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Magical Objects in Victorian Literature: Enchantment, Narrative Imagination, and the Power of Things
Magical Objects in Victorian Literature: Enchantment, Narrative Imagination, and the Power of Things By Dan Fang Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2015 Nashville, Tennessee Approved: Jay Clayton, Ph.D. Rachel Teukolsky, Ph.D. Jonathan Lamb, Ph.D. Carolyn Dever, Ph.D. Elaine Freedgood, Ph.D. For lao-ye, who taught me how to learn ACKNOWLEDGMENTS This dissertation would not have been possible without the Martha Rivers Ingram Fellowship, which funded my last year of dissertation writing. My thanks go to Mark Wollaeger, Dana Nelson, the English Department, and the Graduates School for the Fellowship and other generous grants. My ideas were shaped by each and every professor with whom I have ever taken a class—in particular, Jonathan Lamb who was a large part of the inception of a project about things and who remained an unending font of knowledge through its completion. I want to thank Carolyn Dever for making me reflect upon my writing process and my mental state, not just the words on the page, and Elaine Freedgood for being an amazingly generous reader who never gave up on pushing me to be more rigorous. Most of all, my gratitude goes to Rachel Teukolsky and Jay Clayton for being the best dissertation directors I could ever imagine having. Rachel has molded both my arguments and my prose from the very first piece on Aladdin’s lamp, in addition to providing thoughtful advice about the experience of being in graduate school and beyond. -
The Scapegoat Study Guide
Scholars Crossing Faculty Publications and Presentations Helms School of Government 2003 René Girard: The Scapegoat Study Guide Steven Alan Samson Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/gov_fac_pubs Part of the Other Social and Behavioral Sciences Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Samson, Steven Alan, "René Girard: The Scapegoat Study Guide" (2003). Faculty Publications and Presentations. 108. https://digitalcommons.liberty.edu/gov_fac_pubs/108 This Article is brought to you for free and open access by the Helms School of Government at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. RENÉ GIRARD: THE SCAPEGOAT STUDY GUIDE, 2003 Steven Alan Samson CHAPTER ONE: GUILLAUME DE MACHAUT AND THE JEWS Study Questions 1. What are some of the catastrophic events Machaut describes? What led to the massacre of the Jews? How is the process of scapegoating described in a fable by Jean La Fontaine? [The tendency to euphemize an evil is similarly depicted in the Harry Potter stories, as, for example, with "He who must not be named"]. (1-3) 2. [SKIP] How does Machaut's account of the arrival of the plague illustrate the phenomenon of scapegoating? What makes Machaut's use of epydimie [epidemic] a "linguistic scapegoat" and how is its essential structure the same as a human sacrifice? Does he ever connect these events into a single entity? ["The Thirty Years War" and "The Hundred Years War" were, of course, not perceived as such at the time]. -
Magical Herbalism Pdf, Epub, Ebook
MAGICAL HERBALISM PDF, EPUB, EBOOK Scott Cunningham | 260 pages | 08 Nov 2001 | Llewellyn Publications,U.S. | 9780875421209 | English | Minnesota, United States Magical Herbalism PDF Book Tend and care of the foxglove, also known as fairies thimbles, to enjoy their protection. Worn or carried, it ensures safety during travel. So, use aconite to wash your ritual tools and space. Nov 19, Natural magic utilizes the world around us for magical purposes. And most importantly, they work! This protection herb can be used in a sachet. Money, luck, healing, obtaining the treasure. Taken to funerals, eases grief and calms mind. Today the name Cunningham is synonymous with natural magic and the magical community. This is a popular Hoodoo charm for gamblers. Use to dress candles for any form of magickal healing. I'm an open-minded person, but I'm logical. Why are herbs magical? Smolder for purification. Any object which holds some caraway seeds is theft-free. Often used as a substitute for the rare mandrake root in poppet magick. Empower with tourmaline. Increases the power of any incense you make. A composition book or spiral bound notebook works perfectly! Magical Herbalism Writer Amaranth Amaranthus hydrochondriacus Love-lies-bleeding, red cockscomb, velvet flower Feminine. Out-of-Body Experiences. The question to ask is, How? Folk magick is accessible to everyone. A bag of camphor hung around the neck keeps flus and colds away. Use with caution. Burn as incense or carry as a sachet for a good psychic power stimulator. Bavarian Root Doctors and Herbal Lore. Corn Zea Mays aka maize, seed of seeds, sacred mother Feminine. -
