THE EMERGENCE of IMPERIAL and CATHOLIC ORDER Elagabalus and Callistus
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Pushing the Limit: an Analysis of the Women of the Severan Dynasty
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Greek and Roman Studies 4-24-2015 Pushing the Limit: An Analysis of the Women of the Severan Dynasty Colleen Melone Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/grs_honproj Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Melone, Colleen, "Pushing the Limit: An Analysis of the Women of the Severan Dynasty" (2015). Honors Projects. 5. https://digitalcommons.iwu.edu/grs_honproj/5 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Colleen Melone Pushing the Limit: An Analysis of the Women of the Severan Dynasty Abstract By applying Judith Butler’s theories of identity to the imperial women of the Severan dynasty in ancient Rome, this paper proves that while the Severan women had many identities, such as wife, mother, philosopher, or mourner, their imperial identity was most valued due to its ability to give them the freedom to step outside many aspects of their gender and to behave in ways which would customarily be deemed inappropriate. -
Civic Responses to the Rise and Fall of Sol Elagabal in the Roman Empire
EMPIRE OF THE SUN? CIVIC RESPONSES TO THE RISE AND FALL OF SOL ELAGABAL IN THE ROMAN EMPIRE Martijn Icks During its long and turbulent history, the city of Rome witnessed many changes in its religious institutions and traditions. For many centuries, these came to pass under the benevolent eye of Iupiter Optimus Maximus, the city‟s supreme deity since time immemorial. Not until the fourth century AD would Iupiter finally loose this position to the monotheistic, omnipotent God of Christianity. However, the power of the thunder god had been challenged before. The first deity who temporarily conquered his throne was Sol Invictus Elagabal, a local sun god from the Syrian town of Emesa. This unlikely usurper was the personal god of the emperor Marcus Aurelius Antoninus, whose short-lived reign lasted from 218 to 222 AD, and who has been nicknamed Elagabalus for his affiliation with Elagabal. Even before his rise to power, Elagabalus served as Elagabal‟s high priest. The deity was worshipped in the form of a conical black stone, a so-called baitylos or “house of god”, which resided in a big temple in Emesa. Elagabalus, at that time a fourteen-year-old boy, performed ritual dances in honour of his god. By doing so, he drew the attention of Roman soldiers who were stationed near the town. They proclaimed the boy emperor under the false pretense that he was a bastard son of emperor Caracalla (211-217 AD). Elagabalus won sufficient military support, defeated the reigning emperor and thus gained the throne. He installed himself in Rome and took his god with him. -
The Roman Augustae: the Most Powerful Women Who Ever Lived a Collection of Six Silver Coins
The Roman Augustae: The Most Powerful Women Who Ever Lived A Collection of Six Silver Coins Frieze of Severan Dynasty All coins in each set are protected in an archival capsule and beautifully displayed in a mahogany-like box. The box set is accompanied with a story card, certificate of authenticity, and a black gift box. The best-known names of ancient Rome are invariably male, and in the 500 years between the reigns of Caesar Augustus and Justinian I, not a single woman held the Roman throne—not even during the chaotic Crisis of the Third Century, when new emperors claimed the throne every other year. This does not mean that women were not vital to the greatest empire the world has ever known. Indeed, much of the time, the real wielders of imperial might were the wives, sisters, and mothers of the emperors. Never was this more true than during the 193-235, when three women—the sisters Julia Maesa and Julia Domna, and Julia Maesa’s daughter Julia Avita Mamaea—secured the succession of their husbands, sons, and grandsons to the imperial throne, thus guaranteeing that they would remain in control. The dynasty is known in the history books as “the Severan,” for Julia Domna’s husband Septimius Severus, but it was the three Julias—and none of the men—who were really responsible for this relatively transition of power. These remarkable women, working in a patriarchal system that officially excluded them from assuming absolute power, nevertheless managed to have their way. Our story begins in Emesa, capital of the Roman client kingdom of Syria, in the year 187 CE. -
