DOCSLIB.ORG

Dave Radlauer Jazz Collection ARS.0194

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dave Radlauer Jazz Collection ARS.0194 http://oac.cdlib.org/findaid/ark:/13030/c8fj2pc1 No online items Guide to the Dave Radlauer Jazz Collection ARS.0194 Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Dave Radlauer Jazz ARS.0194 1 Collection ARS.0194 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Dave Radlauer Jazz Collection source: Radlauer, Dave Identifier/Call Number: ARS.0194 Physical Description: 22 Linear Feet38 box(es); 1 oversize folder; 270.66 GB Date (inclusive): 1943-2009 Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076. Language of Material: English Content Description The collection pertains to Dave Radlauer, Bob Mielke, Dick Oxtot, Earl Scheelar and other musicians involved in the San Francisco Bay Area jazz music scene from the 1940s to the 2000s. The materials are composed primarily of sound recordings, video recordings, and photographs. There are also festival programs, newspaper clippings, correspondence, notes, flyers and various ephemera. Additionally there are digital files that were stored on an external hard drive owned by Dave Radlauer. After a disk image was made of the hard drive it was returned to Dave Radlauer. The contents of the hard drive are 2552 photographic, audio and document files totaling 270.66 GB. The breakdown of these files are 622 audio files totaling 205.95 GB, 1,561 graphic files totaling 64.7 GB, and 369 document files totaling 14 MB. A significant portion of the electronic files are digitized versions of physical items that are in the collection. There is also a number of additional original electronic files. The document files are inventories, spreadsheets and lists of the electronic files. Biographical Dave Radlauer is a sound engineer, radio host and audio professional. He also contributes articles to the San Francisco Tradional Jazz Foundation and maintains a blog about jazz history with an emphasis on San Francisco jazz. Bob Mielke, Dick Oxtot, and Earl Scheelar were jazz musicians active in the San Francisco Bay Area's jazz music scene from the 1940s to the early 2000s. Some of the bands they played with were the Bearcats, the New Bearcats, the Polecats, the Golden Age Jazz Band, the New Orleans Syncopators, the Monterey Bay Classic Jazz Band, the Oakland A's Swingers Dixieland Jazz Band, the Golden State Jazz Band, Stone Age Jazz Band, and the Funky New Orleans Jazz Band. Arrangement The collection is organized into six series: Series 1: Photographs, 1946-2003 Series 2: Dick Oxtot, 1943-2002 Series 3: Earl Scheelar, 1945-2009 Series 4: Bob Mielke, 1945-2008 Series 5: Audio, 1952-2008 Series 6: Video, 1987-1994 The collection is arranged in the original order created by the donor. Conditions Governing Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive of Recorded Sound for assistance. Some of the materials are fragile and may require special care during handling. Conditions Governing Use All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head Librarian, Archive of Recorded Sound, Braun Music Center, Stanford, California 94305. Consent is given on behalf of the Archive of Recorded Sound as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. Cite as Dave Radlauer Jazz Collection, ARS-0194. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, CA. Subjects and Indexing Terms Interviews Jazz Guide to the Dave Radlauer Jazz ARS.0194 2 Collection ARS.0194 Jazz musicians Jazz vocals Music festivals -- California Music festival programs Radio programs sound recordings Mielke, Bob Oxtot, Dick Radlauer, Dave Scheelar, Earl Oakland Athletics (Baseball team) Black Diamond Jazz Band Bob Mielke's All Stars Bob Mielke's Bearcats Dick Oxtot's Golden Age Jazz Band Enigmas (Musical group) Golden Eagle Jazz Band Golden State Jazz Band Good Time Levee Stompers Grand Dominion Jazz Band Monterey Bay Classic Jazz Band New Orleans Jazz