Robert L. B. Tobin, TL1999.6. Alson Clark, Rooftops, Paris, 1936. Oil on canvas, 22 x 18 1/2 in. Gift of Mrs. Alson S. Clark, 1959.7. Natalia Gontcharova, Front curtain design for Act III, scene 3, in Le Coq d’Or (The Golden Cockerel), ca. 1914. Watercolor, An American Impressionist: The Art and Life of Alson Skinner gouache, and graphite on board, 22 1/2 x 28 3/4 in. Gift of Robert Clark. Gibbes Museum of Art, Charleston, South Carolina, L. B. Tobin, TL1998.177. May 27–August 7, 2005; Pasadena Museum of California Art, September 14, 2005–January 8, 2006. Natalia Gontcharova, Scene design for Les Noces (The Wedding), ca.1922. Charcoal on paper, 12 7/8 x 16 3/8 in. Gift of Robert L. B. Arthur Dove, Four studies for The Brothers, 1939-42. Watercolor Tobin, TL1998.218. on paper, two with ink, sizes vary. Gift of Robert L. B. Tobin through the Friends of the McNay, 1962.4.1,2,5,10. Natalia Gontcharova, Scene design for Les Noces (The Wedding), 1915. Gouache, watercolor, ink and graphite on paper, 8 x 10 1/2 Arthur Dove: Watercolors. Alexandre Gallery, New York, in. Gift of Robert L. B. Tobin, TL1998.220. May 11–June 16, 2006; Heckscher Museum of Art, Huntington, Long Island, July 11–September 2, 2006. Natalia Gontcharova, Portrait of Igor Stravinsky, ca. 1916. Graphite on paper, 13 1/8 x 9 1/8 in. Gift of Robert L. B. Tobin, Arthur Dove, Dawn III, 1932. Oil on canvas, 22 x 22 in. Mary and TL1998.254. Sylvan Lang Collection, 1975.27.

Valentine Gross Hugo, Portrait of Vaslav Nijinsky as Le Spectre George L. K. Morris, Pocahontas, 1932. Oil on canvas, 25 1/2 x de la Rose (The Spirit of the Rose), ca. 1913. Graphite on paper, 19 1/4 in. Gift of Robert L. B. Tobin, 1999.102. 12 3/16 x 8 7/16 in. Gift of The Tobin Endowment, TL2001.75. The Great American Thing: Modern Art and the National Identity Henri Matisse, Cape for the Emperor in Le Chant du Rossignol 1915-1935. Figge Arts Center, Davenport, Iowa, September (The Song of the Nightingale), 1920. Silk with metallic 17, 2005–January 1, 2006; Tacoma Art Museum, Tacoma, embroidery and metal studs. Gift of The Tobin Endowment, Washington, January 29–May 21, 2006. TL2001.92. Alberto Giacometti, Bust of Annette IV, 1962. Bronze, 22 7/8 in. high. Mary and Sylvan Lang Collection, 1975.63.

The Women of Giacometti. PaceWildenstein, New York, October 27–December 17, 2005; Nasher Sculpture Center, Dallas, January 14–April 9, 2006.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2006 Loans from the Collection

Alan Kimmel, Scene design for You’re a Good Man, Charlie Cecilia Steinfeldt, Girl in Blue, 1932. Watercolor on paper, Brown, 1967. Watercolor, pastel and ink on paper, 5 x 12 1/2 in. 19 1/4 x 14 in. Bequest of Marion Koogler McNay, 1950.196. Gift of Robert L. B. Tobin, TL1999.137. The Art of the Steinfeldts. Witte Museum, San Antonio, 100% Centennial: Wall to Wall CFA. Regina Gougher Miller July 15–August 27, 2006. Gallery, Carnegie Mellon University, Pittsburgh, January 20– Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. March 6, 2006. Bequest of Marion Koogler McNay, 1950.215. Paul Klee, Beben. Ink and watercolor on paper. Collection of the The Umlauf Sculpture Garden and Museum, Austin, Ongoing. Tobin Theatre Arts Fund Vincent van Gogh, Women Walking in the Fields, 1890. Oil on Paul Klee, Pflanzliches im Aufbau, 1924. Watercolor and ink paper, 11 15/16 x 23 1/2 in. Bequest of Marion Koogler McNay, on paper, 11 1/8 x 12 5/16 in. Mary and Sylvan Lang Collection, 1950.49. 1975.38. (first and third venues only) Van Gogh: Sheaves of Wheat. Dallas Museum of Art, Klee and America. Neue Galerie, New York, March 3–May 12, October 22, 2006–January 7, 2007. 2006; The Phillips Collection, Washington, D.C., June 16– September 10, 2006; The Menil Collection, Houston, October 6, Max Weber, Conversation, 1919. Oil on canvas, 42 x 32 in. 2006–January 28, 2007. Museum purchase, 1961.1.