Campaign Guide the CIRCLE UNDONE
Campaign Guide THE CIRCLE UNDONE Death Is Only the Beginning Haunted “The hidden cults to which these witches belonged often guarded Haunted is a new ability that appears on some locations. Each time and handed down surprising secrets from elder, forgotten aeons; an investigator fails a skill test while investigating a location, after and it was by no means impossible that Keziah had actually applying all results for that skill test, that investigator must resolve all mastered the art of passing through dimensional gates.” “Haunted –” abilities on that location. – H. P. Lovecraft, The Dreams in the Witch House A location is “haunted” for the purposes of other card effects if it has at least one “Haunted –” ability (printed or otherwise). The Circle Undone is a campaign for Arkham Horror: The Card Game for 1–4 players. The Circle Undone deluxe expansion contains a prologue scenario, “Disappearance at the Twilight Estate,” and two Alert full scenarios: “The Witching Hour” and “At Death’s Doorstep.” Each time an investigator fails a skill test while attempting to evade These scenarios can be played on their own or combined with an enemy with the “alert” keyword, after applying all results for the six Mythos Packs in The Circle Undone cycle to form a larger that skill test, that enemy performs an attack against the evading nine‑part campaign. investigator. An enemy does not exhaust after performing an alert attack. This attack occurs whether the enemy is engaged with the Additional Rules and Clarifications evading investigator or not. Tarot Slot Prologue Investigators 1 3 Jerome Davids 21 4 4 Valentino Rivas Josef’s Secretary Wealthy Philanthropist The four investigator cards 2 Penny1 White3 2 Assistant. -
Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev. -
The Witching Hour by Francie Mcgowan
The Witching Hour By Francie McGowan Next week’s Halloween night, under a waxing crescent moon, is when, according to legend, the veil between the living and the dead is at its thinnest, and houls, goblins, witches and ghosts are on the prowl. In western tradition, the “witching hour” is between 3 and 4 am. This is when the evil demons of the night are at their most powerful. One of the most infamous of these evil spirits is the witch. The witch, as portrayed in lore and in literature, has been maligned by superstition and by writers - the most famous, of course, is Shakespeare. In “Macbeth,” Shakespeare’s witches (he calls them the weird sisters) make a potion for their evil deeds: Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blind-worm's sting, Lizard's leg and owlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. They go on to add all sorts of ghastly ingredients, including, “root of hemlock, digg’d i’ the dark,” and “Gall of goat, and slips of yew silver’d in the moon’s eclipse.” Shakespeare’s witches have beards and cackle, and pretty much resemble what has come down to us as the quintessential Halloween witch. Women in medieval times who were herbalists and healers, often were thought to be witches and up to no good. Their knowledge of chemistry and botany was threatening to the superstitious populace of the 12th and 13th centuries. -
Time Title Speaker Room 10.30 Welcome Introduction Merlyn
Time Title Speaker Room Welcome 10.30 Merlyn Concert Hall Introduction 10.40 Opening Blessing Jenny Cartledge Concert Hall Elemental Magic Moira Hodgkinson Concert Hall Ashcroft Kitchen Witchcraft Rachel Patterson 11:00 Playhouse Full CoA Members CoA members Terrace Bar Bar Opens discount bar Mediaeval Elves Pete Jennings Concert Hall Finding the New Ashcroft Philip Heselton Forest Coven Playhouse Samuel Coleridge- Walking a Pagan Path Jenny Cartledge 12:00 Taylor Suite Arthur Davinson Moving Magic Tam Campbell Suite Reconnecting with Cat Treadwell Talawa Studio Community Barbara Meiklejohn- 12:15 Book Signing Main Foyer Free Tam Campbell, Meet the Witches Damh the Bard,Pete Panel question Concert Hall Jennings, Kate West, time Moira Hodgkinson Gerald Gardner Christina Oakley- Ashcroft Wicca Revisited Harrington Playhouse 13:00 Samuel Coleridge- Mary Rands The God Within Taylor Suite The Lighted Womb: Arthur Davinson The Indian Garba (no Raegan Shanti leather please) Suite Barbara Meiklejohn- Scottish Witchcraft Talawa Studio Free Flavia Kate Peters/ 13:15 Book Signing Main Foyer Lucya Starza