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Michael Mcdermott
LANDSCAPES AND THE MACHINE: ADDRESSING WICKED VALUATION PROBLEMS WHEN NORTH, SOUTH, EAST AND WEST MEET A thesis submitted in fulfillment of the requirements for the award of the degree Doctor of Philosophy by Michael McDermott Faculty of Design, Architecture and Building University of Technology, Sydney Supervisors: Associate Professor Jason Prior and Professor Spike Boydell 2015 Landscapes and the Machine: Addressing Wicked Valuation Problems when North, South, East and West Meet. i ABSTRACT This thesis is about engaging with the dynamic relationship between “landscapes”, “land tenure”, and the “machine”. The first term can be so broad as to mean every process and thing encountered, the second means the way that land is held by a person or group of persons, and the third means things both put together and used by humans to fulfil their wants and needs from the landscape. As a professional valuer I have been traditionally trained to engage at arms-length with the normative behaviour of persons or groups at the intersection of these three concepts, wherein those people and groups were willing but not compelled to engage. Such traditional valuation approaches are increasingly recognised as being insufficient to address wicked valuation problems of the diverse peoples and groups that inhabit the globe from North, South, East to West. This thesis develops a means of engaging with these wicked valuation problems in a suitably knowledgeable and prudent way. To do so the thesis adopts an exploratory approach guided by Whitehead’s process philosophy injunction of a creative advance into novelty. This approach is enacted through a range of data collection and analysis methods. -
Yeats, Bloom, and the Dialectics of Theory, Criticism, and Poetry
Yeats, Bloom, and the Dialectics of Theory, Criticism, and Poetry by Steven J. Skelley, MA ~:~.:.; .. "<f./ -, '\ .> t.(r{"ri'"'1 I ... <.. II- -. ' Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy, October 1992 Acknowledgments To my supervisors, Dr. Bernard McGuirk (Hispanic Studies and Critical Theory) and Dr. David Murray (American Studies and Head of Postgraduate School of Critical Theory), lowe a great debt of gratitude for their enthusiasm for this proj ect. Their intellectual and practical support was priceless, and their cooperation with each other and with me never failed as a model of supervisorial expertise. All PhD candidates ought to be blessed with such supervision. I also wish to thank Dr. Douglas Tallack (American Studies and former Head of the School of Cri tical Theory) for his encouragement both intellectual and administrative towards the successful completion of this project. To the PhD students and to the supervisorial staff who attended work-in-progress seminars in the School of Critical Theory, and who offered so many helpful comments, suggestions, and opinions, I also give thanks. The staff of the Hallward Library must not go unmentioned, for their fine and courteous assistance throughout these four years. Dedication This dissertation is dedicated to my epipsyche and muse, Hala Darwish, whose inspirational presence in my heart was, it may be said, the magic within these evasions, these wanderings . Until one day I met a star that burned Bright in the heart of my heavenly breast, And then I knew why I was who I was, And why my soul would be forever lost In the folds of her voice raging in my veins SJS, August 1992 ABSTRACT This thesis begins by showing how a strong and subtle challenge to poetry and theories of poetry has been recently argued by writers like Paul de Man and J. -
Top Left-Hand Corner
The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
EL ASCENSO DE ENDYMION Los Cantos De Hyperion/4 Dan Simmons
EL ASCENSO DE ENDYMION Los cantos de Hyperion/4 Dan Simmons Título original: The Rise of Endymion Traducción: Carlos Gardini © 1997 by Dan Simmons © 1999 Ediciones B S.A. Bailén 84 - Barcelona ISBN:84-406-8930-6 Scan: Elfowar Revisión: Jota/Sadrac http://visualbook.blogspot.com PRESENTACIÓN Los llamados CANTOS DE HYPERION, formados por HYPERION (1989, NOVA ciencia ficción, número 41) y LA CAÍDA DE HYPERION (1990, NOVA ciencia ficción, número 42), son ya un hito en la ciencia ficción moderna. Sin embargo, iban pasando los años y Dan Simmons parecía haber dejado de lado esa temática que tan brillante y satisfactoriamente supo abordar. Se diría que ese sorprendente y ameno tour de force que es LOS VAMPIROS DE LA MENTE (1989, Ediciones B, Éxito Internacional) le indicó que había mayor y mejor mercado en la novela de terror, a la que se ha dedicado prácticamente en exclusiva durante estos últimos años. Sólo THE HOLLOW MAN (1992), una obra con disquisiciones casi metafísicas en torno a la telepatía y la soledad, puede en cierta forma emparentarse con la ciencia ficción. El resto de lo publicado por Simmons durante estos años se inscribe en el género de la novela de terror en el que se ha convertido ya en un indiscutible maestro. Sin embargo, quienes nos sorprendimos y maravillamos con los dos primeros libros de la saga de Hyperion estábamos un poco molestos. Al menos así me sentía yo... Al leer las últimas obras de Simmons siempre me parecía lamentable que un talento como el suyo se perdiera en la simple búsqueda del best-seller más al uso. -
