Elvis Presley
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Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and Music by Bill Campbell) If You Want to Be Loved, Baby, You've Got to Love Me, Too
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and music by Bill Campbell) If you want to be loved, Baby, you've got to love me, too. If you want to be loved, Baby, you've got to love me, too. Oh yeah, 'cause I ain't for no one-sided love affair. If you wanna be kissed, Well, you've gotta kiss me, too. Oh yeah, if you wanna be kissed, Well, you gotta kiss me, too. 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Well, you've gotta hug me, too. Yeah, 'cause I ain't for no one-sided love affair. If you know you can't take it, Baby, why try to give it? If you know you can't take it, Then baby, why try to give it? 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Baby, you gotta hug me, too. 'Cause I ain't for no one-sided love affair. -
HOW GREAT THOU ART: the GOSPEL of ELVIS PRESLEY PASSENGER INFORMATION (1St Traveler) PASSENGER INFORMATION (2Nd Traveler)
HOW GREAT THOU ART: THE GOSPEOLc toOberF 14 ,E 20L2V1 IS PRESLEY (Please fill out and return with payment to secure your spot) HOW GREAT THOU ART: THE GOSPEL OF ELVIS PRESLEY PASSENGER INFORMATION (1st Traveler) PASSENGER INFORMATION (2nd Traveler) First Name: First Name: Last Name(s): Last Name(s): Phone: (h) (c) Phone: (h) (c) Email: Email: CREDIT CARD PAYMENTS (tour cost subject to 3% credit card transaction fee): Tour Cost *: $135 per person (Please Note: The charge will appear on your statement as Windstar Lines) *Tour cost subject to 3% credit card transaction fee. Visa Mastercard In the amount of: Full payment is required with your registration form in order to hold your spot. Credit Card Number: REGISTRATION CLOSES: AUGUST 10, 2021 Exp. Date: / Security Code: month / year DEPOSIT PAYMENT INFORMATION: Name as it appears on card: Enclosed is my check, made payable to: Star Destinations In the amount of: Mail Check to: Star Destinations P.O. Box 456, Carroll, IA 51401 Tour requires a minimum of 25 passengers to operate. PLEASE TURN OVER FOR SIGNATURE DAY 1 THURSDAY, OCTOBER 14 ROCK ISLAND, IL (Lunch) We’ll board our motorcoach this morning and relax on the drive to the Circa ‘21 Dinner INCLUSIONS Playhouse for lunch and a performance of How Great Thou Art: The Gospel of Elvis Presley Deluxe Motorcoach Transportation From starring Robert Shaw and The Lonely Street Band! From the earliest days of his boyhood until his Cedar Rapids/Iowa City untimely death, gospel music always held a special place in the heart of Elvis Presley. -
Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
“Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Graceland Announces Additional Guests for Elvis Week 2019 August 9-17
FOR IMMEDIATE RELEASE Contact: David Beckwith 323-632-3277 [email protected] Christian Ross 901-652-1602 [email protected] Graceland Announces Additional Guests for Elvis Week 2019 August 9-17 The New Guests Have Been Added to the Line-up of Events Including Musicians Who Performed and Sang with Elvis, Researchers and Historians Who Have Studied Elvis’ Music and Career and More Memphis, Tenn. – July 31, 2019 – Elvis Week™ 2019 will mark the 42nd anniversary of Elvis’ passing and Graceland® is preparing for the gathering of Elvis fans and friends from around the world for the nine- day celebration of Elvis’ life, the music, movies and legacy of Elvis. Events include appearances by celebrities and musicians, The Auction at Graceland, Ultimate Elvis Tribute Artist Contest Finals, live concerts, fan events, and more. Events will be held at the Mansion grounds, the entertainment and exhibit complex, Elvis Presley’s Memphis,™ the AAA Four-Diamond Guest House at Graceland™ resort hotel and the just-opened Graceland Exhibition Center. This year marks the 50th anniversary of Elvis’ legendary recording sessions at American Sound that produced songs such as “Suspicious Minds,” “In the Ghetto” and “Don’t Cry Daddy.” A special panel will discuss the sessions in 1969. Panelists include Memphis Boys Bobby Wood and Gene Chrisman, who were members of the legendary house band at the American Sound between 1967 until it’s closing in 1972; Mary and Ginger Holladay, who sang back-up vocals; Elvis historian Sony Music’s Ernst Jorgensen; songwriter Mark James, who wrote "Suspicious Minds"; and musicians five-time GRAMMY Award winning singer BJ Thomas and six-time GRAMMY Award winning singer Ronnie Milsap, who will also perform a full concert at the Soundstage at Graceland that evening. -
