The Sleepy Hollow Experience

Total Page:16

File Type:pdf, Size:1020Kb

The Sleepy Hollow Experience Contact: Ryan Oliveti, Artistic Associate 770-463-1110 | [email protected] FOR IMMEDIATE RELEASE: Serenbe Playhouse Presents THE SLEEPY HOLLOW EXPERIENCE Now In Its 5th SOLD OUT Year A New Adaptation by Brian Clowdus With Dialogue Assistance by Rachel Teagle Direction by Ryan Oliveti September 28th – November 5th Atlanta (September 2017) – Serenbe Playhouse, recipient of the prestigious American Theatre Wing grant, and recently honored with the most Suzi Bass Awards for a musical in Atlanta (Miss Saigon), is pleased to present THE SLEEPY HOLLOW EXPEREINCE. Directed by Ryan Oliveti, the show opens on September 28th and runs to November 5th. THE SLEEPY HOLLOW EXPERIENCE will be produced at The Horseman’s Meadow in Serenbe. ABOUT THE SLEEPY HOLLOW EXPERIENCE As autumn cools the steaming earth and leaves begin to turn, we’re bringing back our favorite fall fright fest: The Sleepy Hollow Experience. Following four sold out seasons and recognition as one of the ‘Top Five Halloween Plays in the Country’ by American Theatre Magazine, patrons will enjoy a fresh adaptation by Serenbe Playhouse’s Brian Clowdus. This immersive Halloween experience is sure to have heads rolling. “It is hard to believe that we are entering our fifth year of The Sleepy Hollow Experience,” says Oliveti. “It feels like just yesterday that Brian Clowdus was on my phone asking me to Assistant Direct the very first production of this show. I never would have guessed that 5 years later I’d be standing in a field ready to remount this tale. I could not be more excited for its return and its lasting legacy as an Atlanta Halloween tradition.” BRAND NEW THIS YEAR, The Sleepy Hollow Experience is going family friendly each Sunday in October at 2pm! Join us starting at 1pm for fall activities including: a pumpkin patch, pumpkin decorating, s’more making, fall games, food & drink. Followed by a day time performance at 2pm. The perfect Sunday afternoon for families with little ones not too keen on the dark! Serenbe Playhouse | Administrative Office | 9110 Selborne Lane, #210 | Chattahoochee Hills, Georgia 30268 ABOUT THE CAST Since year one, the adorable Chris Mayers has brought Ichabod Crane to life and this year will be no different. Joining him once again this year are Erin Burnett as Katerina Van Tassel and Blake Burgess (Of Mice and Men) as Brom Bones with Jennifer Alice Acker (Playhouse Director of Education) and Brandon Partrick as the mysterious Storytellers. TICKETS Ticket prices start at $30 – senior/student, and group discounts are available. Rain Insurance is available for all tickets starting at $2.50. Visit www.serenbeplayhouse.com any time or call the Box Office, open Tuesday through Saturday, 12pm until 5pm, 770-463- 1110, for tickets. Performances are Wednesdays thru Sundays at 8pm with late night Fridays & Saturdays at 10:30pm. NEW THIS YEAR, Family Friendly Day Time performances are Sundays at 2pm. The performance run time is estimated at approximately 90 minutes with 1 intermission. INTERVIEWS Interviews with the director, design team, and company members are available upon request. Please email Ryan Oliveti at [email protected]. ABOUT SERENBE PLAYHOUSE Serenbe Playhouse is a professional theatre committed to producing site-specific performances and programs that connect art, nature and community. Serenbe Playhouse believes that theatre as an art form has the unique power to illuminate the human experience. In pursuit of that vision, we produce artistically rich site-specific performances and programming that reduce the barriers between artists and audiences by immersing patrons in an environment that amplifies the beauty of nature, and provides opportunities for engagement, conversation, and collaboration. We use theatre as an artistic educational tool for both artists and audiences. We are a pioneer in modeling Green Theatre Practices by producing plays with a commitment to social responsibility and environmental stewardship. Serenbe Playhouse was founded in 2009 under the executive and artistic direction of Brian Clowdus, an accomplished actor, educator, director and producer. Established under the umbrella of their parent organization, The Serenbe Institute for Art Culture & the Environment, a 501(c)3 non-profit organization, Serenbe Playhouse operates with the support of a diverse working board of directors and community volunteers. Recipient, American Theatre Wing’s 2015 National Theatre Company Grant. Serenbe Playhouse on the socials: Serenbe Playhouse is on Facebook, Twitter, Instagram, YouTube and Pinterest: all are accessible from www.serenbeplayhouse.com. [end] Serenbe Playhouse | Administrative Office | 9110 Selborne Lane, #210 | Chattahoochee Hills, Georgia 30268 .