Jim Love, Choir Director, 1959. Iron, 15 in. high. Mary and Picasso and American Art. Whitney Museum of American Sylvan Lang Collection, 1975.65. Art, New York, September 28, 2006–January 28, 2007; San Francisco Museum of Modern Art, February 23–May 28, Jim Love: From Now On. Contemporary Arts Museum, Houston, 2007; Walker Art Center, Minneapolis, Minnesota, June 16– April 15–July 2, 2006. September 9, 2007. Blanche McVeigh, Decatur Courthouse. Etching and aquatint, Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC- 12 7/8 x 8 7/8 in. Gift of Blanche and John Palmer Leeper, 1982.71. 300 AD. Female Figure. Painted and burnished clay, 9 1/2 x Paths to the Press: Printmaking and American Women Artists, 5 1/2 in. Mary and Sylvan Lang Collection, 1975.82. 1910–1960. Block Museum of Art, September 23–December 11, Mexico, Proto-classic, Jalisco, ca. 100 BC-300 AD. Seated Warrior 2005; McNay Art Museum, February 1–April 2, 2006; Louisiana with Club. Painted and burnished clay. Mary and Sylvan Lang State University, Baton Rouge, July 22, 2006–January 7, 2007; Collection, 1975.84. Marianna Kistler Beach Museum of Art, Manhattan, Kansas, October 21–December 18, 2007. Panama, Herrera province. Shallow tazza (footed pedestal bowl). Painted earthenware, 2 3/8 x 4 1/16 in. Gift of Elizabeth Sudron, Georgia O’Keeffe, Evening Star No. V, 1917. Watercolor on 1972.38.3. paper, 8 5/8 x 11 5/8 in. Bequest of Helen Miller Jones, 1989.36. Panama, Herrera province. Circular platform supported by 3 The Modern West: American Landscapes, 1890-1950. Museum of anthropomorphic effigy figures. Earthenware, 4 3/4 x 7 7/8 in. Gift Fine Arts, Houston, October 28, 2006–January 29, 2007. of Elizabeth Sudron, 1972.38.24. Pablo Picasso, Woman with a Plumed Hat, 1901. Oil on canvas, San Ildefonso Pueblo, Vase, 1940. Blackware, 8 1/2 in. high. Gift 18 3/8 x 15 1/8 in. Bequest of Marion Koogler McNay, 1950.113. of Mr. and Mrs. Harry E. Murray, 1967.16.3. Prelude to Spanish Modernism: Fortuny to Picasso. The Zia, Vessel with thunderbird motif. Ceramic, 9 1/2 x 6 7/8 in. Gift of Albuquerque Museum, August 21–November 27, 2005; The Mr. and Mrs. Harry E. Murray, 1967.16.7. Meadows Museum, Dallas, December 11, 2005–February 26, 2006. Creation and Cosmos: American Indian Spirituality. Institute of Texan Cultures, University of Texas, San Antonio. Ongoing.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2006 Loans from the Collection

Mexico, ca. 1500, Standing Male Figure. Tezontle, 35 3/4 in. high. Mary and Sylvan Lang Collection, 1975.85.

San Antonio Museum of Art, Ongoing.