Dan Simmons's Summer of Night As Horror Novel
DAN SIMMONS’S SUMMER OF NIGHT AS HORROR NOVEL KASABE SOMNATH DEVIDAS Research Scholar, Department of English, Shivaji University, Kolhapur MS (INDIA) There is some debate as to whether "horror" is a genre or, like "adventure," an aspect that may be found in several genres. Horror is a certain mood or atmosphere that might be found in a variety of places. Traditionally, horror was associated with certain archetypes such as demons, witches, ghosts, vampires and the like. However, this can be found in other genres, especially fantasy. If horror is a genre, then it deals with a protagonist dealing with overwhelming dark and evil forces. The key ingredient in horror fiction is its ability to provoke fear or terror in readers, usually via something demonic. There should be a sense of dread, unease, anxiety, or foreboding. Some critics have noted that experiencing horror fiction is like reading about your worst nightmares. Summer Of night was more about the "secrets and silences of childhood" than it was about monsters. Here are a few snapshots from that summer of 1960 in the "real" Elm Haven - Brimfield, Illinois - with a kid brother and some true friends who may (or may not) bear a close resemblance to some of the characters in Summer Of Night. Key Words- Horror, Novel, Summer of Night. Introduction- Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest. Since his first published short story won the Rod Serling Memorial Award in the 1982 Twilight Zone Magazine Short Fiction contest, Dan Simmons has won some of the top awards in science fiction, horror, fantasy, and thriller genres, as well as honors for his mainstream fiction. -
The Future Worlds of Science Fiction: Simmons' Hyperion Epic
The Future Worlds of Science Fiction: Simmons’ Hyperion Epic Tom Lombardo Science fiction is often narrowly and inaccurately seen as focusing primarily on the scientific and technological possibilities of the future. This mistaken perception is reinforced within popular science fiction movies, which due to the wonders of modern computer animation and special effects, highlight the razzle-dazzle, gee whiz images of space ships and space battles, robots, cyber-technologies, and colorful, imaginative, and often frightening aliens. Invariably, future technologies and fantastic special effects are also connected with “ultra-violence”, as planets, rocket ships, cities, human beings, and other living creatures are vaporized, eviscerated, or blown to smithereens by photon torpedoes, florescent green ray beams, and electro-magnetic matter disruption devices. What I would propose instead is that good science fiction transcends such limiting boundaries, and in fact, frequently provides complex, rich, and multi- faceted scenarios of the future. Science fiction often delves into future culture, politics, and society; transformations in morals, psychology, and the mind; new and varied ecologies and biologies (human, earthbound, and otherwise); sexual and gender transformations; and philosophical, religious, and spiritual themes and issues about tomorrow. (God even sometimes makes an appearance in science fiction, such as in Olaf Stapledon’s Star Maker and Michael Moorcock’s Behold the Man.) Not only does science fiction address all the major dimensions -
Evolution and Neuroethics in the Hyperion Cantos
Journal of Cognition and Neuroethics Evolution and Neuroethics in the Hyperion Cantos Brendan Shea Rochester Community and Technical College Biography Brendan Shea, PhD, is Instructor of Philosophy at Rochester Community and Technical College and a Resident Fellow at the Minnesota Center for Philosophy of Science. His current research focuses on issues related to the philosophy of science and applied ethics, and to philosophical methodology more generally. He also has an abiding interest in the interconnections between science fiction and philosophy. Acknowledgements I’d like to thank the participants of the 2015 “The Work of Cognition and Neuroethics in Science Fiction” conference for their many helpful comments. Publication Details Journal of Cognition and Neuroethics (ISSN: 2166-5087). October, 2015. Volume 3, Issue 3. Citation Shea, Brendan. 