The Legend of Sleepy Hollow Washington Irving
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Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
The Sleepy Hollow Experience
Contact: Ryan Oliveti, Artistic Associate 770-463-1110 | [email protected] FOR IMMEDIATE RELEASE: Serenbe Playhouse Presents THE SLEEPY HOLLOW EXPERIENCE Now In Its 5th SOLD OUT Year A New Adaptation by Brian Clowdus With Dialogue Assistance by Rachel Teagle Direction by Ryan Oliveti September 28th – November 5th Atlanta (September 2017) – Serenbe Playhouse, recipient of the prestigious American Theatre Wing grant, and recently honored with the most Suzi Bass Awards for a musical in Atlanta (Miss Saigon), is pleased to present THE SLEEPY HOLLOW EXPEREINCE. Directed by Ryan Oliveti, the show opens on September 28th and runs to November 5th. THE SLEEPY HOLLOW EXPERIENCE will be produced at The Horseman’s Meadow in Serenbe. ABOUT THE SLEEPY HOLLOW EXPERIENCE As autumn cools the steaming earth and leaves begin to turn, we’re bringing back our favorite fall fright fest: The Sleepy Hollow Experience. Following four sold out seasons and recognition as one of the ‘Top Five Halloween Plays in the Country’ by American Theatre Magazine, patrons will enjoy a fresh adaptation by Serenbe Playhouse’s Brian Clowdus. This immersive Halloween experience is sure to have heads rolling. “It is hard to believe that we are entering our fifth year of The Sleepy Hollow Experience,” says Oliveti. “It feels like just yesterday that Brian Clowdus was on my phone asking me to Assistant Direct the very first production of this show. I never would have guessed that 5 years later I’d be standing in a field ready to remount this tale. I could not be more excited for its return and its lasting legacy as an Atlanta Halloween tradition.” BRAND NEW THIS YEAR, The Sleepy Hollow Experience is going family friendly each Sunday in October at 2pm! Join us starting at 1pm for fall activities including: a pumpkin patch, pumpkin decorating, s’more making, fall games, food & drink. -
The Scapegoat Study Guide
Scholars Crossing Faculty Publications and Presentations Helms School of Government 2003 René Girard: The Scapegoat Study Guide Steven Alan Samson Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/gov_fac_pubs Part of the Other Social and Behavioral Sciences Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Samson, Steven Alan, "René Girard: The Scapegoat Study Guide" (2003). Faculty Publications and Presentations. 108. https://digitalcommons.liberty.edu/gov_fac_pubs/108 This Article is brought to you for free and open access by the Helms School of Government at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. RENÉ GIRARD: THE SCAPEGOAT STUDY GUIDE, 2003 Steven Alan Samson CHAPTER ONE: GUILLAUME DE MACHAUT AND THE JEWS Study Questions 1. What are some of the catastrophic events Machaut describes? What led to the massacre of the Jews? How is the process of scapegoating described in a fable by Jean La Fontaine? [The tendency to euphemize an evil is similarly depicted in the Harry Potter stories, as, for example, with "He who must not be named"]. (1-3) 2. [SKIP] How does Machaut's account of the arrival of the plague illustrate the phenomenon of scapegoating? What makes Machaut's use of epydimie [epidemic] a "linguistic scapegoat" and how is its essential structure the same as a human sacrifice? Does he ever connect these events into a single entity? ["The Thirty Years War" and "The Hundred Years War" were, of course, not perceived as such at the time]. -
The Place of the Bridge
