Paul-Henri Bourguignon (1906–1988)
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Historic, Architectural, Archaeological and Cultural Resources
Historic, Architectural, Environmental Impact Archaeological and Cultural Statement Resources (Section 106) Identify cultural resources within the Detailed Study Area Consult, as necessary, with the State Historic Preservation Officer and Tribal Historic Preservation Officer Since1949 P:\CMH\GIS_EIS_P150\GRAPHICS\7-11-06workshop\historic text.cdr Date: 6/11/06 SOMERSET GENERAL STUDY AREA NORTH EAST AUDUBON Columbus CREEKSIDE e Jefferson AUDUBON Mary Miller Patton House u !( GLEN ECHO n Gahanna e SHULL v 270 Township GLEN ECHO GLEN ECHO Mifflin A G ran PRIDE PARK ville Street y ¦¨§ MEMORIAL LINDEN d Township Glen Echo Historic District a s d s H .! a avens Corners a Ro o ad Ch C err y Road R JOAN s d e oa m Hus MOCK R FRIENDSHIP d on Street n a a w J to o CITY GATE s R GAHANNA WOODS hn Jo Her n mitage Ro o ad t l Mock R Muski i oad ngum m a e Road H u 670 n Ne RATHBURN WOODS e w burgh Drive Deniso v § n Ave y GAHANNA WOOD NATURE RESERVE ¨ n r ¦ u e bu A r te d l r d a l W eva a l e ou o n B t R n r GALLOWAY PRESERVE e k IUKA r o roo b b B Elizabeth J. & Louis C. Wallick r e d r av a a !( e Indianola Junior High School B ive FIVE ACRE WOODS PARKLAND IUKA OHIO HISTORICAL CENTER r o !( H D TAYLOR ROAD RESERVE e R d ! r . 71 u e a r Ar a gyle 1 Drive t u n o e B BRITTANY HILLS 0 e n e M n R e ¦¨§ L e v o r OHIO STATE FAIRGROUND r o r r v t A Vendo is me Dr g A ive e o .! S e n a z d MALONEY c l Ta ylor Ro h a W n e R d y R t o g a i l o 8 S a J e H AMVET VILLAGE 2 d v e Holt A l Seventeen venue C th Avenue I nternationa Pet l Gateway Cemetery e u WINDSOR n e d v a 1 o Y A d 0 PIZZURO R d a R n n BRENTNELL o o T a Airport i Y l R t Golf El AMERICAN ADDITION d a eventh Aven y t ue r o Course S u o r N T L b o W n 8 l New Indianola Historic District y u 2 d Thir raft Roa a ! S teenth Ave Clayc T CRAWFORD FARMS . -
Broward Center for the Performing Arts 2018-19 Calendar Listings
July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events. -
Advance Exhibition Schedule
^ Advance Exhibition Schedule 2020–2022 Exhibition Calendar Current as of December 2020. Information is subject to change. For a listing of all exhibitions and installations, please visit www.lacma.org Yoshitomo Nara Vera Lutter: Museum in the Camera Cauleen Smith: Give It Or Leave It ON-VIEW OUTDOOR EXHIBITIONS While the indoor galleries remain temporarily closed, visit LACMA outdoors. The museum’s outdoor spaces and public art, including Chris Burden’s Urban Light (2008), Michael Heizer’s Levitated Mass (2012), and Yoshitomo Nara’s Miss Forest (2020) are free to visit and accessible 10 am–10 pm daily. Alex Prager: Farewell, Work Holiday Parties November 21, 2020–January 3, 2021 Los Angeles–based artist Alex Prager is known for making photographs and short films embellished with Technicolor fantasy but grounded in the pains and pleasures of the everyday. In this installation, Prager satirizes a specific part of working life, drawing on pop culture tropes to create a simulation of office holiday parties. The artist animates figurative sculptures with costumes, makeup, props, and sound, and places them in recognizable office-party situations, creating a strange yet celebratory scene that can be experienced in the round. “Through my work I’ve been able to process things in the world that I’m questioning or struggling with,” says Prager, “which is one of the many reasons I feel this piece is important for the current social climate. Right now, during this strange and life-altering time, many of us are reprioritizing our lives and figuring out what actually matters to us.” Curators: Liz Andrews, Director’s Office and Rita Gonzalez, Contemporary Art, LACMA Credit: This exhibition was organized by the Los Angeles County Museum of Art. -
Arts and Culture in Columbus Creating Competitive Advantage and Community Benefit Columbus Cultural Leadership Consortium Member Organizations
