Teacher Recommended Texts May 2014
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Poetry Live! Trip 31St January 2019 16Th November 2018 Dear Parents/Carers
Poetry Live! Trip 31st January 2019 16th November 2018 Dear Parents/Carers, As part of the process of supporting revision for key sections of the literature exam, we are delighted to announce the Poetry Live! Trip to Cambridge Corn Exchange on 31st January 2019. This is an all day trip and would require students to be ready to leave SWA by 08:20 and return by 16:30. Students will need to bring a packed lunch with them. The total payment to secure a place on this trip is £18 which needs to be paid by 4th December 2018. I have been able to provisionally book tickets for every member of Year 11 and it would be excellent to see you all there. We have an incredible itinerary which includes: Simon Armitage. He is one of Britain’s best poets, with a superb ear for language. This is a great opportunity to hear the Oxford Professor of Poetry read his work from the anthology. Carol Ann Duffy and Gillian Clarke will give an exhilarating joint reading. Their session is one of the most illuminating parts of the day for students. Carol Ann Duffy is one of the most read, studied and loved of today’s poets and such an inspired choice for the role of Poet Laureate. Her poems are sharp, funny and contemporary, and also full of a literary past, whether from mythology, or Shakespeare. John Agard gives one of the most exciting performances in contemporary poetry, not only in the way he delivers his poems, but also in how he talks about them, combining historical awareness, cultural insight and extraordinary humour. -
GCSE English Literature Poetry Anthology
IN THE THIRD-CLASS SEAT SAT THE JOURNEYING BOY, AND THE ROOF-LAMP’S OILY FLAME PLAYED DOWN ON HIS LISTLESS FORM AND FACE, BEWRAPT PAST KNOWING TO WHAT HE WAS GOING, INOR THE WHENCEBAND OF HIS HAT THE HE JOURNEYING CAME. BOY HAD A TICKET STUCK; AND A STRING AROUND HIS NECK BORE THE KEY OF HIS BOX, THAT TWINKLED GLEAMS OF THE LAMP’S SAD BEAMS WHATLIKE PAST A CAN LIVING BE YOURS, O JOURNEYING THING. BOY TOWARDS A WORLD UNKNOWN,UNKNOWN, WHO CALMLY, AS IF INCURIOUS QUITE ON ALL AT STAKE, CAN UNDERTAKE KNOWSTHIS YOUR PLUNGE SOUL A SPHERE, 0ALONE? JOURNEYING BOY, OUR RUDE REALMS FAR ABOVE, WHENCE WITH SPACIOUS VISION YOU MARK AND METE THIS REGION OF SIN THAT YOU FIND YOU IN, BUTUPDATED EDITION: ARE SEPTEMBER 2020 NOT OF? 1 OCR (Oxford, Cambridge and RSA Examinations) The Triangle Building, Shaftesbury Road, Cambridge, CB2 8EA © Oxford, Cambridge and RSA Examinations 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. This book must not be circulated in any other binding or cover and this same condition must be imposed on any acquirer. ISBN 978 019 834090 4 Designed and produced by Oxford University Press Printed by Rotolito SpA 10 9 8 7 6 5 4 3 ACKNOWLEDGEMENTS We are grateful for permission to reprint the following copyright material in this anthology. -
Gillian Clarke Papers, (GB 0210 GCLARKE)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Gillian Clarke Papers, (GB 0210 GCLARKE) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 06, 2017 Printed: May 06, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/gillian-clarke-papers-2 archives.library .wales/index.php/gillian-clarke-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Gillian Clarke Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................. 5 Pwyntiau -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Post 1914 Poems
POST 1914 POEMS Students must also recite one poem published in or after 1914. For school/college competitions, they can choose from EITHER the Timeline Anthology (listed below and available on poetrybyheart. org.uk) OR the First World War Poetry showcase on the website. 