K–12 Student Artists in the Museum Carol Anderson, Mcnay Docent Mary Hogan, Mcnay Docent and Chair-Elect Linda Smith, Mcnay Do

Total Page:16

File Type:pdf, Size:1020Kb

K–12 Student Artists in the Museum Carol Anderson, Mcnay Docent Mary Hogan, Mcnay Docent and Chair-Elect Linda Smith, Mcnay Do K–12 Student Artists in the Museum Carol Anderson, McNay Docent Mary Hogan, McNay Docent and Chair-elect Linda Smith, McNay Docent and Chair Kate Carey, Head of Education McNay Art Museum • Built in 1929 by artist and collector Marion Koogler McNay • First Modern Art Museum in Texas, 1954 • Bequests include Mary Cassatt, Marc Chagall, Pablo Picasso, Diego Rivera, & Vincent Van Gogh • Mission: Engage a diverse community in the discovery and enjoyment of the visual arts Spotlight at the McNay • Year-long deep dive with one artwork established 2011 • Creative responses to artwork on view • Celebration in May to honor students & teachers • Exhibition of K–12 student artwork in dedicated gallery (for an entire year) Why Spotlight a Single Object? • A 2018 study by NAEA and AAMD showed the lasting impact of a one-time museum visit. • Students improve problem solving, develop better questioning skills, and extend periods of intense concentration. • "I love that my students, the majority of whom come from low-income families in communities of color, can come to the McNay and see themselves represented there." —San Antonio Teacher Spotlight Exhibition A student painted a portrait of her brother. At Spotlight, she told him, "Look, now you are a work of art!" —2019 Spotlight Participant Spotlight Impact 2016 2017 2018 2019 Rack Gives Back Support Students 578 668 1,014 1,549 Schools 13 14 16 31 Student Projects Exhibited 90 277 439 445 Title I Schools 6 7 6 14 Families reached at After School Outreach Activities 0 1,750 3,785 4,000+ Magnificent Seven Spotlight Schools Roosevelt High School, Camelot Elementary, Montgomery Elementary, and Windcrest Elementary Opening Question • What does outreach look like in your museum? • Who is the target audience? • Support & considerations. Sue Fuller, String Composition #T-220, 1965. Nylon and Teflon tubing. Collection of the McNay Art Museum, Gift of Emerson Crocker. Spotlight 2019-20: Sue Fuller • STEAM focus on art + engineering • First Spotlight woman sculptor • Site-specific installation Sue Fuller, String Composition #W-253, 1984. Mahogany, brass, and cord. Collection of the McNay Art Museum, Gift of Robert L. B. Tobin and the Friends of the McNay. What is the Docent Role? • Share Spotlight work of art • Assist teachers who express interest • Recognize and encourage student artists • Create connections between your museum artwork and students • Ask questions and listen to student responses Roger Shimomura, Him-a-Hero, 2004. Acrylic on Canvas. Collection of the McNay Art Museum, Museum purchase with funds from the McNay Contemporary Collectors Forum. Ben Shahn, Sing Sorrow, 1946. Tempera on panel. Collection of the McNay Art Museum, Mary and Sylvan Lang Collection. Leonardo Drew, Number 33A, 1999. Found objects with wire and tape. Collection of the McNay Art Museum, Museum purchase with the Helen and Everett H. Jones Purchase Fund. Camille Pissarro, Haymakers Resting, 1891. Oil on canvas. Collection of the McNay Art Museum, Bequest of Marion Koogler McNay. Marsden Hartley, Portrait Arrangement, 1914. Oil on canvas. Collection of the McNay Art Museum. Alexander Calder, Four Winds, 1963. Painted steel and aluminum. Collection of the McNay Art Museum, Bequest of Robert H. Halff. Georgia O’Keeffe, Leaf Motif No. 2, 1924. Oil on canvas. Collection of the McNay Art Museum, Mary and Sylvan Lang Collection. Diego Rivera, Delfina Flores, 1927. Oil on canvas. Collection of the McNay Art Museum, Bequest of Marion Koogler McNay. Pair and Share • Choose a work of art in your collection. • Why would you Spotlight this work of art? • What might students create in response? • Where might you display student responses? • How would you celebrate? [email protected] https://www.mcnayart.org/learn/spotlightrg -2019-20-sue-fuller.