2006 TRAVELING EXHIBITIONS High Drama: Eugene Berman and the Legacy of the Melancholic Sublime. Georgia Museum of Art, Athens, Georgia, January 15– March 20, 2005; McNay Art Museum, May 18–August 14, 2005; Long Beach Museum of Art, Long Beach, California, September 10–October 31, 2005; Allentown Art Museum, Allentown, Pennsylvania, February 6–May 14, 2006.

Mexico and Modern Printmaking: A Revolution in the Graphic Arts 1920-1950. Co-organized with the Philadelphia Museum of Art, October 21, 2006–January 14, 2007; Frist Center for the Visual Arts, Nashville, Tennessee, January 25–April 15, 2007; Phoenix Art Museum, June 29–September 16, 2007; McNay Art Museum, October 3, 2007–January 6, 2008.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2007 Loans from the Collection

Alexandra Exter, Spanish Dancer Marionette, 1926. Painted Robert Indiana, Metamorphosis of Norma Jean Mortenson, 1967. wood, fabric, and found objects, 19 in. high. Gift of Robert L. B. Oil on canvas, 102 x 102 in. Gift of Robert L. B. Tobin, 1999.94. Tobin, 1991.5. Pop Art Portraits. National Portrait Gallery, London, October 11, Alexandra Exter, Scene design for a Pantomime Espagnole 2007–January 20, 2008. from Alexandra Exter: Décors de Théâtre, 1930. Pochoir, 9 1/2 x Paul Klee, Beben, Ink and watercolor on paper. Collection of the 11 7/8 in. Gift of The Tobin Endowment, TL2001.70.11. Tobin Theatre Arts Fund Natalia Gontcharova, Costume design for Nijinska’s yellow Paul Klee, Pflanzliches im Aufbau, 1924. Watercolor and ink costume in Bolero, ca. 1932. Watercolor and graphite on paper, on paper, 11 1/8 x 12 5/16 in. Mary and Sylvan Lang Collection, 14 3/4 x 11 in. Gift of Robert L. B. Tobin, TL1998.161. 1975.38. (first and third venues only) Natalia Gontcharova, Scene design for Bolero, ca. 1932. Klee and America. Neue Galerie, New York, March 3–May 12, Watercolor, gouache, and ink on paper, 11 x 14 3/4 in. Gift of 2006; The Phillips Collection, Washington, D.C., June 16– Robert L. B. Tobin, TL1998.163. September 10, 2006; The Menil Collection, Houston, October 6, Natalia Gontcharova, Costume design for a Spanish dancer 2006–January 28, 2007. with a fan, ca. 1916. Watercolor and graphite on paper, 25 3/4 x Blanche McVeigh, Decatur Courthouse. Etching and aquatint, 19 7/8 in. Gift of Robert L. B. Tobin, TL1998.229. 12 7/8 x 8 7/8 in. Gift of Blanche and John Palmer Leeper, 1982.71. Natalia Gontcharova, Portrait of Three Spanish Ladies, 1925. Oil Paths to the Press: Printmaking and American Women Artists, on canvas, 55 x 37 1/2 in. Gift of Robert L. B. Tobin, TL1998.228. 1910–1960. Block Museum of Art, September 23–December 11, Natalia Gontcharova, Spanish Dancer, ca. 1916. Oil, gouache, 2005; McNay Art Museum, February 1–April 2, 2006; Louisiana and graphite on paper, 68 1/4 x 31 1/8 in. Gift of Robert L. B. Tobin, State University, Baton Rouge, July 22, 2006–January 7, 2007; TL1998.225. Marianna Kistler Beach Museum of Art, Manhattan, Kansas, October 21–December 18, 2007. Natalia Gontcharova, Fan, ca. 1914-16. Gouache on linen with bamboo and mother-of-pearl, 9 1/2 x 7 x 1 in. Gift of Robert L. B. Georgia O’Keeffe, Evening Star No. V, 1917. Watercolor on Tobin in honor of Linda M. Hardberger, TL1992.3. paper, 8 5/8 x 11 5/8 in. Bequest of Helen Miller Jones, 1989.36.

