Jeff Deflorio

Total Page：16

File Type：pdf, Size：1020Kb

Jeff DeFlorio VFX Compositor To whom it may concern, I am a skilled and Versatile VFX Compositor with over 8 years of experience with a keen eye for detail. I am looking for challenging jobs to advance my career utilizing my general compositing skill set including keying, 2D & 3D tracking, roto, particles, and incorporating CG to live action plates. I Have worked on over thirty feature television shows, movies and commercials using a wide variety of software including: After Effects, Nuke, Boujou, Mocha, PF track, Photoshop, and Syntheyes. I have a Masters degree in Visual Effects from Savannah College of Art and Design. I am a strong team and individual worker who has learned the discipline, enthusiasm, patience and endurance necessary to complete a job in a fast paced environment for the absolute importance of its success. I can be contacted by email at jeff.defl[email protected] or by phone at 818.669.9509 Website : www.jeffdeflorio.com IMDB : http://www.imdb.com/name/nm5023773/ Best, Jeff DeFlorio VFX Compositor www.jeffdeflorio.com Jeff.defl[email protected] 818.669.9509 Jeff DeFlorio VFX Compositor Summary: An Extremely motivated VFX Compositor with over 8 years of experience, a keen eye for details, and a team working attitude that is looking for challenging jobs to advance his career. Skills: General Compositing including keying, 2D & 3D tracking, roto, particles, and incorporating CG to live action plates. Software Experience: Compositing: After Effects (advanced), Nuke (good) Tracking: SynthEyes (good) ; Boujou (advanced), After Effects(advanced), PFTrack(good), Mocha (advanced) Editing: Final Cut Pro, Premiere 2D: Photoshop, illustrator, PTGui 3D: Houdini, maya (Basic) OS: Windows, OSX, Linux Education: -M.A. Visual Effects (2006), Savannah College of Art and Design -B.F.A Visual Effects (2005), Savannah College of Art and Design, GPA 3.45 -Graduate of Singapore American High School Work Experience: STARGATE STUDIOS Compositor 2008-2015 Worked on: Heroes, Monk, Revenge, The Event, The Gates, The Office, The Walking Dead, Trauma, Crash, Episodes, Greek, Law and Order SVU, Touch, Beauty and the Beast, Californication, Battle of Gettysburg, Death Valley, Haven, House of Lies, Parenthood, Private Practice, Grey’s Anatomy, Mob City, Liz and Dick, Pan Am, Parks and Rec, Holding Pattern, The Killing, Dr Who, Heart of Dixie, Delirium, NCIS and more. Battle Star Galatica VFX @ Universal Studios Worked on: Defiance season 3 Compositor 04/30/15 - 08/24/2015 PIXOMONDO Worked on: Sleepy Hollow season 2 Compositor 10/9/14 - 01/23/2015 METHOD STUDIOS Compositor 4/14/14 - 6/19/2014 Worked on: Hercules (2014) UNIVERSAL STUDIOS VIRTUAL STAGE ONE 3D tracking 2013 Worked on: Zumba World Tour Video Game MECHNOLOGY Compositor 2007-2008 Worked on: Foo Fighters Video Pretender and Indie Films. Awards: 2008-2009 Contribution to the emmy award winning Achievement for Outstanding Special Visual Effects for Heroes: NBC. 2010-2011 Contribution to the emmy award winning Achievement for Outstanding Special Visual Effects for Gettysburg: HISTORY CHANNEL. www.jeffdeflorio.com Jeff.defl[email protected] 818.669.9509.

