Trans Affects: Performance, Technology, and the Racialization of Femininity
TRANS AFFECTS: PERFORMANCE, TECHNOLOGY, AND THE RACIALIZATION OF FEMININITY Ali Na A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts & Sciences. Chapel Hill 2017 Approved by: Della Pollock Elizabeth Grosz Torin Monahan Karen Shimakawa Kumarini Silva © 2017 Ali Na ALL RIGHTS RESERVED ii ABSTRACT Ali Na: Trans Affects: Performance, Technology, and the Racialization of Femininity (Under the direction of Della Pollock) Recognizing performance and technology as entangled modes of bodily expression, Trans Affects: Performance, Technology, and the Racialization of Femininity examines how Western tropes of Asian and Asian American femininity continue to shape differently sexed and gendered bodies. Drawing on Asian and Asian American artists in relation to U.S. contexts, this study enacts close readings of performances of hypersexuality, drag, and the trans body as they intersect with photography, Internet culture, multimedia installations, viral videos, biomedia, and emerging technologies. Specifically, the dissertation focuses on four contemporary artists: Laurel Nakadate, Ming Wong, Luo, and Yozmit. Employing “trans” as a theoretical lens to highlight affective capacities of art, I argue that “trans affects” in these performances resist the binary choice to either reject tropes or accept them as totalizing. The set of artists I explore do not engage in direct opposition to the stereotypes or tropes forwarded by processes of racialized femininity. Instead, they operate in more diffuse modes of affirmation, destabilization, confusion, and play, pointing to the possibilities that indeterminacy might offer politics and ethics.
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