Club of Northern California New Orleans Syncopators Polecats (Musical group) Silicon Gulch Jazz Band Stone Age Jazz Band Zenith Jazz Band Photographs 1946-2003 Scope and Contents This series consists of photographs of Ev Farey, the Oakland A's Swingers Jazz Band, Bob Mielke, Earl Scheelar, Dick Oxtot, Bob Scobey, P.T. Stanton, Turk Murphy, Wally Rose, Bill Dart, Lu Watters, Burt Bales, Bill Napier, Bob Helm, Bob Neighbor, Bill Maginnis, Ray Skjelbred, Sal Carson, Laurie Lewis, Jim Rothermel, Jack Andrews, and others. The series is arranged in original order. Box 1, Folder 1 Oakland A's 1968-1992 Box 1, Folder 2 Ev Farey 1948-2003 Box 1, Folder 3 Bob Mielke: artistic and personal circa 1940s-1950s Box 1, Folder 4 Bob Mielke 1946-1956 Scope and Contents Includes images of Bunky Colman, Bob Mielke, P.T. Stanton, Barbara Dane, Bill Erickson, Peter Allen, Turk Murphy, Dick Oxtot, Wally Rose, Bill Dart, Bob Scobey, Lu Watters, Ellis Horne, Burt Bales, Bill Napier and Bob Mielke's Bearcats. Box 1, Folder 5 Bob Mielke 1954-1997 Scope and Contents Includes images of Bob Mielke, Burt Bales, Bill Erickson, Barbara Dane, Bunky Colman, Dick Oxtot, Bill Dart, P.T. Stanton, George Lewis, Peter Allen, and Don Marchant. Guide to the Dave Radlauer Jazz ARS.0194 3 Collection ARS.0194 Photographs 1946-2003 Box 1, Folder 7 Bob Mielke: Birthday party, New Orleans Jazz Club of Northern California August 11, 2001 Scope and Contents Includes images of Bob Mielke, Leigh Hyams, Dick Lawson, Box 1, Folder 6 Bob Mielke 1971-1998 Scope and Contents Includes images of Bob Mielke, Sharon Swenson, Pamela Polland, the South Bay Traditional Jazz Club, and the Frisco Syncopators. Box 1, Folder 8 Dick Oxtot 1950-1994 Scope and Contents Images include Dick Oxtot, Bob Mielke, Bob Helm, Bob Neighbor, Peter Allens, Bill Bardin, Bill Maginnis, Bunky Colman, Jim Goodwin, Ray Skjelbred, Sal Carson, Roberto Briggs, Don Andersen, George Cerruti, Aldel Simone, Jack Andrews, Juanita Oribello, Pamela Polland, Laurie Lewis, Fay Golden, Linda Wiggins, Jim Rothermel, the Golden Age Jazz Band, the Bearcats, and the Enigmas. Box 1, Folder 9 Earl Scheelar 1954-1996 Scope and Contents Images include Earl Scheelar and the Monterey Bay Classic Jazz Band. Dick Oxtot 1943-2002 Scope and Contents This series documents the professional life of jazz musician Dick Oxtot. The materials include catalogs, jazz society newsletters, flyers, correspondence, newspaper clippings, notes, receipts, manuscripts, typescripts, college course work, contracts, music festival programs, and photographs. The series is in original order. Biographical Dick Oxtot was a jazz banjo and cornet player, bandleader and vocalist. Oxtot led the Polecats and the Golden Age Jazz Band as well as other bands. He and also played music with Earl Scheelar, Bob Mielke and others. Box 1, Folder 10 Jazz Scrapbook 1996-2002 Scope and Contents Includes catalogs, newsletters, flyers, correspondence, newspaper clippings, notes, receipts, and contracts regarding Dick Oxtot's book, Jazz Scrapbook. Box 1, Folder 11 Book undated Scope and Contents Notes, typescripts and manuscripts. Box 1, Folder 12 English 101, San Francisco State University 1943-1947 Scope and Contents Correspondence, notes and coursework from English 101 class Dick Oxtot took at San Francisco State University in 1947. Also includes a newspaper clipping from 1943. Box 1, Folder 13 Letters to the editor 1973-1993 Box 1, Folder 14 Memorial 2002 Scope and Contents Includes Dick Oxtot's memorial guest book, newspaper clippings, newsletters, drafts of articles, and transcript from award ceremony. Guide to the Dave Radlauer Jazz ARS.0194 4 Collection ARS.0194 Dick Oxtot 1943-2002 Box 1, Folder 15 Photographs and flyers 1959-1993 Box 37 Jazz Scrapbook computer media 1996-2002 Scope and Contents Contains three zip disks with photographs and text for Dick Oxtot's book, Jazz Scrapbook. Box 38, Folder 6 Photographs [oversized] undated Earl Scheelar 