ANIMATION MADE in GERMANY 2016 a Guide to Animation Production Companies 001
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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films -
Aleks Paunovic Anna Galvin Jenika Rose
STARRING C THOMAS HOWELL ALEKS PAUNOVIC ANNA GALVIN JENIKA ROSE CRIMSON POINT 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 CRIMSON POINT CONTENTS 4 Synopsis 5 Director 6 | 11 Cast 12 Cinematographer 13 Producer 14 International Sales Agents 15 Executive Producers 16 Equity 17 Perks & Benefits CRIMSON POINT 3 After serving 20 years in prison for the murder of his daughter, Frank returns to his backwoods hometown. Old wounds and rumours of the past resurface and haunt him as he tries to find out who really killed her. The film isn’t your typical revenge film. Looks are deceiving. In fact, it isn’t a revenge film at all. It’s a Greek tragedy that explores the central character’s guilt through Dante’s Inferno. Beyond, the murder and the treachery, the film is an emotional journey about a father and a daughter. This is the heart of the project. Without touching on a father’s love, the film fails. In fact, everything happens because of a father’s love for his daughter. He acts out of love. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
For Gale Anne Hurd
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA637539 Filing date: 11/06/2014 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91204259 Party Plaintiff Valhalla Motion Pictures, Inc. Correspondence MICHAEL K GRACE Address GRACE GRACE LLP 790 E COLORADO BLVD, SUITE 797 PASADENA, CA 91101 UNITED STATES [email protected] Submission Plaintiff's Notice of Reliance Filer's Name Pamela D. Deitchle Filer's e-mail [email protected], [email protected], [email protected] Signature /Pamela D. Deitchle/ Date 11/06/2014 Attachments 20141106 VMP Third Notice of Reliance.pdf(4025091 bytes ) IN THE UNITED STATES TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In Re: Serial Nos. 77/948,333; 77/948,895; 85/310,089 Applicant’s Marks: VALHALLA GAME STUDIOS; VALHALLA GAME STUDIOS and Design; VALHALLA ENTERTAINMENT VALHALLA MOTION PICTURES, INC., Opposer; v. Opposition No. 91204259 (parent case) VALHALLA GAME STUDIOS CO. LTD., Applicant. VALHALLA GAME STUDIOS CO. LTD., Opposer; v. Opposition No. 91206662 VALHALLA MOTION PICTURES, INC, Applicant. THIRD NOTICE OF RELIANCE Pursuant to TMBP § 704.03(b)(1)(A), Opposer hereby serves notice that it will rely upon the following online publications: 1. Screenshot of http://twitter.com/valhallapics, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 1. 1 2. Screenshot of http://www.valhallaentertainment.com, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 2. 3. Screenshot of http://www.valhallaentertainment.com/films.html, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 3. -
Screenings and Programme 17
SCREENINGS AND PROGRAMME 17 THURSDAY 9AM 9.30 AM 10 AM 10.30 AM 11 AM 11.30 AM 12 PM 12.30 PM 1 PM 1.30 PM 2 PM 2.30 PM 3 PM 3.30 OM 4 PM 4.30 PM 5 PM 5.30 PM 6 PM 6.30PM 7 PM 7.30 PM 8 PM 8.30 PM 9 PM CINEMA BARBERINI 1 TONY DRIVER TRAUMFABRIK SUICIDE TOURIST PICTURE TREE INTERNTIONAL MADRE By A. Petrini, 70’ M. Schreier, 120’ SUICIDE TOURIST PRIVATE SCREENING, 112’ R. Sorogoyen, 129’ CAT&DOCS PICTURE TREE INTERNATIONAL J.A. Arnby, 90’ LE PACTE CHARADES CINEMA BARBERINI 2 DOCUMENTARY IN Apulia Film Commission – Bio Doc: THE PERFECT PITCH FILM PITCHING FORUM Shooting in C EU SOON CHINA: an Evolving Biographies between real cinema and Cinecittà: Language Within an docufiction Home to Evolving Market Filmmakers CINEMA BARBERINI 3 RUNNING TO THE SKY PORT AUTHORITY TARO THE FOOL AZNAVOUR BY CHARLES THE KINGDOM ELLE DRIVER M. Abdykalykov, 87’ D. Lessovitz, 94’ T. Kondo, 119’ M. di Domenico, 83’ F. Fanuele, 95’ PRIVATE SCREENING, 88’ PLUTO FILM DISTRIBUTION mk2 films COLORBLIND INC.E PULSAR CONTENT 1/2 International Buyers Only NETWORK FANDANGO CINEMA BARBERINI 4 THE CHAMPION NEVIA AMAZING LEONARDO URBAN DISTRIBUTION HEROIC LOSERS #IAMHERE L. D’agostini, 106’ N. De Stefano, 86’ J. G. Lambert, 90’ INTERNATIONAL S. Borensztein, 115’ E. Lartigau, 95’ TRUE COLOURS Glorious Films TRUE COLOURS Glorious Films TRUE COLOURS PRIVATE SCREENING, 94’ FILM FACTORY ENTERTAINMENT GAUMONT 1/2 CINEMA BARBERINI 5 THE GERMAN LESSON WHILE AT WAR A VERY BAD FRIEND THE BEST IS YET TO COME FORWARD C. -
