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Chelsea Boy Dies Friday Following 2-Car Crash Recycle Chelsea
#m'**#**#*CAR-RT-!:>0RT**nR3 1476 10/1/89 U 23 McKune Memorial Library •$# 221 S. Main St, Che I sear MI 48118 QUOTE "A man travels the world c over in search #of what he 35 needs and returns home to find it." per copy y ONE HUNDRED-NINETEENTH YEAR—No. 7 CHELSEA, MICHIGAN, WEDNESDAY, JULY \% 1989 24 Pages This Week y Recycle Chelsea •am Alreadyin Danger as m. Funds Dry Up Chelsea's recycling program, which materials are being hauled away and level and should be up to the local began late last year, could be out of the distance from each station to, units of government. Look at it this business by the end of the month Recycle Ann Arbor. Glass and cans way, if you were going to continue a m unless local governmental agencies have become the most profitable recycling service with a big company, pi come to its rescue. items as the state is staring at a someone would have to pay for it. It's "Recycle Chelse'a," the village's newspaper glut, making newspaper got to be paid for one way or another. participation in the Washtenaw worth almost nothing, which in And it could cost as much or more to county-wide recycling program, ap creases the cost of the program even get rid of garbage through recycling parently will need an infusion of more. However, the newspaper sec than the way we've always done it." money in order to survive. The county tion of the bin is always the first to fill Village president Jerry Satter plans to stop picking up the recycling up and it would be hard to justify pick thwaite, who has strongly supported bin in Polly's Market, as well as in its ing up a bin that is mostly full of wor setting up a local, independent recycl other sites around the county, in thless newspaper. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Free PDF Download
ARCHAEOLOGY SOUTHWEST CONTINUE ON TO THE NEXT PAGE FOR YOUR magazineFREE PDF (formerly the Center for Desert Archaeology) is a private 501 (c) (3) nonprofit organization that explores and protects the places of our past across the American Southwest and Mexican Northwest. We have developed an integrated, conservation- based approach known as Preservation Archaeology. Although Preservation Archaeology begins with the active protection of archaeological sites, it doesn’t end there. We utilize holistic, low-impact investigation methods in order to pursue big-picture questions about what life was like long ago. As a part of our mission to help foster advocacy and appreciation for the special places of our past, we share our discoveries with the public. This free back issue of Archaeology Southwest Magazine is one of many ways we connect people with the Southwest’s rich past. Enjoy! Not yet a member? Join today! Membership to Archaeology Southwest includes: » A Subscription to our esteemed, quarterly Archaeology Southwest Magazine » Updates from This Month at Archaeology Southwest, our monthly e-newsletter » 25% off purchases of in-print, in-stock publications through our bookstore » Discounted registration fees for Hands-On Archaeology classes and workshops » Free pdf downloads of Archaeology Southwest Magazine, including our current and most recent issues » Access to our on-site research library » Invitations to our annual members’ meeting, as well as other special events and lectures Join us at archaeologysouthwest.org/how-to-help In the meantime, stay informed at our regularly updated Facebook page! 300 N Ash Alley, Tucson AZ, 85701 • (520) 882-6946 • [email protected] • www.archaeologysouthwest.org ARCHAEOLOGY SOUTHWEST SPRING 2014 A QUARTERLY PUBLICATION OF ARCHAEOLOGYmagazine SOUTHWEST VOLUME 28 | NUMBER 2 A Good Place to Live for more than 12,000 Years Archaeology in Arizona's Verde Valley 3 A Good Place to Live for More Than 12,000 Years: Archaeology ISSUE EDITOR: in Arizona’s Verde Valley, Todd W. -
