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WDSG Keeping in Touch Newsletter, Issue 9
WDSG Keeping in Touch Issue 9 Welcome to our 9th Keeping in Touch Newsletter. It’s been good to hear that you are seeing a bit more of family and friends and we are hoping to see you all at Pabulum as soon as it is safe. To that end you will have received a survey for all members, friends and volunteers and we really want to hear your thoughts on returning to some sort of Pabulum café so we can make judgements on how and when to open. If you have any problems in opening the document or completing and returning electronically, please just let us know. You are also able to post the completed survey to: Fairland Church Centre, Fairland Green, Wymondham, Norfolk, NR18 0AW With the BBC stopping free licences for the over 75s from August 1st it is worth knowing that you can still get one if you are on pension credits - the link below will enable you to find out if you are entitled to pension credit if you are not already getting it - apparently over 1million pensioners fail to claim https://www.gov.uk/pension-credit-calculator If you are not on online but would like any information referred to in this newsletter please make contact with us. Also don’t forget, if you need any help or would like to talk please don’t hesitate to make contact Email Sarah or Deborah on [email protected] Sarah’s mobile number is 07391 659057. Deborah’s mobile number is 07586 312809. We are also open to anyone living in or near Wymondham who has been recently affected by dementia and would like to make contact, we can offer friendship and understanding. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
Spaß Beiseite Comedy Die Britische Komikertruppe Monty Python Hat Mit Ihrem Anarchischen Humor Fernsehgeschichte Geschrieben
Spaß beiseite Comedy Die britische Komikertruppe Monty Python hat mit ihrem anarchischen Humor Fernsehgeschichte geschrieben. Nun tritt sie in einer letzten großen Bühnenshow in London auf. Ein Treffen am Rande der Proben. Von Christoph Scheuermann s gibt zwei Möglichkeiten, ein Inter - sechste Python, ist leider seit 25 Jahren spricht. Die definitiv allerletzte große view mit den Monty Pythons zu be - tot. Show. Sie heißt in Anspielung an Graham Ekommen. Entweder man versucht, Es gibt nicht den geringsten Zweifel da - Chapman „One down, five to go“ – einer sich wochenlang durch die Fettschicht von ran, dass Monty Python die lustigste Ko - tot, fünf sind noch übrig. PR-Beratern, Mittelsleuten und Presse - mikertruppe der Menschheitsgeschichte ist, Auch das ist natürlich ein Python-Sar - damen zu beißen, die die Gruppe umgibt. besser als die Marx Brothers. Die Pythons kasmus. Sie werden diesmal versuchen, Oder man setzt sich vormittags in das Café haben mit ihrem anarchischen Humor zu - dem Tod aus allernächster Nähe ins Ge - des Cecil-Sharp-Hauses in London, eines erst das Fernsehen auf den Kopf gestellt sicht zu spucken. Die fünf Jungs sind in - Folkmusik-Zentrums, in dem John Cleese, und dann das Kino, dort vor allem mit den zwischen grauhaarige Gentlemen, alt ge - Michael Palin, Eric Idle, Terry Gilliam und Filmen „Das Leben des Brian“ und „Die wordene Clowns zwischen 71 und 74, in - Terry Jones die Gags für ihre gemeinsame Ritter der Kokosnuss“. 1983 trennten sie klusive künstlicher Gelenke, dritter Zähne, Show einstudieren. sich, wie so manches geniale Kollektiv, wo - Scheidungen, Hypotheken und Bauch - Eric Idle trottet als Erster die Treppe bei man betete, dass die Pythons es damit speck. -
The Nature of Medicine in South Africa: the Intersection of Indigenous and Biomedicine
THE NATURE OF MEDICINE IN SOUTH AFRICA: THE INTERSECTION OF INDIGENOUS AND BIOMEDICINE By Kristina Monroe Bishop __________________________________ A Dissertation Submitted to the Faculty of the SCHOOL OF GEOGRAPHY AND DEVELOPMENT In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN GEOGRAPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kristina Monroe Bishop entitled The Nature of Medicine in South Africa: The Intersection of Indigenous and Biomedicine and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _____________________________________________Date: May 7, 2010 Paul Robbins _____________________________________________Date: May 7, 2010 John Paul Jones III _____________________________________________Date: May 7, 2010 Sarah Moore _____________________________________________Date: May 7, 2010 Ivy Pike Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. ________________________________________________ Date: May 7, 2010 Dissertation Director: Paul Robbins 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrower under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgement of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted from the author. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Inequality and Higher Education: a Class Act Professor Stephen Parker Ao Vice-Chancellor, University of Canberra
INEQUALITY AND HIGHER EDUCATION: A CLASS ACT PROFESSOR STEPHEN PARKER AO VICE-CHANCELLOR, UNIVERSITY OF CANBERRA PAPER PRESENTED TO THE TJ RYAN FOUNDATION BRISBANE 16 FEBRUARY 20161 “GOOD VIBRATIONS?” Thank you for inviting me. I am proud to present to the TJ Ryan Foundation, and to have been invited to do so by a former Vice-Chancellor of my University, Professor Roger Scott. Whether or not TJ Ryan would have agreed with what I say, I hope he would have agreed we need a debate about it from a socially progressive point of view. Exactly 50 years ago, in February 1966, The Beach Boys began recording the song which became “Good Vibrations”, the embodiment of modernist optimism. Two months later, middle England was adjusting to a new style of comedy which poked fun at the world that was passing, and ushered in biting satire; such as the one and a half minute gem on the BBC programme The Frost Report, where John Cleese, Ronnie Barker and Ronnie Corbett performed the now-famous Class Sketch, about who looks down on whom. Around this time, the UK, the US, and a little later Australia, were welcoming upbeat reports urging the expansion of higher education. 1 I would like to thank the following for their help with my thinking, for which I take full responsibility: Dr Jenny Chesters, Professor Anne Daly, Professor Bruce Chapman, Associate Professor Michele Fleming, Professor Diane Gibson, Adjunct Professor John Goss, Professor Michelle Grattan, Ms Alexis Johnson, Professor Peter Radoll, Professor Louise Watson. 1 Gary Becker's human capital theory is catching on. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.