Morris Dancing in The Wild Hunt 13:30 Main Foyer the Foyer Bedlam Morris Time Title Speaker Room A Question and Maxine Sanders Concert Hall Answer Session Ashcroft Pagan Grail Damh the Bard Playhouse The Crow Mythically Samuel Coleridge- 14:00 Diane Narraway and Spiritually Taylor Suite Moon Magic Teresa Dellbridge Talawa Studio The Wild Hunt Arthur Davinson Morris Dancing Bedlam Morris Suite Photo Booth Opens Free Photos Main Foyer Cat Treadwell/Pete 14:15 Book Signing Main Foyer Jennings Mystery of Witchcraft Kate West Concert Hall The Magic of the Ashcroft Rufus Harrington Mind Playhouse Kemeticism and Samuel Coleridge- 15:00 Kevin Groves Chaos Magic Taylor Suite The Power of the Arthur Davinson Zarah Voice Suite Witches’ Familiars Flavia Kate Peters Talawa Studio 15:15 Book Signing Moira Hodgkinson Main Foyer The Wicker Man Prof. -
The Coven Zealots of the Veil Denizens of Chaos
THE COVEN ZEALOTS OF THE DENIZENS OF Cultist VEIL CHAOS Notoriety x1 Exorcist C’thonian Burnt Offering x5 Contrition x5 Notoriety x1 Sacrificial Blade x1 Expel x1 Incubation Chamber x5 Dying Curse x1 Dispel x1 Tendrils from Beyond x2 Sense Evil x1 Witch Red Queen Dispel x1 Witcher Dispel x1 Spirit Cooking x5 Dispelx1 Catharsis x5 Spirit speak x1 Magic Find x4 Organism x2 Counterspell x1 Spell ward x3 AGRO TRAPS AGRO Internalize x2 Arcane Lock (Trap) x1 Adjudicate x2 Nether Blast x3 Tether (Trap) x1 Baal Fire x2 Tentacle x2 Wither (Trap) x1 Burn at the Stake x2 Volans Pasta Monstrum x3 Purify x1 Blood Harvest x1 AGRO Crusader x2 Singularity x1 Cretin x3 Dark Ward x2 Disease x2 Witching Hour x1 The Black Cauldron x1 CONTROL Hellfire Curse x2 The Void x2 Vile Rite x2 CONTROL Monolith x2 Behemoth x1 Defend x2 Asphyxiate x2 Teleport x2 Imprison x1 CONTROL Disciple x2 Initiator x2 Channel x2 Turn Undead x2 Hiver x2 Consume x3 Binding Ward x1 Engineer x1 Circle of Death x1 Exorcism x2 Summon x1 For Whom the Bell Tolls x1 SUPPORT Leviathan x3 Spores x2 Demonic Curse x1 Virus x2 SUPPORT Blighter x3 Holy Ground x3 Madness x2 SUPPORT Knowledge of Good and Evil x3 Under Dweller x2 Human Sacrifice x2 Cure x2 Infestation x1 Poison Nova x2 Nexus x1 Book of Groal x1 Protection Wardx1 Abomination x3 Sanctity Wardx1 Poison Missile x2 Deliver us from Evil x1 Poison Maelstrom x1 DEMONS OF SHEOL ANGELS OF HEROES APOCALYPSE EXPANSION Imp Herald Hellfire Portal x4 Dispel x1 Summoner (The Coven) Fire Shield x4 Dispel x1 Degradation x3 Cantrip x4 Demoness Fulfillment -
Triple Witching Hour" on Stock Market Volatility
September 1988 The Effect of the "Triple Witching Hour" on Stock Market Volatility Steven P. Feinstein and William N. Goetzmann This paper investigates the "Triple Witching Hour"-the four times during the year when stock options, stock index options, and stock index futures simultaneously expire—to determine whether these periods are characterized by excessive volatility in the stock market. The term "triple witching hour" can conjure tively taking place at the open of trading on the up images of broomsticks and brew, perhaps expiration day instead of at the close. The the scene from Shakespeare's Macbeth in which impact of triple witching hours and expiration a trio of witches recite incantations around a days in general, though, extends far beyond the boiling cauldron. For stock traders, though, the matter of whether the pattern of stock trading is term represents something far more frighten- atypical on certain days of the year. Of interest ing. To them the "triple witching hour" refers to also is the fact that many of the new features that the four times each year when stock index distinguish modern financial markets from mar- futures, stock index options, and options on kets of the past are integral to the triple witching individual stocks expire simultaneously. Typi- hour phenomenon. These new features include cally on triple witching hour days, large blocks of futures and options trading, computerized trad- stock change hands as hedgers, arbitrageurs, ing, program trading of large blocks of stocks, and speculators seek to maximize returns or and index arbitrage. Examination of triple witch- minimize losses as they settle the contracts ing hour days offers the opportunity to explore entered into previously. -
The Crucible and the Federal Rules of Evidence