Copy Link

Recommended publications

Aleks Paunovic Anna Galvin Jenika Rose
STARRING C THOMAS HOWELL ALEKS PAUNOVIC ANNA GALVIN JENIKA ROSE CRIMSON POINT 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 CRIMSON POINT CONTENTS 4 Synopsis 5 Director 6 | 11 Cast 12 Cinematographer 13 Producer 14 International Sales Agents 15 Executive Producers 16 Equity 17 Perks & Benefits CRIMSON POINT 3 After serving 20 years in prison for the murder of his daughter, Frank returns to his backwoods hometown. Old wounds and rumours of the past resurface and haunt him as he tries to find out who really killed her. The film isn’t your typical revenge film. Looks are deceiving. In fact, it isn’t a revenge film at all. It’s a Greek tragedy that explores the central character’s guilt through Dante’s Inferno. Beyond, the murder and the treachery, the film is an emotional journey about a father and a daughter. This is the heart of the project. Without touching on a father’s love, the film fails. In fact, everything happens because of a father’s love for his daughter. He acts out of love.
[Show full text]
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
[Show full text]
Hixson-Lied College of Fine and Performing Arts University of Nebraska–Lincoln 4
Hixson-Lied College of Fine and Performing Arts University of Nebraska–Lincoln 4 DEAN’S LETTER CHARLES O’CONNOR n your wildest imagination, you could not make up the kind of school year we just had. The Hixson-Lied College of Fine and IPerforming Arts was transformed by two generous gifts that will make a lasting difference in the lives of our students, faculty and programs for generations to come. Last August we received an $8 million gift from UNL Alumnus Glenn Korff to name the school that bears his name, the Glenn Korff School of Music. And in November, Mary Riepma Ross endowed the Mary Riepma Ross Media Arts Center with a $7.7 million gift. Both gifts were received through the University of Nebraska Foundation. Sadly, both Glenn and Mary passed away last year, but they thank Dr. Lucy Buntain Comine, our longtime development join other generous alumni and benefactors, such as the late director, for her tireless efforts and accomplishments on Johnny Carson, in the belief that well-conceived philanthropy behalf of our college for more than 20 years. can transform a university through an investment in facilities and endowments. They knew that for our University to Although we had a banner year in so many other ways, remain competitive with other universities, it must compete the best is still ahead of us as we begin one of the most on more than just the football field and in our sports arenas; transformational changes in our history: the merger we must compete in the intellectual, creative and economic between our College and the UNL College of Architecture.
[Show full text]
Animation Made in Germany 2017
ANIMATION ANIMATION Animation MADE IN Made in GERMANY GERMANY Germany 2017 2017 WWW.ANIMATIONGERMANY.DE Coproduction! Connecting to Germany Animation & VFX coproduced with Germany animation germany is a newly built initiative that unites the interests of the animation and VFX industry in respect to international business development and promotion of their films and production power. This booklet is part of the initiative and aims to showcase pro- duction companies and studios that are active in animation and VFX and work out of Germany. It reflects the great variety of the industry’s potential in content, technique, creativity and style. Apart from these assets, Germany provides interesting financing schemes. The best way to access them is through a German produc- tion company, experienced in structuring finances in the complex German system. We invite you to browse through the compendium and find a suitable partner for your project in Germany. »The German Federal Film Board is both determined and delighted to support this dynamic industry. Animation Germany is a win-win endeavor: Not only does it provide Germany’s innovative and coura- geous animation and VFX producers with a platform for presenting their work. It also enables international producers to learn about the industry’s high standards in Germany and to forge new partners- hips. With ever greater interest in cross-border collaboration in this sector, the stage is set for new and exciting animation projects.« Peter Dinges, German Federal Film Board »Animation made in Germany is one of the internationally most successful German formats at the box office, appreciated by (young) audiences worldwide.
