Securing the Caracallan Empire
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Pushing the Limit: an Analysis of the Women of the Severan Dynasty
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Greek and Roman Studies 4-24-2015 Pushing the Limit: An Analysis of the Women of the Severan Dynasty Colleen Melone Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/grs_honproj Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Melone, Colleen, "Pushing the Limit: An Analysis of the Women of the Severan Dynasty" (2015). Honors Projects. 5. https://digitalcommons.iwu.edu/grs_honproj/5 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Colleen Melone Pushing the Limit: An Analysis of the Women of the Severan Dynasty Abstract By applying Judith Butler’s theories of identity to the imperial women of the Severan dynasty in ancient Rome, this paper proves that while the Severan women had many identities, such as wife, mother, philosopher, or mourner, their imperial identity was most valued due to its ability to give them the freedom to step outside many aspects of their gender and to behave in ways which would customarily be deemed inappropriate. -
The Roman Augustae: the Most Powerful Women Who Ever Lived a Collection of Six Silver Coins
The Roman Augustae: The Most Powerful Women Who Ever Lived A Collection of Six Silver Coins Frieze of Severan Dynasty All coins in each set are protected in an archival capsule and beautifully displayed in a mahogany-like box. The box set is accompanied with a story card, certificate of authenticity, and a black gift box. The best-known names of ancient Rome are invariably male, and in the 500 years between the reigns of Caesar Augustus and Justinian I, not a single woman held the Roman throne—not even during the chaotic Crisis of the Third Century, when new emperors claimed the throne every other year. This does not mean that women were not vital to the greatest empire the world has ever known. Indeed, much of the time, the real wielders of imperial might were the wives, sisters, and mothers of the emperors. Never was this more true than during the 193-235, when three women—the sisters Julia Maesa and Julia Domna, and Julia Maesa’s daughter Julia Avita Mamaea—secured the succession of their husbands, sons, and grandsons to the imperial throne, thus guaranteeing that they would remain in control. The dynasty is known in the history books as “the Severan,” for Julia Domna’s husband Septimius Severus, but it was the three Julias—and none of the men—who were really responsible for this relatively transition of power. These remarkable women, working in a patriarchal system that officially excluded them from assuming absolute power, nevertheless managed to have their way. Our story begins in Emesa, capital of the Roman client kingdom of Syria, in the year 187 CE. -
A MESAMBRIAN COIN of GETA Luchevar Lazarov Unlike The
TALANTA XXXIV-XXXV (2002-2003) A MESAMBRIAN COIN OF GETA Luchevar Lazarov Unlike the abundant production during the Classical and Hellenistic periods, the activity of the mint at Mesambria Pontica in Roman times was relatively 1 limited . Until now, the following mints are known: Hadrian (117-138 AD), Septimius Severus (193-211 AD), Caracalla (198-217 AD), Gordian III (238- 244 AD), Philip the Arab (244-249 AD), Philip II (247-249 AD) and the empress Acilia Severa, wife of the emperor Elagabalus (218-222 AD) (Karayotov 1992, 49-66). Recently, a Mesambrian coin from the time of the emperor Augustus (27 BC - 14 AD) was found in the private collection of N. Mitkov from Provadija (NE 2 Bulgaria) , showing the beginning of the Roman mint in the city (Karayotov 1994, 20). In this present note, a Roman Mesambrian coin of the emperor Geta (209-212 AD) is presented, testifying that in the beginning of the 3rd century AD, also coins bearing the name of this son of Septimius Severus were minted in Mesambria. AUKPÇEP Obv.: / GETAC, showing a bust of Geta with laurel wreath and wearinMgEaÇcAuMiraBssR anId pAaNluPdaN mentum (Fig. 1). Rev.: / / , showing a naked Hermes with a purse in his right and a caduceus in his left hand. The face is turned to the left (Fig. 2) > AE; — ; D: 23-24 mm. Taking the size of this coin in account, it probably belongs to nominal III (Schönert-Geiss 1990, 23-99). 1 On Mesambrian coinage of the pre-Roman period, see: Karayotov 1992, Karayotov 1994, Topalov 1995. 2 I would like to thank mr. -
Collector's Checklist for Roman Imperial Coinage