1 Introduction, Elvis Presley and the Beatles
Learning and Teaching of Local and Western Popular Music (Re-run) Introduction, Elvis Presley and the Beatles 3 May 2016 What is popular music? Having wide appeal to large audiences Commodity – a product of music industry Produced and stored in non-written form Difference between popular music and pop music? Pop music refers to a specific musical genre. What are the important features in popular music? Social and cultural contexts, lyrics, musical characteristics Four focuses: harmony, rhythm utilisation, instrumentation, structure (melody, tempo, tone colour, duration) Structure: Why we love REPETITION in music? “The Mere Exposure Effect” Duration – 2 to 3 mins Melody – step, repeated notes, leaps, Riff (fill) (repeated chord progression) , Lick (single-note melodic lines) Groove is the sense of propulsive rhythmic “feel” or sense of “swing Hook (主題句?) is a musical idea, a passage or phrase repeats several times Don’t Take the Girl – Tim McGraw 1994 – His first No.1 single on the Hot Country Songs chart Rhythm – syncopations Harmony – I, IV, V (ii, iii, vi) Treatment of Melody, Rhythm & Harmony in relation to Tempo Lyrics – question & answer, contrast, descriptive, repetition with variations Contexts – social, economic and cultural background: Blowing’ in the Wind – Bod Dylan, May 1963 Drum set / Drum kit Bass drum with the right-foot pedal, provides the basic beat Snare drum provides the strongest regular accents Hi-hat stand and cymbals provide finer rhythms, mark the change from one passage to another One or more tom-tom drums provide drum fills and solos One or more cymbals provide strong accent marker and musical effect What were the social and cultural contexts in the 1950s? 4 M immigrants to the States after WWII (after 1946) USA was one of the countries that benefited from the WWII Baby boom 1946-1964 about 78 M people 1950s America was a wealthy and powerful nation, but a troubled one; racial prejudice Respectable, middle-class White teenagers didn’t listen to race music. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The Truth About Elvis” Movie Website from Back in March 2007 – This Is Reproduced Here for Educational Purposes Only
THIS IS TEXT FROM THE RESEARCH SECTION OF “THE TRUTH ABOUT ELVIS” MOVIE WEBSITE FROM BACK IN MARCH 2007 – THIS IS REPRODUCED HERE FOR EDUCATIONAL PURPOSES ONLY. PLEASE CHECK OUT THE GROUP ON FACEBOOK FOR MORE INFORMATION OR TO HELP WITH THE SEARCH FOR THE TRUTH. https://www.facebook.com/groups/48484318100/ OR MICKEY'S WEBSITE AT http://elvisconspiracy.webs.com/ Cheers & TCB! I'm going to post sightings, leads and research here. I'll post this information as I go along, so you can see some of the information I'm using to move forward. FROM ME: WE REALLY APPRECIATE THE EMAILS WE RECEIVE FROM FANS. LET US KNOW IF YOU HAVE ANY INTERESTING NEWS. THANKS, ADAM 3/14/07 Hi Adam, I finally had the chance to read "Elvis & Me by Priscilla and thought I'd share a little info with you. As I read the book, I really find it hard to believe that Priscilla would put some of the information she has in the book if Elvis was alive. There is quite a bit of their intimacy moments in the book and knowing what I've read about the two of them, it's hard to believe Priscilla even sharing this information. All I know is that I have very mixed feelings about the whole Elvis thing. Is it a money gimmick and/or just to keep Elvis and themselves in the limelight light. I do know that people are out to make a buck off of him. Some of those addresses on People Search are phony and they shouldn't be allowed to rip people off by using his middle initial and date of birth. -
Elvis and Me, 1985, Priscilla Beaulieu Presley, Sandra Harmon, 0099507609, 9780099507604, Putnam, 1985
