The Roman Empire Mr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Pushing the Limit: an Analysis of the Women of the Severan Dynasty
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Greek and Roman Studies 4-24-2015 Pushing the Limit: An Analysis of the Women of the Severan Dynasty Colleen Melone Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/grs_honproj Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Melone, Colleen, "Pushing the Limit: An Analysis of the Women of the Severan Dynasty" (2015). Honors Projects. 5. https://digitalcommons.iwu.edu/grs_honproj/5 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Colleen Melone Pushing the Limit: An Analysis of the Women of the Severan Dynasty Abstract By applying Judith Butler’s theories of identity to the imperial women of the Severan dynasty in ancient Rome, this paper proves that while the Severan women had many identities, such as wife, mother, philosopher, or mourner, their imperial identity was most valued due to its ability to give them the freedom to step outside many aspects of their gender and to behave in ways which would customarily be deemed inappropriate. -
The Roman Augustae: the Most Powerful Women Who Ever Lived a Collection of Six Silver Coins
The Roman Augustae: The Most Powerful Women Who Ever Lived A Collection of Six Silver Coins Frieze of Severan Dynasty All coins in each set are protected in an archival capsule and beautifully displayed in a mahogany-like box. The box set is accompanied with a story card, certificate of authenticity, and a black gift box. The best-known names of ancient Rome are invariably male, and in the 500 years between the reigns of Caesar Augustus and Justinian I, not a single woman held the Roman throne—not even during the chaotic Crisis of the Third Century, when new emperors claimed the throne every other year. This does not mean that women were not vital to the greatest empire the world has ever known. Indeed, much of the time, the real wielders of imperial might were the wives, sisters, and mothers of the emperors. Never was this more true than during the 193-235, when three women—the sisters Julia Maesa and Julia Domna, and Julia Maesa’s daughter Julia Avita Mamaea—secured the succession of their husbands, sons, and grandsons to the imperial throne, thus guaranteeing that they would remain in control. The dynasty is known in the history books as “the Severan,” for Julia Domna’s husband Septimius Severus, but it was the three Julias—and none of the men—who were really responsible for this relatively transition of power. These remarkable women, working in a patriarchal system that officially excluded them from assuming absolute power, nevertheless managed to have their way. Our story begins in Emesa, capital of the Roman client kingdom of Syria, in the year 187 CE. -
A MESAMBRIAN COIN of GETA Luchevar Lazarov Unlike The
TALANTA XXXIV-XXXV (2002-2003) A MESAMBRIAN COIN OF GETA Luchevar Lazarov Unlike the abundant production during the Classical and Hellenistic periods, the activity of the mint at Mesambria Pontica in Roman times was relatively 1 limited . Until now, the following mints are known: Hadrian (117-138 AD), Septimius Severus (193-211 AD), Caracalla (198-217 AD), Gordian III (238- 244 AD), Philip the Arab (244-249 AD), Philip II (247-249 AD) and the empress Acilia Severa, wife of the emperor Elagabalus (218-222 AD) (Karayotov 1992, 49-66). Recently, a Mesambrian coin from the time of the emperor Augustus (27 BC - 14 AD) was found in the private collection of N. Mitkov from Provadija (NE 2 Bulgaria) , showing the beginning of the Roman mint in the city (Karayotov 1994, 20). In this present note, a Roman Mesambrian coin of the emperor Geta (209-212 AD) is presented, testifying that in the beginning of the 3rd century AD, also coins bearing the name of this son of Septimius Severus were minted in Mesambria. AUKPÇEP Obv.: / GETAC, showing a bust of Geta with laurel wreath and wearinMgEaÇcAuMiraBssR anId pAaNluPdaN mentum (Fig. 1). Rev.: / / , showing a naked Hermes with a purse in his right and a caduceus in his left hand. The face is turned to the left (Fig. 2) > AE; — ; D: 23-24 mm. Taking the size of this coin in account, it probably belongs to nominal III (Schönert-Geiss 1990, 23-99). 1 On Mesambrian coinage of the pre-Roman period, see: Karayotov 1992, Karayotov 1994, Topalov 1995. 2 I would like to thank mr. -