Volume 115 Issue 2 Article 7 December 2012 Can Law and Literature Be Practical? The Crucible and the Federal Rules of Evidence Martin H. Pritikin Whittier Law School Follow this and additional works at: https://researchrepository.wvu.edu/wvlr Part of the Evidence Commons, and the Legal Education Commons Recommended Citation Martin H. Pritikin, Can Law and Literature Be Practical? The Crucible and the Federal Rules of Evidence, 115 W. Va. L. Rev. (2012). Available at: https://researchrepository.wvu.edu/wvlr/vol115/iss2/7 This Article is brought to you for free and open access by the WVU College of Law at The Research Repository @ WVU. It has been accepted for inclusion in West Virginia Law Review by an authorized editor of The Research Repository @ WVU. For more information, please contact [email protected]. Pritikin: Can Law and Literature Be Practical? The Crucible and the Federal CAN LAW AND LITERATURE BE PRACTICAL? THE CRUCIBLE AND THE FEDERAL RULES OF EVIDENCE Martin H. Pritikin* ABSTRACT Counter-intuitively, one of the best ways to learn the practice-oriented topic of evidence may be by studying a work of fiction-specifically, Arthur Miller's The Crucible, which dramatizes the seventeenth-century Salem witch trials. The play puts the reader in the position of legal advocate, and invites strategic analysis of evidentiary issues. A close analysis of the dialogue presents an opportunity to explore both the doctrinal nuances of and policy considerations underlying the most important topics covered by the Federal Rules of Evidence, including the mode and order of interrogation, relevance, character evidence and impeachment, opinion testimony, and hearsay. -
Protection Magick - Overview ©
Protection magick - overview © Questions? Feel free to raise any points at any time. You’ll find the notes of this session and detailed guidance on spells on our website = please take a card with you at the end. I’ve also put a file on the website on Blood Magick, which is yet another way of adding extra power to a spell. Like electricity or the wind, magick is a force of nature. We can’t see the wind or the lightning descending from the sky, but we can see the effects of these forces in the lightning ascending in a flash or the wind in the trees during a storm. Magick can be seen by its effects, but we can’t ladle out two spoonfuls of magick. Please, please try to remember that magick is a form of power – anyone can do magick, but it needs to be handled responsibly. OK then, let’s chat about WHY we need protection magick. Like any potentially dangerous force, one must take precautions when using magick. Take spiders as an example – my friend, Paul, keeps tropical spiders as pets. Some of them have urticarious fur (every hair follicle is tipped with poison to deter predators), which means that he must use thick gloves when handling a spider. So, when we talk protection magick, we’re actually talking about insurance, i.e. precautions to stop negative energy invading your space, upsetting your spells, affecting those you love and stopping any psychic attacks. It is a truism that some people will use magick for power, material gain, for revenge on someone or to bind another person, eg in a love spell. -
Gyn/Ecology the Metaethics of Radical Feminism
GYN/ECOLOGY THE METAETHICS OF RADICAL FEMINISM MARY DALY Beacon Press : Boston : 1978 N.B. Transcript omits footnotes and citations. PREFACE This book voyages beyond Beyond God the Father. It is not that I basically disagree with the ideas expressed there. I am still its author, and thus the situation is not comparable to that of The Church and the Second Sex, whose (1968) author I regard as a reformist foresister, and whose work I respectfully refute in the New Feminist Postchristian Introduction to the 1975 edition. Going beyond Beyond God the Father involves two things. First, there is the fact that be-ing continues. Be-ing at home on the road means continuing to Journey. This book continues to Spin on, in other directions/dimensions. It focuses beyond christianity in Other ways. Second, there is some old semantic baggage to be discarded so that Journeyers will be unencumbered by malfunctioning (male-functioning) equipment. There are some words which appeared to be adequate in the early seventies, which feminists later discovered to be false words. Three such words in BGTF which I cannot use again are God, androgyny, and homosexuality. There is no way to remove male/masculine imagery from God. Thus, when writing/speaking “anthropomorphically” of ultimate reality, of the divine spark of be-ing, I now choose to write/speak gynomorphically. I do so because God represents the necrophilia of patriarchy, whereas Goddess affirms the life-loving be-ing of women and nature. The second semantic abomination, androgyny, is a confusing term which I sometimes used in attempting to describe integrity of be-ing.