2015. “Evolution and Neuroethics in the Hyperion Cantos.” Journal of Cognition and Neuroethics 3 (3): 139–162. Evolution and Neuroethics in the Hyperion Cantos Brendan Shea Abstract In this article, I use science-fiction scenarios drawn from Dan Simmons’ “Hyperion Cantos” (Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion) to explore a cluster of issues related to the evolutionary history and neural bases of human moral cognition, and the moral desirability of improving our ability to make moral decisions by techniques of neuroengineering. I begin by sketching a picture of what recent research can teach us about the character of human moral psychology, with a particular emphasis on highlighting the importance of our evolutionary background as social mammals. I then consider how the moral psychology of intelligent machines might differ from our own, and argue that the differences would depend on the extent to which their evolutionary background resembled our own. -
[353.Book] Download Carrion Comfort PDF
Download: Carrion Comfort PDF Free [353.Book] Download Carrion Comfort PDF By Dan Simmons Carrion Comfort you can download free book and read Carrion Comfort for free here. Do you want to search free download Carrion Comfort or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Carrion Comfort | #4454632 in Books | 2015-02-17 | Formats: Audiobook, MP3 Audio, Unabridged | Original language: English | PDF # 3 | 6.75 x .60 x 5.25l, | Running time: 39 Hours | Binding: MP3 CD | |1 of 1 people found the following review helpful.| Interesting, Early Work by this Author | By Mel |I decided to read this after finishing Simmons' more recent novel, Drood, which I liked very much. Drood was my first reading by this author, who is pretty prolific, so I wasn't sure which novel of his to try next. Carrion Comfort sounded like a horror story involving psychic powers, which intrigued me, so I purchased it. The author | From Publishers Weekly | The second novel by World Fantasy Award-winner Simmons ( The Song of Kali ) is a 636-page epic that draws on a variety of genres--horror, science fiction, political thriller, Hollywood roman a clef. It centers around a small number of "min The Past... Caught behind the lines of Hitler’s Final Solution, Saul Laski is one of the multitudes destined to die in the notorious Chelmno extermination camp. Until he rises to meet his fate and finds himself face-to-face with an evil far older, and far greater, than the Nazis themselves... -
Vector
October-November 1990 125p Issue 157 The Critical Journal of the British Science Fiction Association Gregory Benford on Shared Worlds David Brin Interviewed Kim Newman on Films of the 1980s ........ The Uninformed - Heart: Bettelheim'--'-. and sf Cover An by Karel Soukup Vectorl,t-,_J , ~- I '-< I • Issue 157 ISSN 0505-1448 Contents 4-Letters 7 - SF Cinema In the sos Film critic and au1hor Kim Newman looks at 1hL mgh- and low-points of genre film-mo.Jang in thL 1980s 9 - David Brin Andy Sawyer mer the American "hard sf'' author on his recent publicity tour of thL UK andpro~·ilks a profile of him and his la test Mvd, &rth 12 - The Uninformed Heart BeudhLim. sf, and 1uhnology as a god by Sm·e Pa/mu 15 - Book Reviews Nightrall -lsoacAsimov &: Robm Silvubug • Ratspike-JohnB/anche & Ian Miller Blood and Iron -Les Edwards• Earth-David Brin The Folk or lhe Fr inge-Orson Scou Card • Moonheart - Charlu tll l.inr The Goth ic Ta les or Marquis de Sade - Marquis {ll Sak (tr. Marga~ , Crosland) The Lost Yea rs-IM Dillard • Sorcerer's Son -Phyffis Eisenstein Double Helix Fall-Neil Ferguson• The Stand -S1ephen King The Bad Place - Dean R Koontz • The Night or the Moon bow- ThomLJs Tryon The Blood or Roses-Tanith Ue • Buffalo Gals- Ursula UGuin The Land of Eternal Fire - TP Newark • The Barsoom Projecl -LarryNiven &: Steven Barnes Nara bed la Ltd -Frederik Pohl • Star Scroll - Mdanie Rawn Escape from Kathmandu- Kim Stanley Robinson• Summertide-Charles SMffield Carrion Comfort - Dan Simmons • Voices-nm \t.ynne-Jones Perspectives-John Spencer • Skin ollhe Soul -Lisa Tu1tle (Ed) The Ice-Shirt- William T Vollman• Angel Station-Walter Jon Williams Gypsies-Rohen Charles Wilson • Soldier or Arete -Gene Wolfe Co-Editors Boyd Parkinson 11 Marsh Street. -
PDF Download Drood