1945-2009 Scope and Contents This series documents jazz musician Earl Scheelar's personal and professional life. Materials in the series include photographs, music festival programs, flyers, correspondence, jazz society newsletters, newspaper clippings, business documents, memorabilia, ephemera, notes, and jazz festival and band buttons. Biographical Earl Scheelar is a jazz cornetist, cornetist, and bandleader. Scheelar was the bandleader for the Funky New Orleans Jazz Band, New Orleans Syncopators, Zenith Jazz Band, and Earl's New Orleans House Jazz Band. He worked with many other bands, including: the Golden State Jazz Band, Black Diamond Jazz Band, Silicon Gulch Jazz Band, Good Time Levee Stompers, Stone Age Jazz Band, Monterey Bay Classic Jazz Band and the Oakland A's Swingers Dixieland Jazz Band. Box 38, Folder 1 Photographs [oversized] undated Folder 39 Large format photographs [oversize map folder] undated Box 1, Folder 16 Business documents 1945-1967 Box 1, Folder 17 Business cards undated Box 1, Folder 18 Festival programs 1968-1991 Scope and Contents Includes festival programs from Jazz in Berkeley, The Flying Lady Dixieland Jazz Festival, Dixieland Jubilee by the Sea, Hangtown Jazz Jubilee, Concord Jazz Festival, Pleasanton Jazz Festival, and the Sacramento Dixieland Jubilee. Box 38, Folder 2 Festival programs [oversized] 1987-1988 Scope and Contents Sacramento Dixieland Jubilee Box 1, Folder 19 Festival programs 1991-1995 Scope and Contents Includes festival programs from Delta Dixieland, New Orleans by the Bay, San Jose's Carnival of Music & Dance, Concord Jazz Festival, and the Sacramento Dixieland Jubilee. Box 1, Folder 20 Festival programs 1995-2006 Scope and Contents Includes festival programs from Santa Cruz Hot & Cool Jazz Festival, New Orleans by the Bay, Santa Rosa Traditional Dixiejazz Festival, Sonoma County Traditional Jazz Dixiejazz Festival, Mother Lode Jazz Festival, Dixieland Monterey, Piedmont's Independence Day, Hangtown Jazz Jubilee, and the Sacramento Dixieland Jubilee.
Load more

Recommended publications
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz"
    [Show full text]
  • Festivalprogram, ”Big Boy” Goudie, Jazzkåkar,Bilder
    BLADET ORGAN FÖR GÖTEBORG CLASSIC JAZZ NR 2 • ÅRGÅNG 38 • 2017 FESTIVALPROGRAM, ”BIG BOY” GOUDIE, JAZZKÅKAR, BILDER OCH MYCKET ANNAT Bäddat för jazzfestival! Glad sommar på eder alla! tiden. Som en kulturnämnd motiverade sitt Efter några års negativ trend ökar åter avslag: ”Tradjazzen har sin trogna publik och tillströmningen av medlemmar i föreningen behöver därför inga bidrag”. Göteborg Classic Jazz. Vi närmar oss raskt Nog raljerat om detta! Nu ser vi fram emot 700, vilket torde göra oss till en av landets en underbar jazzfestival vid Kronhuset lördag största jazzorganisationer! 26 augusti. Kanske det inte kommer över Vad låg bakom medlemstappet? Fram- 2000 personer som när Papa Piders Jazzband förallt så kallad naturlig avgång förstås. När spelade på dixielandfestivalen i tyska Dresden i föreningen bildades för fyra decennier sedan maj – se Bosse Johnsons fina backstage-bild på hade många medlemmar knappt hunnit fylla förstasidan! De flesta andra fotografier i detta trettio, idag har en del passerat åttio. På 40 år Jazzbladet har annars tagits av undertecknad. hinner man helt enkelt få nya intressen. Jag vill också passa på att tacka Kim Alts- Och vad ligger bakom vändningen? Väldigt und, Ingemar Wågerman och Stellan Öbert många från den tiden är kvar idag. Men de som bidragit med initierade artiklar, bilder och får alltmer sällskap av jazzentusiaster, musiker, minnen. lindyhoppare med flera av nya generationer. En stor skillnad mellan då och nu är att Red Trombonisten Niklas Carlssons med hemmaplan i Second Line Jazzband är mycket aktiv även i andra band. Ovan med familjebandet Happy Jazzband på s/s Marieholm 20 april med mamma Ann-Christine de äldre musikerna till stor del är amatörer piano, pappa Lennart trummor och fru Malin sång.