A MESAMBRIAN COIN of GETA Luchevar Lazarov Unlike The
TALANTA XXXIV-XXXV (2002-2003) A MESAMBRIAN COIN OF GETA Luchevar Lazarov Unlike the abundant production during the Classical and Hellenistic periods, the activity of the mint at Mesambria Pontica in Roman times was relatively 1 limited . Until now, the following mints are known: Hadrian (117-138 AD), Septimius Severus (193-211 AD), Caracalla (198-217 AD), Gordian III (238- 244 AD), Philip the Arab (244-249 AD), Philip II (247-249 AD) and the empress Acilia Severa, wife of the emperor Elagabalus (218-222 AD) (Karayotov 1992, 49-66). Recently, a Mesambrian coin from the time of the emperor Augustus (27 BC - 14 AD) was found in the private collection of N. Mitkov from Provadija (NE 2 Bulgaria) , showing the beginning of the Roman mint in the city (Karayotov 1994, 20). In this present note, a Roman Mesambrian coin of the emperor Geta (209-212 AD) is presented, testifying that in the beginning of the 3rd century AD, also coins bearing the name of this son of Septimius Severus were minted in Mesambria. AUKPÇEP Obv.: / GETAC, showing a bust of Geta with laurel wreath and wearinMgEaÇcAuMiraBssR anId pAaNluPdaN mentum (Fig. 1). Rev.: / / , showing a naked Hermes with a purse in his right and a caduceus in his left hand. The face is turned to the left (Fig. 2) > AE; — ; D: 23-24 mm. Taking the size of this coin in account, it probably belongs to nominal III (Schönert-Geiss 1990, 23-99). 1 On Mesambrian coinage of the pre-Roman period, see: Karayotov 1992, Karayotov 1994, Topalov 1995. 2 I would like to thank mr. -
Chapter 4 the Rejected Ruler
CHAPTER 4 THE REJECTED RULER ‘Nor emperor he, nor Antoninus, nor citizen, nor senator, nor man of noble blood, nor Roman’ - Historia Augusta, Vita Severi Alexandri During his reign, Elagabalus had presented himself as a good and worthy ruler: first as a be- nevolent monarch in the tradition of the Antonines, later as the invincible priest-emperor of Elagabal. After he had been violently overthrown by the praetorians, this positive image was discarded in favour of another, far less flattering view. To what extent this change reflected a genuine dislike for the priest-emperor, and to what extent it was merely keeping in line with the propaganda of Severus Alexander, who had little choice but to condemn his predecessor, is a question which remains ultimately unanswerable. However, this chapter will not only describe the negative images which emerged in Greek and Roman literature after Elagabalus’s death, but will also offer possible explanations for the reasons why particular authors chose to portray the emperor in particular ways. What we are interested in, is the construction of a fic- tional Elagabalus, an imperial monster who surpassed Caligula, Nero and Commodus in al- leged wickedness and vice. Starting with Xenophon in the fourth century BC, who wrote a panegyric on the Spar- tan king Agesilaos, many Greek and Roman authors had defined the boundaries of good and bad rule.1 A good ruler typically came from a line of noble and worthy ancestors. He re- spected the gods, loved his country and ruled wisely and justly, taking heed of the advice of good and worthy councilors. -
Emperor Elagabalus and Traditional Roman Religion
Emperor Elagabalus and Traditional Roman Religion The Roman emperor Marcus Aurelius Antoninus Augustus is best-known to history as Elagabalus due to his affiliation with the Syrian god of the same name. As a youth he became a priest of Elagabalus in Syria, and he brought the worship of this god along with himself to the Roman capital. There the god Elagabalus was assimilated with different aspects of the Roman sun-god Sol (especially Sol Invictus or the “unconquered sun”). This, in turn, led to affiliation with the Greek sun-god Helios, from which we get an alternative name for both the emperor and god, Heliogabalus. Recent scholarship has also pushed to reclaim the identification of this emperor by his birth-name, Varius Avitus Bassianus, and examinations of his life as Varian studies (de Arrizabalaga y Prado, 2005). All of these distinctions are used for an emperor who only ruled the Roman Empire for four years (218-222 CE), and is most noted for his religious preference for the god