A COMMUNITY DISCUSSION PAPER presented by: COLUMBUS CULTURAL LEADERSHIP CONSORTIUM SEPTEMBER 21, 2006 Arts and Culture in Columbus Creating Competitive Advantage and Community Benefit Columbus Cultural Leadership Consortium Member Organizations BalletMet Center of Science and Industry (COSI) Columbus Association for the Performing Arts (CAPA) Columbus Children’s Theatre Columbus Museum of Art Columbus Symphony Orchestra Contemporary American Theatre Company (CATCO) Franklin Park Conservatory Greater Columbus Arts Council (GCAC) Jazz Arts Group The King Arts Complex Opera Columbus Phoenix Theatre ProMusica Chamber Orchestra Thurber House Wexner Center for the Arts COLUMBUS CULTURAL LEADERSHIP CONSORTIUM Table of Contents Executive Summary . 2 Introduction . 4 Purpose . 4 State of the Arts . 5 Quality Proposition . 5 Finances at a Glance . 9 Partnerships as Leverage . 11 Public Value and Community Advantage . 13 Education and Outreach . 14 Economic Development . 17 Community Building . 21 Marketing . 23 Imagining Enhanced Community Benefit . 24 Vision and Desired Outcomes . 24 Strategic Timeline for Reaching Our Vision . 28 “The Crossroads” Conclusion . 28 Table 1: CCLC Member Organization Key Products and Services . 29 Table 2: CCLC Member Organization Summary Information . 31 Table 3: CCLC Member Organization Offerings at a Glance . 34 Endnotes . 35 Bibliography . 37 Issued September 21, 2006 1 COLUMBUS CULTURAL LEADERSHIP CONSORTIUM Executive Summary Desired Outcomes Comprised of 16 organizations, the Columbus 1. Culture and arts will form a significant Cultural Leadership Consortium (CCLC, or “the differentiator for our city and contribute to its consortium”) was created early in 2006 to bring overall economic development. organization and voice to the city’s major cultural and artistic “anchor” institutions, with a focus on It is sobering to see the results of a 2005 study policy and strategy in both the short term and over conducted by the Columbus Chamber, indicating the long haul. -
Renoir, Impressionism, and Full-Length Painting
FIRST COMPREHENSIVE STUDY OF RENOIR’S FULL-LENGTH CANVASES BRINGS TOGETHER ICONIC WORKS FROM EUROPE AND THE U.S. FOR AN EXCLUSIVE NEW YORK CITY EXHIBITION RENOIR, IMPRESSIONISM, AND FULL-LENGTH PAINTING February 7 through May 13, 2012 This winter and spring The Frick Collection presents an exhibition of nine iconic Impressionist paintings by Pierre-Auguste Renoir, offering the first comprehensive study of the artist’s engagement with the full-length format. Its use was associated with the official Paris Salon from the mid-1870s to mid- 1880s, the decade that saw the emergence of a fully fledged Impressionist aesthetic. The project was inspired by Renoir’s La Promenade of 1875–76, the most significant Impressionist work in the Frick’s permanent collection. Intended for public display, the vertical grand-scale canvases in the exhibition are among the artist’s most daring and ambitious presentations of contemporary subjects and are today considered masterpieces of Impressionism. The show and accompanying catalogue draw on contemporary criticism, literature, and archival documents to explore the motivation behind Renoir’s full-length figure paintings as well as their reception by critics, peers, and the public. Recently-undertaken technical studies of the canvases will also shed new light on the artist’s working methods. Works on loan from international institutions are La Parisienne from Pierre-Auguste Renoir (1841–1919), Dance at Bougival, 1883, oil on canvas, 71 5/8 x 38 5/8 inches, Museum of Fine Arts, Boston, Picture Fund; photo: © 2012 Museum the National Museum Wales, Cardiff; The Umbrellas (Les Parapluies) from The of Fine Arts, Boston National Gallery, London (first time since 1886 on view in the United States); and Dance in the City and Dance in the Country from the Musée d’Orsay, Paris. -
Mark Your Calendar! Committee Member
SPRING 2015 NEX∙US (nĕk’s s) N., 1. A MEANS OF CONNECTION; A LINK OR TIE. 2. A CONNECTED SERIES OR GROUP. 3. THE CORE OR CENTER. BIGGEST May Bonus Pool 12 EVER! 5 2 MINUTES WITH… MICHAEL P. GLIMCHER Meet our new Governing Mark Your Calendar! Committee member 3 LIVING UP TO HIS NAME Ernest Abele’s fund supports his love of nature 4 PUSHING PAST A SETBACK One-time grants provide critical support 6 FIVE NONPROFITS TO WATCH Exceptional nonprofits named for 2015 Spring 2015 GOVERNING COMMITTEE C. Robert Kidder Chairman Matthew D. Walter PRESIDENT’S Vice Chairman David P. Blom PERSPECTIVE Joseph A. Chlapaty Michael P. Glimcher Lisa A. Hinson Nancy Kramer Barbara J. Siemer Dwight E. Smith Douglas F. Kridler President and CEO Douglas F. Kridler Raymond J. Biddiscombe, CPA President and CEO Senior Vice President, CFO Lisa S. Courtice, Ph.D. Executive Vice President Colleen D. Mitchell Senior Vice President Tamera Durrence Vice President Carol M. Harmon “America’s poor kids belong to us and Vice President EDITORIAL STAFF we to them. They are our kids.” Amy Vick Nick George Carol M. Harmon Lynsey Harris OUR MISSION AVE WE LOST SIGHT OF THIS? holes in the social safety nets that used to catch Robert Putnam, the author of kids if they fell. To assist donors those statements, thinks we have, What does that have to do with us? Well, and writes about it in convincing Putnam kicked off his address to us with the and others in H fashion in his new book, Our following statement, which, coming from one strengthening Kids . -
