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The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
EL ASCENSO DE ENDYMION Los Cantos De Hyperion/4 Dan Simmons
EL ASCENSO DE ENDYMION Los cantos de Hyperion/4 Dan Simmons Título original: The Rise of Endymion Traducción: Carlos Gardini © 1997 by Dan Simmons © 1999 Ediciones B S.A. Bailén 84 - Barcelona ISBN:84-406-8930-6 Scan: Elfowar Revisión: Jota/Sadrac http://visualbook.blogspot.com PRESENTACIÓN Los llamados CANTOS DE HYPERION, formados por HYPERION (1989, NOVA ciencia ficción, número 41) y LA CAÍDA DE HYPERION (1990, NOVA ciencia ficción, número 42), son ya un hito en la ciencia ficción moderna. Sin embargo, iban pasando los años y Dan Simmons parecía haber dejado de lado esa temática que tan brillante y satisfactoriamente supo abordar. Se diría que ese sorprendente y ameno tour de force que es LOS VAMPIROS DE LA MENTE (1989, Ediciones B, Éxito Internacional) le indicó que había mayor y mejor mercado en la novela de terror, a la que se ha dedicado prácticamente en exclusiva durante estos últimos años. Sólo THE HOLLOW MAN (1992), una obra con disquisiciones casi metafísicas en torno a la telepatía y la soledad, puede en cierta forma emparentarse con la ciencia ficción. El resto de lo publicado por Simmons durante estos años se inscribe en el género de la novela de terror en el que se ha convertido ya en un indiscutible maestro. Sin embargo, quienes nos sorprendimos y maravillamos con los dos primeros libros de la saga de Hyperion estábamos un poco molestos. Al menos así me sentía yo... Al leer las últimas obras de Simmons siempre me parecía lamentable que un talento como el suyo se perdiera en la simple búsqueda del best-seller más al uso. -
Dan Simmons's Summer of Night As Horror Novel
DAN SIMMONS’S SUMMER OF NIGHT AS HORROR NOVEL KASABE SOMNATH DEVIDAS Research Scholar, Department of English, Shivaji University, Kolhapur MS (INDIA) There is some debate as to whether "horror" is a genre or, like "adventure," an aspect that may be found in several genres. Horror is a certain mood or atmosphere that might be found in a variety of places. Traditionally, horror was associated with certain archetypes such as demons, witches, ghosts, vampires and the like. However, this can be found in other genres, especially fantasy. If horror is a genre, then it deals with a protagonist dealing with overwhelming dark and evil forces. The key ingredient in horror fiction is its ability to provoke fear or terror in readers, usually via something demonic. There should be a sense of dread, unease, anxiety, or foreboding. Some critics have noted that experiencing horror fiction is like reading about your worst nightmares. Summer Of night was more about the "secrets and silences of childhood" than it was about monsters. Here are a few snapshots from that summer of 1960 in the "real" Elm Haven - Brimfield, Illinois - with a kid brother and some true friends who may (or may not) bear a close resemblance to some of the characters in Summer Of Night. Key Words- Horror, Novel, Summer of Night. Introduction- Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest. Since his first published short story won the Rod Serling Memorial Award in the 1982 Twilight Zone Magazine Short Fiction contest, Dan Simmons has won some of the top awards in science fiction, horror, fantasy, and thriller genres, as well as honors for his mainstream fiction. -
The Future Worlds of Science Fiction: Simmons' Hyperion Epic
The Future Worlds of Science Fiction: Simmons’ Hyperion Epic Tom Lombardo Science fiction is often narrowly and inaccurately seen as focusing primarily on the scientific and technological possibilities of the future. This mistaken perception is reinforced within popular science fiction movies, which due to the wonders of modern computer animation and special effects, highlight the razzle-dazzle, gee whiz images of space ships and space battles, robots, cyber-technologies, and colorful, imaginative, and often frightening aliens. Invariably, future technologies and fantastic special effects are also connected with “ultra-violence”, as planets, rocket ships, cities, human beings, and other living creatures are vaporized, eviscerated, or blown to smithereens by photon torpedoes, florescent green ray beams, and electro-magnetic matter disruption devices. What I would propose instead is that good science fiction transcends such limiting boundaries, and in fact, frequently provides complex, rich, and multi- faceted scenarios of the future. Science fiction often delves into future culture, politics, and society; transformations in morals, psychology, and the mind; new and varied ecologies and biologies (human, earthbound, and otherwise); sexual and gender transformations; and philosophical, religious, and spiritual themes and issues about tomorrow. (God even sometimes makes an appearance in science fiction, such as in Olaf Stapledon’s Star Maker and Michael Moorcock’s Behold the Man.) Not only does science fiction address all the major dimensions -