The Place of the Bridge Jennifer Kabat Bristol Images Kate Newby The Promise Arnolfini, 2014 Perhaps it’s better though to respect the dead and the gaps, The Place of to ask a question about being a woman where love represents a path to a better life and marriage has value, and to ask this in a city founded by a merchant class, where money has the Bridge always been at the forefront. For her and countless other women at the time marriage is about something more than love. A woman has an exchange value2 and marriage a moral worth. Part I. This is also an age when skirts hobble women, so to be saved by skirts and afterward face people’s scorn as they discuss your affairs in the newspaper…. To be a woman in The Fall 1885 and want better prospects, prospects that only come Look up. A woman tumbles from the sky. The mud on the through marriage, and yet to be saved by your clothes, clothes River Avon glistens silver in the light at low tide. Her skirts designed to make it impossible to run, to jump, to escape…. 1 The Bridge is Isambard Kingdom billow around her like a parachute as she spins over and To be poor or working class (about the same thing then) and Brunel’s Clifton Suspension Bridge, the first major project the engineer over. Time, life, love is suspended as her fall slows, and she want better…. To be the one woman who survives seems a proposed and a wonder of the wonders what she is doing here, as she panics, as she hits profound irony. -
Campaign Guide the CIRCLE UNDONE
Campaign Guide THE CIRCLE UNDONE Death Is Only the Beginning Haunted “The hidden cults to which these witches belonged often guarded Haunted is a new ability that appears on some locations. Each time and handed down surprising secrets from elder, forgotten aeons; an investigator fails a skill test while investigating a location, after and it was by no means impossible that Keziah had actually applying all results for that skill test, that investigator must resolve all mastered the art of passing through dimensional gates.” “Haunted –” abilities on that location. – H. P. Lovecraft, The Dreams in the Witch House A location is “haunted” for the purposes of other card effects if it has at least one “Haunted –” ability (printed or otherwise). The Circle Undone is a campaign for Arkham Horror: The Card Game for 1–4 players. The Circle Undone deluxe expansion contains a prologue scenario, “Disappearance at the Twilight Estate,” and two Alert full scenarios: “The Witching Hour” and “At Death’s Doorstep.” Each time an investigator fails a skill test while attempting to evade These scenarios can be played on their own or combined with an enemy with the “alert” keyword, after applying all results for the six Mythos Packs in The Circle Undone cycle to form a larger that skill test, that enemy performs an attack against the evading nine‑part campaign. investigator. An enemy does not exhaust after performing an alert attack. This attack occurs whether the enemy is engaged with the Additional Rules and Clarifications evading investigator or not. Tarot Slot Prologue Investigators 1 3 Jerome Davids 21 4 4 Valentino Rivas Josef’s Secretary Wealthy Philanthropist The four investigator cards 2 Penny1 White3 2 Assistant. -
Legend Sleepy Hollow Story
The Legend Of Sleepy Hollow By: Washington Irving n the eastern shore of the Hudson River, nestled in upstate New York, lies a small village known as Tarry Town. And not two miles from this village is a little valley that is one of the quietest places in the whole world. A small brook glides through it with just a murmur. The occasional whistle of a quail or the tapping of a woodpecker are the only sounds to break the silence. This tranquil place has long been known as Sleepy Hollow. Some say the place is bewitched, causing the residents of Sleepy Hollow to fall into trances and see visions or hear music or voices in the air. Nightmares are frequent among the residents, and the local lore is rich with peculiar stories, strange superstitions, and tales of hauntings. The most horrible spirit that haunts the region is a horseman without a head. He is believed to have been a soldier whose head was carried away by a cannonball. He is seen by the country fold as he hurries along in the gloom of night, searching for his head. He is known as the Headless Horseman. One fateful year, a schoolteacher named Ichabod Crane moved to Tarry Town from Connecticut. He was tall and exceedingly thin, with narrow shoulders, hands that dangled a mile out of their sleeves, and feet that looked more like shovels. His head was small, with huge ears, a spindle neck, and a long beak of a nose. To see him in the distance on a windy day, with his clothes fluttering, you’d think he was a scarecrow. -