The Political and Military Aspects of Accession of Constantine the Great
Graeco-Latina Brunensia 24 / 2019 / 2 https://doi.org/10.5817/GLB2019-2-2 The Political and Military Aspects of Accession of Constantine the Great Stanislav Doležal (University of South Bohemia in České Budějovice) Abstract The article argues that Constantine the Great, until he was recognized by Galerius, the senior ČLÁNKY / ARTICLES Emperor of the Tetrarchy, was an usurper with no right to the imperial power, nothwithstand- ing his claim that his father, the Emperor Constantius I, conferred upon him the imperial title before he died. Tetrarchic principles, envisaged by Diocletian, were specifically put in place to supersede and override blood kinship. Constantine’s accession to power started as a military coup in which a military unit composed of barbarian soldiers seems to have played an impor- tant role. Keywords Constantine the Great; Roman emperor; usurpation; tetrarchy 19 Stanislav Doležal The Political and Military Aspects of Accession of Constantine the Great On 25 July 306 at York, the Roman Emperor Constantius I died peacefully in his bed. On the same day, a new Emperor was made – his eldest son Constantine who had been present at his father’s deathbed. What exactly happened on that day? Britain, a remote province (actually several provinces)1 on the edge of the Roman Empire, had a tendency to defect from the central government. It produced several usurpers in the past.2 Was Constantine one of them? What gave him the right to be an Emperor in the first place? It can be argued that the political system that was still valid in 306, today known as the Tetrarchy, made any such seizure of power illegal. -
Idai.Publications Idai.Publications
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Sam Heijnen – Eric M. Moormann A Portrait Head of Severus Alexander in Delft aus / from Archäologischer Anzeiger Ausgabe / Issue 1 • 2020 Umfang / Length § 1–9 DOI: https://doi.org/10.34780/aa.v0i1.1017 • https://nbn-resolving.org/urn:nbn:de:0048-aa.v0i1.1017.2 Zenon-ID: https://zenon.dainst.org/Record/002001103 Verantwortliche Redaktion / Publishing editor Redaktion der Zentralen Wissenschaftlichen Dienste | Deutsches Archäologisches Institut Weitere Informationen unter/ For further information see https://publications.dainst.org/journals/index.php/aa/about ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 ©2020 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: https://www.dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]). -
Collector's Checklist for Roman Imperial Coinage
Liberty Coin Service Collector’s Checklist for Roman Imperial Coinage (49 BC - AD 518) The Twelve Caesars - The Julio-Claudians and the Flavians (49 BC - AD 96) Purchase Emperor Denomination Grade Date Price Julius Caesar (49-44 BC) Augustus (31 BC-AD 14) Tiberius (AD 14 - AD 37) Caligula (AD 37 - AD 41) Claudius (AD 41 - AD 54) Tiberius Nero (AD 54 - AD 68) Galba (AD 68 - AD 69) Otho (AD 69) Nero Vitellius (AD 69) Vespasian (AD 69 - AD 79) Otho Titus (AD 79 - AD 81) Domitian (AD 81 - AD 96) The Nerva-Antonine Dynasty (AD 96 - AD 192) Nerva (AD 96-AD 98) Trajan (AD 98-AD 117) Hadrian (AD 117 - AD 138) Antoninus Pius (AD 138 - AD 161) Marcus Aurelius (AD 161 - AD 180) Hadrian Lucius Verus (AD 161 - AD 169) Commodus (AD 177 - AD 192) Marcus Aurelius Years of Transition (AD 193 - AD 195) Pertinax (AD 193) Didius Julianus (AD 193) Pescennius Niger (AD 193) Clodius Albinus (AD 193- AD 195) The Severans (AD 193 - AD 235) Clodius Albinus Septimus Severus (AD 193 - AD 211) Caracalla (AD 198 - AD 217) Purchase Emperor Denomination Grade Date Price Geta (AD 209 - AD 212) Macrinus (AD 217 - AD 218) Diadumedian as Caesar (AD 217 - AD 218) Elagabalus (AD 218 - AD 222) Severus Alexander (AD 222 - AD 235) Severus The Military Emperors (AD 235 - AD 284) Alexander Maximinus (AD 235 - AD 238) Maximus Caesar (AD 235 - AD 238) Balbinus (AD 238) Maximinus Pupienus (AD 238) Gordian I (AD 238) Gordian II (AD 238) Gordian III (AD 238 - AD 244) Philip I (AD 244 - AD 249) Philip II (AD 247 - AD 249) Gordian III Trajan Decius (AD 249 - AD 251) Herennius Etruscus -