Evolution and Neuroethics in the Hyperion Cantos
Journal of Cognition and Neuroethics Evolution and Neuroethics in the Hyperion Cantos Brendan Shea Rochester Community and Technical College Biography Brendan Shea, PhD, is Instructor of Philosophy at Rochester Community and Technical College and a Resident Fellow at the Minnesota Center for Philosophy of Science. His current research focuses on issues related to the philosophy of science and applied ethics, and to philosophical methodology more generally. He also has an abiding interest in the interconnections between science fiction and philosophy. Acknowledgements I’d like to thank the participants of the 2015 “The Work of Cognition and Neuroethics in Science Fiction” conference for their many helpful comments. Publication Details Journal of Cognition and Neuroethics (ISSN: 2166-5087). October, 2015. Volume 3, Issue 3. Citation Shea, Brendan. 2015. “Evolution and Neuroethics in the Hyperion Cantos.” Journal of Cognition and Neuroethics 3 (3): 139–162. Evolution and Neuroethics in the Hyperion Cantos Brendan Shea Abstract In this article, I use science-fiction scenarios drawn from Dan Simmons’ “Hyperion Cantos” (Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion) to explore a cluster of issues related to the evolutionary history and neural bases of human moral cognition, and the moral desirability of improving our ability to make moral decisions by techniques of neuroengineering. I begin by sketching a picture of what recent research can teach us about the character of human moral psychology, with a particular emphasis on highlighting the importance of our evolutionary background as social mammals. I then consider how the moral psychology of intelligent machines might differ from our own, and argue that the differences would depend on the extent to which their evolutionary background resembled our own. -
Ebook Download Prayers to Broken Stones : Stories
PRAYERS TO BROKEN STONES : STORIES PDF, EPUB, EBOOK Dan Simmons | 428 pages | 02 Sep 1998 | Random House USA Inc | 9780553762525 | English | New York, United States Prayers to Broken Stones : Stories PDF Book You hear the music, and for those who hear the music, they should follow it if they can. Thank you for reminding me of that in your Word. Dear God, thank you for the unmerited favor of your love. As my heavenly Father, You know what I need and You provide for all my cares. Recoil Starfist: Force Recon Series 3. The AIs are themselves divided into two factions defined by contrasting Cosmologies : those who crudely put feel the universe requires disorder and chaos see Entropy to thrive; and those who feel it requires order see Dystopia ; Utopia to prevail. Publisher see all. Where are the ships? Ernest Hemingway, I know well—I researched him for five years—he used the n-word in every other sentence. That conviction combines with a conjurer's skill in evoking a sense of place and his keen observation of the sensual and emotional details of life to lend his work a pulsing immediacy and the bitter taste of reality. He would be unable to finish The Story. Best Match. What do your eyes see today? Editor's Picks 31 Powerful Quotes by Dr. Free Shipping. Here are 10 prayers to ask for strengthened faith:. Simmons, who recalls his own pre- teen years as the happiest of his childhood, also told stories to his class. Obviously these writers felt they were doing what they could for their country with the skill they had as writers, but they really jumped into it. -
Humanity's Transhuman Future and the Ethics of the Other in Dan
