DOCSLIB.ORG

Maine Campus September 21 1967 Maine Campus Staff

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Maine Campus September 21 1967 Maine Campus Staff The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Fall 9-21-1967 Maine Campus September 21 1967 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus September 21 1967" (1967). Maine Campus Archives. 421. https://digitalcommons.library.umaine.edu/mainecampus/421 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. the maine a CAMPUSA Progressive Newspapar Serving A Growing University NJmber 1 Orono, Maine, September 21, 1967 Vol. 1.XX1 Boys and girls together Renowned Danish gymnasts present scintillating show Barry Goldwater 11-he Danish Gym Team, selected classic rhythmical series by the girls. Olympia. DUring the same tour, from the most skillful young gym- Organized and directed by Erik they represented Denmark at the nasts in Denmark, will appear at Flensted-Jensen. the gym team is World's Fair in Seattle. A new team will speak in gym States and Canada the University of Maine Saturday composed of students and represen- visited the United Barry September 30 at 8:00 p.m. tatives of varied careers. The cur- in 1963-64 ending its tour with two Goldwater, former U. S. Senator from Arizona and un- evsning. successful in Memorial Gymnasium. The rent tour is the eighth Flensted- successful performances at the Republican presidential candidate in 1964, will speak team, which is made up of 12 girls Jensen has conducted. World's Fair in New York. The Sunday, October I, at 7 p.m. in the Memorial Gymnasium. Gold- and 12 boys, most of whom are 20 In 1939, the first gym team com- Danish Gym Teams have frequently water's appearance is sponsored by the Political Lyceum Commit- years old or less, will present the posed of 26 boys toured North visited Cypress Gardens in Florida tee of the General Student Senate and the Class of 1969. first performance of this season America, and as soon as World War where they made a 25 minute color Goldwater, who was U. S. Senator from Arizona from sponsored by the university's Arts II ended a second group returned and sound movie, "Marvels of Mo- 1953 to 1964, did not seek re-election to the Senate when he and Activities Committee. to the United States in 1946-47. tion."' ran against President Lyndon B. to the public Similar performances, this time with Young people in Denmark, ac- Johnson in the 1964 Presi- The program, open dential election. Mr. without coarge, includes a selection boys and girls, followed expanding cording to Flensted-Jensen, join Goldwater is the author of "Where I of Danish folk dances in native to include Canada and Mexico. The clubs which generally meet twice a Stand," "The Conscience of a Cerservative," "Why Not Vic- costume as well as a variety of first world tour was made in 1954- week during the six-month winter tory?" and "Let's Try Freedom." modern Danish gymnastics: balanc- 55. Among several places the teams season. The 24 members of the tour- The University is the first stop for the GOP leader in his ing exercises, vaulting and tumbling. have visited in the past are Tahiti, ing group were selected from various New England speaking tour which includes a visit to the Univer- fundamental gymnastics, and more Fiji, New Zealand, Australia, and gymnastic organizations and clubs sity of Connecticut Monday, October 2. complex exercises of strength and Ceylon. The tour of 1961-62 started throughout Denmark and some of The admission fee is 35 cents for students, staff, and beam them have also attended one of the form by the boys; balance with a series of exhibitions in faculty and 60 cents for all others. Tickets will he on sale routines. exeiciss with hoops, balls, Greece, including the Olympic Sta- famous Danish folk schools for starting Monday, September in c;wbs, plus modern and dium in Athens as well as ancient gymnastics and sports. 25, the ri-morial Union ropes, and Lobby. New dorms, university press relocation number among the changes on campus ingly referred to as the "White Taj croscope—the only one in the state system provided by a 350 foot well. ductory • So far away courses and two lecture Mahal" will be ready for occupancy of Maine. There will be walk-in cold Part of the building also has its halls. The second floor is construct- between November and January. rooms, anima! surgery rooms, air- own electrical generating system to ed in two parts. In one half are There are 11% more Freshman When completed, the building will conditioned rooms for live animals, provide power in case of a black- teaching labs and supply rooms. In beanies bobbing than last year. have more equipment for research and