Post-War and Contemporary Art Evening Sale at Christie’S New York Realizes $325 Million
For Immediate Release November 13, 2007 Contact: Bendetta Roux 212 636 2680 [email protected] POST-WAR AND CONTEMPORARY ART EVENING SALE AT CHRISTIE’S NEW YORK REALIZES $325 MILLION New York – Christie’s Evening Sale of Post-War and Contemporary Art totaled $325,006,000 this evening, the second highest ever for a sale in the field. Sixteen new world auction records were set including for artists such as Jeff Koons, Lucian Freud, Ed Ruscha, Richard Prince and Gerhard Richter. The sale was 94% sold by value and 93% by lot. Buyers were 51% American, 26% European, 7% Asian and 16% others. “Tonight’s auction surpassed all of our expectations. It was a robust, sophisticated and well-edited auction, which established multiple records for the most significant artists of the 20th and 21st centuries. The sale realized the second highest total ever for the field and it provided excitement, awe and energy,” said Marc Porter, President Christie’s Americas. “In a market as watchful and alert as today’s, this sale was a clear and resounding vote of confidence of a deep and global client base, which is willing to spend millions of dollars on great works of art.” Mark Rothko’s superbly magical and reflective work never fails to stun one in its serene but almost tangible power. Untitled (Red Blue Orange) realized $34,201,000, second only to the Rockefeller Rothko which sold for $72 million in May of this year, and No.7 (Dark Over Light), 1954 fetched $21,041,000. Both derive from Rothko’s classic period and they reflect the artist’s spare but emotive vocabulary of luminous rectangles stacked and set afloat within a radiantly hued ground. -
Reese Man Killed in Train-Car Crash
-- -- -_. Am- _-- *, i- .Or\JICLE VOLUME 83, NUMBER 35 CASS CITY MICHIGAN -WEDNESDAY,DECEMBER 6,1984 _- -- 1 MIK 1 Y LkN1.S-- ~ , 16 PAGES PLUS SUPPLEMENT CASS CITY I- -_ Dee. 19 petition Reese man killed deadline - -’- -- Area residents interested in running for village office in train-car crash. have about 2 weeks left to file nominating petitions. A 22-year-old Reese man dragged down the tracks ‘ vehicle in front of her went just south of CasCity Satur- The deadline for filing is 4 was killed Monday night approximately 600 feet be- rightjust prior to the impact. day - p.m. Dec. 19. Primary when the vehicle he was fore coming to a stop. Hosner and a passenger in Troopers said Carlysle F. elections, if necessary, will driving slammed into a CSX Another motorist, Ray- her vehicle, Irene M. Periso, May hew, 68,6430 Third S t., be held Feb. 19, and the train about 2 miles south of mond G.Roy, 52, of Vassar, 22, 6665 Lincoln St., Cass City, was northbound General Election will be Richville in Tuscola Town- also was injured at the same Gagetown, were wearing on Cemetery Road north of conducted March 12. ship. location in what authorities seat belts when the 6:45 pm. River Road at about 8:45 The railroad crossing, believe may have been a crash occurred, reports p.m. when his vehicle began In Cass City, peutions can which is marked by a yield related accident. be picked up at the village state. to fishtail. The driver lost sign and railroad crossarms, Roy, who also was north- They and Luther, who was control and the vehicle left municipal building during is the same location where 2 bound on Hart Road, appar- regular business hours, 8 not wearing a seat belt, were the roadway and struck a persons were killed and 2 ently saw the train and transported to Car0 Com- .m. -