Stellar Symbols on Ancient Coins of the Roman Empire – Part Iii: 193–235 Ad
STELLAR SYMBOLS ON ANCIENT COINS OF THE ROMAN EMPIRE – PART III: 193–235 AD ELENI ROVITHIS-LIVANIOU1, FLORA ROVITHIS2 1Dept of Astrophysics, Astronomy & Mechanics, Faculty of Physics, Athens University, Panepistimiopolis, Zographos 15784, Athens, Greece Email: [email protected] 2Email: fl[email protected] Abstract. We continue to present and describe some ancient Roman coins with astro- nomical symbols like the Moon, the Zodiac signs, the stars, etc. The coins presented in this Paper correspond to the Roman Empire covering the interval (193 - 235) AD, which corresponds mainly to the Severan dynasty. Key words: Astronomy in culture – Ancient Roman coins – Roman emperors – Stellar symbols. 1. PROLOGUE In a series of papers ancient Greek and Roman coins with astronomical sym- bols were shown, (Rovithis-Livaniou and Rovithis, 2011–2012 and 2014–2015,a&b). Especially the last two of them, hereafter referred as Paper I & II corresponded to the Roman Empire and covered the intervals 27 BD to 95 AD and 96 to 192 AD, re- spectively. Thus, the Roman numismatic system, and its coins has been examined in detail. For this reason, we do not repeat it here, where we continue with coins of the same subject covering the period (193–235) AD that corresponds mainly to the Severan dynasty. What it is worthwhile to be mentioned is that during this time interval, and when there was some numismatic crisis, the silver contain of the denary was reduced. For example during Caracalla’s[1] epoch a specific silver plated coin with less silver than denary was issued the so-called antonianus or the radiative. -
Dying by the Sword: Did the Severan Dynasty Owe Its Downfall to Its Ultimate Failure to Live up to Its Own Militaristic Identity?
Dying by the Sword: Did the Severan dynasty owe its downfall to its ultimate failure to live up to its own militaristic identity? Exam Number: B043183 Master of Arts with Honours in Classical Studies Exam Number: B043183 1 Acknowledgements Warm thanks to Dr Matthew Hoskin for his keen supervision, and to Dr Alex Imrie for playing devil’s advocate and putting up with my daft questions. Thanks must also go to my family whose optimism and belief in my ability so often outweighs my own. Exam Number: B043183 2 TABLE OF CONTENTS List of Illustrations 3 Introduction 4 Chapter One – Living by the Sword 6 Chapter Two – Dying by the Sword 23 Chapter Three – Of Rocky Ground and Great Expectations 38 Conclusion 45 Bibliography 48 Word Count: 14,000 Exam Number: B043183 3 List of Illustrations Fig. 1. Chart detailing the percentage of military coin types promoted by emperors from Pertinax to Numerian inclusive (Source: Manders, E. (2012), Coining Images of Power: Patterns in the Representation of Roman Emperors on Imperial Coinage, AD 193-284, Leiden, p. 65, fig. 17). Fig. 2. Portrait statue showing Caracalla in full military guise (Source: https://www.dailysabah.com/history/2016/08/02/worlds-only-single-piece-2nd-century- caracalla-statue-discovered-in-southern-turkey (Accessed 14/01/17). Fig. 3. Bust of Caracalla wearing sword strap and paludamentum (Source: Leander Touati, A.M. (1991), ‘Portrait and historical relief. Some remarks on the meaning of Caracalla’s sole ruler portrait’, in A.M. Leander Touati, E. Rystedt, and O. Wikander (eds.), Munusula Romana, Stockholm, 117-31, p. -
Revisit Roman Arbeia a Story of Three Emperors: Teacher’S Notes
Revisit Roman Arbeia A Story of Three Emperors: teacher’s notes Revisit Roman Arbeia is split into four parts, all of which can be downloaded from Tyne & Wear Archives & Museums’ website: Tick: Gallery Search Fort site information Reconstruction Search A Story of Three Emperors How to use ‘A Story of Three Emperors’… ‘A Story of Three Emperors’ tells the true tale of Septimius Severus and his two sons, Geta and Caracalla. Images of artefacts linked to the story can be found within this document. This resource can be used either at Arbeia or in the classroom; you are welcome to use the story however you wish. A list of suggested classroom activities can be found below. Learning objectives • What was a Roman emperor? • Learning a new story Cautionary note This story involves death and murder. Suggested classroom activities • Write a newspaper story about Septimius Severus arriving at Arbeia, of the emperor dying in York, or the murder of either Geta or Caracalla. Alternatively, role play a news report. • Create a Roman Empire map and display it in your classroom. • Create a play of the story. • Illustrate the story. • Write a diary from Julia’s point of view. • Borrow a box of replica and authentic Roman objects from Tyne & Wear Archives & Museums. The Boxes of Delight are free of charge. More information can be found at www.exploreyourmuseums.org.uk . 