[Show full text]
Digital Media Value Proposition
[ DIGITAL MEDIA ] [ DIGITAL MEDIA: VIDEO GAMES, ANIMATION AND VFX ] Canada’s competitive advantages CANADA’S DIGITAL MEDIA SECTOR Canada is home to a thriving digital media industry, recognized as a world leader in video game development, animation and visual effects. The breadth of Canada’s expertise in the digital media sector also encompasses areas such as web design, social networking, education, healthcare and advertising. With an interactive media industry that employs over 50,000 people and generates some $7.5 billion in annual revenue, Canada is one of the foremost investment destinations for global digital media companies.1 DIGITAL GAMES The digital games industry in Canada continues to grow, with new technologies and platforms resulting in new development opportunities for foreign investors. Canada is a major player in the global digital games industry, in terms of both size and quality of talent and resources. Canada’s 329 video game studios contributed over $2.3 billion to Canada’s Gross Domestic Product (GDP) in 2012.2 With 16,500 full-time employees, Canada’s games industry is ranked as the third largest in the world. Canadian studios are responsible for developing one in every six top-selling console games.3 Blockbuster titles from Canada include Assassin’s Creed (Ubisoft), Mass Effect (EA/BioWare), FIFA Soccer (EA Sports), as well as the 2013 success from Next Level Games, Luigi’s Mansion: Dark Moon. Many popular mobile games are developed in Canada as well, including Jurassic Park Builder (Ludia Inc.), Super Stickman Golf (Noodlecake Studios), Superbrothers: Sword & Sworcery EP (Capybara Games/Superbrothers), and Fish World (Big Viking Games).
[Show full text]
50 Years 400,000 Apollo People 10,000 Photos 1 Giant Leap
50 1YEARS 400,000 APOLLO PEOPLE 10,000 PHOTOS 1 GIANT LEAP The People’s Moon [email protected] What’s your giant leap? @ThePeoplesPicture www.thepeoplesmoon.com THE PEOPLE’S MOON FOUNDERS COMMISSIONERS Christina Korp co-founder - is known as the Astronaut Wrangler. Kennedy Space Center Vistor Complex: Chief As Aldrin Family Foundation’s Chief Operating Officer and Chief Operating Director - Therrin Protze Marketing Officer, Christina oversees the day-to-day operations of Kennedy Space Center Visitor Complex brings to life the epic all educational programs, partnerships, licensing and marketing story of the U.S. space program, offering a full day or more within the organization, including ShareSpace Foundation, which of fun, inspiration and educational activities. This includes ignites interest in K-12 students in STEAM fields and boosts scientific the Apollo/Saturn V Center, which features an actual Saturn literacy. She co-founded The People’s Moon with Helen Marshall to V Moon rocket, and is currently being upgraded and expanded create a living legacy art piece to unite the world in celebration of the in celebration of the 50th anniversary of the Apollo 11 launch Apollo 50th Anniversary and started the #MyGiantLeap movement and Moon landing. to encourage people to think about their own impossible dream for www.kennedyspacecenter.com the future. She has used her experience to create global marketing campaigns such as the “Get Your Ass to Mars”, “Destination Mars” CHRISTINA KORP - USA aldrinfoundation.org and “Generation Mars” product lines, with all proceeds of sales benefitting the ShareSpace Foundation. She conceptualized the Giant Mars Map™ and Giant Moon Map™, an exciting, interactive educational Delaware North Kennedy Space Center: tool that is gifted to schools and education centers throughout the Delaware North operates Kennedy Space Center Visitor U.S and internationally.
[Show full text]
The Art of Arts: Theorising Pastoral Power in the English Middle Ages
Faculty of English The Art of Arts: Theorising Pastoral Power in the English Middle Ages Johannes Wolf King’s College University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy January 2017 Johannes Wolf The Art of Arts: Theorising Pastoral Power in the English Middle Ages Gregory the Great described the government of souls as ‘the art of arts,’ a sentiment that the Fourth Lateran Council would echo in 1215. This thesis takes as its fundamental proposition that this ‘art’ can be understood as a ‘craft’, one that is responsible for producing and maintaining a Christian subjectivity marked by introspection, inwardness, and a strong distrust of externalities. Using a theoretical framework influenced by Michel Foucault I suggest a tradition of administering and producing these subjects through ‘pastoral power.’ Charting the trajectory of these ideas from the ascetics of the early church through to fifteenth-century Middle English texts, I explore the dynamics produced by texts invested in producing this specific form of subjectivity as they expand their reach from a specialised audience of monks to an increasingly laicised vernacular sphere. This investigation is broken into two halves. The thesis begins with a re-reading of Michel Foucault’s theories of power and subjection. Here I suggest that there are important conceptual connections between Foucault’s concept of ‘discipline’ and medieval approaches to the care of the soul. The first half of the thesis stresses the longue durée development of pastoral power, focussing on two particular historical moments. The first of these chapters engages with the pastoral and monastic thinkers of the early church, who developed two overlapping regimes – that of body and spirit.