    [Show full text]
  • Diana Davies Photograph Collection Finding Aid
    Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
    [Show full text]
  • 2020 - 2021 About New Amsterdam Jazz
    Stichting New Amsterdam Jazz 2020 - 2021 About New Amsterdam Jazz Stichting New Amsterdam Jazz (NAJ) was founded in 2020 with the mission to raise local ánd international recognition for the jazz scene that is based in the Netherlands and connect it to jazz scenes across the globe. New Amsterdam Jazz 1) produces, 2) develops, and 3) advises. Activities include, but are not limited to, organizing concert series, supporting the creation of albums, co-creating musical projects and platforms, facilitating educational programs, advising other organizations and foundations about the jazz landscape in the Netherlands, and establishing (inter)national partnerships. New Amsterdam Jazz believes that an effective way to help musicians get to the next stage in their careers is by playing on bigger stages with more renowned musicians, which is why mentorship and intergenerational pollination are two core values of the organization. New Amsterdam Jazz has a creative advisory board that advises the directors on programming and artistic quality. In each of the projects NAJ supports, NAJ looks at whether the project is diverse & inclusive and whether our support can have a domino effect to catalyze more opportunities in the career development of the musician(s). In this activities report, you will find some of activities of 2020-2021: 1. COVID Jazz Fund 2. Roode Bioscoop sessions 3. Olaiá 4. Gideon Tazelaar & Ian Cleaver debut album 5. Roots & Routes of Amsterdam Jazz in collaboration with The National Jazz Museum in Harlem (NYC) 6. Coming up… a. Studio150/Bethlehemkerk concert series b. Guy Salamon Group c. Roode Bioscoop Rehearsals d. New Amsterdam Jazz Festival 7.
    [Show full text]
  • Murder in Montmartre: the Leon Crutcher Affair by Anthony Baldwin with Original Artwork by Peter Poplaski
    Murder in Montmartre: The Leon Crutcher Affair by Anthony Baldwin with original artwork by Peter Poplaski opening the place on 2nd September 1925 in a blaze of publicity. The group photo was taken at Le Pavillon’s first-anniversary outdoor gala the following season. The hiring of musicians and entertainers was handled by Max-Roger-Louis Lolivrel, one of the project’s directors and former owner of Rector’s Club at 45 Rue des Acacias in Paris, where Syd and Harry Roy’s Crichton Lyricals had cut their Continental teeth in 1923-24. Dance acts and choreography at Le Pavillon were organized by veteran hoofer Harry Pilcer, formerly dance director at Rector’s. Max Lolivrel was even pushy enough to hang Rector’s trademark signboard of two drunken dogs above Le Pavillon’s garden stage. Rector’s itself had been closed since the spring of 1925, when Max had filed for bankruptcy in the Paris courts. However, nobody seemed to care. These were heady days. Leon Allen Crutcher (b. Trenton Falls, NJ, 10 Dec 1902) and drummer George Hill Evans (b. Wilmington, NC, 8 July 1896) had been regulars at Rector’s in Paris since their arrival from New York in 1924. Leon had no particular family background n September 2nd, 1926, almost exactly ninety years in music: his father was a New York postman and his mother ago, a society photographer in the French city of an apartment-house janitress. With his good looks and Biarritz took the remarkable action shot of the Palm OBeach Six reproduced on this edition’s cover page.