Eulyn C. Hufkie
EULYN C. HUFKIE Costume Designer eulyn.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS TATTERED HEARTS Brea Grant BLUMHOUSE / EPIX Feature Film Paige Pemberton, John Ierardi UNHUMAN Marcus Dunstan BLUMHOUSE / EPIX Feature Film Paige Pemberton, Alex Kruener AMERICAN REFUGEE Ali LeRoi BLUMHOUSE / EPIX Feature Film Paige Pemberton, Lisa Bruce A HOUSE ON THE BAYOU Alex McAulay BLUMHOUSE / EPIX Feature Film Paige Pemberton, Mary Margaret Kunze BINGO HELL Gigi Saul Guerrero BLUMHOUSE / AMAZON Feature Film Ian Watermeier, Lisa Bruce ORACLE Daniel di Grado WILL PACKER PRODUCTIONS Feature Film Erika Hampson, James Lopez MADRES Ryan Zaragoza BLUMHOUSE / AMAZON Feature Film John H. Brister, Lisa Bruce BLACK AS NIGHT Maritte Go BLUMHOUSE / AMAZON / John H. Brister Feature Film Lisa Bruce, Guy Stodel, Maggie Malina BLACK BOX Feature Film Emmanuel Osei-Kuffour BLUMHOUSE / AMAZON / John H. Brister EVIL EYE Elan Dassani BLUMHOUSE / AMAZON Feature Film Rajeev Dassani Ian Watermeier THE PURGE Various Directors BLUMHOUSE TELEVISION / USA Season 2 Alissa Kantrow THE RESIDENT Phillip Noyce FOX Seasons 1-2 Various Directors Rob Corn HELLFEST Gregory Plotkin CBS FILMS / VALHALLA ENT. Feature Film Jolly Dale, Willoughby Douglas MAYANS MC Pilot Kurt Sutter FX / Jon Paré, Kurt Sutter, James Elgin FOREVER MY GIRL Bethany Ashton Wolf LD ENTERTAINMENT Feature Film Alison Semenza RYAN HANSEN SOLVES CRIMES Various Directors BLUEGRASS FILMS / YOUTUBE RED ON TV Season 1 Stephanie Meurer, Tracey Baird 24: LEGACY Various Directors IMAGINE TELEVISION / FOX Series -
Press™ Kit 01 Contents
NO SAFE HARBOUR ™ SEASON TWO ® ® PRESS™ KIT 01 CONTENTS 03 SYNOPSIS 04 CAST & CHARACTERS 23 PRODUCTION BIOGRAPHIES 28 INTERVIEW: DAVE ERICKSON EXECUTIVE PRODUCER & SHOWRUNNER 31 PRODUCTION CREDITS ® ™ SYNOPSIS Last season, Fear the Walking Dead explored a blended family who watched a burning, dead city as they traversed a devastated Los Angeles. In season two, the group aboard the ‘Abigail’ is unaware of the true breadth and depth of the apocalypse that surrounds them; they assume there is still a chance that some city, state, or nation might be unaffected - some place that the Infection has not reached. But as Operation Cobalt goes into full effect, the military bombs the Southland to cleanse it of the Infected, driving the Dead toward the sea. As Madison, Travis, Daniel, and their grieving families head for ports unknown, they will discover that the water may be no safer than land. ® ™ 03 CAST & CHARACTERS ® ™ 04 MADISON CLARK In many ways, the Madison of season two is the same woman we met in the pilot - a leader, a moral compass - but in a whole new devastated, apocalyptic world. As the season plays out, Madison will be faced with a world that often has no room for empathy or compassion. Forced to navigate a deceptive and manipulative chart of personalities, Madison’s success in this new world is predicated on understanding that, at the end of the world, lending a helping hand can often endanger those you love. She may maintain her maternal ferocity, but the apocalypse will force her to make decisions and sacrifices that could break even the strongest people. -
Hixson-Lied College of Fine and Performing Arts University of Nebraska–Lincoln 4
Hixson-Lied College of Fine and Performing Arts University of Nebraska–Lincoln 4 DEAN’S LETTER CHARLES O’CONNOR n your wildest imagination, you could not make up the kind of school year we just had. The Hixson-Lied College of Fine and IPerforming Arts was transformed by two generous gifts that will make a lasting difference in the lives of our students, faculty and programs for generations to come. Last August we received an $8 million gift from UNL Alumnus Glenn Korff to name the school that bears his name, the Glenn Korff School of Music. And in November, Mary Riepma Ross endowed the Mary Riepma Ross Media Arts Center with a $7.7 million gift. Both gifts were received through the University of Nebraska Foundation. Sadly, both Glenn and Mary passed away last year, but they thank Dr. Lucy Buntain Comine, our longtime development join other generous