Animation Made in Germany 2015 a Guide to Animation Production Companies 001
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Press Release
_ ____ Press release Emmy nomination for Mackevision’s visual effects in “Lost in Space” ° Netflix has the most nominations for the Emmy Awards ° Second Emmy nomination for Mackevision and second Emmy nomination for Prof. Juri Stanossek, VFX Supervisor Stuttgart, 13th July 2018 — The Emmy award nominations were announced on Thursday. Netflix leads the field with a total of 122 nominations, including the successful series “Lost in Space”. Prof. Jury Stanossek, VFX Supervisor at Mackevision, has been nominated for the Emmy in the category “Outstanding Visual Effects” together with other VFX supervisors. “I am overwhelmed and incredibly grateful for the nomination. Above all, I am proud of the team whose work laid the foundation for the nomination. I would like to express my deepest thanks to our VFX Producer, Marina Winter, who has done an incredible job” said Juri Stanossek. “35 artists worked on seven episodes over a period of six months and created 75 shots. We are especially proud of the Jupiter spaceship model because it has a strong presence in every episode of the series.” For Stanossek, this is the second Emmy nomination in the course of his career. In 2012, he received both an Emmy award and an award from the renowned American organization “Visual Effects Society” for his work on the second season of “Game of Thrones”. Led by the VFX supervisors Jabbar Raisani, Terron Pratt and Marion Spates, Mackevision was one of multiple VFX companies operating worldwide that transformed “Lost in Space” into a superlative fantasy experience. Mackevision provided digitally rendered scenes featuring the computer-generated spaceship Jupiter (including the start sequence, spatial explosion) along with digital creatures and digital environments. -
FILMING in GERMANY MARCH 2021 MARCH Production Service Soft Money Incentives
PRODUCTION SERVICE PRODUCTION FILMING IN GERMANY MARCH 2021 MARCH Production Service Soft Money Incentives STUDIOBABELSBERG.COM WE LOVE MAKING MOVIES SOFT MONEY Up to 25% Cash Rebate INCENTIVES plus regional soft money The German federal government as well as regional film internationally co-produced feature films, high-end series and funds support filmmakers by a one-of-a-kind film production VoD formats with large budgets. In addition, a number of re- rebate program totalling EUR 350 million. gional film funds provide efficient support to productions of any budget. Many German states grant funds and additional The established German Federal Film Fund (DFFF) with soft money depending on the regional spend. its two columns DFFF I and DFFF II contributes annually EUR 120 million to stimulate production activities in the film The German film production rebate is internationally reco- industry. International producers can apply for a rebate of up gnized. Numerous well-known productions have benefited to 25% for their spend on the ground. from the incentive program in the last years, among others The Reader, Inglourious Basterds, The Grand Budapest Hotel, With a yearly volume of EUR 30 million, the German Motion Bridge of Spies or The Hunger Games: Mockingjay, and Picture Fund (GMPF) additionally supports the production of series as Homeland, Berlin Station, Counterpart and Dark. Studio Babelsberg is your reliable partner for all incentive, soft money and financing solutions • Access the 25% rebate and regional subsidies • Build cost-effective -
Martin Moszkowicz Filmographie
FILMOGRAPHIE MARTIN MOSZKOWICZ FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2022 Liebesdings Anika Decker EXECUTIVE PRODUCER Der Nachname Sönke Wortmann EXECUTIVE PRODUCER 2021 Welcome to Raccoon City Johannes Roberts EXECUTIVE PRODUCER Contra Sönke Wortmann EXECUTIVE PRODUCER Caveman Laura Lackmann EXECUTIVE PRODUCER Tides Tim Fehlbaum EXECUTIVE PRODUCER Ostwind - Der große Orkan Lea Schmidbauer CO-PRODUZENT The Foundation Mike P. Nelson EXECUTIVE PRODUCER Monster Hunter Paul W.S. Anderson EXECUTIVE PRODUCER 2 020 Drachenreiter Tomer Eshed EXECUTIVE PRODUCER Black Beauty Ashley Avis EXECUTIVE PRODUCER Berlin, Berlin Franziska Meyer Price CO-PRODUZENT Das geheime Leben der Bäume Jörg Adolph EXECUTIVE PRODUCER 2019 Das perfekte Geheimnis Bora Dagtekin EXECUTIVE PRODUCER Eine ganz heiße Nummer 2.0 Rainer Kaufmann CO-PRODUZENT Die drei !!! Viviane Andereggen CO-PRODUZENT The Silence John R. Leonetti EXECUTIVE PRODUCER Der Fall Collini Marco Kreuzpaintner EXECUTIVE PRODUCER Ostwind – Aris Ankunft Theresa von Eltz CO-PRODUZENT Polar Jonas Akerlund EXECUTIVE PRODUCER FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2018 Der Vorname Sönke Wortmann EXECUTIVE PRODUCER Fünf Freunde und das Tal der Dinosaurier Mike Marzuk CO-PRODUZENT Asphaltgorillas Detlev Buck EXECUTIVE PRODUCER Verpiss Dich, Schneewittchen Cüneyt Kaya EXECUTIVE PRODUCER Nur Gott kann mich richten Özgur Yildrim CO-PRODUZENT 2017 Dieses bescheuerte Herz Marc Rothemund PRODUZENT Das Pubertier Leander Haußmann EXECUTIVE PRODUCER Tigermilch Ute Wieland EXECUTIVE PRODUCER Ostwind – Aufbruch nach Ora Katja von Garnier CO-PRODUZENT Axolotl Overkill Helene Hegemann EXECUTIVE PRODUCER Tiger Girl Jakob Lass EXECUTIVE PRODUCER Jugend ohne Gott Alain Gsponer EXECUTIVE PRODUCER Timm Thaler oder das verkaufte Lachen Andreas Dresen EXECUTIVE PRODUCER Shadowhunters (TV) McG u.a. PRODUZENT Resident Evil: The Final Chapter Paul W.S. -