148 Craig Raine - A Martian sends a 179 Seamus Heaney - St Kevin and the blackbird postcard home 180 Grace Nichols - Blackout 149 Rita Dove - Ö 181 Alice Oswald - Wedding 150 Linton Kwesi Johnson - Sonny’s lettah 182 Imtiaz Dharker - Minority 151 Carolyn Forché - The colonel 183 Paul Farley - A minute’s silence 152 Tony Harrison - Timer 184 Jane Draycott - Prince Rupert’s drop 153 Patricia Beer - The lost woman 185 Michael Donaghy - Machines 154 James Fenton - God, a poem 186 Denise Riley - A misremembered lyric 155 Peter Porter - Your attention please 187 Benjamin Zephaniah - It’s work 156 Kit Wright - The boys bump-starting the 188 Sean O’Brien - Cousin coat hearse 189 Ian Duhig - The Lammas hireling 157 David Dabydeen - Catching crabs 190 Don Paterson - Waking with Russell 158 U.A. Fanthorpe - The cleaner 191 Choman Hardi - Two pages 159 Wendy Cope - Proverbial ballade 192 Michael Symmons Roberts - Pelt 160 Sujata Bhatt - What is worth knowing? 193 Kamau Brathwaite - Bread 161 Gwendolyn Brooks - Boy breaking glass 194 Colette Bryce - The full Indian head trick 162 Kathleen Jamie - The way we live 195 Owen Sheers - Mametz Wood 163 Paul Muldoon - Meeting the British 196 John Agard - Toussaint L’Ouverture 164 Gillian Clarke - Border acknowledges Wordsworth’s sonnet “To 165 Carol Ann Duffy - Originally Toussaint L’Ouverture” 166 Eavan Boland - The black lace fan my 197 Daljit Nagra - Look we have coming to Dover mother gave me 198 Jean Sprackland - The stopped train 167 Maura Dooley - Explaining magnetism 199 Patience Agbabi - Josephine Baker 168 Mimi Khalvati - Rubaiyat finds herself 169 Lavinia Greenlaw - Love from a foreign city 200 Mick Imlah - Maren 170 Glyn Maxwell - The eater 201 E.A. -
Welsh Horizons Across 50 Years Edited by John Osmond and Peter Finch Photography: John Briggs
25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs 25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well being of Wales. The IWA is an independent organisation owing no allegiance to any political or economic interest group. Our only interest is in seeing Wales flourish as a country in which to work and live. We are funded by a range of organisations and individuals, including the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation, and the Waterloo Foundation. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA - Institute of Welsh Affairs, 4 Cathedral Road, Cardiff CF11 9LJ T: 029 2066 0820 F: 029 2023 3741 E: [email protected] www.iwa.org.uk www.clickonwales.org Inspired by the bardd teulu (household poet) tradition of medieval and Renaissance Wales, the H’mm Foundation is seeking to bridge the gap between poets and people by bringing modern poetry more into the public domain and particularly to the workplace. The H’mm Foundation is named after H’m, a volume of poetry by R.S. Thomas, and because the musing sound ‘H’mm’ is an internationally familiar ‘expression’, crossing all linguistic frontiers. This literary venture has already secured the support of well-known poets and writers, including Gillian Clarke, National Poet for Wales, Jon Gower, Menna Elfyn, Nigel Jenkins, Peter Finch and Gwyneth Lewis. -
Cleese Notes.Indd
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Wednesday, February 8, 2006, 8 pm write for the BBC, then rejoined Cambridge Th ursday, February 9, 2006, 8 pm Circus in 1964, which toured New Zealand Zellerbach Hall and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry John Cleese Gilliam, another future Python. Returning to England, Cleese appeared in a BBC radio series, I’m Sorry I’ll Read Th at Again, based on Cambridge Circus. It ran for several years and also starred future “Goodies” Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefl y, with Brooke-Taylor, Chapman and Marty Feld- man in At Last Th e 1948 Show (1967), for television, and a series of collaborations with some of the fi nest comedy-writing talent in England at the time, some of whom—Eric John Cleese was born on October 27, 1939, Idle, Gilliam, Terry Jones, Michael Palin and in Weston-Super-Mare, England. He was born Chapman—eventually joined him in Monty into a family of modest means, his father being Python. Th ese programs included Th e Frost an insurance salesman, but he was nonetheless Report (1966) and Feldman’s show, It’s Marty sent off to private schools to obtain a good (1968). Eventually, however, the writers were education. Here he was often tormented for themselves collected to be the talent for their his height, having reached six feet by the age own program, Monty Python’s Flying Circus of 12, and eventually discovered that being (1969), which was originally to be a vehicle humorous could defl ect aggressive behavior for Cleese but soon showed itself to be an in others. -