Liberty Coin Service Collector’s Checklist for Roman Imperial Coinage (49 BC - AD 518) The Twelve Caesars - The Julio-Claudians and the Flavians (49 BC - AD 96) Purchase Emperor Denomination Grade Date Price Julius Caesar (49-44 BC) Augustus (31 BC-AD 14) Tiberius (AD 14 - AD 37) Caligula (AD 37 - AD 41) Claudius (AD 41 - AD 54) Tiberius Nero (AD 54 - AD 68) Galba (AD 68 - AD 69) Otho (AD 69) Nero Vitellius (AD 69) Vespasian (AD 69 - AD 79) Otho Titus (AD 79 - AD 81) Domitian (AD 81 - AD 96) The Nerva-Antonine Dynasty (AD 96 - AD 192) Nerva (AD 96-AD 98) Trajan (AD 98-AD 117) Hadrian (AD 117 - AD 138) Antoninus Pius (AD 138 - AD 161) Marcus Aurelius (AD 161 - AD 180) Hadrian Lucius Verus (AD 161 - AD 169) Commodus (AD 177 - AD 192) Marcus Aurelius Years of Transition (AD 193 - AD 195) Pertinax (AD 193) Didius Julianus (AD 193) Pescennius Niger (AD 193) Clodius Albinus (AD 193- AD 195) The Severans (AD 193 - AD 235) Clodius Albinus Septimus Severus (AD 193 - AD 211) Caracalla (AD 198 - AD 217) Purchase Emperor Denomination Grade Date Price Geta (AD 209 - AD 212) Macrinus (AD 217 - AD 218) Diadumedian as Caesar (AD 217 - AD 218) Elagabalus (AD 218 - AD 222) Severus Alexander (AD 222 - AD 235) Severus The Military Emperors (AD 235 - AD 284) Alexander Maximinus (AD 235 - AD 238) Maximus Caesar (AD 235 - AD 238) Balbinus (AD 238) Maximinus Pupienus (AD 238) Gordian I (AD 238) Gordian II (AD 238) Gordian III (AD 238 - AD 244) Philip I (AD 244 - AD 249) Philip II (AD 247 - AD 249) Gordian III Trajan Decius (AD 249 - AD 251) Herennius Etruscus -
Revisit Roman Arbeia a Story of Three Emperors: Teacher’S Notes
Revisit Roman Arbeia A Story of Three Emperors: teacher’s notes Revisit Roman Arbeia is split into four parts, all of which can be downloaded from Tyne & Wear Archives & Museums’ website: Tick: Gallery Search Fort site information Reconstruction Search A Story of Three Emperors How to use ‘A Story of Three Emperors’… ‘A Story of Three Emperors’ tells the true tale of Septimius Severus and his two sons, Geta and Caracalla. Images of artefacts linked to the story can be found within this document. This resource can be used either at Arbeia or in the classroom; you are welcome to use the story however you wish. A list of suggested classroom activities can be found below. Learning objectives • What was a Roman emperor? • Learning a new story Cautionary note This story involves death and murder. Suggested classroom activities • Write a newspaper story about Septimius Severus arriving at Arbeia, of the emperor dying in York, or the murder of either Geta or Caracalla. Alternatively, role play a news report. • Create a Roman Empire map and display it in your classroom. • Create a play of the story. • Illustrate the story. • Write a diary from Julia’s point of view. • Borrow a box of replica and authentic Roman objects from Tyne & Wear Archives & Museums. The Boxes of Delight are free of charge. More information can be found at www.exploreyourmuseums.org.uk . 1 A Story of Three Emperors A long time ago, the Roman Empire stretched from the hot, scorched deserts of northern Africa, over the deep blue Mediterranean Sea, covering the aromatic vineyards of France and ended in the cold, wet land of Britannia. -
The Roman Wall: an Attempt to Substantiate the Claims of Severus
~ .- '...- r- - ~--..v:; -J)-- ,- u--. ".;;n;=;=?~.- n~~~ ~ ..... -==---==-wc c 71) -- - J' ~~I- - ---.- . ~ I! (tyr I nmRn ~ l'«U: ~u nt- :~ ~ frmpt fn suhsbtufbdr fbr rlai1I!5 I ~ nr ~rnrn15 fn fur mdgnrsUlp I I nr fur 11tnmau 1~alL 1fJIJ . 'f nhrrt ~rlL II I ~ . I ! ..i I !'J..WC'AstL".-l-PG ··TYNE • I pnnted by G. BO(,CIIJER Rl[ H.l1LDSOli, n' the '!4tn or the liner-god Tyne, Coyton·street.west. p.inte to l l'le Soc:.ety of Antiq'lIuie., and t· u... 1'ypographie ' St.";-ty, both of l'iewca .tle-upon. fyne. AI DrCl.LJI ---. ----..... -- ---.::Al! _ _ -- j -~~=,="",~=-===ser.e:::::::-=--:tIr ~~'! c::=:::::x ___ :.~ec _ ~~~~~ ;...r~o f~ , ~ . ' "] i ti0br 1Rnman Wall: l1n at ~ trrupt tn snhstantiatr tbr rlairus I nf ~rnrrns tn tbr antbnrsbip nf tlJr 1ltnruan Wall. %)ij jRnhrrl %).. rIL . 1 ... '; , .. ~o ~: ... ~' I. :; .' ~ c '! .. ~ . .. ~o - ~ . " NEWCASTLE-UPON-TYNE: Imprinted by G. BOUCHIER RICHARDSON, at the Sign of the Ri.er-god Tyne, Clayton-street-west; Printer to the Society of Antiquaries, and to the Typographical Society, both of Newoastie-upon- Tyne. M.DCCC.LII. " ~-~-..,........,.-,-E-e- _____ -,JJ I I Cfl° S '0 ?J ,ttur 1!inmau 'ill alL An attempt to substantiate the claims if Sevems to the authorship if the Roman Wall. THE object of this paper is to investigate the grounds upon which the authorship of the Roman Wall, from the Ty~e to the Solway, is attributed to Hadrian, by some, and by others, to Severus; and particularly to record the evidence upon which I place my conviction that the great work in question, is referrible to Lucius Septimius Severus. -