California State University, Northridge Exploitation
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE EXPLOITATION, WOMEN AND WARHOL A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art by Kathleen Frances Burke May 1986 The Thesis of Kathleen Frances Burke is approved: Louise Leyis, M.A. Dianne E. Irwin, Ph.D. r<Iary/ Kenan Ph.D. , Chair California State. University, Northridge ii DEDICATION This thesis is dedicated to Dr. Mary Kenon Breazeale, whose tireless efforts have brought it to fruition. She taught me to "see" and interpret art history in a different way, as a feminist, proving that women's perspectives need not always agree with more traditional views. In addition, I've learned that personal politics does not have to be sacrificed, or compartmentalized in my life, but that it can be joined with a professional career and scholarly discipline. My time as a graduate student with Dr. Breazeale has had a profound effect on my personal life and career, and will continue to do so whatever paths my life travels. For this I will always be grateful. ACKNOWLEDGEMENTS In addition, I would like to acknowledge the other members of my committee: Louise Lewis and Dr. Dianne Irwin. They provided extensive editorial comments which helped me to express my ideas more clearly and succinctly. I would like to thank the six branches of the Glendale iii Public Library and their staffs, in particular: Virginia Barbieri, Claire Crandall, Fleur Osmanson, Nora Goldsmith, Cynthia Carr and Joseph Fuchs. They provided me with materials and research assistance for this project. I would also like to thank the members of my family. -
Geodesy. Latitude Observations with Photographic Zenith Tube At
Serial No. 7 ^.DEPARTMENT OF COMMERCE ) U. S. COAST AND GEODETIC SURVEY HI E. LESTER JONES, Superintendent GEODESY LATITUDE OBSERVATIONS WITH PHOTOGRAPHIC ZENITH TUBE AT GAITHERSBURG, MD. BY FRAIfK K. ROSS, Ph. I>. IN COOPERATION WITH THE INTERNATIONAL GEODETIC ASSOCIATION SPECIAL PUBLICATIONNINO.I 27 1 WASHINGTON GOVERNMENT PRINTING OP1TOK 1913 Serial No. 7 DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SUEVEY E. LESTER JONES, Superintendent GEODESY LATITUDE OBSERVATIONS WITH PHOTOGRAPHIC ZENITH TUBE AT GAITHERSBURG, MD. BY FRAJSTK TG. ROSS, Pli. D. IN COOPERATION WITH THE INTERNATIONAL GEODETIC ASSOCIATION SPECIAL PUBLICATION No. 27 WASHINGTON GOVERNMENT PRINTING OFFICE 1815 ADDITIONAL COPIES OF THIS PUBLICATION MAY BE PROCURED FROM THE SUPERINTENDENT OF DOCUMENTS GOVERNMENT PRINTING OFFICE WASHINGTON, D. C. AT 25 CENTS PER COPY V 137 CONTENTS. Pago. Introduction 7 Some considerations leading to a choice of instrument 9 Description of instrument and adjustments 16 Specimen measurement and reduction sheet 25 The Elizabeth Thompson comparator 27 Reseau 30 Adjustments of the zenith tube 33 Scale value 38 Temperature coefficient (semi-theoretical) 40 Film distortion '. 42 Position of the second Gaussian point 46 Investigation of the accuracy of the carriage motion 46 Program and latitude observations, photographic 49 Star program 49 Results of observations, photographic 51 Group differences and closing sum 70 Constant of aberration 72 Solar parallax 72 Daily mean latitudes, definitive 73 Comparison of photographic variation of latitude curve with the normal curve 76 The Kimura term 78 Discussion of errors 81 Probable errors 81 Temperature conditions 82 Probable errors arranged according to zenith distance 85 Probable error of the daily mean latitude 85 Relative accuracy of observations before and after midnight 86 Systematic and accidental errors in plate measurement 87 Probable error of the photographic impression of stellar images. -