Recommended publications
  • Press Release Third Annual National Speakers
    PRESS RELEASE CONTACT: Veronica S. Laurel CHRISTUS Santa Rosa Foundation 210.704.3645 office; 210.722-5325 mobile THIRD ANNUAL NATIONAL SPEAKERS LUNCHEON HONORED TOM FROST AND FEATURED CAPTAIN“SULLY” SULLENBERGER Proceeds from the Luncheon benefit the Friends of CHRISTUS Santa Rosa Foundation SAN ANTONIO – (April, 3, 2013) Today, the Friends of CHRISTUS Santa Rosa Foundation held its Third Annual National Speakers Luncheon to honor Tom C. Frost, Jr. with the Beacon Award for his passionate service to the community, and featured Captain Chesley B. “Sully” Sullenberger, III as the keynote speaker. Proceeds from the event will benefit programs supported by the Foundation. The Friends of CHRISTUS Santa Rosa Foundation supports the health and wellness of adults throughout south and central Texas by raising money for innovative programs and equipment for four general hospitals and regional health and wellness outreach programs in the San Antonio Medical Center, Westover Hills, Alamo Heights and New Braunfels. The National Speakers Luncheon celebrates the contributions of Frost by honoring him with the Friends of CHRISTUS Santa Rosa Beacon Award. Frost is chairman emeritus of Frost Bank and is the fourth generation of his family to oversee the bank founded by his great grandfather, Colonel T.C. Frost in 1868. He has a long history of community service, having served on the Board of Trustees for the San Antonio Medical Foundation, the Texas Research and Technology Foundation and Southwest Research Institute. He has served on executive committees, boards and initiatives for the San Antonio Livestock Exposition, the McNay Art Museum, the Free Trade Alliance and the YMCA, to name just a few.
    [Show full text]
  • 1998 Education
    1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits
    [Show full text]
  • Edgar Degas French, 1834–1917 Woman Arranging Her Hair Ca
    Edgar Degas French, 1834–1917 Woman Arranging her Hair ca. 1892, cast 1924 Bronze McNay Art Museum, Mary and Sylvan Lang Collection, 1975.61 In this bronze sculpture, Edgar Degas presents a nude woman, her body leaned forward and face obscured as she styles her hair. The composition of the figure is similar to those found in his paintings of women bathing. The artist displays a greater interest in the curves of the body and actions of the model than in capturing her personality or identity. More so than his posed representations of dancers, the nude served throughout Degas’ life as a subject for exploring new ideas and styles. French Moderns McNay labels_separate format.indd 1 2/27/2017 11:18:51 AM Fernand Léger French, 1881–1955 The Orange Vase 1946 Oil on canvas McNay Art Museum, Gift of Mary and Sylvan Lang, 1972.43 Using bold colors and strong black outlines, Fernand Léger includes in this still life an orange vase and an abstracted bowl of fruit. A leaf floats between the two, but all other elements, including the background, are abstracted beyond recognition. Léger created the painting later in his life when his interests shifted toward more figurative and simplified forms. He abandoned Cubism as well as Tubism, his iconic style that explored cylindrical forms and mechanization, though strong shapes and a similar color palette remained. French Moderns McNay labels_separate format.indd 2 2/27/2017 11:18:51 AM Pablo Picasso Spanish, 1881–1973 Reclining Woman 1932 Oil on canvas McNay Art Museum, Jeanne and Irving Mathews Collection, 2011.181 The languid and curvaceous form of a nude woman painted in soft purples and greens dominates this canvas.
