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Willy Brandt – Stimmen Zum 100. Geburtstag Reden Und Beiträge Im Erinnerungsjahr 2013
Willy Brandt – Stimmen zum 100. Geburtstag Reden und Beiträge im Erinnerungsjahr 2013 Schriftenreihe Heft 27 HERAUSGEBERIN Bundeskanzler-Willy-Brandt-Stiftung Bundesstiftung des öffentlichen Rechts Der Vorstand Karsten Brenner, Ministerialdirektor a.D. (Vorsitzender) Prof. Dr. Dieter Dowe Prof. Dr. Axel Schildt Willy Brandt – Stimmen zum 100. Geburtstag REDAKTION Dr. Wolfram Hoppenstedt (Geschäftsführer) Dr. Bernd Rother Reden und Beiträge im Erinnerungsjahr 2013 Dr. Wolfgang Schmidt Schriftleitung: Dr. Wolfram Hoppenstedt Diese Publikation wurde aus Mitteln des Haushalts der Beauftragten der Bundesregierung für Kultur und Medien (BKM) finanziert. © 2014 by Bundeskanzler-Willy-Brandt-Stiftung Forum Willy Brandt Berlin Willy-Brandt-Haus Lübeck Unter den Linden 62-68 Königstraße 21 D-10117 Berlin D-23552 Lübeck Tel.: 030 / 787707-0 Tel.: 0451 / 122425-0 Fax: 030 / 787707-50 Fax: 0451 / 122425-9 [email protected] [email protected] www.willy-brandt.de www.willy-brandt-luebeck.de GESTALTUNG Pralle Sonne, Berlin REALISATION UND DRUCK Hans Gieselmann Druck und Medienhaus, Nuthetal © Bundeskanzler-Willy-Brandt-Stiftung d.ö.R. Printed in Germany 2014 ISSN 1434-6176 Schriftenreihe der Bundeskanzler-Willy-Brandt-Stiftung ISBN 978-3-933090-26-3 Heft 27 INHALT Willy Brandt – Stationen seines Lebens 6 Erhard Eppler 8 Willy Brandt zum 100. Geburtstag Jonas Gahr Støre 18 Ein Mann mit zwei Vaterländern Joachim Gauck 21 Bis heute ein Vorbild Heinz Fischer 25 Ein ganzes Leben lang Gutes bewirkt Sigmar Gabriel 32 Er hat den Menschen Hoffnung gegeben Ricardo Nuñez 40 Er hat uns Mut gemacht Björn Engholm 43 Was die Größe von Willy Brandt ausmacht Werner A. Perger 50 Deutscher Weltbürger, nationaler Kosmopolit Wolfgang Thierse 55 Global denken und handeln Peter Brandt 59 Versuch einer Annäherung Interview mit Egon Bahr 74 Frieden und Deutschland miteinander verbunden Karsten Brenner 80 Nachwort Quellenverzeichnis 85 Empfehlungen zum Weiterlesen 87 6 7 WILLY BRANDT – STATIONEN SEINES LEBENS 1913 Am 18. -
THE COUDENHOVE-KALERGI PLAN – the GENOCIDE of the PEOPLES of EUROPE? (Excerpts) Identità News Team
RUNNYMEDE GAZETTE A Journal of the Democratic Resistance FEBRUARY 2016 EDITORIAL THE PROPHET REVEALED CONTENTS ENGLISH TRANSLATION OF SELECTIONS OF PRACTICAL IDEALISM (PRAKTISCHER IDEALISMUS) Count Richard Nicolaus Coudenhove-Kalergi; via Balder Blog RICHARD NIKOLAUS VON COUDENHOVE-KALERGI Wikipedia THE COUDENHOVE-KALERGI PLAN – THE GENOCIDE OF THE PEOPLES OF EUROPE? (Excerpts) Identità News Team TACKLING THE EU EMPIRE: A HANDBOOK FOR EUROPE’S DEMOCRATS, WHETHER ON THE POLITICAL RIGHT, LEFT OR CENTRE The Bruges Group WHO REALLY CONTROLS THE WORLD? Prof. Dr. Mujahid Kamran; Global Research; New Dawn Magazine 12 METHODS TO UNPLUG FROM THE MATRIX Phillip J. Watt; Waking Times; via Libertarian Alliance Blog GETTING THE IDEA OF GOVERNMENT AND POLITICAL AUTHORITY OUT OF YOUR MIND Makia Freeman; Activist Post “NEGATIVE” INTEREST RATES AND THE WAR ON CASH Liquidity Watch; Prof. Richard A. Werner; Rawjapan; via Critical Thinking GERMANY JOINS TREND TOWARD CASHLESS SOCIETY: “CASH CONTROLS” BAN TRANSACTIONS OVER €5,000, €500 EURO NOTE Tyler Durden; Activist Post THE COLLAPSE OF THE TOO BIG TO FAIL BANKS IN EUROPE IS HERE Michael Snyder; Activist Post -------------------------------------------------------------------------------- EDITORIAL THE PROPHET REVEALED We often recognise things we cannot name … a sound, a shape, a smell, an idea … Then suddenly, as if from the ether, a name for that perception suddenly appears. Then it is instant recognition … deja vu writ large. It was thus with Coudenhove-Kalergi. Having spent half a lifetime watching an unnamed influence at work … as if I was aware of some underground river undercutting the ground beneath our feet … last year I was at long last able to give it a name. -
ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO No Universo Criativo De BREAKING the WAVES De LARS VON TRIER
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER CAMPINAS 2018 LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER Dissertação apresentada ao Instituto de Filosofia e Ciências Sociais, como parte dos requisitos exigidos para obtenção de título de Mestra em Sociologia. Orientador: MÁRIO AUGUSTO MEDEIROS DA SILVA ESTE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA DISSERTAÇÃO DEFENDIDA PELA ALUNA LARISSA MALFATTI VIEIRA, E ORIENTADA PELO PROF. DR. MÁRIO AUGUSTO MEDEIROS DA SILVA. CAMPINAS 2018 Agência(s) de fomento e nº(s) de processo(s): CNPq, 131773/2015-1 ORCID: https://orcid.org/0000-0002-5374-1959 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Filosofia e Ciências Humanas Paulo Roberto de Oliveira - CRB 8/6272 Vieira, Larissa Malfatti, 1989- V673e Vie"Encantamento" e desencantamento do mundo no universo criativo de Breaking the waves de Lars von Trier / Larissa Malfatti Vieira. – Campinas, SP : [s.n.], 2018. VieOrientador: Mário Augusto Medeiros da Silva. VieDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. Vie1. Weber, Max, 1864-1920. 2. Trier, Lars von, 1956-. 3. Cinema. 4. Racionalização. 5. Teoria Social. I. Silva, Mário Augusto Medeiros da, 1982-. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. -
Award Ceremony Program
%e J. 'Wi{fiam :Ju{6rigftt Prize I for Intemationa{ 'llnderstancfing .9lwarcf Ceremony o/acfav J{ave[ Presicfent of tfie. Czech 2?.g,pu6 fie 1997 :Ju{6riglit Prize Laureate October 3, 1997 Sponsored by The Fulbright Association With Support of The Coca-Cola Foundation Program Welcome Philip 0. Geier President, Fulbright Association Tribute to Vaclav Havel The Honorable Madeleine Albright Secretary of State Presentation of Fulbright Prize and of "Tribute" (Sculpture by Ser,gio Dolfi) Philip O. Geier Neville Isdell Fulbright Prize Address President Vaclav Havel 1997 Laureate Closing Philip O. Geier 'Vdcfav J-lave[ Born in Prague on October 5, 1936, into the family of a prominent businessman, 1997 !fu[6right Prize Laureate Vaclav Havel completed his primary schooling in 1951. His "bourgeois" background limited his educational options, and he worked as a chemical laboratory technician while attending evening classes at a college preparatory school, graduating in 1954. 'Vaclav J-lave[ From 1955 to 1957, he studied at the Economics Faculty of the Czech Technical University in Prague. After finishing his compulsory military service, Vaclav Havel Presiaent of- the Czech 1?.fpu6lic worked as a stagehand at Prague's ABC Theater. In 1960, he began work as a stagehand and then later as an assistant director and dramaturge at Prague's Theater on the Balustrade, where his first plays were produced, including The Garden Party ( 1963), his first major international success. The Fulbright Prize honors President Havel for his promotion of From 1962 to 1966, Vaclav Havel studied dramaturgy at the Academy of Performing Arts in Prague. He was active in the democratization and renewal of culture during the liberty and human dignity in all countries through his writings, his "Prague Spring," which ended with the Warsaw Pact invasion in August 1968. -
A Film by Kasper Holten Based on Mozart's Don Giovanni
Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Blenkov & Schønnemann present JUAN A film by Kasper Holten Based on Mozart’s Don Giovanni A visually breathtaking drama; a story of passion, sex, guilt and destruction. Take the journey into the hidden depths of the 21st century Man Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Title: Juan Director: Kasper Holten Screenplay: Kasper Holten & Mogens Rukov, based on Mozart´s "Don Giovanni" English translation: Christopher Maltman & Henrik Engelbrecht after Lorenzo da Ponte Music: Wolfgang Amadeus Mozart Conductor: Lars Ulrik Mortensen Orchestra: Concerto Copenhagen Production Company: Blenkov & Schønnemann with Eurofilm and Zentropa Producers: Malene Blenkov & Michel Schønnemann Sales Company: Trust Nordisk Cast: Juan: Christopher Maltman- United Kingdom Leporello: Mikhail Petrenko - Russia Donna Anna: Maria Bengtsson - Sweden Elvira: Elizabeth Futral - USA Zerlina: Katija Dragojevic - Sweden Police Chief: Eric Halfvarson - USA Ottavio: Peter Lodahl - Denmark Masetto: Ludvig Lindström - Sweden Principal Photography: July 15th. 2009 Shooting Location: Budapest, Hungary. Budget: 29 mill. DKK / 4 mill Euro Duration: 105 minutes Shooting Format: 16mm Language: Contemporary English Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Pitch Juan is a famous artist and notorious playboy, thanks to his ability to become just what any woman dreams of. He turns his own life into a megalomanic work of art, playing the game of seduction like no other, driven by a manic restlessness that pushes him forward through an endless stream of conquests, betrayals, sex and eventually murder, with death lurking as the only possible outcome. -
Introduction: the Nuclear Crisis, NATO's Double-Track Decision
Introduction Th e Nuclear Crisis, NATO’s Double-Track Decision, and the Peace Movement of the 1980s Christoph Becker-Schaum, Philipp Gassert, Martin Klimke, Wilfried Mausbach, and Marianne Zepp In the fall of 1983 more than a million people all across West Germany gathered under the motto “No to Nuclear Armament” to protest the imple- mentation of NATO’s Double-Track Decision of 12 December 1979 and the resulting deployment of Pershing II and cruise missiles in West Germany and other European countries.1 Th e media overfl owed with photos of human chains, sit-in blockades, and enormous protest rallies. Th e impressive range of protest events included street theater performances, protest marches, and blockades of missile depots. During the fi nal days of the campaign there were huge mass protests with several hundred thousand participants, such as the “Fall Action Week 1983” in Bonn on 22 October and a human chain stretching about 108 km from Ulm to Stuttgart. It seemed as if “peace” was the dominant theme all over Germany.2 Despite these protests, the West German Bundestag approved the missile deployment with the votes of the governing conservative coalition, thereby concluding one of the longest debates in German parliamentary history.3 A few days later the fi rst of the so-called Euromissiles were installed in Mut- langen, near Stuttgart, and in Sigonella, on the island of Sicily.4 Th e peace movement had failed to attain its short-term political aim. However, after a brief period of refl ection, the movement continued to mobilize masses of people for its political peace agenda. -
Sun, Water, Wind : Development of the Energy Transition in Germany
Franz-Josef Brüggemeier Sun, Water, Wind: Development of the Energy Transition in Germany good society – social democracy # 2017 plus FRIEDRICH EBERT STIFTUNG good society – social democracy # 2017 plus A PROJECT BY THE FRIEDRICH EBERT STIFTUNG 2015 AND 2017 What is a Good Society? For us this includes social justice, environmental sustain- ability, an innovative and successful economy and an active participatory democracy. The Good Society is supported by the fundamental values of freedom, justice and solidarity. We need new ideas and concepts to ensure that the Good Society will become reality. For these reasons the Friedrich Ebert Stiftung is developing specific policy recommendations for the coming