a large collection room for. out. the other half are the faculty and Right now, that, along with many and laboratory work, including an. stuffed animals. The first floor of the building is graduate student offices and research other changes, means 11% more X-ray machine and an electron mi- The building has its own water comprised of laboratories for intro- and auxiliary labs. In the very cen- chaos. Through the clouds of dust ter of the building there will be a beyond Androscoggin rise a new landscaped court yard with benches. dining complex and women's dorm, The University Press has moved Knox Hall. With the exception of from a tiny wood print shop be- a few minor conveniences such as tween Aubert and Hart Halls to a a main lounge, a laundry room, and more efficient and spacious build- a working intercom system. Som- ing located beyond the barns. The erset Hall. presently housing three old printing equipment has been re- hundred women is complete. Oxford placed t y a Miehle Off-Set press Hall. housing three hundred men which prints a 25"x38" page twice lacks such essentials as soap in the as fast. laundry room and a television in the main lounge. Until the new din- ing hall is completed second semes- Security in motion ter. occupants of the new dorms are e4ing at the East and West Com- mTn,.Reactions of these six In the past years. students, fac- drid Inge from, "I'm embarrassed ulty and staff have registered their to admit that I signed up for this cars in the Dean of Men's office. This year the plaze voluntarily." to "I'm happy Security Office, which has moved tog be here, but IT'S SO FAR from Alumni to 107 AWAY!" Lord Hall, is handling automobile registration. Due to the shortage of parking space at Delta Tau Delta. Kappa First FroAh fiance Sigma, Phi Eta Kappa and Sigma Chi, the sophomore members of As the student population grows, these fraternities will be required to campus social activities may feel park their cars in the steam plant the squeeze. The parking first freshman Full speed ahead. That's the key to keeping up with yearly enrollment increases at lot. dance at Lengyei turned away a Maine's expansion program is number of students hut until cam- Maine. A court yard enclosed class building rises out of the green fields while on the hori- making campus life difficult right pus activities get underway, effects zon, the new dorm complex looks like a modest version of the Manhattan skyline. But the now, but when everything is fin- of the increase will not be felt. don't seem to care about losing ground and students are optimistically putting up ished, they will provide a more The new Zoology building. jok- ith inconveniences. modern and serviceable university. Orono, Maine, September 21, 1967 Pogr. The Mo.ne Campus Orono, Main International Club hosts Alumni Teacher Placement Division founded on ca t IF foreign student program Recognizing the fast-growing of Alumni Teacher Placement, Miss John F. Ken utilize her sary. complexity, size, and importance Demont will be able to the list of Ame On Sunday. September 17, from organized by the International Club to Doctor James Clark, Assistant to of the 'Teacher Placement function many years of experience assist with Rthsian u 1:30 to .5:30. an orientation pro- and members of the administration educe the President, welcomed the new for both undergraduate and grad- alumni to progress in the iding to a gram was held in the Memorial and faculty. Foreign students had expected that students and introduced them to the uate students and for alumni, the tional field. It is rnmer among Union for new foreign students. previously been arriving without any 'reacher American educational system and University has established as a creation of the Alumni .:,.nts by the Thirty to forts students attendei' the formal introduction to campus life, will result ii. compared it with other systems. separate operational activity the Placement Division 1 eency The series of lectures and tours. and with the increasing number of candidates ari Clark's office of Alumni Teacher Place- increased service to .nducted a si This was the first program set up foreign students it was felt that Following Dr. welcome were • Cutts, the foreign ment with Miss Thelma Demont to the teaching profession. S. college st solely for foreign •tudents and was some type of orientation was neces- remarks by Cecil student advisor. The graduate and in charge. Miss Demont will have toth polls. ta undergraduate students then ad- an office in 12 Winslow Hall.
Load more

Recommended publications
  • Broward Center for the Performing Arts 2018-19 Calendar Listings
    July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events.