Clicca Qui Per Scaricare Il Programma Completo
Ripartire dalla cultura e dall’intrattenimento. Il ruolo dei media per un nuovo Rinascimento Milano, 14-18 giugno 2021 14.06.21 Lunedì 11:00-12:30 Teatro alla Scala | Piazza della Scala Cerimonia di inaugurazione Prix Italia Presenta: Barbara Capponi, Giornalista Rai TG1 Maria Elisabetta Alberti Casellati, Presidente del Senato Giuseppe Sala, Sindaco di Milano, Presidente della Fondazione Teatro alla Scala Marcello Foa, Presidente Rai Dominique Meyer, Sovrintendente del Teatro alla Scala Graham Ellis, Presidente Prix Italia Annalisa Bruchi, Segretario Generale Prix Italia Attilio Fontana, Presidente della Regione Lombardia Lingua italiana, lingua dei segni streaming su www.prixitalia.rai.it e su RaiPlay 14:50-15:10 Fondazione Stelline | Corso Magenta, 61 Tgr Speciale Prix Italia 2021 Diretta Rai 3 a cura della Tgr Lombardia Conduce: MariaRosa Monaco 1 Ripartire dalla cultura e dall’intrattenimento. Il ruolo dei media per un nuovo Rinascimento Milano, 14-18 giugno 2021 15.06.21 Martedì 10:30-12:30 Fondazione Stelline, Sala Leonardo | Corso Magenta, 61 La cooperazione internazionale è il futuro delle produzioni multimediali? Panel Nell’era digitale le coproduzioni hanno assunto un’importanza decisiva sia per i broadcaster che per le loro associazioni. Questa è la strategia per essere competitivi nel panorama globale dei media, dove le OTT detengono un potere economico immenso. In questo panel verranno presentate alcune modalità di coproduzione che hanno avuto più successo e saranno discusse le strategie per realizzarle in Europa e altrove. -
Aleks Paunovic Anna Galvin Jenika Rose
STARRING C THOMAS HOWELL ALEKS PAUNOVIC ANNA GALVIN JENIKA ROSE CRIMSON POINT 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 CRIMSON POINT CONTENTS 4 Synopsis 5 Director 6 | 11 Cast 12 Cinematographer 13 Producer 14 International Sales Agents 15 Executive Producers 16 Equity 17 Perks & Benefits CRIMSON POINT 3 After serving 20 years in prison for the murder of his daughter, Frank returns to his backwoods hometown. Old wounds and rumours of the past resurface and haunt him as he tries to find out who really killed her. The film isn’t your typical revenge film. Looks are deceiving. In fact, it isn’t a revenge film at all. It’s a Greek tragedy that explores the central character’s guilt through Dante’s Inferno. Beyond, the murder and the treachery, the film is an emotional journey about a father and a daughter. This is the heart of the project. Without touching on a father’s love, the film fails. In fact, everything happens because of a father’s love for his daughter. He acts out of love. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
Cartoon Forum 2014 List of Participants (Dated 9 Sep)
Cartoon Forum 2014 List of participants (dated 9 Sep) BROADCASTERS Bayerischer Rundfunk (BR) Gröller Monika Germany BBC Worldwide Hurford-Jones Henrietta UK BBC Worldwide Waddington Nathan UK CANAL+ Boé Sophie France CANAL+ Blaevoet Laurence France CANAL+ Soto Géraldine France CBBC - BBC Children's Muller Sarah UK CBBC - BBC Children's Pryke Lucy UK CBeebies - BBC Children’s Edwards Jackie UK CBeebies - BBC Children’s Stewart Alison UK Channel 5 - milkshake! Grierson Josie UK Croatian Television (HRT) Zubčić Krešimir Croatia Czech Television (CT) Lukešová Lenka Czech Rep. Disney Channels Worldwide Miller Karen K. USA Estonian Television (ETV) Tüür Tiivi Estonia France Télévisions Barnabe-Creiche Sophie France France Télévisions Canault Lucile France France Télévisions Chesnay Céline France France Télévisions De Raguenel Tiphaine France France Télévisions Guertzon Carole France France Télévisions Heinrich Claire France France Télévisions Jabrane David France France Télévisions Jacquet Joseph France France Télévisions Lamotte Jean-Baptiste France France Télévisions Lanet Kerrand Chantal France France Télévisions Marteau Hélène France France Télévisions Peyrissac Nathalie France France Télévisions Pflimlin Rémy France France Télévisions Portail Kernel Vicky France France Télévisions Reinaudo Christine France France Télévisions Siracusa Pierre France France Télévisions / France 3 Borde Julien France Hessischer Rundfunk (HR) Vasapollo Patricia Germany Ketnet / VRT De Vriese Franceska Belgium Ketnet / VRT Klaï Telidja Belgium KI.KA Debertin -
Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel
Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel by Christina Vani A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Christina Vani 2018 Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel Christina Vani Doctor of Philosophy Department of Italian Studies University of Toronto 2018 Abstract This thesis explores the language and style of six “undead romances” by four contemporary Italian women authors. I begin by defining the undead romance, trace its roots across horror and romance genres, and examine the subgenres under the horror-romance umbrella. The Trilogia di Mirta-Luna by Chiara Palazzolo features a 19-year-old sentient zombie as the protagonist: upon waking from death, Mirta-Luna searches the Subasio region for her love… but also for human flesh. These novels present a unique interpretation of the contemporary “vampire romance” subgenre, as they employ a style influenced by Palazzolo’s American and British literary idols, including Cormac McCarthy’s dialogic style, but they also contain significant lexical traces of the Cannibali and their contemporaries. The final three works from the A cena col vampiro series are Moonlight rainbow by Violet Folgorata, Raining stars by Michaela Dooley, and Porcaccia, un vampiro! by Giusy De Nicolo. The first two are fan-fiction works inspired by Stephenie Meyer’s Twilight Saga, while the last is an original queer vampire romance. These novels exhibit linguistic and stylistic traits in stark contrast with the Trilogia’s, though Porcaccia has more in common with Mirta-Luna than first meets the eye. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Deutsche Musik
Transkript des Podcasts Slow German www.slowgerman.com Deutsche Musik Lange Zeit gab es in Deutschland fast nur Bands, die englisch gesungen haben. Es galt als cool, als modern, als besonders international. Dann kam 1976 die so genannte Neue Deutsche Welle. Die Musiker fingen an, wieder deutsch zu singen. Sehr berühmt wurden auch international Nena, die Gruppe Trio, und natürlich Falco. Keine Angst, wenn Ihr hier nichts verstanden habt – Falco singt österreichisch. Ich selber bin 1976 geboren, das heißt von der Neuen Deutschen Welle habe ich nicht viel mitbekommen. Aber die Lieder kenne ich natürlich trotzdem – denn auch heute noch werden viele davon auf Parties gespielt. Ach, wenn wir gerade dabei sind, spiele ich Euch kurz auch noch ein Lied vor, das auf keiner Party fehlt: Marmor, Stein und Eisen bricht. Das war ein Lied von 1965, gesungen von Drafi Deutscher. Ich habe als Kind durch meine Eltern aber andere Musik gehört, zum Beispiel Reinhard Mey. Sein berühmtestes Lied ist wohl “Über den Wolken”. Darin geht es um das Gefühl, in einem Flugzeug zu sitzen und zu fliegen. Reinhard Mey macht auch heute noch Musik und geht auf Tournee. Das Besondere an ihm ist, dass er sehr poetische Texte schreibt, die oft sehr anspruchsvoll sind. Und er singt sehr, sehr deutlich, aber manchmal auch sehr schnell… Wir bleiben bei den älteren Herren, denn einer von ihnen macht jetzt gerade in Deutschland Schlagzeilen. Es ist Udo Lindenberg. Udo kennt in Deutschland jeder. Er hat eine Lippe wie Silvester Stallone, trägt immer einen Hut und eine Sonnenbrille und lebt in Hamburg in einem Hotel. -
Vampires, Werewolves & Zombies
Story Links: Vampires, Werewolves and Zombies Selected resources for high school students compiled by Dajo Finlayson and Mia Macrossan For Years 7-9 Henry Hoey Hobson by Christine Bongers Twelve- year- old Henry Hoey Hobson arrives at his sixth school, Our Lady of Perpetual Succour, to discover he's the only boy in Year Seven. Friendless, fatherless and non- Catholic, Henry is not only a Perpetual Sucker, but a bloodsucker, according to his catty classmates. When he's caught moving a coffin into the creepy house next door, it drives a stake through the heart of his hopes of fitting in. His only chance to fight back is the school swimming carnival - sink or swim in the treacherous waters of Year Seven. High Stakes by Meg Cabot Suze's new life in California is looking up. Cool friends, pool parties, good-hair days, plus the gorgeous ghost, Jesse, who hangs out in her bedroom. Best of all Tad, the cutest (live) boy in town, just asked her out! Then a screaming spirit wakes Suze in the middle of the night with a very important message. Suddenly she's on the trail of a creepy local businessman, who might or might not be a vampire. Oh, and who also happens to be Tad's dad. Suze's life just got dead complicated - again. Insatiable by Meg Cabot Sick of hearing about vampires? So is Meena Harper. Meena Harper is familiar with the supernatural. After all, she knows how you're going to die. While she's always been able to see everyone else's destiny, she's never been able to look into her own.