1 A Story of Three Emperors A long time ago, the Roman Empire stretched from the hot, scorched deserts of northern Africa, over the deep blue Mediterranean Sea, covering the aromatic vineyards of France and ended in the cold, wet land of Britannia. -
The Roman Wall: an Attempt to Substantiate the Claims of Severus
~ .- '...- r- - ~--..v:; -J)-- ,- u--. ".;;n;=;=?~.- n~~~ ~ ..... -==---==-wc c 71) -- - J' ~~I- - ---.- . ~ I! (tyr I nmRn ~ l'«U: ~u nt- :~ ~ frmpt fn suhsbtufbdr fbr rlai1I!5 I ~ nr ~rnrn15 fn fur mdgnrsUlp I I nr fur 11tnmau 1~alL 1fJIJ . 'f nhrrt ~rlL II I ~ . I ! ..i I !'J..WC'AstL".-l-PG ··TYNE • I pnnted by G. BO(,CIIJER Rl[ H.l1LDSOli, n' the '!4tn or the liner-god Tyne, Coyton·street.west. p.inte to l l'le Soc:.ety of Antiq'lIuie., and t· u... 1'ypographie ' St.";-ty, both of l'iewca .tle-upon. fyne. AI DrCl.LJI ---. ----..... -- ---.::Al! _ _ -- j -~~=,="",~=-===ser.e:::::::-=--:tIr ~~'! c::=:::::x ___ :.~ec _ ~~~~~ ;...r~o f~ , ~ . ' "] i ti0br 1Rnman Wall: l1n at ~ trrupt tn snhstantiatr tbr rlairus I nf ~rnrrns tn tbr antbnrsbip nf tlJr 1ltnruan Wall. %)ij jRnhrrl %).. rIL . 1 ... '; , .. ~o ~: ... ~' I. :; .' ~ c '! .. ~ . .. ~o - ~ . " NEWCASTLE-UPON-TYNE: Imprinted by G. BOUCHIER RICHARDSON, at the Sign of the Ri.er-god Tyne, Clayton-street-west; Printer to the Society of Antiquaries, and to the Typographical Society, both of Newoastie-upon- Tyne. M.DCCC.LII. " ~-~-..,........,.-,-E-e- _____ -,JJ I I Cfl° S '0 ?J ,ttur 1!inmau 'ill alL An attempt to substantiate the claims if Sevems to the authorship if the Roman Wall. THE object of this paper is to investigate the grounds upon which the authorship of the Roman Wall, from the Ty~e to the Solway, is attributed to Hadrian, by some, and by others, to Severus; and particularly to record the evidence upon which I place my conviction that the great work in question, is referrible to Lucius Septimius Severus. -
Elagabalus (218–222 AD): East Meets West with the Assassination of Caracalla, Macrinus Became Emperor, but the Powerful Sever
Elagabalus (218–222 AD): East Meets West With the assassination of Caracalla, Macrinus became emperor, but the powerful Severan family would not accept the loss of power so easily. They immediately began plotting. In response, Macrinus expelled the family from Antioch and Julia Domna, already seriously ill, starved herself to death. Her sister, Julia Maesa, began to spread the rumor that her grandson, Varius Avitus Bassianus, son of her daughter Julia Soaemias, was the secret child of Caracalla. The child was the high priest of the Syrian god El-Gabal, and thus he was called Elagabalus. Sometimes he is also called Heliogabalus, from the Greek god Helios, who was considered the Greek equivalent of El-Gabal. Julia Maesa convinced the Third Legion and its general, Comazon, to proclaim Elagabalus emperor. More legions followed, discontent that Macrinus had ended the ill- conceived war against Parthia and revoked the high salaries Caracalla had bestowed on the troops. The legions loyal to Elagabalus and Julia met Macrinus’s forces at Antioch and defeated the emperor. Macrinus fled but was captured and executed. Elagabalus was hailed by all as emperor. Before Elagabalus and his family arrived in Italy, his supporters sent a painting of him to the Roman Senate. Elagabalus was portrayed with mascara and priestly robes, characteristics of an Easterner, which was offensive to traditional Roman values. This impression was made worse when the new emperor actually arrived. Elagabalus entered the city on foot while a meteorite, the embodiment of his god, was carried on a triumphal chariot in a bed of priceless gems.