    [Show full text]
  • Report on the National Gallery of Art 1957
    REPORT ON THE NATIONAL GALLERY OF ART 1957 SMITHSONIAN INSTITUTION WASHINGTON B.C. 1 1 REPORT ON THE NATIONAL GALLERY OF ART FOR THE YEAR ENDED JUNE 30, 1957 From the Smithsonian Report for 1957 Pages 172-184 If* |PBR\ yoRtt UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1958 Report on the National Gallery of Art SIR : I have the honor to submit, on behalf of the Board of Trustees, the 20th annual report of the National Gallery of Art for the fiscal year ended June 30, 1957. This report is made pursuant to the pro- visions of section 5 (d) of Public Resolution No. 14, 75th Congress, first session, approved March 24,1937 (50 Stat. 51). ORGANIZATION The statutory members of the Board of Trustees of the National Gallery of Art are the Chief Justice of the United States, the Sec- retary of State, the Secretary of the Treasury, and the Secretary of the Smithsonian Institution, ex officio. On May 1, 1957, Chester Dale was reelected a general trustee of the National Gallery of Art to serve in that capacity for the term expiring July 1, 1967. Mr. Dale was also reelected by the Board of Trustees on May 2, 1957, to serve as President of the Gallery, and Ferdinand Lammot Belin was reelected Vice President. The four other general trustees continu- ing in office during the fiscal year ended June 30, 1957, were Ferdi- nand Lammot Belin, Duncan Phillips, Paul Mellon, and Eush H. Kress. On September 13, 1956, the Trustees of the Gallery elected Perry B. Cott as Chief Curator and Mrs.
    [Show full text]
  • Thank You for Choosing the San Antonio Explorer Pass!
    Thank you for choosing the San Antonio Explorer Pass! This packet contains your admission pass(es) Your pass is required for admission at each attraction. Please print it out, carry it with you and retain it after each visit. NOTE: Please have passes for each member of your party ready to be scanned when you visit each attraction. How to use your admission pass Every pass has a unique code. A representative at the attraction will scan the code on each traveler’s pass, granting you admission. For special offers at shops and restaurants, show your pass to your server or cashier. Be aware of admission policies Please read attraction information for hours, closings, and special admission instructions. Attractions with the symbol require reservations. Attractions displaying require you to pick up tickets at a separate location. Pass expiration Visiting your first attraction activates your pass. Then, you have 30 calendar days to use your pass. You may only visit each attraction once. You have one year from the purchase date to begin using your pass. Need help? If you lose your pass, reprint it at any time from your order confirmation email, or by using Order Lookup at smartdestinations.com. San Antonio Explorer Pass Guidebook Included Attractions Premium Attractions 1 iFLY Indoor Skydiving – 2 Flight Package + $10 Merchandise Credit RESERVATIONS REQUIRED Choose one: Notes: Use of pass constitutes acceptance of Terms: You may choose one of the following Premium Attractions: May not be combined with other offers, discounts or packages. Participants must be at least 3 years of age and weigh less than 300 lbs.
    [Show full text]
  • The Public Theater of San Antonio Executive Artistic Director
    The Public Theater of San Antonio Executive Artistic Director San Antonio’s Theater for All Organization The Public Theater of San Antonio (The Public) is San Antonio’s largest producing theater, currently celebrating its 109th consecutive year of production. Its mission is to produce professional live theater that inspires, educates, and connects communities. The Public presents high-quality theatrical productions year-round and is an important artistic leader in the City of San Antonio’s cultural landscape. Its stated goal is to be a ‘Theater for All,’ where residents of San Antonio can all feel welcome in the space and comfortable engaging with the artists and the art. The Public’s direction moving forward is to maintain and improve upon its role as San Antonio’s flagship theater while creating a stronger collaborative and supportive culture, both internally and with the San Antonio community. The Public’s history traces back to 1912 when Sara Barton Bindley, a resident of San Antonio, established the San Antonio Dramatic Club. The early years of the twentieth century saw the emergence of the little theater movement in the United States. As the movement flourished across the nation, civic leaders of San Antonio formally incorporated as the Little Theater Production Company of San Antonio in 1927, updated legally to the San Antonio Little Theatre, Inc. in 1962. During the early years under the direction of Carl Glick, the productions were held across the city in places like the Menger Hotel and Beethoven Hall. The organization’s leadership eventually petitioned the City for a permanent location and on January 22, 1930, the San Pedro Playhouse opened as the first city-built, city- funded theater in the United States.