Recommended publications
  • World Premiere Teen Adaptation of Sleepy Hollow Creeps to Dallas Children's Theater
    MEDIA RELEASE Contact: Sherry Ward [email protected] 214-978-0110 ext. 143 FOR IMMEDIATE RELEASE September 17, 2015 World Premiere teen adaptation of Sleepy Hollow creeps to Dallas Children’s Theater (Dallas, TX) The legendary tales of Washington Irving arrive at Dallas Children’s Theater just in time for Halloween with the world premiere of THE GHOSTS OF SLEEPY HOLLOW (GHOSTS) by Philip Schaeffer, son of longtime DCT employees Nancy and Karl Schaeffer. The show will be pre- sented by the Teen Scene Players October 16 - 30 in the Studio Theater. You may have heard of Ichabod Crane and the Headless Horseman, but Sleepy Hollow has so many more frightening secrets for families and their teens to discover. GHOSTS takes audiences deep into the haunting woods of Sleepy Hollow to see why the terrifying tales of Washington Irving have been favorites for fireside spookfests for over a hundred years. The Studio Theater will be transformed into a wild, fun romp through a hair-raising nightmare that might just scare the heads off its audience. Director and DCT Associate Artistic Director Artie Olaisen directs the teen cast in this fun and frightening new play. Olaisen shares the process of creating this production, saying, “Any new script is always exciting to work on. It has been a particular pleasure to work with playwright Philip Schaeffer as he grew up here at the DCT. We had worked together on the previous Academy pro- duction of GHOULS AND GRAVEYARDS in which I asked him to submit an original short dramatic piece to be included along with the works of Poe and W.W.
    [Show full text]
  • Legend Sleepy Hollow Story
    The Legend Of Sleepy Hollow By: Washington Irving n the eastern shore of the Hudson River, nestled in upstate New York, lies a small village known as Tarry Town. And not two miles from this village is a little valley that is one of the quietest places in the whole world. A small brook glides through it with just a murmur. The occasional whistle of a quail or the tapping of a woodpecker are the only sounds to break the silence. This tranquil place has long been known as Sleepy Hollow. Some say the place is bewitched, causing the residents of Sleepy Hollow to fall into trances and see visions or hear music or voices in the air. Nightmares are frequent among the residents, and the local lore is rich with peculiar stories, strange superstitions, and tales of hauntings. The most horrible spirit that haunts the region is a horseman without a head. He is believed to have been a soldier whose head was carried away by a cannonball. He is seen by the country fold as he hurries along in the gloom of night, searching for his head. He is known as the Headless Horseman. One fateful year, a schoolteacher named Ichabod Crane moved to Tarry Town from Connecticut. He was tall and exceedingly thin, with narrow shoulders, hands that dangled a mile out of their sleeves, and feet that looked more like shovels. His head was small, with huge ears, a spindle neck, and a long beak of a nose. To see him in the distance on a windy day, with his clothes fluttering, you’d think he was a scarecrow.