Natalia Gontcharova, 2 lithographs from L’Art Decoratif, The Modern West: American Landscapes, 1890-1950. Museum of 1916. 19 3/4 x 12 3/4 in. each. Gift of Robert L. B. Tobin, Fine Arts, Houston, October 28, 2006–January 29, 2007. TL1984.1.456.3, 13. Georgia O’Keeffe, Leaf Motif No. 2, 1924. Oil on canvas, 35 x Spanish Night: Flamenco, Avant-Garde and Popular Culture, 18 in. Mary and Sylvan Lang Collection, 1975.45. 1865-1939. Museo Nacional Centro de Arte Reina Sofia, Georgia O’Keeffe: Circling Around Abstraction. Norton Museum Madrid, December 20, 2007–March 24, 2008. of Art, West Palm Beach, Florida, February 10–May 6, 2007. Edward Hopper, Corn Hill (Truro, Cape Cod), 1930. Oil on canvas, Pablo Picasso, Portrait of Sylvette, 1954. Oil on canvas, 39 x 32. 28 1/2 x 42 1/2 in. Mary and Sylvan Lang Collection, 1975.35. Gift of the Estate of Tom Slick, 1973.36. Art in America: 300 Years of Innovation. Organized by the Picasso’s Painting in the Fifties. Moderne Galerie, Saarlands Guggenheim Museum and the Terra Foundation of American Museum, Saarbrucken, Germany, November 10, 2007– Art. National Art Museum of China, Beijing, February 10–April February 24, 2008. 5, 2007; Shanghai Museum of Contemporary Art, April 30– June 30, 2007; Pushkin State Museum of Fine Arts, Moscow, July 23–September 9, 2007.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2007 Loans from the Collection

Chaim Soutine, The Cellist (Portait of M. Serevitsch), ca. 1916. Oil Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC- on canvas, 31 7/8 x 17 3/4 in. Bequest of Marion Koogler McNay, 300 AD. Female Figure. Painted and burnished clay, 9 1/2 x 1950.142. 5 1/2 in. Mary and Sylvan Lang Collection, 1975.82.

Chaim Soutine, le Fou de Smilovitvchi. Pinacothèque, Paris, Mexico, Proto-classic, Jalisco, ca. 100 BC-300 AD. Seated Warrior October 8, 2007–March 2, 2008. with Club. Painted and burnished clay. Mary and Sylvan Lang Collection, 1975.84. Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215. Panama, Herrera province. Shallow tazza (footed pedestal bowl). Painted earthenware, 2 3/8 x 4 1/16 in. Gift of Elizabeth Sudron, The Umlauf Sculpture Garden and Museum, Austin, Ongoing. 1972.38.3. Maurice Utrillo, Church of St. Georges de Didonne, 1936. Panama, Herrera province. Circular platform supported by 3 Gouache on board, 18 5/8 x 24 1/4 in. Bequest of Marion Koogler anthropomorphic effigy figures. Earthenware, 4 3/4 x 7 7/8 in. Gift McNay, 1950.149. of Elizabeth Sudron, 1972.38.24. Maurice Utrillo le Montmartre du Reve et de la Poesie. Organized San Ildefonso Pueblo, Vase, 1940. Blackware, 8 1/2 in. high. Gift by the Association Maurice Utrillo. Mitaka City Gallery of Art, of Mr. and Mrs. Harry E. Murray, 1967.16.3. April 28–July 8, 2007; Chiba Prefectural Museum of Art, July 14–August 26, 2007; Hokkaido Asahikawa Museum of Art, Zia, Vessel with thunderbird motif. Ceramic, 9 1/2 x 6 7/8 in. Gift of September 1–October 14, 2007; Fukuoka Prefectural Museum Mr. and Mrs. Harry E. Murray, 1967.16.7. of Art, October 26–December 2, 2007. Creation and Cosmos: American Indian Spirituality. Institute of Vincent van Gogh, Women Walking in the Fields, 1890. Oil on Texan Cultures, University of Texas, San Antonio. Ongoing. paper, 11 15/16 x 23 1/2 in. Bequest of Marion Koogler McNay, Mexico, ca. 1500, Standing Male Figure. Tezontle, 35 3/4 in. high. 1950.49. Mary and Sylvan Lang Collection, 1975.85. Van Gogh: Sheaves of Wheat. Dallas Museum of Art, San Antonio Museum of Art, Ongoing. October 22, 2006–January 7, 2007. Van Gogh: Last Landscapes, Auvers-sur-Oise, May 20–July 29, 1890. Museo Thyssen 2007 TRAVELING EXHIBITIONS Bornemisza, Madrid, June 12–September 16, 2007. Mexico and Modern Printmaking: A Revolution in the Graphic Max Weber, Conversation, 1919. Oil on canvas, 42 x 32 in. Arts 1920-1950. Co-organized with the Philadelphia Museum Museum purchase, 1961.1. of Art, October 21, 2006–January 14, 2007; Frist Center for the Visual Arts, Nashville, Tennessee, January 25–April 15, 2007; Picasso and American Art. Whitney Museum of American Phoenix Art Museum, June 29–September 16, 2007; McNay Art Art, New York, September 28, 2006–January 28, 2007; San Museum, October 3, 2007–January 6, 2008. Francisco Museum of Modern Art, February 23–May 28, 2007; Walker Art Center, Minneapolis, Minnesota, June 16– September 9, 2007.