Elvis and Me, 1985, Priscilla Beaulieu Presley, Sandra Harmon, 0099507609, 9780099507604, Putnam, 1985 DOWNLOAD http://bit.ly/1rpTwav http://goo.gl/RH1sg http://www.barnesandnoble.com/s/?store=book&keyword=Elvis+and+Me DOWNLOAD http://t.co/2wmCumHFRk http://bit.ly/1lPXi80 Elvis , Albert Goldman, 1981, Biography & Autobiography, 598 pages. Illuminates the man and the myth, the life and the times of the "King of the Age of Rock.". Elvis From Memphis to Hollywood, Alan Fortas, Alanna Nash, 2008, Biography & Autobiography, 322 pages. When in June 1968, clad in black leather, a nervous Elvis Presley made his now legendary '68 Comeback Special, Alan Fortas was one of the five friends asked to be on stage with. The inner Elvis a psychological biography of Elvis Aaron Presley, Peter O. Whitmer, 1996, Biography & Autobiography, 480 pages. A clinical psychologist offers a detailed psychological probe into Elvis's life, examining the agony and pain of his inner psyche and providing keen insights into his personal. If I can dream Elvis' own story, Larry Geller, Elvis Presley, Joel Spector, Patricia Romanowski, Mar 1, 1989, Biography & Autobiography, 331 pages. A long-time confidante of Elvis reveals intimate details of the legendary performer's dreams and disillusionments, showing his disintegration due to drugs and the harm to which. Elvis and Gladys , Elaine Dundy, 1985, Rock musicians, 288 pages. The complete idiot's guide to Elvis , Frank Coffey, 1997, Biography & Autobiography, 348 pages. Places Presley in his times and in musical history, profiles the people in his life, and provides details about his music, his films, his tastes, his death, and other aspects. -
Suspicious Minds by Paul Mccusker 1990, Focus on the Family
Suspicious Minds By Paul McCusker 1990, Focus on the Family SCENE I. [WHIT'S END. AT THE FRONT COUNTER. A NORMAL AFTERNOON.] CONNIE: (AS SHE PASSES THE COUNTER) Whit, I'm gonna wash these trays off. WHIT: Okay, Connie. (REGISTER RINGS AS DRAWER OPENS, WHIT IS TALKING TO A CUSTOMER AS HE GETS CHANGE) And ... Twenty-five cents is your change. CUSTOMER: Thanks, Whit. EUGENE: (APPROACHING) Mr. Whittaker ... WHIT: Yes, Eugene? EUGENE: I was wondering if it would inconvenience you for me to utilize the computer in your office for a short time while I'm on my break. CONNIE: (FROM THE KITCHEN) Oh, brother. (SHOUTS) Why don't you speak English!!! Page 1 Adventures in Odyssey script for episode Suspicious Minds The script looks exactly like the one used by the actors in the studio to record this show. You can read this script or act it out with your friends. If you perform it for an audience, you must not change it or collect any money for it. Have fun! Suspicious Minds By Paul McCusker 1990, Focus on the Family WHIT: (CHUCKLES) You can use my computer if you need to, Eugene. EUGENE: Thank you. Normally, I'd use one of the computers at the college but lately they're all taken by the time I get there. WHIT: That's all right. You're welcome to it. EUGENE: I have hopes of buying a computer of my own so I won't have to impose upon you any longer. I've been saving for quite some time and am now only one hundred dollars short of the money I need. -
Elvis Presley Enterprises, Inc. Pursuing Legal Action Against Rca Germany
Contacts: In Europe: Leslie Perrin +44 203 142 8335 (direct) [email protected] In USA: David Beckwith (323) 845-9836 [email protected] ELVIS PRESLEY ENTERPRISES, INC. PURSUING LEGAL ACTION AGAINST RCA GERMANY Suit Alleges German Copyright Law Provides for Continuing Record Royalties for Elvis Presley for music sold in Germany MEMPHIS, TN – August 30, 2011 – Elvis Presley Enterprises, Inc. and the Calunius Litigation Risk Fund announced today developments in a multi-million Euro lawsuit against Arista Music, formerly RCA Records, in Germany. The suit, which was filed in the name of its sister company Elvis Presley Enterprises, LLC in December 2010, is demanding proper payment for sound recordings in Germany featuring Elvis Presley including new media, like downloads, ringtones and entertainment apps that Presley himself could not have dreamed would someday exist. The suit is only applicable to sound recordings in Germany and is limited to amounts earned since March 2002 and future revenue until 2023 following an amendment to German copyright law that extended the term of copyright protection. The suit alleges that Presley was unjustly exploited during his lifetime by an unprincipled record company and that his estate has continued to suffer from those injustices. The central issue, as it relates to this German suit, is the 1973 buyout agreement, which terminated all previous agreements between Presley and RCA. On February 28, 1973, under the agreement, which was first initiated by RCA and arranged by Presley’s manager, “Colonel” Tom Parker, rights to Presley’s entire back catalogue of more than 1,000 recordings were purchased by RCA for just $5.4 million.