    [Show full text]
  • The Legend of Sleepy Hollow Adapted by Catherine Bush from the Short Story by Washington Irving *Especially for Grades 4-11
    Study Guide prepared by Catherine Bush Barter Playwright-in-Residence The Legend of Sleepy Hollow Adapted by Catherine Bush from the short story by Washington Irving *Especially for Grades 4-11 By the Barter Players, Barter’s Smith Theatre Fall, 2019 On tour January thru March, 2020 (NOTE: standards are included for reading the story The Legend of Sleepy Hollow, seeing a performance of the play, and completing the study guide.) Virginia SOLs English – 4.1, 4.2, 4.4, 4.5, 4.7, 4.9, 5.1, 5.2, 5.4, 5.5, 5.7, 5.9, 6.1, 6.2, 6.4, 6.5, 6.7, 6.9, 7.1, 7,2, 7.4, 7.5, 7.7, 7.9, 8.1, 8.2, 8.4, 8.5, 8.7, 8.9, 9.1, 9.3, 9.4, 9.6, 9.8, 10.1, 10.3, 10.4, 10.6, 10.8, 11.1, 11.3, 11.4, 11.6, 11.8 Theatre Arts – 6.5, 6.7, 6.18, 6.21, 7.6, 7.18, 7.20, 8.5, 8.12, 8.18, 8.22, TI.10, TI.11, TI.13, TI.17, TII.9, TII.12, TII.15, TII.17, TIII.12 Tennessee/North Carolina Common Core State Standards English Language Arts – Reading Literature: 4.3, 4.4, 4.5, 4.7, 5.4, 5.9, 6.4, 6.7, 6.10, 7.4, 7.7, 7.10, 8.4, 8.7, 8.10, 9-10.4, 9-10.10, 11-12.4, 11-12.7, 11-12.10 English Language Arts – Writing: 4.3, 4.7, 5.3, 5.9, 6.1, 6.4, 6.6, 6.7, 7.1, 7.3, 7.7, 8.1, 8.3, 8.7, 9-10.1, 9-10.3, 9-10.7, 11-12.2, 11-12.1, 11-12.3, 11-12.7 Tennessee Fine Arts Curriculum Standards Theatre –4.T.P3, 4.T.Cr2, 4.T.Cr3, 4.T.R1, 4.T.Cn1, 5.T.P3, 5.T.Cr2, 5.T.R1 Theatre 6-8 – 6.T.Cr2, 6.T.R1, 6.T.R3, 7.T.P3, 7.T.Cr2, 7.T.R3, 8.T.P3, 8.T.R1, 8.T.R3 Theatre 9-12 – HS3.T.Cr3, HS1.T.R1, HS2.T.R1, HS1.T.R1, HS1.T.R2, HS1.T.R3 North Carolina Essential Standards Theatre Arts – 4.C.1, 4.A.1, 5.A.1, 6.A.1, 6.C.2, 6.CU.2, 7.C.2, 7.A.1.
    [Show full text]
  • The Legend of Sleepy Hollow Study Guide.Pdf
    Classroom The Legend of Sleepy Hollow Connections For teachers and students grades K - 5 Script, lyrics & music © 1996 & 2006 by Paul Deiss; based on the story by Washington Irving Teacher Resources In the Classroom Theatre IV’s The Legend of Sleepy Hollow and the Classroom Connections Study Guide are produced in support of the teaching of states’ standards, as well as national standards set forth by the National Council of Teachers of English (NCTE). Activities provided support curriculum in grades K-5 www.hudsonvalley.org/education/ Background/abt_irving/abt_irving.html At the Library Chorpenning, Charlotte B. Rip Van Winkle; A Play for Young People from the Story by Washington Irving. Chicago, IL: Coach House Press, 1954. Irving, Washington. The Legend of Sleepy Hollow and Rip Van Winkle. New York: Dover Publications, Inc., 1995. (in easy-to-read type) On the Web The following web sites have activities and information related to Washington Irving and The Legend of Sleepy Hollow. Audio recording of the story: www.scifi.com/set/playhouse/sleepy/ Upper Elementary Lesson Plan tied to National Standards www.hudsonvalley.org/education/ LessonPlans/Storytelling/storytelling.html Smithsonian American Art Museum http://americanart.si.edu/art_ info/1001/2000/10/103100.htmlWe Set the Stage for Learning™ Theatre IV, Richmond, VA Background on Washington Irving John Quidor, 1801–81, Perhaps Brom had something to do with his disappearance. Perhaps he was the The Headless victim of a cruel prank. Or perhaps a headless ghost spirited him away, as Horseman Pursuing legend has it. Ichabod Crane, 1858, oil, Smithsonian American Art Museum Play Synopsis: Based on the original story by Washington Irving, The Legend of Sleepy Hol- low tells the story of Tarry Town, a place where strange things happen and the townsfolk seem entranced by spirits.