The Legend of Sleepy Hollow Study Guide.Pdf
Classroom The Legend of Sleepy Hollow Connections For teachers and students grades K - 5 Script, lyrics & music © 1996 & 2006 by Paul Deiss; based on the story by Washington Irving Teacher Resources In the Classroom Theatre IV’s The Legend of Sleepy Hollow and the Classroom Connections Study Guide are produced in support of the teaching of states’ standards, as well as national standards set forth by the National Council of Teachers of English (NCTE). Activities provided support curriculum in grades K-5 www.hudsonvalley.org/education/ Background/abt_irving/abt_irving.html At the Library Chorpenning, Charlotte B. Rip Van Winkle; A Play for Young People from the Story by Washington Irving. Chicago, IL: Coach House Press, 1954. Irving, Washington. The Legend of Sleepy Hollow and Rip Van Winkle. New York: Dover Publications, Inc., 1995. (in easy-to-read type) On the Web The following web sites have activities and information related to Washington Irving and The Legend of Sleepy Hollow. Audio recording of the story: www.scifi.com/set/playhouse/sleepy/ Upper Elementary Lesson Plan tied to National Standards www.hudsonvalley.org/education/ LessonPlans/Storytelling/storytelling.html Smithsonian American Art Museum http://americanart.si.edu/art_ info/1001/2000/10/103100.htmlWe Set the Stage for Learning™ Theatre IV, Richmond, VA Background on Washington Irving John Quidor, 1801–81, Perhaps Brom had something to do with his disappearance. Perhaps he was the The Headless victim of a cruel prank. Or perhaps a headless ghost spirited him away, as Horseman Pursuing legend has it. Ichabod Crane, 1858, oil, Smithsonian American Art Museum Play Synopsis: Based on the original story by Washington Irving, The Legend of Sleepy Hol- low tells the story of Tarry Town, a place where strange things happen and the townsfolk seem entranced by spirits. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
The Witching Hour by Francie Mcgowan
The Witching Hour By Francie McGowan Next week’s Halloween night, under a waxing crescent moon, is when, according to legend, the veil between the living and the dead is at its thinnest, and houls, goblins, witches and ghosts are on the prowl. In western tradition, the “witching hour” is between 3 and 4 am. This is when the evil demons of the night are at their most powerful. One of the most infamous of these evil spirits is the witch. The witch, as portrayed in lore and in literature, has been maligned by superstition and by writers - the most famous, of course, is Shakespeare. In “Macbeth,” Shakespeare’s witches (he calls them the weird sisters) make a potion for their evil deeds: Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blind-worm's sting, Lizard's leg and owlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. They go on to add all sorts of ghastly ingredients, including, “root of hemlock, digg’d i’ the dark,” and “Gall of goat, and slips of yew silver’d in the moon’s eclipse.” Shakespeare’s witches have beards and cackle, and pretty much resemble what has come down to us as the quintessential Halloween witch. Women in medieval times who were herbalists and healers, often were thought to be witches and up to no good. Their knowledge of chemistry and botany was threatening to the superstitious populace of the 12th and 13th centuries. -
Headless Horseman’ As a Radio-On-Stage Show--Featuring Casting Monologues, and Technical Information