Elagabalus, a questionable sexual identity, and a lack of mental stability. This paper examines Elagabalus and his interactions with traditional Roman religious practices. As emperor he was also pontifex maximus or high priest of and responsible for overseeing Rome’s traditional cults, festivals and sacred objects. Holding multiple priesthoods would not have been in and of itself a problem for most Romans. However, Elagabalus showed overwhelming preference for his god, who was relatively unknown in the capital but at the clear expense of Rome’s traditional religions. The Historia Augusta provides the fullest account of Elagabalus’s outrages including the transfer of sacred objects to his god’s temple including the emblem of the Mother Goddess, fire of Vesta, Palladium, and sacred shields (3.4). -
The Political and Military Aspects of Accession of Constantine the Great
Graeco-Latina Brunensia 24 / 2019 / 2 https://doi.org/10.5817/GLB2019-2-2 The Political and Military Aspects of Accession of Constantine the Great Stanislav Doležal (University of South Bohemia in České Budějovice) Abstract The article argues that Constantine the Great, until he was recognized by Galerius, the senior ČLÁNKY / ARTICLES Emperor of the Tetrarchy, was an usurper with no right to the imperial power, nothwithstand- ing his claim that his father, the Emperor Constantius I, conferred upon him the imperial title before he died. Tetrarchic principles, envisaged by Diocletian, were specifically put in place to supersede and override blood kinship. Constantine’s accession to power started as a military coup in which a military unit composed of barbarian soldiers seems to have played an impor- tant role. Keywords Constantine the Great; Roman emperor; usurpation; tetrarchy 19 Stanislav Doležal The Political and Military Aspects of Accession of Constantine the Great On 25 July 306 at York, the Roman Emperor Constantius I died peacefully in his bed. On the same day, a new Emperor was made – his eldest son Constantine who had been present at his father’s deathbed. What exactly happened on that day? Britain, a remote province (actually several provinces)1 on the edge of the Roman Empire, had a tendency to defect from the central government. It produced several usurpers in the past.2 Was Constantine one of them? What gave him the right to be an Emperor in the first place? It can be argued that the political system that was still valid in 306, today known as the Tetrarchy, made any such seizure of power illegal. -
Collector's Checklist for Roman Imperial Coinage
Liberty Coin Service Collector’s Checklist for Roman Imperial Coinage (49 BC - AD 518) The Twelve Caesars - The Julio-Claudians and the Flavians (49 BC - AD 96) Purchase Emperor Denomination Grade Date Price Julius Caesar (49-44 BC) Augustus (31 BC-AD 14) Tiberius (AD 14 - AD 37) Caligula (AD 37 - AD 41) Claudius (AD 41 - AD 54) Tiberius Nero (AD 54 - AD 68) Galba (AD 68 - AD 69) Otho (AD 69) Nero Vitellius (AD 69) Vespasian (AD 69 - AD 79) Otho Titus (AD 79 - AD 81) Domitian (AD 81 - AD 96) The Nerva-Antonine Dynasty (AD 96 - AD 192) Nerva (AD 96-AD 98) Trajan (AD 98-AD 117) Hadrian (AD 117 - AD 138) Antoninus Pius (AD 138 - AD 161) Marcus Aurelius (AD 161 - AD 180) Hadrian Lucius Verus (AD 161 - AD 169) Commodus (AD 177 - AD 192) Marcus Aurelius Years of Transition (AD 193 - AD 195) Pertinax (AD 193) Didius Julianus (AD 193) Pescennius Niger (AD 193) Clodius Albinus (AD 193- AD 195) The Severans (AD 193 - AD 235) Clodius Albinus Septimus Severus (AD 193 - AD 211) Caracalla (AD 198 - AD 217) Purchase Emperor Denomination Grade Date Price Geta (AD 209 - AD 212) Macrinus (AD 217 - AD 218) Diadumedian as Caesar (AD 217 - AD 218) Elagabalus (AD 218 - AD 222) Severus Alexander (AD 222 - AD 235) Severus The Military Emperors (AD 235 - AD 284) Alexander Maximinus (AD 235 - AD 238) Maximus Caesar (AD 235 - AD 238) Balbinus (AD 238) Maximinus Pupienus (AD 238) Gordian I (AD 238) Gordian II (AD 238) Gordian III (AD 238 - AD 244) Philip I (AD 244 - AD 249) Philip II (AD 247 - AD 249) Gordian III Trajan Decius (AD 249 - AD 251) Herennius Etruscus -
Magic and the Roman Emperors