    [Show full text]
  • The Legend of Sleepy Hollow Study Guide Copy
    ALWAYS FREE LITERARY CLASSIC THE LEGEND OF SLEEPY HOLLOW BRIGHT STAR CHILDREN’S THEATRE, LLC*BRIGHT STAR TOURING THEATRE About the Production! This is our hilarious version of the infamous literary classic by the literary genius Washington Irving! The story follows the bumbling yet endearing Ichabod Crane, the beautiful and elegant Katrina Van Tassel and, of course, the bullying Brom Bones. They work to bring new life to this classic tale that is credited as being America’s first work of fiction! Your young audience will love seeing audience volunteers and one unsuspecting teacher join the actors on-stage for an impromptu Sleepy Hollow choir practice and the arrival of our not-too-scary Headless Horseman! Our approach to the tale is funny and entertaining, yet lovable WASHINGTON IRVING and approachable for your young The author of our spooky tale is a early 19th century... whew! In his audience. man named Washington Irving. He latter years, President John Tyler was born on April 3, 1783 in appointed Mr. Irving as the THEMES YOU MAY RECOGNIZE IN Manhattan, NY. His family were of Minister of Spain and he was very THIS PROGRAM: Scottish-English decent and they good at his job. He is also well- *Literary immigrated to America. He became known for another tale you may *Anti-Bullying famous for being an author, but he have heard of called ‘Rip Van *Holiday was also an essayist, historian, Winkle’ about a man who fell asleep *Character-Education biographer and diplomat of the for about 20 years! Other Famous Authors & Irving CRITICS who lived in the same time period! GEORGE WILLIAM CURTS was an EDGAR ALLAN POE, famous American HENRY WADSWORTH LONGFELLOW, American writer, public speaker and Irving author and poet, was not much of a fan of the American poet and educator, said American advocate who stated, “there is not a young Washington Irving.
    [Show full text]
  • Headless Horseman’ As a Radio-On-Stage Show--Featuring Casting Monologues, and Technical Information
    TRUNCATED SAMPLE SCRIPT This is a series of excerpted scenes from the full script, which runs to 57 pages--about 60 minutes in performance. Also included in this truncated script is a sampling of the appendix How to Produce ‘Headless Horseman’ as a Radio-On-Stage Show--featuring casting monologues, and technical information. If you purchase the rights to the play, I will send you a full script—as a PDF—from which you can make as many copies as are needed by your cast & crew. There is no per-script-fee. If you wish to secure the performance rights to this script, pre-recorded music tracks and pre-recorded sound effects or sheet music to the score, contact [email protected] The Headless Horseman of Sleepy Hollow Adapted for radio from Washington Irving’s short story Anthony E. Palermo RuyaSonic TRUNCATED SAMPLE SCRIPT 940 S. Windsor Blvd. October 17, 2010 Los Angeles, CA 90019 © 2010 Anthony Edward Palermo (323) 938-0415 [email protected] All rights reserved. www.RuyaSonic.com TRUNCATED SAMPLE SCRIPT © 2010 Anthony E. Palermo - [email protected] 78zxtq-r BILLING AND CREDIT REQUIREMENTS Producers of The Headless Horseman of Sleepy Hollow must give credit to Anthony E. Palermo in all programs distributed in connection with performances of the play, and all instances in which the title of the play appears in advertising or publicizing the production, including programs and playbills. The name of the Author must also appear on a separate line, immediately following the title of the play, and must be in type size not less than 30% of the size of type used in the title of the play.
    [Show full text]
  • “I Should Not Have Come to This Place”: Complicating Ichabod‟S Faith
    “I SHOULD NOT HAVE COME TO THIS PLACE”: COMPLICATING ICHABOD‟S FAITH IN REASON IN TIM BURTON‟S SLEEPY HOLLOW A Project Paper Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By JOEL KENDRICK FONSTAD Keywords: film, adaptation, rationality, reason, belief, myth, folktale, horror, Sir Gawain and the Green Knight, The Pit and the Pendulum, La Maschera del Demonio Copyright Joel Kendrick Fonstad, November 2010. All rights reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my project work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project paper in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT Tim Burton‟s films are largely thought to be exercises in style over content, and film adaptations in general are largely thought to be lesser than their source works.