alumni and benefactors, such as the late director, for her tireless efforts and accomplishments on Johnny Carson, in the belief that well-conceived philanthropy behalf of our college for more than 20 years. can transform a university through an investment in facilities and endowments. They knew that for our University to Although we had a banner year in so many other ways, remain competitive with other universities, it must compete the best is still ahead of us as we begin one of the most on more than just the football field and in our sports arenas; transformational changes in our history: the merger we must compete in the intellectual, creative and economic between our College and the UNL College of Architecture. -
Animation Made in Germany 2017
ANIMATION ANIMATION Animation MADE IN Made in GERMANY GERMANY Germany 2017 2017 WWW.ANIMATIONGERMANY.DE Coproduction! Connecting to Germany Animation & VFX coproduced with Germany animation germany is a newly built initiative that unites the interests of the animation and VFX industry in respect to international business development and promotion of their films and production power. This booklet is part of the initiative and aims to showcase pro- duction companies and studios that are active in animation and VFX and work out of Germany. It reflects the great variety of the industry’s potential in content, technique, creativity and style. Apart from these assets, Germany provides interesting financing schemes. The best way to access them is through a German produc- tion company, experienced in structuring finances in the complex German system. We invite you to browse through the compendium and find a suitable partner for your project in Germany. »The German Federal Film Board is both determined and delighted to support this dynamic industry. Animation Germany is a win-win endeavor: Not only does it provide Germany’s innovative and coura- geous animation and VFX producers with a platform for presenting their work. It also enables international producers to learn about the industry’s high standards in Germany and to forge new partners- hips. With ever greater interest in cross-border collaboration in this sector, the stage is set for new and exciting animation projects.« Peter Dinges, German Federal Film Board »Animation made in Germany is one of the internationally most successful German formats at the box office, appreciated by (young) audiences worldwide. -
Jeff Deflorio
Jeff DeFlorio VFX Compositor To whom it may concern, I am a skilled and Versatile VFX Compositor with over 8 years of experience with a keen eye for detail. I am looking for challenging jobs to advance my career utilizing my general compositing skill set including keying, 2D & 3D tracking, roto, particles, and incorporating CG to live action plates. I Have worked on over thirty feature television shows, movies and commercials using a wide variety of software including: After Effects, Nuke, Boujou, Mocha, PF track, Photoshop, and Syntheyes. I have a Masters degree in Visual Effects from Savannah College of Art and Design. I am a strong team and individual worker who has learned the discipline, enthusiasm, patience and endurance necessary to complete a job in a fast paced environment for the absolute importance of its success. I can be contacted by email at jeff.defl[email protected] or by phone at 818.669.9509 Website : www.jeffdeflorio.com IMDB : http://www.imdb.com/name/nm5023773/ Best, Jeff DeFlorio VFX Compositor www.jeffdeflorio.com Jeff.defl[email protected] 818.669.9509 Jeff DeFlorio VFX Compositor Summary: An Extremely motivated VFX Compositor with over 8 years of experience, a keen eye for details, and a team working attitude that is looking for challenging jobs to advance his career. Skills: General Compositing including keying, 2D & 3D tracking, roto, particles, and incorporating CG to live action plates. Software Experience: Compositing: After Effects (advanced), Nuke (good) Tracking: SynthEyes (good) ; Boujou (advanced), After Effects(advanced), PFTrack(good), Mocha (advanced) Editing: Final Cut Pro, Premiere 2D: Photoshop, illustrator, PTGui 3D: Houdini, maya (Basic) OS: Windows, OSX, Linux Education: -M.A. -
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.