Elden Pueblo
Prehistoric Sites -- Elden Pueblo CONTRIBUTOR: Walter Gosart - AAS Northern Arizona Chapter LOCATION: Just minutes from downtown Flagstaff, you will find Elden Pueblo on the west side of Hwy 89. It is tucked away behind the Ponderosa pine trees. The parking lot is located just south of the traffic light at the Camp Townsend-Winona Road. PUBLIC VISITATION: Located on National Forest land and is open year round. Self guided tour. SITE DESCRIPTION AND BACKGROUND: Elden pueblo is a large site in the Flagstaff area. At 50-60 rooms, it rivals it's more well-known contemporaries such as Wupatki and Walnut Canyon and was quite likely one of the main villages of the A.D.1150-1275 Sinagua (See-nah-wa) culture. It is situated atop an earlier pithouse village, one of hundreds that dot the Northern Arizona landscape. Elden pueblo is a large site in the Flagstaff area. At 50-60 rooms, it rivals it's more well-known contemporaries such as Wupatki and Walnut Canyon and was quite likely one of the main villages of the A.D.1150-1275 Sinagua (See- nah-wa) culture. It is situated atop an earlier pithouse village, one of hundreds that dot the Northern Arizona landscape. In 1926 Dr., Jesse Walter Fewkes, a famous archaeologist with the Smithsonian Institution in Washington DC, excavated and stabilized portions of Elden Pueblo. He hoped to turn the site into a national monument when work was completed. Plans for the monument fell through, but that did not stop people from visiting the site and sharing in its excitement. -
Volume 2, Issue 2: Winter 2017
Volume 2, Issue 2: Winter 2017 I II I I I I I I I I I I I I I I ICSC Press JOURNAL OF GENIUS AND EMINENCE Editor Mark A. Runco Distinguished Research Fellow, American Institute for Behavioral Research and Technology Editorial Board Selcuk Acar James C. Kaufman International Center for Studies in Creativity, University of Connecticut, Storrs, Connecticut Buffalo State, State University of New York Arthur I. Miller Andrei Aleinikov University College, London, England International Academy of Genius, Monterey, California Robert Root-Bernstein Giovanni E. Corazza Michigan State University, East Lansing, Michigan University of Bologna, Marconi Institute for Creativity, Bologna, Italy Dean Keith Simonton University of California, Davis David Galenson Professor, University of Chicago Harriet Zuckerman Fellow, John Simon Guggenheim Memorial Foundation Senior Vice President, Andrew W. Mellon Foundation Academic Director of the Center for Creativity Economics, Professor Emerita, Columbia University. Universidad del CEMA I II I I I I I I I I I I I I I I ICSC Press Journal of Genius and Eminence (ISSN: 2334-1130 print, Permissions and submissions: Email [email protected] 2334-1149 electronic) is published semi-annually by ICSC Press, International Center for Studies in Creativity, Buffalo Copyright © 2017 by the International Center for Studies State, State University of New York, 1300 Elmwood Avenue, in Creativity. All rights reserved. No part of this publication Chase 248, Buffalo, NY 14222. ICSC Press Managing Editor: may be reproduced, stored, transmitted, or disseminated in Paul Reali, [email protected]. any form or by any means without prior written permission. ICSC Press grants authorization for individuals to photocopy Production, Advertising, and Subscription Office: ICSC copyright material for private research use on the sole basis Press, SUNY Buffalo State, 1300 Elmwood Avenue, Chase that requests for such use are referred directly to the requester’s 248, Buffalo, NY 14222. -
Celebrate Archaeology Month!