Porträttypen Des Caracalla Und Des Geta Auf Römischen Reichsprägungen – Definition Eines Neuen Caesartyps Des Caracalla Und Eines Neuen Augustustyps Des Geta
ANDREAS PANGERL PORTRÄTTYPEN DES CARACALLA UND DES GETA AUF RÖMISCHEN REICHSPRÄGUNGEN – DEFINITION EINES NEUEN CAESARTYPS DES CARACALLA UND EINES NEUEN AUGUSTUSTYPS DES GETA Für die Kaiser des Imperium Romanum waren Münzen ein wichtiges, vielleicht das wichtigste Kommunika- tionsmittel mit dem Volk, besonders mit dem Militär und den römischen Bürgern 1. Informationsübertragung über Münzen nutzt ein sowohl rasches als auch weitreichendes Medium. So ließ sich über Münzdonationen eine bestimmte Zielgruppe wissentlich und schnell erreichen, z. B. die Prätorianer-Leibgarde oder die Legio- nen an den Grenzen. Über den allgemeinen Geldumlauf gelangte kaiserliche Propaganda zwar langsamer, dafür aber breiter gestreut selbst in die fernste Provinz. Zusätzlich bleiben Informationen auf Münzen für die Nachwelt lange sichtbar, bis weit in spätere Generationen, was aus der Perspektive der römischen Kaiser sicherlich ein weiterer Vorteil war, da man so das Bild der Nachwelt mit »prägen« konnte. Auf den Münzen des Kaisers Septimius Severus, eines erfolgreichen Feldherrn, der nach einem blutigen Bürgerkrieg 193 n. Chr. die Macht ergriff, spiegelt sich neben zahlreichen militärischen Themen besonders auch der Wunsch nach einer geregelten Thronfolge wider. Septimius Severus konnte hierzu zwei Söhne im Kindesalter vorweisen. Um diese dynastische Stärke zu unterstreichen, ernannte er schon 196 2 seinen erst etwa zehnjährigen ältesten Sohn Bassianus – uns bekannt als Caracalla – zum Caesar, also zum Thron- folger, und dann nur ein Jahr später 197 3 zum Mitkaiser, d. h. zum Augustus. Die kaiserliche Propaganda nimmt dieses dynastische Thema auf, und so zeigen Münzen nicht nur die Eltern in Eintracht (Abb.1, 1), sondern auch den Vater zusammen mit dem Thronfolger (Abb.1, 2). Dabei spielen die zugehörigen Um - schriften CONCORDIAE AETERNITAE (der ewigen Eintracht) und AETERNITAS IMPERII (Ewigkeit des Reiches) auf die durch diese Kaiserfamilie über Generationen garantierbare glückliche Zukunft des Reiches an. -
Imperial Women and the Evolution of Succession Ideologies in the Third Century
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2020 Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century Christina Hotalen University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Ancient History, Greek and Roman through Late Antiquity Commons Scholar Commons Citation Hotalen, Christina, "Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8452 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century by Christina Hotalen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: Julie Langford, Ph.D. William Murray, Ph.D. Sheramy Bundrick, Ph.D. Matthew King, Ph.D. Alex Imrie, Ph.D. Date of Approval: July 2, 2020 Keywords: Numismatics, Epigraphy, Material Culture, Digital Humanities Copyright © 2020, Christina Hotalen ACKNOWLEDGEMENTS It is quite an understatement to say that it takes a village to write a dissertation. This was written during a global pandemic, civic unrest, and personal upheavals. However, to quote a dear friend, “non bellum, sed completum est.” I could not have ventured into and finished such a monumental undertaking, and at such a time, without my very own village. -
List of Roman Emperors
• Julio-Claudian Emperors Hadrian 117-138 • Augustus 31 BCE-14 CE • Antoninus Pius 138-161 • Tiberius 14-37 • Marcus Aurelius 161-180 • Caligula 37-41 • Commodus 178-193 • Claudius 41-54 • Nero 54-68 • Severan Dynasty • Year of 4 emperors 68-69 • Septimius Severus 193-211 • Caracalla 198-217 • Flavian Dynasty • Geta 209-212 • Vespasian 69-79 • Macrinus 217-218 • Titus 79-81 • Elagabalus 218-222 • Domitian 81-96 • Severus Alexander 222-235 • Adoptive (Good) Emperors • 50 years of near military • Nerva 96-98 anarchy (20 emperors) until • Trajan 98-117 Diocletian 284-305 • Cleopatra (1963) • Dir. Joseph Mankiewicz • Cleopatra—Elizabeth Taylor • Caesar—Rex Harrison • Marc Antony—Richard Burton • Octavian—Roddy McDowall • How did Octavian finally convince the Roman Senate to declare war