1 MAGIC AND THE ROMAN EMPERORS (1 Volume) Submitted by Georgios Andrikopoulos, to the University of Exeter as a thesis/dissertation for the degree of Doctor of Philosophy in Classics, July 2009. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract Roman emperors, the details of their lives and reigns, their triumphs and failures and their representation in our sources are all subjects which have never failed to attract scholarly attention. Therefore, in view of the resurgence of scholarly interest in ancient magic in the last few decades, it is curious that there is to date no comprehensive treatment of the subject of the frequent connection of many Roman emperors with magicians and magical practices in ancient literature. The aim of the present study is to explore the association of Roman emperors with magic and magicians, as presented in our sources. This study explores the twofold nature of this association, namely whether certain emperors are represented as magicians themselves and employers of magicians or whether they are represented as victims and persecutors of magic; furthermore, it attempts to explore the implications of such associations in respect of the nature and the motivations of our sources. The case studies of emperors are limited to the period from the establishment of the Principate up to the end of the Severan dynasty, culminating in the short reign of Elagabalus. -
Coins of Gerizim
Copyright for personal use only of Larry Rynearson 2014 Coins of Gerizim Hadrian (Latin: Publius Aelius Hadrianus Augustus 24 January, 76 AD – 10 July, 138 AD) was Roman Emperor from 117 to 138. http://en.wikipedia.org/wiki/Hadrian Left: 250 ---Hadrian. 117-138. Æ23.5. Laur bust right/Zeus seated left, nude in Tetra-style temple, 101=119/120 [The location to my knowledge of this temple shown here is unidentified, it could possibly be that of Gerizim but most likely minted at a different location] Right: Jewish Medalian Æ medallion; 48 mm; 56.3 gr.; Obv.: Laureate draped and cuirassed bust of Antoninus Pius to r.; Greek legend upwards from bottom left: [ANTω]NINOC CEBAC EYCE AY[TOK KA]I(C)AP Rev.: Mount Gerizim is represented as two mountain peaks, separated by a sloping roadway. A steep, broad stairway leads up between houses to a temple seen in three-quarters perspective. Below is a colonnade with eleven pillars and two arches over the columns. The entrance leads to a square with a horned altar. A path leads to the right from the center of the road to a higher hill with a second horned altar. Greek legend from bottom left upwards: ΦΔ NEACΠOΔEωC CYPIAC ΠAΔAICTINE[C] ET ΠH (“Fl[avia] Neapolis [which is in] Syria-Palestine, year 88 [160 CE]”) 1 See http://www.archaeological-center.com/en/monographs/m21 ~~~~~~~~~~~~~~~ Antoninus Pius (Latin: Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius; born 19 September, 86 AD – died 7 March, 161 AD), also known as Antoninus, was Roman Emperor from 138 to 161. -
Revisit Roman Arbeia a Story of Three Emperors: Teacher’S Notes
Revisit Roman Arbeia A Story of Three Emperors: teacher’s notes Revisit Roman Arbeia is split into four parts, all of which can be downloaded from Tyne & Wear Archives & Museums’ website: Tick: Gallery Search Fort site information Reconstruction Search A Story of Three Emperors How to use ‘A Story of Three Emperors’… ‘A Story of Three Emperors’ tells the true tale of Septimius Severus and his two sons, Geta and Caracalla. Images of artefacts linked to the story can be found within this document. This resource can be used either at Arbeia or in the classroom; you are welcome to use the story however you wish. A list of suggested classroom activities can be found below. Learning objectives • What was a Roman emperor? • Learning a new story Cautionary note This story involves death and murder. Suggested classroom activities • Write a newspaper story about Septimius Severus arriving at Arbeia, of the emperor dying in York, or the murder of either Geta or Caracalla. Alternatively, role play a news report. • Create a Roman Empire map and display it in your classroom. • Create a play of the story. • Illustrate the story. • Write a diary from Julia’s point of view. • Borrow a box of replica and authentic Roman objects from Tyne & Wear Archives & Museums. The Boxes of Delight are free of charge. More information can be found at www.exploreyourmuseums.org.uk . 1 A Story of Three Emperors A long time ago, the Roman Empire stretched from the hot, scorched deserts of northern Africa, over the deep blue Mediterranean Sea, covering the aromatic vineyards of France and ended in the cold, wet land of Britannia.