Pressionism," Keny Gafferfes Several Es .Their "Art of Ltalo Scanga," Riley Hawk Galleries Tim a Year Th, ·-· Ohio Artists to Gaj¼ry;.V
""- ■ >) I°·" ·•\. _1 Pag_e SD tlbt<!ohnnbus IDi�•llh i j J f.'' VISUAL ARTS _,'>. Key,t,80ple , · · lost to . local art scene ■ Established·institutip!JS offered Art draws fewer- but ol{ls{anding -·· exhibi • tions to Columbus·ga[le ,y-goers. : '. Viewers Some of the mostsi�cant 'chiruges in the Columbus art scene in,:19?3 involved personalities. Many of the art comrrnlnity's most fu.miliar and · out of city influentialpeople have gone, · · · When those who follow the visu After a Jong lr.lttle against cancer, Roberta al arts in Columbus venture outside Kuhn died last summer, and her. gallery closed, the city, they've learned to point leaving many local artists wi!hmlt their mentor ' · ' theircars toward Lancaster. and the city short one' sol- In the past year, Lancaster's id, professional gallery. Hammond Gallelies - the Festival Sally Wmdels closed and the Ruthven - have heen im her sophisticated Short portant factors in central Ohio's cul- North gallery. Jane Con tural life. nell, a curator at the•·Coe In July, each gallery pulled out lumbus Museum of , Art thestops for the Lancaster Festival. and organizer of the,Eli Pierce The Festival Gallery joined the jah show, has. Jeft. ,. big league with "Labylinth of the And Byron Kohn, long a · Spirit," created by guest curator pillar of t.Jie local art com- ·. Rohert Stearns, former director of munity, left his welk JACQUELINE theWexner Center for the Arts. known German Village·. This thematic show was chal gallery for a more plivate HALL lenging, even prov.ocative, and pre studio and.lower profile.· : . -
Ohio Museum Reciprocal Membership Program
and contemporary art collection. The museum features Springfield Museum of Art Wexner Center for the Arts outstanding special exhibitions, a wide variety of 107 Cliff Park Road, Springfield, OH 45504 The Ohio State University Ohio Museum educational programs, and an interactive, family-oriented 937-325-4673 phone; 937-325-4674 fax 1871 North High Street, Columbus, OH 43210-1393 Experiencenter. The museum’s Italian Renaissance- [email protected] 614-292-3535 phone inspired building overlooks Dayton’s central business www.springfieldart.net www.wexarts.org Reciprocal district and welcomes nearly 140,000 visitors annually. Wednesday–Saturday 9:00–5:00 pm Free admission to exhibitions, openings, and public Sunday 12:30–4:30 programs Massillon Museum Closed Mondays and Tuesdays, Thanksgiving Day, Sunday, Tuesday, Wednesday 11:00–6:00 Membership 121 Lincoln Way East, Massillon, OH 44646 Christmas Eve, Christmas Day, New Year’s Eve, New Thursday–Saturday 11:00–8:00 www.massillonmuseum.org Year’s Day Galleries closed Monday, Center closed major holidays 330-833-4061 phone 10% discount in Wexner Center Store and Café Program Free admission Situated in beautiful Cliff Park, Springfield Museum of Tuesday–Saturday 9:30–5:00 Art mounts a broad array of changing exhibits featuring The Wexner Center is a vital showcase for Sunday 2:00–5:00 outstanding creations from both established and contemporary art, architecture, film, video, dance, Your Special Benefit Ohregionalities (museum shop): Open during museum emerging artists, balanced with galleries that showcase music, and theater from around the world. Tours, hours works from the museum’s superb permanent collections, lectures, workshops, and hands-on activities for Closed Mondays and major holidays including significant work by Ohio and self-taught children and families complement the changing array Akron Art Museum artists. -
Maurice-Quentin De La Tour