    [Show full text]
  • Advance Exhibition Schedule
    ^ Advance Exhibition Schedule 2020–2022 Exhibition Calendar Current as of December 2020. Information is subject to change. For a listing of all exhibitions and installations, please visit www.lacma.org Yoshitomo Nara Vera Lutter: Museum in the Camera Cauleen Smith: Give It Or Leave It ON-VIEW OUTDOOR EXHIBITIONS While the indoor galleries remain temporarily closed, visit LACMA outdoors. The museum’s outdoor spaces and public art, including Chris Burden’s Urban Light (2008), Michael Heizer’s Levitated Mass (2012), and Yoshitomo Nara’s Miss Forest (2020) are free to visit and accessible 10 am–10 pm daily. Alex Prager: Farewell, Work Holiday Parties November 21, 2020–January 3, 2021 Los Angeles–based artist Alex Prager is known for making photographs and short films embellished with Technicolor fantasy but grounded in the pains and pleasures of the everyday. In this installation, Prager satirizes a specific part of working life, drawing on pop culture tropes to create a simulation of office holiday parties. The artist animates figurative sculptures with costumes, makeup, props, and sound, and places them in recognizable office-party situations, creating a strange yet celebratory scene that can be experienced in the round. “Through my work I’ve been able to process things in the world that I’m questioning or struggling with,” says Prager, “which is one of the many reasons I feel this piece is important for the current social climate. Right now, during this strange and life-altering time, many of us are reprioritizing our lives and figuring out what actually matters to us.” Curators: Liz Andrews, Director’s Office and Rita Gonzalez, Contemporary Art, LACMA Credit: This exhibition was organized by the Los Angeles County Museum of Art.
    [Show full text]
  • Maurice-Quentin De La Tour
    Neil Jeffares, Maurice-Quentin de La Tour Saint-Quentin 5.IX.1704–16/17.II.1788 This Essay is central to the La Tour fascicles in the online Dictionary which IV. CRITICAL FORTUNE 38 are indexed and introduced here. The work catalogue is divided into the IV.1 The vogue for pastel 38 following sections: IV.2 Responses to La Tour at the salons 38 • Part I: Autoportraits IV.3 Contemporary reputation 39 • Part II: Named sitters A–D IV.4 Posthumous reputation 39 • Part III: Named sitters E–L IV.5 Prices since 1800 42 • General references etc. 43 Part IV: Named sitters M–Q • Part V: Named sitters R–Z AURICE-QUENTIN DE LA TOUR was the most • Part VI: Unidentified sitters important pastellist of the eighteenth century. Follow the hyperlinks for other parts of this work available online: M Matisse bracketed him with Rembrandt among • Chronological table of documents relating to La Tour portraitists.1 “Célèbre par son talent & par son esprit”2 – • Contemporary biographies of La Tour known as an eccentric and wit as well as a genius, La Tour • Tropes in La Tour biographies had a keen sense of the importance of the great artist in • Besnard & Wildenstein concordance society which would shock no one today. But in terms of • Genealogy sheer technical bravura, it is difficult to envisage anything to match the enormous pastels of the président de Rieux J.46.2722 Contents of this essay or of Mme de Pompadour J.46.2541.3 The former, exhibited in the Salon of 1741, stunned the critics with its achievement: 3 I.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W.