DROOD PDF, EPUB, EBOOK Dan Simmons | 816 pages | 01 Oct 2009 | Quercus Publishing | 9781847249326 | English | London, United Kingdom Drood | The New Yorker Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research. Just as he did in The Terror , Dan Simmons draws impeccably from history to create a gloriously engaging and terrifying narrative. Based on the historical details of Charles Dickens's life and narrated by Wilkie Collins Dickens's friend, frequent collaborator, and Salieri-style secret rival , Drood explores the still-unsolved mysteries of the famous author's last years and may provide the key to Dickens's final, unfinished work: The Mystery of Edwin Drood. Chilling, haunting, and utterly original, Drood is Dan Simmons at his powerful best. This rip-roaring adventure is a true page-turner. Enthusiastically recommended for all popular collections. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that the reviews shown do not properly reflect the range of media opinion now available, please send us a message with the mainstream media reviews that you would like to see added. Any "Author Information" displayed below reflects the author's biography at the time this particular book was published. Reader Reviews Write your own review. Dan Simmons was born in Peoria, Illinois, in , and grew up in various cities and small towns in the Midwest. -
Humanity's Transhuman Future and the Ethics of the Other in Dan
Humanity’s Transhuman Future and the Ethics of the Other in Dan Simmons’ Hyperion Cantos Mariusz Marszalski studies Key words: Transhumanism, posthumanism, future, ethics, Other. Klíčová slova: Transhumanismus, posthumanismus, budoucnost, etika, Jiný. Abstract: Dan Simmons’ series of books – Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion – extrapolates from the present of an increasing impact of bio- and nanotechnologies on our species to the yet unknown future of an evolution towards the transhuman and the posthuman. The on- tological dimension of such a hypothetical evolution of humankind has been sometimes more and sometimes less enthusiastically treated by such trans- and post-humanity critics as Vernor Vinge, Hans Moravec, Ray Kurzweil, Nick Bostrom, Michio Kaku and Katherine Hayles. The objective of this paper is to draw attention to ethical issues brought up by Simmons that ensue from the fact that the conjectural bifurcation of mankind into the old style and new style humans (including man-created AI independent entities) would position the latter as the former’s Other. Historically, moral obligations of members of a particular group or culture toward one another have been predicated on the idea of sameness which privileges those who are like us and disprivile- ges those who are different. Would the relationship of sameness still hold if humanity underwent a radical ontological shift, becoming at least in its part its own Other? As Simmons suggests, it would not, which would have to lead to a war of attrition, each against all. The author of The Hype- rion Cantos speculates on the above mentioned problem positing that humanity’s salvation lies in changing the attitude of confrontation to one of consensus and, in a Levinasian manner, rejecting the exclusive ethics of sameness while embracing the all-inclusive ethics of alterity. -
Omni Magazine
SEPTEMBER 1983 $2.50 MAMMOTH MACHINES FOR 2001 HERMAN KAHN'S FINAL VISION THE SECRET SOVIET SPACE SHUTTLE CASPAR WEINBERGER ON v WAR IN SPACE onnruiVOL. 5 NO. 12 SEPTEMBER 1983 EDITOR & DESIGN DIRECTOR: BOB GUCCIONE PRESIDENT: KATHY KEETON EXECUT.VE CDiTu-:. D-CK TERESI GRAPHICS HIRrCIO."' ""ANK DEVINO ART DIRECTOR: ELIZABETH WOODSON CONTENTS PAGE FIRST WORD Opinion Cyril Ponnamperuma 6 COMMUNICATIONS Correspondence 12 EARTH Environment Dian Fossey 18 SPACE Comment James Kitfield 20 MIND Behavior Mark Teich 22 ARTIFICIAL INTELLIGENCE Computers Phoebe Hoban 24 BREAKTHROUGHS Technology Michael Edelhart 26 THE BODY Health Judith Hooper 28 EXPLORATIONS Travel Doug Garr 30 LIFE Biomedicine Rick Boling 34 FILM The Arts Jonathan Rosenbaum 38 PERFORMANCE The Arts Robert S. Ryan 40 CONTINUUM Data Bank 43 QUEST FOR FLAME Article Kathleen Stein 52 MAN-MOUNTAIN GENTIAN Fiction Howard Waldrop 52 HERMAN KAHN'S FINAL VISION Article James Reston, Jr. 68 MAMMOTH MACHINES FOR 2001 Article Frank P. Davidson 80 and John Stuart Cox BOUNDARY ECHOES Ficlion John M. Ford 86 MERLIN'S ROCK Pictorial Pete Turner 94 SEVENTH SENSE Fiction Robert Haisty 100 CASPAR W. WEINBERGER Interview Richard Halloran 108 OMINOUS ICONS Pictorial Rails' 116 SECRET SOVIET SHUTTLE Article James E. Oberg 124 CARRION COMFORT Fiction Dan Simmons 132 ANTIMATTER i^n^^^ UFOs, elc. 147 BOOKS The Arts A. A. Attanasio 172 TECHNOLOGY The Arts Patrick Tierney 174 STARS Astronomy Marcia Bartusiak 176 ^r. ^r^ COMPETITION RESULTS . J}} Oughtagraphs Scot Morris 180 GALACTIC WEB Phenomena R. Hamilton Smith 188 GAMES Diversions Scot Morris 192 LAST WORD Humor John Ficarra 194 .flc/ie/ Tcherevkoff, one OMNI (ISSN 0149-3711) is ' o! New publish monthly In he United States and Canada by Omni Puolications International Ltd., 1965 Broadway, ' : i' ; ..' I ark's leading ' - - ! .; advertising " ' "".