[Show full text]
Stargate Studios Builds Highly Efficient Storage
Nexsan 10 Minute Case Study Stargate Studios Builds Highly Efficient Storage Infrastructure with Nexsan Quick Summary Popular episodic television special effects studio, Stargate Studios, was facing increasing management costs related to their “white box” storage systems that were chosen solely on price. Regular system failures and unresponsive vendor support were causing serious headaches. When the studio lost 100’s of GBs in a single failure, they had to make an immediate change. The studio turned to Nexsan to deliver highly efficient storage systems that would eliminate reliability issues while conserving power and space. This result was achieved right out of the box; with powerful fibre channel-based controllers, Stargate achieved the performance they needed but also found a level of reliability and world-class support they didn’t expect. NEXSAN 10-MINUTE CASE STUDY WWW.NEXSAN.COM “Nexsan also enabled us to consolidate our storage, further reducing management requirements and freeing staff to do more critical tasks of value to our business.” “ Dr. Joseph Meier, Chief Technology Officer, Stargate Studios ENVIRONMENTE N V I R O NMEN T CUSTOMER OVERVIEW t Approx. 400TB of digital data, of Founded in 1989 by Sam Nicholson, a distinguished which 340TB is on Nexsan storage cinematographer, ASC member and visual effects supervisor systems and producer, Stargate Studios was conceived as a high tech t Four Nexsan SATABeast® units, of production company offering visual effects and production which two are the Xi systems for services to the film and television industries. Today, Stargate has primary enterprise file serving, and studios in Los Angeles, Vancouver and Toronto with over 150 D2D backup and recovery artists, supervisors, and producers covering all areas of digital t One Nexsan SATABoy® unit for off- production and visual effects.
[Show full text]
Made for TV Monsters: How Has the Rise of Horror on US Television Impacted on the Spectacle and Acceptability of the Genre?
Made for TV Monsters: How has the rise of horror on US television impacted on the spectacle and acceptability of the genre? Stella Marie Gaynor Submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy September 2018 School of Arts and Media University of Salford, UK Table of Contents CHAPTER 1 INTRODUCTION ........................................................................................ 1 CHAPTER 2 LITERATURE REVIEW............................................................................... 7 2.1 Introduction. ............................................................................................................ 7 2.1.1 Horror Film. ........................................................................................................ 9 2.1.2 US television Industry ...................................................................................... 19 2.1.3 US television Drama. ....................................................................................... 21 2.1.4 Show runners and creative autonomy. ............................................................. 22 2.1.5 Spectacle. ........................................................................................................ 26 2.1.6 US television Horror. ........................................................................................ 31 2.2 Methodology. ......................................................................................................... 42 CHAPTER 3 INDUSTRIAL CONTEXTS: THE RISE OF HORROR
[Show full text]
Michael Bell Is a Seasoned Visual Effects Supervisor
© 2020 MPC EPISODIC E [email protected] T +44 (0) 20 7434 3100 LONDON – BERLIN – LOS ANGELES BANGALORE - MONTRÉAL © 2020 MPC EPISODIC INTRO ABOUT US FEATURE FILM VFX TOOLS & TALENT FOR THE © 2020 MPC EPISODIC EPISODIC ARENA 3 From pitch to delivery, from Virtual Production techniques to the latest in CG character development, from the most minute detail to earth-shattering effects, MPC expands its expertise to episodic and streaming VFX. Solving problems, breaking new ground, pioneering new technology, MPC Episodic offers VFX expertise and industry tools to bring your vision to life. WE TAKE CARE OF THE TINY DETAILS TO CREATE TRULY SPECTACULAR SCENES © 2020 MPC EPISODIC 4 We’ve a 50-year-old history of collaborating with the best creative talent and pushing the boundaries of what’s possible in VFX. We’re part of MPC, the visual effects artists and technicians behind the VFX in numerous blockbusters like 1917, The Lion King, Blade Runner 2049, X-Men, Ghost in the Shell, Harry Potter and more. MPC has a history of creative and technical expertise that now offers an opportunity for producers, directors and showrunners working on streaming and episodic projects. OUR ARTISTS SHARE ONE CHARACTERISTIC, THEY’RE OBSESSED © 2020 MPC EPISODIC WITH CREATIVE 5 EXCELLENCE Our people don’t see themselves purely as animators, riggers, 3D modellers or compositors. They’re artists, designers and innovators. Each one dedicated to flawlessly realising your storytelling vision. Solving problems, breaking new ground, pioneering new technology and techniques, MPC Episodic offers the VFX expertise and tools to bring your vision to life.