    [Show full text]
  • “Sleepy Hollow” Ichabod Crane: Comparing and Contrasting Different Medium Lesson Overview
    “Sleepy Hollow” Ichabod Crane: Comparing and Contrasting Different Medium Lesson Overview Overview: Students will read an adapted version of Washington Irving’s “Sleepy Hollow”. Before students read the story, they will analyze a cartoon sketch of the character Ichabod Crane. Using an analysis tool, the students will analyze the sketch noting anything unique. The lesson will continue with discussion of the classroom, as well as a quick lesson on classrooms in the 18th century. By the end of the lesson, students will have a better understanding of how fiction is influenced by real events and people, as well as being able to compare similar content in different mediums. Grade Range: 6-8 Objective: After completing this activity, students should be able to: Understand the history behind a short story prior to reading the material. Differentiate between the historical fiction of the short story “Sleepy Hollow” and the historical fact. Compare and contrast different mediums containing similar content (i.e. short story and cartoon sketch). Time Required: Two class periods of 45 minutes. Discipline/Subject: Short Story/Literature Topic/Subject: Culture, Folklife and Literature Era: The New Nation, 1783-1815 Standards Illinois Learning Standards: Common Core Standard: Standards for ELA &Literacy in History/ Social Studies, Science, and Technical Subjects: 7th Grade Students: Goal #8: Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors
    [Show full text]
  • Horizons School Matinee Series
    2009-2010 Educator’s Resource Guide Horizons School Matinee Series Sleepy Hollow Monday, October 19, 2009 10:00 a.m./ 12:30 p.m. Celebrating 25 Years of Professional Performing Arts for K-12 Students Horizons School Matinee Series Thank you for joining us as we celebrate the 25th anniversary season of the Horizons School Matinee Series. We are proud to announce that over half a million students have experienced a professional performing arts event with us since the inception of this program. This season continues the tradition of providing great performances to enhance learning, fi re imaginations, and reinforce school curriculum in meaningful ways. Thank you for expanding children’s minds and sharing with them the joy of the performing arts! This resource guide has been designed to help you prepare your students with before activities that help them engage in the performance and after activities that encourage them to evaluate the performance and make relevant personal and academic connec- tions. Within the guide you will fi nd a variety of activities that can be used to enhance the core subject areas as well as the creative arts. Wisconsin Academic Standards are listed at the end of the guide to help you link the activities to your lesson plans. The materials in this guide refl ect the grade range recommended by the performing arts group. As teachers, you know best what the needs and abilities of your students are; therefore, please select and/or adapt any of the material to best meet the needs of your particular group of students.
    [Show full text]
  • Sleepy Hollow: Riparte Con Un Crossover Con Bones E Una New
    LUNEDì 18 GENNAIO 2016 Sleepy Hollow ritorna con la sua terza stagione in anteprima assoluta per l'Italia dal 18 gennaio, ogni lunedì alle 21 su FOX (canale 106 e 112 di Sky). Ispirata al racconto di un grande autore della letteratura americana, Sleepy Hollow: riparte con un Washington Irving, da cui il genio di Tim Burton ha tratto il film con crossover con Bones e una new Johnny Depp e Christina Ricci, ritorna la nuova stagione inedita di entry nel cast SLEEPY HOLLOW. Sono passati nove mesi e una nuova minaccia incombe su Sleepy In prima visione assoluta dal 18 gennaio, ogni Hollow: Pandora (Shannyn Sossamon, Wayward Pines). Questo lunedì alle 21 su FOX misterioso personaggio riesce a imprigionare il Cavaliere Senza Testa nel vaso di Pandora, il mitologico contenitore di tutti i mali del mondo, e a impossessarsi dei poteri di un demone che paralizza le sue vittime con la CRISTIAN PEDRAZZINI paura prima di ucciderle. Nel frattempo, Ichabod Crane (Tom Mison) e Abbie Mills (Nicole Beharie), diventata agente dell'FBI, si riuniscono per far luce su un misterioso omicidio che sembra proprio essere opera di questo malvagio [email protected] essere. SPETTACOLINEWS.IT Grande protagonista della terza stagione di Sleepy Hollow è sicuramente il chiacchieratissimo crossover con la serie tv Bones (la cui 10° stagione verrà trasmessa prossimamente su FOX). Un cadavere decapitato viene ritrovato in una chiesa abbandonata di Washington: Ichabod e Abbie sono convinti che il corpo senza testa sia collegato con alcuni omicidi rimasti irrisolti a Sleepy Hollow e decidono dunque di rivolgersi alla dottoressa Temperance "Bones" Brennan (Emily Deschanel) e all'agente speciale Seeley Booth (David Boreanaz) per far luce sull'accaduto.