    [Show full text]
  • Janet's Résumé
    Janet Eager Krueger PO Box 7 Encinal, TX! 78019 Education:!University of Texas at San Antonio, MFA, Painting, 1998! !!University of Texas at Austin, BFA, Art History, 1975! !Teaching:!Associate Professor of Art, Texas A&M International University, Retired! Selected Solo Exhibitions! !Arts for Rural Arts Ross Gallery, Fayettville, TX, April 2013! !Webb County Heritage Foundation, Laredo, TX, Feb – March 2013! ! On the Trail, Hunt Gallery, San Antonio, TX, 2008! Lesser Gods of South Texas, Hunt Gallery, San Antonio, TX, 2006! Nuevo Mythology, Hunt Gallery San Antonio, TX, 2004! !US Embassy, Managua, Nicaragua, 2000-2003! !Laredo Center for the Arts, 1999! John and Nellie Connally Conference Room, Institute of Texan Cultures, San Antonio, TX, 1998! !Gallery 100, St. Philip's College, San Antonio, TX, 1998! !Offices of Laura Bush, Capitol Extension Building, Austin, TX, 1997! !Laredo Center for the Arts, 1997! !Laredo Center for the Arts, 1995! !Wunderlich Gallery, Janet Eager/David Murray, Austin TX, 1994! Wunderlich Gallery, Everett Spruce/Janet Eager/ Bonny Wunderlich, Austin, TX, !1993! Selected Group Exhibitions! !*Women of the Hunt, Hunt Gallery, San Antonio, TX, 2011! *Deep in the Heart, Texas A&M International University Fine Arts Gallery, Laredo, TX, 2011! *Heart of the West Exhibition, National Cowgirl Museum and Hall of Fame, Ft.Worth, TX, 2009 & 2010! * Twisted Spurs, KSpace Contemporary, Corpus Christi, TX, 2009! *Offices of Rep. Solomon Ortiz, Jr., Texas State Capitol, Austin, TX, 2006 – 2009! *“Selected Artists Exhibition”, Casa de la Cultura, Nuevo Laredo, Tamaulipas, MX Co-sponsored by the Laredo Center for the Arts, Laredo, TX, 2001! *“A First Annual Survey of Texas Realism”, Hunt Gallery, San Antonio, TX, 2001! *Grand Opening Group Exhibit: Hunt Gallery, San Antonio, TX, 2000! *Laredo Invitational, Weil Gallery, Texas A&M Corpus Christi, Corpus Christi, TX, 2000! *First Biennial Visual Perspective Invitational: Joseph Cain Memorial Art Gallery, Del Mar College, Corpus Christi, TX, 2000! *“Texas National 99 Exhibition”, SFA Gallery Stephen F.
