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Typotheque Fedra Serif Pro Typotheque type specimen & OpenType feature specification. Please read before using the fonts. OpenType font family supporting Latin based languages with their own small caps, with extensive typographic features. Parmigiano 01 Stencil OpenType features in Parmigiano Stencil ewjduhiz tvnsgfq Designed by Riccardo Olocco, 2015 What is OpenType? OpenType is a cross-platform font format developed by Adobe and Microsoft. It has a potential to provide advanced typographic features such as multilingual character sets, ligatures, small capitals, various numeral styles, and contextual substitutions. OpenType, as the new industry standard, supports Unicode, which enables the fonts to contain a large number of characters. While PostScript fonts are a technically limited to a maximum of only 256 characters, OpenType fonts can have more than 65,000 glyphs. This means that a user does not need to have separate fonts for Western, Central European, Baltic, Cyrillic or Greek languages, but could have one single file which supports all these encodings. OpenType fonts work in all applications, however only some applications take advantage of the advanced OpenType features. Other applications will only use the first 256 characters. © 2014, Typotheque.com. For information purposes only. character set ABCDEFGHIJKLMNOPQRSTUVWXYZ ([0123456789]) ÁÀÂÄÃÅĂĀĄÇĆČĈĊĎĐÉÈÊËĔĚĖĒẼĘĞĜĢĠĦĤÍIÌÎÏĬĪĮĨĴJĶĹĻĿŁÑŃŇŅṆNŊ ÓÒÔÖÕŎŐŌØǾPŔŘŖŚŞŠŜṢȘŦŤȚÚÙÛÜŬŰŪŲŮŨǓẂŴẄẀŸŶȲỲÝŹŽŻZÞƏÐÆǼǢŒ abcdefghijklmnopqrstuvwxyz ([0123456789]) áàâäãåăāąçćčĉċďđéèêëĕěėēẽęğĝģġħĥíıìîïĭīįĩĵjķĺļŀłñńňņṇnŋ óòôöõŏőōøǿpŕřŗśşšŝṣșŧťțúùûüŭűūųůũǔẃŵẅẁÿŷȳỳýźžżzþəðæǽǣœ abcdefghijklmnopqrstuvwxyz áàâäãåăāąçćčĉċďđéèêëĕěėēẽęğĝģġħĥíiìîïĭīįĩĵjķĺļŀłñńňņṇnŋ óòôöõŏőōøǿpŕřŗśşšŝṣșŧťțúùûüŭűūųůũǔẃŵẅẁÿŷȳỳýźžżzþəð æǽǣœ 1234567890/1234567890 ¡!¿?#%‰ &*-–—(.,:;) ()[]{}¦|«»‹›¶�••−×+±÷¬∞≤≥<>=≠≈ №†‡§@°ℓ℮©®℠™ €$¥£¢ƒ₪₡₢₣₤₥₦₧₨₹₩₭₮₱₫ ←↑→↓↖↗↘ © 2014, Typotheque.com. For information purposes only. stencilAa Aa Aa Aa Aa piccoloAa Aa Aa Aa Aa Aa piccoloAa italics Aa Aa Aa Aa Aa captionAa Aa Aa Aa Aa Aa captionAa italics Aa Aa Aa Aa Aa textAa Aa Aa Aa Aa Aa textAa italics Aa Aa Aa Aa Aa headlineAa Aa Aa Aa Aa Aa headlineAa italics Aa Aa Aa Aa Aa About the typeface About the designers The Parmigiano Typographic System (named after Parma, the city where Riccardo Olocco is a type designer. Prior to a four-year stint as a lecturer Bodoni established his printing house) has the stated ambition to be the most in typography at the Faculty of Design and Art of the Free University of extensive family of fonts ever to have been inspired by this great designer, Bolzano, he freelanced as a graphic designer in Milan and elsewhere in Italy. reinterpreting Bodoni’s work for modern use. Their biggest challenge was He is currently taking an MA in Typeface Design at the University of Reading. to create coherent relationships between various optical sizes and weights, Riccardo also writes on type design and type history. Besides his ongoing something that Bodoni himself didn’t concern himself with much. The project investigation into Francesco Griffo’s roman types, the research he is now started with a thorough analysis of the Manuale Tipografico, yet