Humanity’s Transhuman Future and the Ethics of the Other in Dan Simmons’ Hyperion Cantos Mariusz Marszalski studies Key words: Transhumanism, posthumanism, future, ethics, Other. Klíčová slova: Transhumanismus, posthumanismus, budoucnost, etika, Jiný. Abstract: Dan Simmons’ series of books – Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion – extrapolates from the present of an increasing impact of bio- and nanotechnologies on our species to the yet unknown future of an evolution towards the transhuman and the posthuman. The on- tological dimension of such a hypothetical evolution of humankind has been sometimes more and sometimes less enthusiastically treated by such trans- and post-humanity critics as Vernor Vinge, Hans Moravec, Ray Kurzweil, Nick Bostrom, Michio Kaku and Katherine Hayles. The objective of this paper is to draw attention to ethical issues brought up by Simmons that ensue from the fact that the conjectural bifurcation of mankind into the old style and new style humans (including man-created AI independent entities) would position the latter as the former’s Other. Historically, moral obligations of members of a particular group or culture toward one another have been predicated on the idea of sameness which privileges those who are like us and disprivile- ges those who are different. Would the relationship of sameness still hold if humanity underwent a radical ontological shift, becoming at least in its part its own Other? As Simmons suggests, it would not, which would have to lead to a war of attrition, each against all. The author of The Hype- rion Cantos speculates on the above mentioned problem positing that humanity’s salvation lies in changing the attitude of confrontation to one of consensus and, in a Levinasian manner, rejecting the exclusive ethics of sameness while embracing the all-inclusive ethics of alterity. -
Intertextuality, Metafiction and Philosophical Discourse in Dan Simmons’ Hyperion and the Fall of Hyperion
Ennobling SF: Intertextuality, Metafiction and Philosophical Discourse in Dan Simmons’ Hyperion and The Fall of Hyperion Masterarbeit Zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Philip Steiner, BA Am Institut für Anglistik Begutachter: Wolf, Werner, O.Univ.-Prof. Mag.art. Dr.phil. Graz, 2020 1 Table of Contents 0. Introduction ..................................................................................................................3 1. The Hyperion Cantos: A Synopsis ...........................................................................4 2. From Romanticism to the Pulps to High Literature: Science Fiction’s Complex Journey towards Cultural Appreciation ................................................5 3. Defining the Literary Landscape of Hyperion and The Fall of Hyperion . 10 4.Ennoblement through Intertextuality: The Blending of Literary Characters and Works in The Hyperion Cantos ................................................... 15 4.1 Embedding the Tale of Beowulf ................................................................................ 16 4.2 A Modern Take on the Canterbury Tales ................................................................ 18 4.3 An Vision of Societal Decay: The Morlocks and Eloi of The Hyperion Cantos ...... 19 4.4 A Touch of Intermediality: Musical References to The Wizard of Oz ..................... 21 4.5 Gibson and his Cyberspace: A Conceptual Foundation .......................................... 23 4.6 Further Examples -
Machina Ex Deo: Embodiments of Evil in Dan Simmons‟S Hyperion Cantos
MACHINA EX DEO: EMBODIMENTS OF EVIL IN DAN SIMMONS‟S HYPERION CANTOS by Zachary Stewart A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL May 2013 ABSTRACT Author: Zachary Stewart Title: Machina ex Deo: Embodiments of Evil in Dan Simmons‟s Hyperion Cantos Institution: Florida Atlantic University Thesis Advisor: Dr. Elizabeth Swanstrom Degree: Master of Arts Year 2013 Dan Simmons‟s far-future science fiction epic Hyperion Cantos, in which seven disparate individuals become enmeshed in a convoluted plot to enslave humanity, provides extensive support for British theologian John Hick‟s theory of transcendental pluralism. Using the central figures of the Shrike, a mysterious killing machine, and the Technocore, a collective of autonomous artificial intelligences, Simmons demonstrates Hick‟s postulation that all major Western religions actually focus on the same divine being (God) by creating a negative divine being, akin to Satan, to which characters of various religions react in similar ways. Simmons‟s pilgrims each represent a particular spiritual outlook, from specific organized religions to less-defined positions such as secularism and agnosticism, but each pilgrim‟s tale contributes to the evidence of transcendental pluralism. This thesis explores each characters‟ experiences as they relate to the Shrike, the Technocore, and, ultimately the theory of transcendental pluralism. iii MACHINA