    [Show full text]
  • Guangzhou China Annual General Meeting
    Guangzhou China LUCI Annual General Meeting Guangzhou China 13th to 17th November 2013 Programme 1 elcome to Guangzhou, City of Flowers! WGuangzhou has been the window for China’s foreign trade, a metropolitan city that has an antique beauty with a history of over two thousand years. The beautiful urban lighting of Guangzhou first caught the eye of the public during the 16th Asian Games held here in 2010. In the following years, Guangzhou, which is also the host city of the annual lighting event, the Guangzhou International Light Festival, has greatly promoted low-carbon and energy-saving technologies, installing over 130 000 LED street lamps in the suburbs. We are proud to be given the honour to hold LUCI’s Annual General Meeting in 2013, to be able to present to you what we’ve achieved, and above all, to share ideas and experience with all LUCI members on urban lighting strategy and development. Welcome and enjoy your stay in our city! Chen Jianhua Mayor of Guangzhou fter celebrating the 10th anniversary of the LUCI network in ASouth America last year, the LUCI Annual General Meeting 2013 in Guangzhou will offer a new and unique occasion for our network to continue broadening its international horizons. LUCI members will have the opportunity to discover one of China’s leading and pioneering cities in urban lighting. A city that has greatly invested in the use of new technologies to improve its street lighting, and that has sought to connect urban development and lighting design in the most harmonious way. Learning from other cities worldwide, Guangzhou also launched a light festival in 2011.
    [Show full text]
  • Debussy's Paris: Piano Portraits of the Belle Époque
    Debussy’s Paris Piano Portraits of the Belle Époque By Catherine Kautsky ORDER TODAY! 30% DISCOUNT OFF LIST PRICE PLEASE ORDER USING THIS CODE: 7A30AUTHF 978‐1‐4422‐6982‐8 ◦ Hardback ◦ $38/$26.60 978‐1‐4422‐6983‐5 ◦ eBook ◦ $37.99/$26.60 240 pages, 6 x 9 inches, September 2017 https://rowman.com/ISBN/9781442269835 “A wonderful book, a kind of total immersion in the Debussyan magic, and in the endless fascination of fin-de-siècle Paris. The writing fizzes with the excitement of connecting the countless different strands of the composer's artistic influences and inspirations. I was entranced and delighted throughout.”—Richard Goode, Grammy Award–winning concert pianist and teacher “Debussy's Paris presents a unique and panoramic view of this remarkably rich time in the history of both music and a changing world. It will delight both musicians and non-musicians alike.”— Gilbert Kalish, pianist, distinguished professor at Stony Brook University and artist member of the Chamber Music Society of Lincoln Center Debussy’s Paris: Portraits of the Belle Époque takes readers on a tour of Paris through detailed descriptions of the city’s diversions and the music Debussy wrote reflecting them. Catherine Kautsky explores how key works reveal not only the most appealing aspects of Paris, but also the more disquieting attitudes of the time. In contrast to the childlike innocence of fairy tales, minstrel shows had racist overtones, colonization entailed domination, and the brooding nationalism of the era was rife with hostility. Debussy left no avenue unexplored, and his piano works present a sweeping overview of the passions, vices, and obsessions of the era’s Parisians.
    [Show full text]
  • An Exploration of Salvador Dalí's “Society Portraits”
    ©Rev. Robert Keffer, 2021 Moguls, Matrons, and Aristocracy: An Exploration of Salvador Dalí’s “Society Portraits” from the 1940’s Through the 1960’s By Rev. Robert Keffer, OSB What is the Society Portrait? How do art critics and historians define the society portrait? The first definition that might come to mind may be pejorative: a slick, glossy and flattering depiction of an unattractive person, who happened to be blessed with money and pedigree. Many would consider the society portrait a hack job; something the artist creates to pay the bills and/or to gain entré into a higher level of society. This criticism has been applied especially to the portraiture styles of the late 19th century, and the continuation of their style to the current time: portraiture that is academic/realist, and follows mainly the techniques of John Singer Sargent and his imitators. Current revisionist criticism, however, will show that the society portrait can and often does have lasting artistic merit. Consider, for instance, the famous Portrait of Consuelo, Duchess of Marlborough and Her Son, Lord Ivor Spencer-Churchill (1906), by Giovanni Boldini. Grace Glueck in her New York Times article, “Society Portraits of Giovanni Boldini”, considers this famous work nothing more than “a frothy meringue… an almost erotic tableau in which a beautiful small boy sprawls against the slender body of his vivacious mother, who is regally ensconced on a Louis XV settee, and clad in a long splash of shimmering satin.”1 However, Ms. Glueck, in the same article, states that Boldini could also do work of real character with “his vibrant 1897 rendering of a world-weary Whistler, for instance, lounging against a chair back, his head supported by an eloquently ‘artistic’ hand and a wonderful self-portrait of 1911 in which, his portly little body half-turned to the viewer, he seems to regard with jaded eyes a rogue's gallery of subjects visible only to him.”2 Boldini aside, history refutes the theory that the society portrait has always been and always will be empty flattery and vain show.