    [Show full text]
  • The Alamo, 11, 16, 17, 181-205 the Aftermath, 201-2 the Complex
    INDEX The Alamo, 11, 16, 17, 181-205 Rentals, 62-64 The aftermath, 201-2 Registration, 492 The complex, 186-87 Vehicle inspection, 493 The defenders, 187-94 Ayres, Atlee B., architect, 19, 38, The film by John Wayne, 99, 91, 238, 240, 224, 225 Ayres, Robert, architect, son, 91, The library, 187 238, 240, 269 The monument, 202-5 The Price of Freedom, film, 68, Banking, 474, 494 224-25 Bars & clubs, 173-79 The 13-day siege, 194-200 Battle for Hill 881 South, memorial, Alamodome, 395-96 274, 363-65 Alamo Heights, 35-36 Bexar County, 29 Alamo Village, Brackettville, 224 Bexar County Courthouse, 206-9 Amtrak, 58-59 Bicycling, 399-400 Anna, Gen. Santa, see Santa Bits & pieces, 543-44 Anna, Gen. Antonio Lopez Blue Star Art Complex, 39, 419 de Bonham, James B., 187-88 Apartments, 539-42 Book & music stores, 384-88 Art galleries, 344-54 Brentano’s, downtown, 386 ArtPace, 345-47 Borglum, John Gutzon, Mount Blue Star Art Complex, 347 Rushmore sculptor, 91, 276, Coppini Academy of Fine Arts, 343, 366 347-48 Bowen’s Island, 269-70 Parchman Stremmel Galleries, Bowie, Col. James, 188-89, 254, 352 Bowling, 400 Art in public places, 354-70 Brackenridge, George Downtown, 354-65 Washington, 35, 218, 261, Outside of downtown, 365-70 276-77 Austin, Moses, 12, 212-13, 354-56 Brackenridge Park, 35, 261, 275- Stephen F., 12, 13, 77 Automobile, 57-58, 491-94 Buckhorn Saloon & Museum, Accidents, 493-94 324-26 Driver’s license, 492-93 Bus service, 58, Insurance, 491-92 Butt, Florence Thornton, H-E-B Private car, 64-68 stores, 20 545 546 MARMAC GUIDE TO SAN ANTONIO Cameron, Ralph, architect, 96, Daughters of the Republic of 255 Texas, 185-86, 187 Canary Islands Descendants Daycare, 499-501 Museum, 326 De Cos, Gen.
    [Show full text]
  • The Art Museum As Personal Statement: the Southwest Experience
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1989 The Art Museum as Personal Statement: The Southwest Experience Keith L. Bryant Jr University of Akron Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Bryant, Keith L. Jr, "The Art Museum as Personal Statement: The Southwest Experience" (1989). Great Plains Quarterly. 400. https://digitalcommons.unl.edu/greatplainsquarterly/400 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE ART MUSEUM AS PERSONAL STATEMENT THE SOUTHWESTERN EXPERIENCE KEITH L. BRYANT, JR. The museum boom in this country since World Indeed, the art museum rivals the shopping mall War II has been easy to observe and document. as a site for family excursions. The residents of Almost as many museums were constructed in the Southwest have participated in the museum the 1960s as in the previous two decades, and boom, generating new institutions and new the erection or expansion of cultural palaces has buildings along with national media attention, continued into the 1980s. The rising impor­ in a proclamation of the region's cultural ma­ tance of museums has been signaled not only turation. It has not always been so, however. by new buildings and massive additions but also In 1948, the artist, critic, and scholar Walter by attendance figures.
    [Show full text]
  • Mcnay ART MUSEUM 2013 | 2015 Annual Report Visitors Enjoy a Free Family John and Peg Emley with Bill Chiego at the Margaritaville at the Day at the Mcnay
    McNAY ART MUSEUM 2013 | 2015 Annual Report Visitors enjoy a free family John and Peg Emley with Bill Chiego at the Margaritaville at the day at the McNay. McNay Spring Party. Lesley Dill and René Paul Barilleaux, Chief Curator/Curator of Contemporary Art, at the Opening of Lesley Dill: Performance as Art. McNay Second Thursday band plays indie tunes on the Brown Sculpture Terrace. Visitors enjoy a free family day at the McNay. Emma and Toby Calvert at the 60th Sarah E. Harte and John Gutzler at the 60th Anniversary Celebration Anniversary Celebration Visitor enjoys field day activities during a free A local food truck serves up delicious dishes at McNay Second Suhail Arastu at the McNay Gala Hollywood Visions: Dressing the Part. family day at the McNay. Thursdays. Table of Contents Board of Trustees As of December 31, 2015 Letter from the President ................................................................................4 Tom Frost, Chairman Sarah E. Harte, President Letter from the Director ...................................................................................5 Connie McCombs McNab, Vice President Museum Highlights ...........................................................................................6 Lucille Oppenheimer Travis, Secretary Barbie O’Connor, Treasurer Notable Staff Accomplishments ...................................................................10 Toby Calvert Acquisitions ..........................................................................................................13 John W. Feik
    [Show full text]
  • 2013-2014 Annual Report
    2013-2014 Annual Report Las Casas Foundation is dedicated to the development of the performing arts through education, scholarships and the restoration and preservation of historic theatres. Founded in 1988, Las Casas is funded through Foundation memberships, the generous support of donors, corporations and grants. It has awarded $485,000 in scholarship funds to deserving students in the field of performing arts since 2009. 2013-2014 Board of Directors Jocelyn Straus Martha Avant Founding Chairperson Aliza Cantu Bill Crow Frank Z. Ruttenberg Eric Dupre’ Chairman Carmen Goldberg George Hinchey Kevin Parman Steve Johnson President John D. Likovich Charline McCombs Lifetime Friends Linda Guerra Tillery David Nicolson Sunny Blumenthal Vice President Sue Ann Pemberton Clifton J. Bolner Peggy Penshorn Mary Margaret McAllen Jay Higginson Bonnie Reed Pat Wheeler Treasurer Kathy Rhoads Barbara Richmond In Memory Of Valerie Samaníego Finch Michael Schaefer Bob W. Coleman Assistant Treasurer Lisa Swann Elaine Honigblum “Lainie” Kaufman Don Thomas Laura G. Richmond Chris Turner Secretary V.T. “Skip” Wood When Las Casas Foundation was founded in 1988, none of us envisioned where we would be today. This year marked a number of milestones for Las Casas. We celebrated the 100th year anniversary of the elegant Charline McCombs Empire Theatre fêting its namesake in a star-studded evening; we honored the hard work and commitment of our founding chairperson, Jocelyn L. “Joci” Straus, as we dedicated our beautiful theater complex “the Joci Straus Performing Arts Center;” and applauded the amazing talent of our San Antonio youth through the Las Casas Performing Arts Scholarship Competition, awarding over $100,000 in scholarship funds to deserving high school students, bringing the total amount of scholarships awarded since the program began to nearly $500,000.
    [Show full text]
  • 1998 Loans from the Collection
    1998 Loans from the Collection Kenneth Adams, New Mexico. Crayon on paper, 18 x 24 in. Oscar Berninghaus, Cemetery in New Mexico, ca.1940. Oil on Bequest of Marion Koogler McNay, 1950.1. panel, 9 x 13 in. Gift of Dr. and Mrs. William C. Winter, 1981.35. E. Martin Hennings, Thistle Blossoms, 1929. Oil on canvas, 40 x Berninghaus: Taos Founder/Taos Son. Panhandle-Plains Museum, 40 in. Collection of the Tobin Foundation. Canyon, Texas, November 15, 1998–February 28, 1999. John Ward Lockwood, Summer Landscape, Taos, N.M. Arthur Dove, The Brothers, 1942. Tempera and wax emulsion on Watercolor on paper, 13 15/16 x 20 in. Bequest of Marion Koogler canvas, 20 x 28 in. Gift of Robert L. B. Tobin through the Friends McNay, 1950.88. of the McNay, 1962.3. Enchanted: Taos Art from Texas Collections. Panhandle-Plains Arthur Dove: A Retrospective Exhibition. Last two venues only; Historical Museum, September 6—November 15, 1998. Addison Gallery of American Art, Andover, Massachusetts, April 24–July 14, 1998; Los Angeles County Museum of Art, Rafael Aragón, Our Lady of Guadalupe. Water soluble paint August 2–October 4, 1998. on panel, 22 3/4 x 17 in. Bequest of Marion Koogler McNay, 1950.290. Paul Gauguin, Portrait of the Artist with the Idol, ca.1893. Oil on canvas, 17 1/4 x 12 7/8 in. Bequest of Marion Koogler McNay, El Alma del Pueblo: Spanish Folk Art and its Transformation in 1950.46. the Americas. San Antonio Museum of Art, October 17, 1997– January 4, 1998; Art Museum at Florida International University, Paul Gauguin Tahiti, 1891-1893.
    [Show full text]