Neil Jeffares, Maurice-Quentin de La Tour Saint-Quentin 5.IX.1704–16/17.II.1788 This Essay is central to the La Tour fascicles in the online Dictionary which IV. CRITICAL FORTUNE 38 are indexed and introduced here. The work catalogue is divided into the IV.1 The vogue for pastel 38 following sections: IV.2 Responses to La Tour at the salons 38 • Part I: Autoportraits IV.3 Contemporary reputation 39 • Part II: Named sitters A–D IV.4 Posthumous reputation 39 • Part III: Named sitters E–L IV.5 Prices since 1800 42 • General references etc. 43 Part IV: Named sitters M–Q • Part V: Named sitters R–Z AURICE-QUENTIN DE LA TOUR was the most • Part VI: Unidentified sitters important pastellist of the eighteenth century. Follow the hyperlinks for other parts of this work available online: M Matisse bracketed him with Rembrandt among • Chronological table of documents relating to La Tour portraitists.1 “Célèbre par son talent & par son esprit”2 – • Contemporary biographies of La Tour known as an eccentric and wit as well as a genius, La Tour • Tropes in La Tour biographies had a keen sense of the importance of the great artist in • Besnard & Wildenstein concordance society which would shock no one today. But in terms of • Genealogy sheer technical bravura, it is difficult to envisage anything to match the enormous pastels of the président de Rieux J.46.2722 Contents of this essay or of Mme de Pompadour J.46.2541.3 The former, exhibited in the Salon of 1741, stunned the critics with its achievement: 3 I. -
Library Park Apartments Development Request for Qualifications - CML #16-011
Library Park Apartments Development Request for Qualifications - CML #16-011 The Columbus Metropolitan Library (“CML”) and the Columbus Downtown Development Corporation (“CDDC”) are inviting developers to respond to this Request for Proposal (“RFQ”) to develop a residential/retail site on Grant Avenue adjacent to the Main Library and Topiary Park in downtown Columbus, Ohio. It is the intention of this RFQ to solicit responses that will be used to identify a short list of the best-qualified developers to provide proposals for the project. Responses are due on September 2nd at noon. The Columbus Metropolitan Library Columbus Metropolitan Library has served the people of Franklin County, Ohio for 143 years. With its Main Library and 22 branches, CML is well known for signature services and programs like Homework Help Centers, Reading Buddies, Summer Reading Club and Ready for Kindergarten. The library’s Strategic Plan supports the vision of “a thriving community where wisdom prevails,” which positions CML to respond to areas of urgent need: kids unprepared for kindergarten, third grade reading proficiency, high school graduation, college readiness and employment resources. Request for Qualifications Page 1 of 9 Library Park Apartments Development Request for Qualifications - CML #16-011 The Main Library Renovation CML understands that great libraries create stronger communities, and is investing millions of dollars in the Main Library to create a national class library facility. The transformation of its flagship Main Library will represent a major investment in downtown Columbus and the Discovery District. Main Library has served as an anchor and civic partner to the downtown community and central Ohio since 1873. -
Report to the Community
2020 REPORT TO THE COMMUNITY To support and advance the arts and cultural fabric of Columbus. 2 Give Now VISION A thriving Columbus where the arts matter to all of us. VALUES Cultural Equity Our transparent grant making elevates and supports a broad representation of art forms and artists. Cultural Capital We are diligent stewards of the public and private support that drives our work. Sustaining Excellence We encourage excellence in the fields of the artists and arts organizations that we support, and in their fiscal and governance responsibilities. Building Community Our investments connect the people and places of Columbus. Welcome All We promote art experiences for those living, working, visiting and learning in our city. Inspired Advocacy Communicating the impact of the arts is fundamental to the health and vitality of the creative community. All the Black Lives Matter murals featured in this report were created in June 2020 in response to the protests in support of the Black Lives Matter movement. Cover: Black Lives Matter mural by Gabe Torres. Originally located in the Short North. Opposite: Black Lives Matter mural created by unknown artist. Originally located at Salon Lofts at the Hub in the Short North. Photo credit: Shellee Fisher. Give Now 3 Black Lives Matter mural by Kelsey Yappel and Erik Johnson. Originally located at Store 5a in the Short North. Photo credit: Shellee Fisher. The Greater Columbus Arts Mayor Andrew J. Ginther Council thanks the city of Columbus City Council Members Columbus, Franklin County Shannon G. Hardin, president and the Ohio Arts Council for Elizabeth C. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W.