GRIFFIN BOOKS LITERARY QUIZ Round 1 – Classics 1. What Is Shakespeare Said to Have Left to His Wife in His Will? (His Second B
GRIFFIN BOOKS LITERARY QUIZ Round 1 – Classics 1. What is Shakespeare said to have left to his wife in his will? (his second best bed) 2. What are the names of Maxim de Winter’s first wife and the house they shared? (Rebecca, Manderley) 3. Of what club are Mr Nathaniel Winkle, Mr Augustus Snodgrass and Mr Tracy Tupman members (the Pickwick Club in Charles Dickens’ The Pickwick Papers) 4. What is the name of the prequel to Harper Lee’s ‘To Kill a Mocking Bird’, which was discovered and published 55 years after the original? (Go Set a Watchman) 5. What is the name of the quintessential Gothic novel which features in Jane Austen’s Northanger Abbey, causing Catherine Morland’s imagination to run away with her? (The Mysteries of Udolpho by Ann Radcliffe) 6. In Henry James’ ‘Portrait of a Lady’, what is the name of the lady? (Isabel Archer) 7. What are the title and author of the 19th century classic subtitled ‘A Study of Provincial Life’? (Middlemarch by George Eliot) 8. In Dostoyevsky’s ‘Crime and Punishment’, what is Raskolnikov’s crime and what is his eventual punishment? (murder of an old lady and her half-sister, 8 years of penal servitude in Siberia) 9. Jean Rhys’s novel ‘Wide Sargasso Sea’ is a prequel to which 19th century classic? (Jane Eyre by Charlotte Bronte) 10. Molly Bloom’s soliloquy in James Joyce’s ‘Ulysses’ is often said to be the longest sentence ever written. To the nearest thousand, how many words does it contain? (3687, so 4) GRIFFIN BOOKS LITERARY QUIZ Round 2 – Crime Fiction Who created each of the following fictional sleuths? 1. -
Gillian Clarke-My
Gillian Clarke ‘My box’ A H E L P - S H E E T F O R T E A C H E R S (page 480 –81 of Poetry 1900–2000) CONTENTS 3 SECTION 1: BIOGRAPHY OF THE POET / CONTEXTS 4 SECTION 2: LINE-BY-LINE COMMENTS ON THE POEM 9 SECTION 3: COMMENTS ON THE POEM AS A WHOLE 10 SECTION 4: FOUR QUESTIONS STUDENTS MIGHT ASK 10 SECTION 5: PHOTOGRAPHS 11 SECTION 6: LINKS TO USEFUL WEB RESOURCES 2 SECTION 1 BIOGRAPHY OF THE POET / CONTEXTS (Please note that “context” is not an assessed element of this component of the WJEC GCSE in English Literature.) Born in Cardiff in June 1937, Gillian Clarke was brought up in Cardiff and Penarth. During the Second World War she spent time in Pembrokeshire, staying at her paternal grandmother’s farm, known as Fforest. The landscape of Clarke’s beloved Dyfed has a significant presence in her writing and is often identified with the memory of her father, as in poems such as The King of Britain’s Daughter. When her children were young, Clarke bought and renovated an old, ruined smallholding called Blaen Cwrt in Talgarreg, south Ceredigion, where she now lives, and which she often figures as her poetic ‘milltir sgwâr’ (square mile). The publication of Clarke’s collection The Sundial in 1978 announced her arrival as a significant new voice in the world of Welsh letters, and marked the beginning of what she calls her ‘hard- working writing life’. By her own admission, she has ‘worked hard for poetry, preaching the sermon of poetry, as it were’:[1] editor of The Anglo-Welsh Review from 1975 to 1984, she co- founded the Writer’s Centre, Ty Newydd, in 1990, and has always retained a connection with her readers. -
Sarjassa Pitkän Jussin Majatalo
26 sLÄHIKUVA s1/2016 2AMI-ËHKË &- Rami Mähkä +ULTTUURIHISTORIA 4URUNYLIOPISTO BASIL FAWLTY JA "ESITHATCHERILAISUUS" SARJASSA PITKÄN JUSSIN MAJATALO Klassikkoaseman saavutanut tilannekomedia Pitkän Jussin majatalo raken- tuu pitkälti töykeän ja katastrofaltiin hotellinjohtajahahmo Basil Fawltyn toilauksille. Mielipiteiltään konservatiivinen ja patriootinen Fawlty on sarjan naurun ensisijainen kohde. Sellaisena hän artikuloi käsityksiä Britannian yh- teiskunnallisesta tilanteesta 1970-luvun jälkipuoliskolla. Sarjan avainteemojen kontekstualisointi – sarjan komediallisuus huomioon otaen – autaa ymmärtä- mään yhteiskunnallista ja kultuurista kehitystä, jonka seurauksena Margaret Thatcher nousi Britannian pääministeriksi vuonna 1979. Artikkelini tarkastelee Pitkän Jussin majataloa (Fawlty Towers, BBC, 1975, 1979) tilannekomediana, jonka