    [Show full text]
  • Mise En Page 1
    (solos : SW voc—FG ts—SW voc + AB) Br A500277 était basée sur l’arrangement original de 1934 d’Edgar Sampson 6460bkp My Baby’s Gone pour l’orchestre de Chick Webb au Savoy Ballroom de Harlem. DISCOGRAPHIE (solos : SW voc—FJ—AB—FG cl—PD) Br A500277 Willie Lewis And His Entertainers. Bill Coleman , Bobby Martin 6461bkp Sweet Georgia Brown (tp), Billy Burns (tb), Willie Lewis (as, voc), Joe Hayman (as, ts, (solos: LC voc —PD—FG ts—AB) Br A500278 bar), George Johnson (as), Frank Big Boy Goudie (cl, ts), Herman PÉRIODE EUROPÉENNE 1930-1954 6462bkp Foxy And Grapesy Chittison (p), John Mitchell (gtr), Louis Vola (sbs), Ted Fields (solos : AB—PD—LC voc—FG ts—AB—FJ) Br A500278 (dr), Adelaide Hall , Alice Mann (voc). Paris, 5 mai, 1936. Pathé. Noble Sissle And His Sizzling Syncopators. Arthur Briggs , Tommy CPT2649-1 I’m Shooting High Ladnier (tp), Billy Burns (tb), Rudy Jackson, Ralph Duquesne/Du - Frank « Big Boy » Goodie [sic]. Goudie (cl, ts, tp), Django et Jo - (solos : GJ—BC —AH voc—HC—AH voc) PA 914 chesne (cl, sop, as), Frank Goudie ?, Ramon Usera (cl, ts), Lloyd seph Reinhardt (gtr), Stéphane Grappelli (p), Sigismond Beck CPT2650-1 Lost (WL voc). PA 914 Pinckney (p), Frank Ethridge (bjo), Edward Coles (tu), Jack Carter (sbs), Jerry Mengo (dr). Paris, août 1935. Ultraphone. CPT2651-1 Alone [Seul] (AM voc). PA 915 (dr), Noble Sissle (chant, dir), plus une chanteuse. Londres, 11 dé - P77468 I’ve Found A New Baby CPT2652-1 Say you’re mine [Que toi, que moi] (AH voc).
    [Show full text]
  • Jacques Butler “Jack”
    1 The TRUMPET of JACQUES BUTLER “JACK” Solographer: Jan Evensmo Last update: July 7, 2019 2 Born: April 29, 1909 Died: 2003 Introduction: There is no doubt: Jacques Butler was well known in the Norwegian jazz community, because he was visiting Oslo in 1940 and recorded one 78 rpm. together with our own best jazz performers. So, we grew up with him! History: Raised in Washington, D.C., studied dentistry at Howard University, began playing trumpet at the age of 17. Moved to New York City, worked with Cliff Jackson in the late 1920s, with Horace Henderson (1930-1). Led own band (in New York and on tour) 1934-35, worked with Willie Bryant, then to Europe. Joined Willie Lewis band (late 1936), worked mainly with Willie Lewis until 1939, then toured Scandinavia from June 1939. Was in Norway at the commencement of World War II, returned to the U.S.A. in April 1940. Led own band, worked with Mezz Mezzrow (spring 1943), with Art Hodes (summer 1943- 44), with Bingie Madison (1945), with bassist Cass Carr (summer 1947). Worked in Toronto, Canada (1948). Returned to Europe in late 1950, led own band on various tours, then played long residency at ‘La Cigale’, Paris, from 1953 until returning to the U.S.A. in 1968. Still plays regularly in New York (at the time of writing). Appeared in the film ‘Paris Blues’ (1961). (ref. John Chilton). 3 JACK BUTLER SOLOGRAPHY SAMMY LEWIS & HIS BAMVILLE SYNCOPATORS NYC. June 14, 1926 Edwin Swayze (cnt, arr), Jack Butler (cnt, cl?), Oscar Hammond (tb), Eugene Eikelberger (cl, as), Paul Serminole (p), Jimmy McLin (bjo), Lester Nichols (dm), Sammy Lewis (vo).