Roger Winter, Encinal, 1999. Oil on linen, 60 x 72 in. Gift of the artist, 2005.42.

Contemporary Legends. Dallas Contemporary, September 7– October 27, 2007.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2008 Loans from the Collection

Radcliffe Bailey, Between Two Worlds, 2003. Aquatint, etching, Alexandra Exter, 2 pochoir from Alexandra Exter: Décors de drypoint, photograph, chine collé and velvet, 30 x 44 in. Gift of Théâtre, 1930. Image 9 1/2 x 11 7/8 in. each. Gift of The Tobin the Friends of the McNay, 2006.59. Endowment, TL2001.70.2, 5.

Radcliffe Bailey, Indigenous, 2003. Aquatint, drypoint, Alexandra Exter, Scene design for an unidentified production. photograph, smoked paper, acrylic, chine collé and velvet, 30 x Gouache, graphite and ink on paper, 19 x 20 1/2 in. Gift of The 44 in. Gift of the Friends of the McNay, 2006.57. Tobin Endowment, TL2001.67.

Radcliffe Bailey, In the Garden, 2003. Aquatint, etching, Natalia Gontcharova, Design with dancers and musicians in drypoint, photocopy, chine collé, velvet, and gampi, 31 x 42 in. Les Noces (The Wedding), 1923. Graphite on paper, 12 x 16 1/2 in. Gift of the Friends of the McNay, 2006.60. Gift of Robert L. B. Tobin, TL1998.217.

Radcliffe Bailey, Legba, 2003. Aquatint, drypoint, photocopy, Natalia Gontcharova, 2 scene designs for Les Noces (The smoked paper, acrylic, chine collé, and velvet, 30 x 44 in. Gift of Wedding), ca. 1923. Graphite on paper, 8 1/4 x 10 5/8 in. Gift of the Friends of the McNay, 2006.61. Robert L. B. Tobin, TL1998.219.1-2.

Radcliffe Bailey, Tobacco Blues, 2000. Aquatint, etching, Natalia Gontcharova and others. Program for Bal Olympique: drypoint, photogravure, and chine collé, 50 x 40 in. Gift of the Vrai Bal Sportif (True Athletic Costume Ball), 1924. Gift of Robert Friends of the McNay, 2006.56. L. B. Tobin, TL1999.18.2.