years. The focus rests on the following topics: – A debate about the fundamental values: freedom, justice and solidarity; – Democracy and democratic participation; – New growth and a proactive economic and financial policy; – Decent work and social progress. The Good Society does not simply evolve; it has to be continuously shaped by all of us. For this project the Friedrich Ebert Stiftung uses its international network with the intention to combine German, European and international perspectives. With numerous publications and events between 2015 and 2017 the Friedrich Ebert Stiftung will concentrate on the task of outlining the way to a Good Society. For more information on the project: www.fes-2017plus.de The Friedrich Ebert Stiftung The FES is the oldest political foundation in Germany. It bears the name of Friedrich Ebert, Germany’s first democratically elected president. Being associated with the Social Democratic Party, our work is guided by the fundamental values of social democracy, namely freedom, justice, and solidarity. -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
“Antisemitism Is a Barometer of Democracy”
“ANTISEMITISM IS A BAROMETER OF DEMOCRACY”: CONFRONTING THE NAZI PAST IN THE WEST GERMAN ‘SWASTIKA EPIDEMIC’, 1959-1960 by Alan Jones Bachelor of Arts, University of New Brunswick, 2017 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate Academic Unit of History Supervisor: Lisa Todd, PhD, History Examining Board: Gary Waite, PhD, History, Chair Sean Kennedy, PhD, History Jason Bell, PhD, Philosophy This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK May, 2019 ©Alan Jones, 2019 Abstract The vandalism of a synagogue in Cologne, West Germany on Christmas Day 1959 by two men in their mid-twenties sparked a wave of Antisemitic and Nazi vandalism across West Germany and the Western world. The “swastika epidemic,” as it came to be known, ignited serious debates surrounding public memory of the Second World War in Germany, and the extent to which West Germany had dealt with its Nazi past. The swastika epidemic became a powerful example of what critics at the time argued was the failure of West Germany to properly confront its Nazi past through the reconstruction policies of Konrad Adenauer. This thesis examines the reactions of West Germany’s government, led by Konrad Adenauer, to the swastika epidemic and its place in the shifting narratives of memory in the postwar era. Adenauer’s reactions to the epidemic were steeped in the status quo memory narratives of the preceding decade which would be increasingly challenged throughout the 1960s. ii Acknowledgements There are several organizations without whose help I would not have been able to finish this thesis. -
Musicians from Marlboro Joseph Lin, Violin Francisco Fullana, Violin Pei-Ling Lin, Viola Ahrim Kim, Cello Jay Campbell, Cello Zoltán Fejévári, Piano
THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS MUSICIANS FROM MARLBORO JOSEPH LIN, VIOLIN FRANCISCO FULLANA, VIOLIN PEI-LING LIN, vIOLA AHRIM KIM, cELLO JAY CAMPBELL, cELLO zOLTÁn FEJÉVÁRI, PIANO Friday, May 6, 2016 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE CLARKE WHITTALL FOUNDATION was established to provide for the maintenance of the instruments, to support concerts (especially those that feature her donated instruments), and to add to the collection of rare manuscripts that she had additionally given to the Library. This concert is co-presented with THE BILL AND MARY MEYER CONCERT SERIES FREER GALLERY OF ART AND ARTHUR M. SACKLER GALLERY PART OF NATIONAL CHAMBER MUSIC MONTH & EUROPEAN MONTH OF CULTURE PRESENTED IN ASSOCIATION WITH THE EMBASSY OF FINLAND & THE DELEGATION OF THE EUROPEAN UNION TO THE UNITED STATES Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. -