    [Show full text]
  • FOX Program Schedule August(Easiness)
    FOX Program Schedule August(easiness) MON TUE WED THU FRI SAT SUN 3.10.17.24.31 4.11.18.25 5.12.19.26 6.13.20.27 7.14.21.28 1.8.15.22.29 2.9.16.23.30 4:00 4:00 American Horror Story: Freak Show (S) 4:30 4:30 NAVY NCIS Season11 (S) / 7th~ NAVY NCIS Season7 (S) / FOX IKKIMI SUNDAY JUL. 25th~ NAVY NCIS Season8 (S) 2nd NAVY NCIS Season12 (S) 5:00 INFORMATION (J) / 5:00 FOX IKKIMI SUNDAY AUG. 9th NCIS:LA Season5 (S) / 5:30 Modern Family Season5 (S) 16th NAVY NCIS Season11 (S) 5:30 / 23rd Castle Season6 (S) / 30th Battle Creek (S) 6:00 6:00 Sleepy Hollow Season2 (S) / 13th~ Da Vinci's Demons Season2 (S) / BONES Season9 (B) 27th~ BONES Season8 (S) 6:30 6:30 7:00 INFORMATION (J) 7:00 Da Vinci's Demons Season2 (S) NAVY NCIS Season11 (S) / New Girl Season4 (S) / / 9th~ NAVY NCIS Season12 24th Modern Family Season5 New Girl Season4 (S) / THE SIMPSONS Season26 (S) 29th Major Crimes Season3 (S) (S) How I Met Your Mother (S) / Modern Family Season5 (S) 27th Modern Family Season5 / 7:30 Season5 (S) 7:30 31st Modern Family Season6 (S) 28th 2 Broke Girls Season2 (S) (S) 8:00 INFORMATION (J) 8:00 NAVY NCIS Season11 (S) / NCIS:LA Season5 (S) / Battle Creek (B) / 10th~ NAVY NCIS Season12 HOMELAND Season1 (S) Castle Season 6 (S) 11th~ NCIS:LA Season6 (S) 27th Wayward Pines (S) (S) 8:30 8:30 New Girl Season4 (S) (~9:00) / THE SIMPSONS Season26 (S) Battle Creek (S) / 8th~ NCIS:LA Season6 (S) 9:00 INFORMATION (J) 9:00 New Girl Season4 (S) / THE SIMPSONS Season26 (S) 23rd Modern Family Season5 9:30 / (S) / 9:30 29th 2 Broke Girls Season2 (S) 30th Modern Family
    [Show full text]
  • WASP Burial Locations
    Compiled by Texas Woman's University Women Airforce Service Pilots (WASP) Burial Locations Page 1 Class WASP Roster Name Full Name Date of Birth Birth Place Hometown Date of Death Place of Death Place of Burial State of Burial Additional Resources WAFS Mitchell, Martha A. Wilkins 1/2/1921 Only, TN 01/15/2006 Paradise Valley, AZ Saint Francis Cemetery, Phoenix, AZ AZ WAFS Gunderson, Eleanor M. 6/10/1922 9/27/2013 no additional information WAFS Abell, Helen T. Abell, Helen T. 06/21/1986 WAFS Acher, F. Virginia Williams, F. Virginia Acher 7/16/1912 Valley City, ND 06/06/2003 Billerica, MA Cliff Hill Cemetery, Versailles, IN IN WAFS Adams, Ruth Adams, Ruth 6/12/1917 12/16/2005 WAFS Ahlstrom, Mary Belle Smith, Mary Belle Ahlstrom 1/23/1921 La Crosse, Wisconsin 6/15/2012 Austin, Texas Austin Memorial Park Austin, Texas TX WAFS Alexander, Eleanor Rust, Eleanor Alexander 08/28/1983 Riverside National Cemetery Riverside, CA CA WAFS Alleman, Virginia A. Disney, Virginia Alleman 12/17/1917 Big Prairie, Oklahoma 01/19/1993 Memorial Park Cemetery Tulsa, Oklahoma OK WAFS Allen, Dorothy J. Allen, Dorothy J. 11/5/1918 10/1/2006 WAFS Allen, Myrtle R. Carter, Myrtle R. Allen nd WAFS Allshouse, Sarah J. Gleeson, Sarah J. Allshouse 5/21/1923 Wilmerding, PA 07/03/2007 East McKeesport, PA Grandview Cemetery, Vorth Versailles, PA PA WAFS Alspach, Kay Alspach, Kay nd WAFS Anderson, Doris J. Daniel, Doris J. Anderson 8/13/1918 04/25/1992 WAFS Anderson, Ruth E. Boyea, Ruth A. Anderson 10/1/1908 08/07/2000 no information WAFS Archibald, Betty Fernandes, Betty Archibald 11/1/1920 Chicago, IL 6/18/2014 Memphis, Tennessee cremated WAFS Ashcraft, Yvonne C.
    [Show full text]