Radcliffe Bailey, Unia, 2003. Aquatint, etching, photograph, Mikhail Larionov, Diaghilev and Stravinsky, ca. 1917. Ink on chine collé and velvet, 22 x 30 in. Gift of the Friends of the paper, 9 5/8 x 7 7/8 in. Gift of Robert L. B. Tobin, TL1998.279. McNay, 2006.58. Mikhail Larionov, Reading in Bed (Diaghilev and Massine). Ink on Radcliffe Bailey, Until I Die/Crossing, 1997. Aquatint, paper, 14 1/4 x 17 in. Gift of Robert L. B. Tobin, TL1998.278. photogravure, and chine collé, 44 1/4 x 30 3/4 in. Gift of the Mikhail Larionov and others, Flyer and program for Grande Friends of the McNay, 2006.55. Bal des Artistes, Travesti Transmental, 1923. Gift of Robert L. B. Radcliffe Bailey, Until I Die/In Dat Returnal Day, 1997. Aquatint, Tobin, TL1999.17.2, 6. etching, photocopy and chine collé, 30 x 22 1/2 in. Gift of the Making it New: The Art and Style of Sara and Gerald Murphy. Friends of the McNay, 2006.54. Dallas Museum of Art, June 8–September 14, 2008. Radcliffe Bailey: Between Two Worlds. Polk Museum of Art, Gabrielle Dumontet, Medusa Bronze with electric lights, 17 x Lakeland, Florida, November 15, 2008–February 26, 2009. 14 1/2 x 7 1/2 in. Museum purchase with the Ralph A. Anderson Jr. Christian Berard, Scene design for Seventh Symphony, ca. 1936. Memorial Fund, 2006.44. Watercolor and gouache on board, 18 7/8 x 20 3/16 in. Gift of The Masques, de Carpeaux a Picasso. Musée d’Orsay, Paris, October Tobin Endowment, TL2002.38. 20, 2008–February 10, 2009. Robert Edmond Jones, Scene design for scene 6 in Skyscrapers, Alexandra Exter, Spanish Dancer Marionette, 1926. Painted 1926. Watercolor, ink, and collage on board, 19 5/16 x 26 3/8 in. wood, fabric, and found objects, 19 in. high. Gift of Robert L. B. Bequest of Holmes Easley, TL2004.1. Tobin, 1991.5. Paris/New York: Design Fashion Culture 1925–1940. Museum of Alexandra Exter, Scene design for a Pantomime Espagnole the City of New York, October 3, 2008–February 22, 2009. from Alexandra Exter: Décors de Théâtre, 1930. Pochoir, 9 1/2 x Jean Cocteau, Nijinsky and Diaghilev, 1913. Graphite on paper, 11 7/8 in. Gift of The Tobin Endowment, TL2001.70.11. 9 x 6 1/2 in. Gift of The Tobin Endowment, TL2001.43. Natalia Gontcharova, Costume design for Nijinska’s yellow Sonia Delaunay, 3 costume designs for Le Coeur à Gaz (The Gas costume in Bolero, ca. 1932. Watercolor and graphite on paper, Heart), 1977. Lithographs, 17 3/4 x 8 1/4 in. each. Gift of The Tobin 14 3/4 x 11 in. Gift of Robert L. B. Tobin, TL1998.161. Endowment, TL2001.49.1,2,4.

McNAY ART MUSEUM | 15 YEARS IN REVIEW: 1998–2012 LOANS FROM THE COLLECTION mcnayart.org 2008 Loans from the Collection