on Marc Antony? • By reading Marc Antony’s will in which he requests to be buried in Alexandria, Egypt. Publius Cornelius Tacitus (56-117c) • Senator, historian, orator (aristocratic and conservative) • Held political office during terror of Domitian (81-96) • Consulship in 97 under Nerva; Governor of Asia under Trajan c. 112 • Works: Agricola (eulogy of father-in-law, governor of Britain) Germania (moral contrast: Germany v. Rome) • Annales (Julio-Claudian era 14-68) Historiae (Flavian period 69-96) Tacitus rewrites the Augustan narrative • “Augustus found the whole state exhausted by internal dissensions, and established over it a personal regime known as the Principate.” • “He seduced the army with bonuses, and his cheap food policy was successful bait for civilians. Indeed, he attracted everybody’s good will by the enjoyable gift of peace. Then he gradually pushed ahead and absorbed the functions of the Senate, the officials, and even the law.” • “Opposition did not exist. -
The Arch of Septimius Severus Monuments and Historical Memory
The Arch of Septimius Severus Monuments and Historical Memory Introduction A common architectural feature of the Roman Empire was the triumphal arch, an archway structure often spanning a road. The triumphal arches commemorated military victories or the ascension of a new emperor. At least 36 triumphal arches were erected in Rome, the capital of the empire. In 203 CE, the Senate erected a highly decorated triple triumphal arch to celebrate victories of Septimius Severus and his two sons Caracalla and Geta in two Parthian wars. In this lesson, students will virtually visit Rome to gain a broader understanding of the ways in which Rome commemorated the past through the erection of monuments. Standards Connections: Compelling Question: Describe the political and social institutions of the Roman How do societies enshrine historical memories? Republic and analyze why Rome was transformed from republic to empire. Evaluate the major legal, artistic, architectural, technological, and literary achievements of the Romans and the influence of Hellenistic cultural traditions on Roman Europe. Lesson Objectives: Students will: • Participate in a class discussion about the value of monuments in establishing and preserving historical memory. • Analyze the architectural and visual features of the Arch of Septimius Severus, the interior of the Curia Julia, and the Victory Statue. • Compare and contrast how societies in the Roman Empire and the United States commemorate history through monuments. Materials • Roman Forum, Rome Reborn Virtual Reality Application • Oculus Go Headset • Access to www.padlet.com (visible to whole class) or Post-It Notes • Two Sources (Source A: Excerpt, Herodian; Source B: Reconstruction of Relief) Learning Plan Activities 1. -
The Portrayal of Youthful Emperors in Roman Imperial Histories and Biographies
Boys will be Boys: The Portrayal of Youthful Emperors in Roman Imperial Histories and Biographies Britta Signe Johansson BA (Hons, class I) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2016 School of Historical and Philosophical Inquiry ABSTRACT This thesis examines the portrayal of youthful Roman emperors in imperial histories and biographies, specifically in the works of Suetonius, Tacitus, Cassius Dio, Herodian, and the Historia Augusta. As such, it limits the scope of research to the first three centuries AD. The emperors that fall into this category are Caligula (25 at accession), Nero (16 at accession), Commodus (co-Augustus at age 16; 19 as Augustus), Caracalla (co-Augustus at age 11; joint-rule with Geta at age 23), Geta (co-Augustus at age 20; joint-rule with Caracalla at age 22), Elagabalus (14 at accession), Alexander Severus (13 at accession) and Gordian III (13 at accession). For the purpose of this thesis, the phase of youth will be defined as the period between 13/14 years of age and 28 years, in line with the stages of the human life-course suggested by Macrobius.1 Laes and Strubbe suggest this age boundary as one that was accepted and popular among the ancient Romans.2 They further acknowledge that although people in antiquity did not possess age awareness comparable to modern society, they were not indifferent towards the factor of age. Rather, they discerned a phase between childhood and adulthood to which they did not assign fixed and universal numerological boundaries. Nonetheless, this critical stage of human life was one characterised by restlessness, conflict and change.