TRUNCATED SAMPLE SCRIPT This is a series of excerpted scenes from the full script, which runs to 57 pages--about 60 minutes in performance. Also included in this truncated script is a sampling of the appendix How to Produce ‘Headless Horseman’ as a Radio-On-Stage Show--featuring casting monologues, and technical information. If you purchase the rights to the play, I will send you a full script—as a PDF—from which you can make as many copies as are needed by your cast & crew. There is no per-script-fee. If you wish to secure the performance rights to this script, pre-recorded music tracks and pre-recorded sound effects or sheet music to the score, contact [email protected] The Headless Horseman of Sleepy Hollow Adapted for radio from Washington Irving’s short story Anthony E. Palermo RuyaSonic TRUNCATED SAMPLE SCRIPT 940 S. Windsor Blvd. October 17, 2010 Los Angeles, CA 90019 © 2010 Anthony Edward Palermo (323) 938-0415 [email protected] All rights reserved. www.RuyaSonic.com TRUNCATED SAMPLE SCRIPT © 2010 Anthony E. Palermo - [email protected] 78zxtq-r BILLING AND CREDIT REQUIREMENTS Producers of The Headless Horseman of Sleepy Hollow must give credit to Anthony E. Palermo in all programs distributed in connection with performances of the play, and all instances in which the title of the play appears in advertising or publicizing the production, including programs and playbills. The name of the Author must also appear on a separate line, immediately following the title of the play, and must be in type size not less than 30% of the size of type used in the title of the play. -
“I Should Not Have Come to This Place”: Complicating Ichabod‟S Faith
“I SHOULD NOT HAVE COME TO THIS PLACE”: COMPLICATING ICHABOD‟S FAITH IN REASON IN TIM BURTON‟S SLEEPY HOLLOW A Project Paper Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By JOEL KENDRICK FONSTAD Keywords: film, adaptation, rationality, reason, belief, myth, folktale, horror, Sir Gawain and the Green Knight, The Pit and the Pendulum, La Maschera del Demonio Copyright Joel Kendrick Fonstad, November 2010. All rights reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my project work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project paper in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT Tim Burton‟s films are largely thought to be exercises in style over content, and film adaptations in general are largely thought to be lesser than their source works. -
Time Title Speaker Room 10.30 Welcome Introduction Merlyn
Time Title Speaker Room Welcome 10.30 Merlyn Concert Hall Introduction 10.40 Opening Blessing Jenny Cartledge Concert Hall Elemental Magic Moira Hodgkinson Concert Hall Ashcroft Kitchen Witchcraft Rachel Patterson 11:00 Playhouse Full CoA Members CoA members Terrace Bar Bar Opens discount bar Mediaeval Elves Pete Jennings Concert Hall Finding the New Ashcroft Philip Heselton Forest Coven Playhouse Samuel Coleridge- Walking a Pagan Path Jenny Cartledge 12:00 Taylor Suite Arthur Davinson Moving Magic Tam Campbell Suite Reconnecting with Cat Treadwell Talawa Studio Community Barbara Meiklejohn- 12:15 Book Signing Main Foyer Free Tam Campbell, Meet the Witches Damh the Bard,Pete Panel question Concert Hall Jennings, Kate West, time Moira Hodgkinson Gerald Gardner Christina Oakley- Ashcroft Wicca Revisited Harrington Playhouse 13:00 Samuel Coleridge- Mary Rands The God Within Taylor Suite The Lighted Womb: Arthur Davinson The Indian Garba (no Raegan Shanti leather please) Suite Barbara Meiklejohn- Scottish Witchcraft Talawa Studio Free Flavia Kate Peters/ 13:15 Book Signing Main Foyer Lucya Starza Morris Dancing in The Wild Hunt 13:30 Main Foyer the Foyer Bedlam Morris Time Title Speaker Room A Question and Maxine Sanders Concert Hall Answer Session Ashcroft Pagan Grail Damh the Bard Playhouse The Crow Mythically Samuel Coleridge- 14:00 Diane Narraway and Spiritually Taylor Suite Moon Magic Teresa Dellbridge Talawa Studio The Wild Hunt Arthur Davinson Morris Dancing Bedlam Morris Suite Photo Booth Opens Free Photos Main Foyer Cat Treadwell/Pete 14:15 Book Signing Main Foyer Jennings Mystery of Witchcraft Kate West Concert Hall The Magic of the Ashcroft Rufus Harrington Mind Playhouse Kemeticism and Samuel Coleridge- 15:00 Kevin Groves Chaos Magic Taylor Suite The Power of the Arthur Davinson Zarah Voice Suite Witches’ Familiars Flavia Kate Peters Talawa Studio 15:15 Book Signing Moira Hodgkinson Main Foyer The Wicker Man Prof.