Natalia Gontcharova, Scene design for Bolero, ca. 1932. Georgia O’Keeffe, Pink and Yellow Hollyhocks, 1952. Oil on Watercolor, gouache, and ink on paper, 11 x 14 3/4 in. Gift of canvas, 40 x 24 in. Bequest of Helen Miller Jones, 1989.37. Robert L. B. Tobin, TL1998.163. Georgia O’Keeffe and Ansel Adams: Natural Affinities. Georgia Natalia Gontcharova, Costume design for a Spanish dancer O’Keeffe Museum, Santa Fe, May 23–September 7, 2008; with a fan, ca. 1916. Watercolor and graphite on paper, 25 3/4 x Smithsonian American Art Museum, Washington, D.C., 19 7/8 in. Gift of Robert L. B. Tobin, TL1998.229. September 26, 2008–January 4, 2009; Norton Museum of Art, West Palm Beach, Florida, January 24–May 3, 2009; San Natalia Gontcharova, Portrait of Three Spanish Ladies, 1925. Oil Francisco Museum of Modern Art, May 22–September 27, on canvas, 55 x 37 1/2 in. Gift of Robert L. B. Tobin, TL1998.228. 2009. Natalia Gontcharova, Spanish Dancer, ca. 1916. Oil, gouache, Pablo Picasso, Portrait of Sylvette, 1954. Oil on canvas, 39 x 32. and graphite on paper, 68 1/4 x 31 1/8 in. Gift of Robert L. B. Tobin, Gift of the Estate of Tom Slick, 1973.36. TL1998.225. Picasso’s Painting in the Fifties. Moderne Galerie, Saarlands Natalia Gontcharova, Fan, ca. 1914-16. Gouache on linen with Museum, Saarbrucken, Germany, November 10, 2007– bamboo and mother-of-pearl, 9 1/2 x 7 x 1 in. Gift of Robert L. B. February 24, 2008. Tobin in honor of Linda M. Hardberger, TL1992.3. Thomas Pressly, Cristo de los Calles, 1980. Acrylic on paper, Natalia Gontcharova, 2 lithographs from L’Art Decoratif, 29 5/8 x 21 3/4 in. Gift of Mr. and Mrs. Richard A. Calvert, 1982.18. 1916, 19 3/4 x 12 3/4 in. each. Gift of Robert L. B. Tobin, TL1984.1.456.3, 13. Thomas Pressly, Piet’s Pier, 1969. Acrylic on panel, 48 1/8 x 35 3/4 in. Gift of Mr. and Mrs. Richard A. Calvert, 1973.21. Spanish Night: Flamenco, Avant-Garde and Popular Culture, 1865-1939. Museo Nacional Centro de Arte Reina Sofia, Thomas Pressly Retrospective. Radius Center, San Antonio, Madrid, December 20, 2007–March 24, 2008. November 14 2008–February 9, 2009.

Marsden Hartley, Landscape with Arroyo, ca. 1932. Oil on Chaim Soutine, The Cellist (Portait of M. Serevitsch), ca. 1916. Oil canvas, 23 x 41 1/4 in. Museum purchase with funds from the on canvas, 31 7/8 x 17 3/4 in. Bequest of Marion Koogler McNay, Tobin Foundation, 1994.5. 1950.142.

Marsden Hartley and the West: The Search for American Chaim Soutine, le Fou de Smilovitvchi. Pinacothèque, Paris, Modernism. Georgia O’Keeffe Museum, Santa Fe, January October 8, 2007–March 2, 2008. 25–May 11, 2008; Amon Carter Museum, Fort Worth, June 14– Henri de Toulouse-Lautrec, Miss Loie Fuller, 1893. Lithograph, August 24, 2008. 14 3/8 x 11 3/4 in. Gift of Robert L.B. Tobin, 1974.51. Adrianne Lobel, Maquette for Nixon in China, ca. 1987. Painted The Dancer: Degas, Forain, and Toulouse-Lautrec. Portland wood and paper, with found objects, wire, photographs, and Museum, Portland, Oregon, February 2–May 11, 2008. board, 12 1/4 x 18 5/8 x 16 in. Gift of The Tobin Theatre Arts Fund, TL2007.14. Charles Umlauf, Crucifixion, 1946. Aluminum, 58 1/2 in. high. Bequest of Marion Koogler McNay, 1950.215. Metropolitan Opera Model Shop, New York, January 2008– January 2009. The Umlauf Sculpture Garden and Museum, Austin, Ongoing.

Mexico, Proto-classic, near Santiago Compostela, ca. 100 BC-300 AD. Female Figure. Painted and burnished clay, 9 1/2 x 5 1/2 in. Mary and Sylvan Lang Collection, 1975.82.