Celebrate Archaeology Month! Remember, when visiting archaeological site, take only pictures and leave only footprints. These special places are fragile traces of the past. Native Americans who live in the area have ancestral connections to these areas. Scientists and Native Americans alike can learn much about an untold history of the area based on the locations of structures and artifacts. Removing artifacts and damaging cultural sites is against the law and ruins the experience for future generations to enjoy. Walnut Canyon National Monument: Activity: Visit Walnut Canyon. Make a sketch of a cliff dwelling. How many people do you think might have lived in the room? How long ago did people live at Walnut Canyon? Learn more and take tours at https://www.nps.gov/waca/index.htm Google Map: https://goo.gl/maps/6BouhEMKgfLFw3Yz5 Picture Canyon Natural and Cultural Preserve: Take a picture or make a sketch of your favorite petroglyph in Picture Canyon. What story do you think the petroglyph is trying to tell? Learn more at https://www.flagstaff.az.gov/2881/Picture-Canyon-Natural-Cultural-Preserve Google Map: https://goo.gl/maps/Qs3higueFgiG5bmn6 (trailhead for 3 mile loop.) Elden Pueblo, Coconino National Forest: Activity: Walk around the short trail at Elden Pueblo. How many rooms can you count? How many people do you think lived there? Learn more and download activity books at https://www.fs.usda.gov/detail/coconino/learning/history-culture/?cid=stelprdb5350363 Google Map: https://goo.gl/maps/zeNzZhuYctLqnCDg8 Keyhole Sink Petroglyphs, Kaibab National Forest: Take a short hike to Keyhole Sink. Make a sketch or take a picture of your favorite petroglyph. -
1 Bufferin Commercial Gary Needham Bufferin Commercial Refers in Its
Bufferin Commercial Gary Needham Bufferin Commercial refers in its title to a widely available brand of aspirin. The film is also typical of some of Warhol’s filmmaking practices in 1966 and, I will argue, anticipates Warhol’s philosophy on relations between business and art. In addition to offering some commentary on this relatively unknown film I also want to use Bufferin Commercial to explore some possible ways to explain and account for those filmmaking practices that Warhol described circa 1966 as being deliberately bad; Warhol pretended to be both incompetent and curious about the process of making films and even made a statement on network television advocating ‘bad camerawork.’1 Bufferin Commercial shouldn’t be confused with the other Bufferin (1966), the portrait film Warhol made in collaboration with Gerard Malanga and the subject of Jean Wainwright’s chapter in this volume. Bufferin Commercial is comprised of two 1200 foot thirty-three minute reels. The first reel is without sound (an unintentional accident) and the second reel has sound. There is some uncertainty surrounding the film’s projection history as being either a single screen 66 minute film, listed as 70 minutes in The Filmmaker’s Cooperative Catalogue No.4 (1967), or a double screen projection that would be 33 minutes in duration.2 It was filmed on Wednesday, 14 December 1966 with two cameras that ran simultaneously, one of them operated by Warhol and the other by Paul Morrissey. Bufferin Commercial’s absence from commentary on Warhol’s films may be due to it being one of the few of his sixties films that was an outside agency commission organised by Richard Frank from the Grey advertising agency in New York on behalf of the pharmaceutical company Bristol-Myers. -
Arizona Department of Health Services Division of Public Health Services Bureau of Health Systems Development
Arizona Department of Health Services Division of Public Health Services Bureau of Health Systems Development Designation of Arizona Medically Underserved Areas October 2016 Douglas A. Ducey, Governor Cara M. Christ, Director http://www.azdhs.gov/prevention/health-systems-development/data-reports-maps/index.php#reports BUREAU OF HEALTH SYSTEMS DEVELOPMENT, Arizona Department of Health Services October 2016 Page 1 of 25 INTRODUCTION The Arizona Medically Underserved Area (AzMUA) report is prepared by the Arizona Department of Health Services, as mandated by A.R.S. § 36-2352. Within the Arizona Department of Health Services, Division of Public Health, the Bureau of Health Systems Development (HSD) is responsible for activities associated with the implementation of A.R.S. § 36-2352. HSD is responsible for assisting communities in obtaining both state and federal shortage designations. Additionally, HSD manages the Arizona Loan Repayment Programs established by A.R.S. § 36-2172 and A.R.S. § 36-2174. The Arizona Loan Repayment Programs provide incentives in the form of loan repayment for primary health care providers to work in medically underserved areas. The Arizona Rural Private Practice Loan Repayment Program utilizes AzMUA designation as a criteria. Non-Department programs that require AzMUA designation include: the Arizona Medical Student Loan Program under A.R.S. Title 15, Chapter 13, Article 7, and priority consideration by the University of Arizona School of Medicine under A.R.S. § 15-1751 for applicants who demonstrate a willingness to practice in the state's underserved areas and the establishment of health service districts pursuant to A.R.S. Title 48, Chapter 16, Article 1.