keskipisteenä on hotellinomistaja ja -johtaja Basil Fawltyn (John Cleese) keskiluokkainen, konservatiivinen hahmo. Sarjan muut keskushahmot ovat Sybil Fawlty (Prunella Scales), Polly (Connie Booth) ja Ma- nuel (Andrew Sachs). Sybil on Basilin vaimo, joka on miestään sosiaalisempi ja avomielisempi. Hän myös osallistuu hotellin pyörittämiseen ollen siinä itse asiassa miestään pätevämpi. Sisäkkö Polly taas on taideopiskelija, joka toimii järjen äänenä ja Basilin virheiden paikkaajana. Neljäs keskushenkilö Manuel on huonosti englantia taitava ja asioita hahmottava espanjalaistarjoilija (ks. myös Wilmut 1980, 243–247). Jo tässä vaiheessa on syytä painottaa, että sitcomin hahmot tai niiden yhdistelmä perustuvat komediallisille -
GCSE Poetry Live!’ Visit
Nys Hardingham Headteacher Admiral Lord Nelson School Dundas Lane Portsmouth PO3 5XT rd 3 October 2017 Telephone: 023 9236 4536 Email: [email protected] Website: www.alns.co.uk Dear Parent/Guardian, ‘GCSE Poetry Live!’ Visit The English Department is planning a visit to ‘GCSE Poetry Live!’ at the Brighton Dome. This is a chance to see and hear performances from a brilliant collection of poets, whose work features on the GCSE English Literature course, as well as attend GCSE examiner sessions where students will be given ‘invaluable guidance and advice about the new unseen examinations’ from experienced Chief and Principal Examiners. Your son/daughter is currently studying the AQA Poetry Anthology for their English Literature GCSE and experiencing the poems being performed by the poets, as well as hearing from experienced examiners, will be invaluable in helping students to understand the poems. On the day, students will hear from: Simon Armitage (Remains) who will also discuss the poetry of Percy Bysshe Shelley (Ozymandias) and Ted Hughes (Bayonet Charge), John Agard (Checking Out Me History), Poet Laureate Carol Ann Duffy (War Photographer), Imtiaz Dharker (Tissue) as well as Daljit Nagra, Maura Dooley and Gillian Clarke, who as well as reading her own work will discuss the work of William Blake (London). Students must arrive promptly at school by 7:45. Students must bring a packed lunch and will return to school by approximately 17:00. Students must be in full school uniform for the trip. Venue: Brighton Dome, Brighton Date: Thursday 25th January 2018 Cost: £35 which covers ticket price and coach journey Depart School: 08:00 Return to school: 17:00 We have a limited number of spaces for this trip and places will be in high demand. -
References and Bibliography
References and Bibliography A Drama Texts ALBEE, EDWARD (1964) Who's Afraid of Virginia Woolf? A Play (London: Jonathan Cape). ARDEN, JOHN and MARGARETIA D'ARCY (1974) The !sland of the Mighty (London: Eyre Methuen). ARTAUD, ANTONIN (1964) 'Les Cenci' in Oeuvres Completes, vol. iv, pp. 183-271 (Paris: Gallimard). AUDEN, w. H. (1977) 'Paid on Both Sides' in The English Auden: Poems, Essays and Dramatic Writings, 1927-1939, ed. Edward Mendelson (London: Faber and Faber). AYCKBOURN, ALAN (1982) Season's Greetings (London: Samuel French). BARAKA, AMIRI (LEROI JONES) (1971) Four Black Revolutionary Plays (London: Calder and Boyars). BARNES, PETER (1978) Laughter! (London: Heinemann). BECKETI, SAMUEL (1958) Endgame, A Play in One Act Followed by Act Without Words, A Mime for One Player (London: Faber and Faber). BECKETI, SAMUEL (1959) Krapp's Last Tape and Embers (London: Faber and Faber). BECKETI, SAMUEL (1961) Happy Days. A Play in Two Acts (London: Faber and Faber). BECKETI, SAMUEL (1972) Words and Music, Play, Eh Joe (Paris: Aubier-Flammarion). BECKETI, SAMUEL (1977) Ends and Odds, Plays and Sketches (London: Faber and Faber). BERGMAN, INGMAR (1974) Scenes from a Marriage, trs. Alan Blair (New York: Bantarn). 154 References and Bibliography 155 BERKOFF, STEVEN (1977) East, Agamemnon, Fall of the House of Usher (London: J. Calder) .. BERKOFF, STEVEN (1983) Decadence and Greek (London: John Calder). BERKOFF, STEVEN (1989) I Am Hamlet (London: Faber and Faber). BERKOFF, STEVEN (1989) Decadence and Other Plays: Eas t/West/Greek (London: Faber). BLEASDALE, ALAN (1983) Boys From the Blackstuff. Five Plays for Television (London: Granada). BOLD, ALAN (1969) The State of the Nation (London: Chatto and Windus).