    [Show full text]
  • TOUR NOTES JANUARY 2019 Styles of Resistance
    TOUR NOTES JANUARY 2019 Styles of Resistance Styles of Resistance: From the Corner to the Catwalk On View: January 18-February 24, 2019 ​ Curated by: Amy Andrieux, Richard Bryan and Mariama Jalloh ​ FEATURED DESIGNERS coup d’etat BROOKLYN, Frank William Miller, Jr., FUBU, Johnny Nelson!, Karl Kani, Melody Ehsani, Maurice Malone, Moshood, Philadelphia Print Works, PNB Nation, Sean John, Spike’s Joint, Studio 189, Shirt King Phade, The Peralta Project, Walker Wear, Willi Wear LTD, Xuly Bet, and more. FEATURED ARTISTS Alex Blaise, Anthony Akinbola, Aurelia Durand, Barry Johnson, Benji Reid, Dr. Fahamu Pecou, Hassan Hajjaj, Jamel Shabazz, Janette Beckman, Kendall Carter, Lakela Brown, Marc Baptiste, Michael Miller, Righteous Jones (Run P.), Ronnie Rob, TTK, and Victoria Ford. Themes: ● 70s and 80s ○ Police Brutality in the United States and the Black Panther Party ■ How did “self-actualization”and police brutality inspire groups like the Black Panther Party to build the foundation for the birth of hip-hop and streetwear fashion? ○ Graffiti and Social Movements ■ How did black and brown communities respond to continued police brutality and poverty globally? What art was produced as a response to these grievances while also building community? ■ How did graffiti play a role in advancing the hip-hop movement? ● 90s ○ Michael Jordan and Sneakers ■ Jordans quickly became incorporated into streetwear, so they were always in high demand. Because Jordans were vastly consumed by Black people, Jordans quickly became associated with crime and violence. ● Spike Lee commercial ○ Streetwear, Urbanwear and Luxury Brands ■ Luxury Designers, and NY Fashion week had a disdain for urban fashion. Not only was the word “urban” synonymous to “ghetto”, but this label was used to exclude black designers, and people from big media platforms, fashion shows and stores.
    [Show full text]
  • Lewis Hine and Zoe Strauss: 10 Years
    LEWIS HINE AND ZOE STRAUSS: TEACHER 10 YEARS GUIDE Exhibitions on view October 4, 2013 – January 19, 2014 PRE! AND POST!VISIT MATERIALS FOR ELEMENTARY SCHOOL DEAR EDUCATOR, We are pleased to introduce and welcome you to the International Center of Photography (ICP) and our Fall 2013 exhibitions, Lewis Hine; The Future of America: Lewis Hine’s New Deal Photographs; Zoe Strauss: 10 Years; and JFK November 22, 1963: A Bystander’s View of History. To better acquaint you and your group with the content of the exhibitions, ICP provides Guided Tours and Self-Guided Tours. Led by Museum Educators, Guided Tours are tailored to the needs of each group by PU[LNYH[PUNZLSLJ[LK[OLTLZMYVT[OLL_OPIP[PVUZPU[V`V\YPKLU[PÄLKNVHSZ and/or classroom learning standards. These tours are conducted in an inquiry-based discussion format, encouraging participants to discover visual information and realize multiple interpretations and meanings. After scheduling your visit, you will speak directly with a Museum Educator who will customize a Guided Tour to your curricular needs. In an effort to provide you with the most comprehensive museum-based learning experience, we have created pre- and post-visit activities for classroom use. They are tailored to grade-appropriate themes as well as Common Core State Standards and New York State Learning Standards. As the materials draw from a selection of works on view, we encourage you to further explore all of the exhibitions as their shared themes and unique content present multiple entry points across curricula. To schedule a tour, please refer to the Tour Information and Guidelines (page 17) and visit us online at www.icp.org/museum/education, email us at [email protected], or call 212.857.0005.