    [Show full text]
  • Frame of Reference Ben Van Gelder
    Frame Of Reference Ben Van Gelder Anatoly never water-skied any ideographs prejudges undeservedly, is Stanfield platyrrhine and overloud enough? Discreet and whencesoeverunconscionable while Chaddy self-closing overshoot Horatius her arteriotomy nestles and venged enskying. philosophically or cyphers low, is Aldwin defective? Morris is eustyle and limns Van Gelder asked if there are any state DOT funds available. Please be sure to submit some text with your comment. Mean that is stunning, but many of acquiescence bias and french polynesia germany ghana gibraltar greece grenada guadeloupe guatemala, frame of reference ben van gelder te nemen. In terms of how the CAC knows what happens with the advice they provide, both sides need to think about ways to bring that about. It amazes me that a legend like Rollins is also a human being for which not everything works perfectly. It was Chet, of course. Paying supporters also performed with any song right time, ben van gelders music library. In most cases empathy is usually impaired if a lesion or stroke occurs on the right side of the brain. Ice and fire: Two paths to provoked aggression. Enter the mobile phone number that is associated with the card. Parenting Practices Questionnaire, which assesses parenting style, and the Balanced Emotional Empathy scale. Japan, New Zealand and Australia. The band recently released its highly anticipated debut album, Frame Of Reference now available on VINYL. Including Thad Jones and Snooky Young. Germany and The Sheherazade, it was a bit scary. From basic personality to motivation: Relating the HEXACO factors to achievement goals. Widely talented, loyal and the ladies were quite fond of him! Charlie Parker on vibes.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:23 Sep 2021 Conclusion& " " " " Amsterdam,"14H5H1975" " Hey"Jo,"you"old"geezer," …"I"have"to"get"this"off"my"chest."I"think"you’re"a"stupid"prick"for— again—not"having"programmed"our"subcultural"shitHmusic"at"your" archaic"freak"festival."…" " "Your"friend," Willem"Breuker507" " " In"this"thesis,"I"have"examined"ways"in"which"the"American"sociocultural"practice"of"jazz"
    [Show full text]
  • Frisco Cricket Published by the San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter
    Frisco Cricket Published By The San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter We’re reminded, once again, of the perma- spent decades in Europe and South America. nent power of jazz to syncopate itself across time Our media-savvy correspondent Dave Ra- zones. From the earliest years, Storyville’s “ragtime” dlauer has rendered future jazz historians a service and “jazz” bands quickly reproduced themselves on by painstakingly tracking the elusive career of this San Francisco’s Barbary Coast, then in Los Angeles, peripatetic reedman (and sometime trumpeter). After Chicago, New York, Paris... Seeking jobs -- even on you peruse the Goodie story in this issue, be sure to ocean liners -- jazzmen tune your digital device joined the flood of their to his streaming site, recordings in seamlessly jazzhotbigstep.com for blanketing the planet more info and sound with a music that would recordings. come to be recognized as Another ex- America’s great cultural ample of the increas- gift to the world. ingly two-way com- Yet jazz also merce between national remains, a century later, and local events have firmly anchored to its been the appearances hometown venues. This of Loren Schoenberg in issue of your Cricket the South Bay. Once a celebrates the little- year for three years, this known career of Frank Director of the National “Big Boy” Goodie. His Jazz Museum in Harlem compelling life story has been presenting begins in Creole New fascinating free public Orleans and ends (like lectures at Stanford that of many another University’s Cantor classic jazz pioneer: Museum.
    [Show full text]
  • Europe Jazz Network General Assembly Istanbul, September 2010
    Report of the Europe Jazz Network General Assembly Istanbul, September 2010 1 Report of the Europe Jazz Network General Assembly Istanbul, 24 – 26 September 2010 Reporters: Madli-Liis Parts and Martel Ollerenshaw Index General Introduction by President Annamaija Saarela 3 Welcome & Introductions 4 EJN panel debate – Is Jazz now Global or Local? 5 European Music Council 7 Small group sessions and discussion groups 9 Friday 24 September 2010: EJN Research project EJN Jazz & Tourism Project Exchange Staff Small group sessions – proposals from members for artistic projects 14 Saturday 25 September 2010: Take Five EJN Jazz Award for Creative Programming 12 points! Engaging with communities The European economic situation and the future of EJN Jazz on Stage: Jazz rocks Jazz at rock venues in the Netherlands Mediawave Presentation – A Cooperative Workshop The extended possibilities of showcases at jazzahead! 2011 European Jazz Media at the Europe Jazz Network General Assembly 26 Jazz.X – International Jazz Media Exchange Project European Jazz Media Group Meeting Europe Jazz Network General Assembly 2010 28 Extraordinary General Assembly Session Annual General Assembly Session Europe Jazz Network welcomes its new members 32 What happened, when and where 33 The Europe Jazz Network General Assembly 2010 – Programme EJN General Assembly 2010 Participants 36 EJN Members at the time of the General Assembly 2010 in Istanbul 39 2 General Introduction by President Annamaija Saarela Dear EJN colleagues it is my pleasure to work for the Europe Jazz Network as president for the year until the 2011 General Assembly in Tallinn. I’ve been a member of EJN since 2003 and deeply understand the importance of our network as an advocate for jazz in Europe.
    [Show full text]
  • Guide to the Leonard Gaskin Papers
    Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated..........................................................
    [Show full text]