[Show full text]
Kristin Johnson Senior Matte Painter / Owner at Blendo, Inc
Kristin Johnson Senior Matte Painter / Owner at Blendo, Inc. [email protected] Summary With a background in traditional fine arts, I feel lucky to work in a field I feel passionate about, and I love the creative process involved in Matte Painting. I've had lots of experience over the years, in all aspects of visual effects. I find solutions to complex visual projects quickly, while accomplishing the highest quality result in my finished artwork. It's been my privilege to work with the teams of talented individuals creating world class visual effects. My specialties include: Photoshop, Maya, Nuke, Vue, Sketchup Pro, After Effects, Illustrator. http://www.imdb.com/name/nm2357712/ www.kristinjohnson.carbonmade.com Experience Senior Matte Painter / Owner at Blendo, Inc. October 2005 - Present (7 years 7 months) Matte Painter at The Molecule March 2013 - March 2013 (1 month) I contributed over 26 matte paintings & set extensions for the CBS crime drama series, 'Elementary'. Matte Painter at MPC February 2013 - March 2013 (2 months) Lots of fun working in the commercial division, at the Santa Monica facility. Matte Painter at Chemical VFX February 2013 - February 2013 (1 month) Commercial matte painting for an awesome group in Santa Monica. Matte Painter at Mirada Studios October 2012 - February 2013 (5 months) Fantastic experience feature matte painting on 'Pacific Rim'. Matte Painter at A52 September 2012 - October 2012 (2 months) Freelance matte painter for Lexus & Target. Great to work with these guys. Matte Painter at Stargate Studios Page1
[Show full text]
Animation Made in Germany 2015 a Guide to Animation Production Companies 001
ANIMATION MADE IN GERMANY 2015 A guide to animation production companies 001 Introduction The booklet “Animation made in Germany 2015” is published by the German Producers Alliance – Film & Television and supported by several regional film funds in Germany with the aim to showcase animation com- panies that work out of Germany along with their products. It is being published as a practical handbook at the occasion of the Cartoon Forum 2015 and the workshop on “German-European Alliances in Animation” organized in connection with this event. At this workshop German repre- sentatives from the industry and their international counterparts will dis- cuss perspectives, trends and opportunities in animation focusing on Poland and the Baltic States. This booklet “Animation made in Germany 2015” expands on a prior initiative of seven German regional film funds and again this year is supported by such funds (as listed on page 002). Each company represented in this booklet has been suggested to be included by one or more of the regional film funds or other market participants – without claiming to cover the entire industry. We trust, however, that it does reflect the great variety of the industry’s potential in content, technique, creativity and style. Additionally it tries to show how the various target groups of the audience are addressed and how the network of producers, film funds and TV partners works in Germany. As such it delivers a good idea of the German industry and of the portfolio a German business part- ner has to offer. We hope that you will find this compendium useful to find suitable partners for your projects in Germany.
[Show full text]