"Ein Mächtiger Pfeiler Im Bau Der Bundesrepublik". Das Gesetz Über
REINHARD SCHIFFERS „EIN MÄCHTIGER PFEILER IM BAU DER BUNDESREPUBLIK" Das Gesetz über das Bundesverfassungsgericht vom 12. März 1951* I. Bestimmungen über das Bundesverfassungsgericht im Grundgesetz 1. Vorschläge für eine Verfassungsgerichtsbarkeit in den Jahren 1946 bis 1948. Die im internationalen Vergleich ungewöhnliche Aufgabenfülle des Bundesverfas sungsgerichts (im folgenden BVerfG) und sein hohes Ansehen bei der Bevölkerung lassen leicht vergessen, daß dieses Gericht sozusagen ein verspätetes Verfassungsor gan ist. Es steht zwar gleichberechtigt neben den anderen obersten Bundesorganen, also neben Bundestag, Bundesrat, Bundespräsident und Bundesregierung1, ist aber anders als diese Organe nicht mit der Gründung der Bundesrepublik ins Leben getre ten, sondern erst zwei Jahre später, am 28. September 19512. Zunächst mußten Parla ment und Regierung die gesetzliche Grundlage für die Errichtung des Gerichtes schaffen: das Gesetz über das Bundesverfassungsgericht vom 12.März 19513 (BVerfGG), dessen Entstehung4 die bald erscheinende Edition dokumentieren soll. Erst mit diesem Gesetz wurde das Institutionengefüge der Bundesrepublik vervoll ständigt. Der Hinweis, daß mit diesem Gesetz der Staatsaufbau der Bundesrepublik * Der vorliegende Beitrag wird in erweiterter Form die Einleitung zu der Edition „Grundlegung der Verfassungsgerichtsbarkeit. Das Gesetz über das Bundesverfassungsgericht vom 12. März 1951" bil den, die von der Kommission für Geschichte des Parlamentarismus und der politischen Parteien in Bonn veröffentlicht wird: Quellen zur Geschichte des Parlamentarismus und der politischen Parteien, 4. Reihe „Deutschland seit 1945", Bd. 2, hrsg. von Karl Dietrich Bracher, Rudolf Morsey und Hans- Peter Schwarz, Düsseldorf 1984. - Wenn in den Fußnoten dieses Beitrags zitiert wird: „Dok. Nr." (mit der jeweiligen Ziffer), so handelt es sich um Verweise auf Dokumente, die in der erwähnten Edi tion abgedruckt werden. -
The Origins of Chancellor Democracy and the Transformation of the German Democratic Paradigm
01-Mommsen 7/24/07 4:38 PM Page 7 The Origins of Chancellor Democracy and the Transformation of the German Democratic Paradigm Hans Mommsen History, Ruhr University Bochum The main focus of the articles presented in this special issue is the international dimension of post World War II German politics and the specific role filled by the first West German chancellor, Konrad Adenauer. Adenauer’s main goal was the integration of the emerg- ing West German state into the West European community, while the reunification of Germany was postponed. In his view, any restoration of the former German Reich depended upon the cre- ation of a stable democratic order in West Germany. Undoubtedly, Adenauer contributed in many respects to the unexpectedly rapid rise of West Germany towards a stable parliamentary democratic system—even if most of the credit must go to the Western Allies who had introduced democratic structures first on the state level, and later on paved the way to the establishment of the Federal Republic with the fusion of the Western zones and the installment of the Economic Council in 1948. Besides the “economic miracle,” a fundamental shift within the West German political culture occurred, which gradually overcame the mentalities and prejudices of the late Weimar years that had been reactivated during the immediate aftermath of the war. While the concept of a specific “German path” (Sonderweg) had been more or less eroded under the impact of the defeat of the Nazi regime, the inherited apprehensiveness toward Western political traditions, symptomatic of the constitutional concepts of the German bourgeois resistance against Hitler, began to be replaced by an increasingly German Politics and Society, Issue 82 Vol.