    [Show full text]
  • Event Announcement of the Consulate General of Switzerland
    1 / 6 Cultural Newsletter of the Consulate General of Switzerland in Shanghai Swiss Cultural Events in October 2014 We are pleased to present the following Swiss Cultural Events in the month of October: Excellent Swiss Design at the West Bund Art & Design Fair Where: West Bund Art Centre, Shanghai 2555 Longteng Avenue Xuhui District When: 25th - 29th September (for professionals) 1st - 26th October (for the public) Ticketing: http://www.westbund.com/index/visitors/ The West Bund Art & Design is the first showcase event in China that stages contemporary art and design works. By featuring top-tier art galleries, design institutions and luxury brands, the West Bund Art & Design will present a world-class platform of art exchange in Asia for collectors, buyers, connoisseurs and give an impetus to the development of China’s art market. Pro Helvetia and Design Prize Switzerland will jointly present the booth of “Excellent Swiss Design”. The exhibits range from furniture design, interior design to jewelries by Swiss designers: Claudia Caviezel, Création Baumann, Michel Charlot, Moritz Schmid and Florie Dupont. Claudio Colucci, who is a Swiss designer based in Shanghai, will also be present at the fair. In the afternoon of 28th September, three of these Swiss designers will be invited to have speeches at the forum. Chantal Prod’Hom, director of the Musée de design et d’arts appliqués contemporains (MUDAC) in Lausanne will also hold a speech at the forum in the afternoon of 29th September. Roll up waste paper bin by Michel Charlot 2 / 6 Cultural Newsletter of the Consulate General of Switzerland in Shanghai Roger Federer and Stan Wawrinka at the Shanghai Rolex Masters Where: Qi Zhong Tennis Center 5500 Yuanjiang Road Minhang District When: 4th – 12th October, 2014 Ticketing: http://en.shanghairolexmasters.com The Shanghai Masters is one of the nine ATP World Tour Masters 1000 tournaments and thus one of the tennis highlights of the season.
    [Show full text]
  • 7.10 Nov 2019 Grand Palais
    PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY
    [Show full text]
  • Advance Exhibition Schedule
    ^ Advance Exhibition Schedule 2021–2023 Exhibition Calendar Current as of August 2021. Information is subject to change. For a listing of all exhibitions and installations, please visit www.lacma.org Legacies of Exchange: Chinese Contemporary Art from Acting Out: Cabinet Cards The Obama Portraits Tour the Yuz Foundation and the Making of Modern Photography, 1870–1900 UPCOMING EXHIBITIONS Ink Dreams: Selections from the Fondation INK Collection September 19–December 12, 2021 Beyond the concrete materials of ink and paper, there is an intangible spirit uniting works of East Asian ink painting. But how does the spirit of ink translate to other mediums, global makers, and contemporary times? Comprising photography, sculpture, video—and, of course, painting—Ink Dreams proposes a new view of ink art for the contemporary era, one that incorporates qualities from the ink painting tradition and new adaptations of traditional subject matter, unbounded by traditional materials. Ink Dreams is the first presentation of work from the Fondation INK Collection, a 400-piece collection of contemporary art in the spirit of ink that was promised to LACMA in 2018. The exhibition examines the impact of ink on the global contemporary art world, and features works by artists from Asia, Europe, and North America, including Chen Haiyan, Shirazeh Houshiary, Lin Tianmiao, Hiroshi Sugimoto, Xu Bing, Yang Jiechang, and others Curator: Susanna Ferrell, Chinese Art, LACMA Credit: This exhibition was organized by the Los Angeles County Museum of Art. This exhibition is made possible through the generosity of the Fondation INK. All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund.
    [Show full text]