Parmigiano doing with James Clough on Bodoni’s types will be published by Codex. goes beyond it to imagine what would Bodoni have done if he had worked with digital media. © 2014, Typotheque.com. For information purposes only. stencil AB CD © 2014, Typotheque.com. For information purposes only. piccolo caption Quousque tandem abutêre, Catilina, patientiâ nostra? Quousque tandem abutêre, Catili- quamdiu etiam furor iste tuus eludet? quem ad finem sese effrenata jactabit audacia? nihilne te noctur- na, patientiâ nostra? quamdiu nos num præsidium Palatii, nihil urbis vigiliæ, nihil timor populi, nihil concursus bonorum omnium, nihil hic etiam furor iste tuus eludet? quem munitissimus habendi senatus locus, nihil horum ora ad finem sese effrenata jactabit au- voltusque moverunt? Patere tua consilia non sentis, constrictam iam horum omnium scientia teneri coniu- dacia? nihilne te nocturnum præ- rationem tuam non vides? Quid proxima, quid superi- ore nocte egeris, ubi fueris, quos convocaveris, quid sidium Palatii, nihil urbis vigiliæ, consilii ceperis, quem nostrum ignorare arbitraris? O nihil timor populi nihil concursus tempora, o mores! Senatus haec intellegit. Consul vi- det; hic tamen vivit. Vivit? immo vero etiam in senatum bonorum onium, nihil hic munitissi- venit, fit publici consilii particeps, notat et designat oculis ad caedem unum quemque nostrum. Nos autem mus habendi senatus locus, nihil ho- satis facere rei publicae videmur, si istius furorem ac tela vitemus. Ad mortem te, Catilina, duci iussu consulis iam rum ora voltusque moverunt? Patere pridem oportebat, in te conferri pestem, quam tu in nos omnes iam diu machinaris. An vero vir amplissumus, P. MARCUS TULLIUS CICERO MARCUS TULLIUS CICERO ARPINATENSIS latinae eloquentiae pater atque princips orator atque philisophus text headline Quousque tandem abu- Quousque tan- têre, Catilina, patientiâ nostrâ? quamdiu atiam dẽ abutêre, Ca- furor iste tuus nos elu- det? que ad finem sese tilina, patientiâ effrenata jactabit auda- nostrâ? quam- ca? nihilne te nocturnu M. TULL CICERO diu atiam furor arpinas orator. iste tuus nos elu- © 2014, Typotheque.com. For information purposes only. © 2014, Typotheque.com. For information purposes only. © 2014, Typotheque.com. For information purposes only. © 2014, Typotheque.com. For information purposes only. OVERVIEW OF SUPPORTED OPENTYPE LAYOUT FEATURES Case Sensitive forms (CASE) t When function ‘change to caps’ is applied from within an application ¡¿ab?! (H75) ▶ ¡¿AB?! (H75) (not when text is typed in caps) appropriate case-sensitive forms are automatically applied. Regular brackets, parenthesis, dashes and hyphens are replaced with their capital forms, as well as alternative set of numerals and currency symbols matching the height of capitals. Small Capitals & All Small Caps (SMCP & C2SC) fig.1 Small Caps ▶ Small Caps w In Adobe applications there are two methods of applying small capitals. The first one, Small Caps ( ) fig. 1 replaces only lower case letters fig.2 e ⇧⌘H All Small Caps ▶ All small caps with small caps. The second method, All Small Caps, fig. 2 replaces also capital letters with small capitals, and replaces regular quotation marks, exclamation points and question marks, slashes and asterisk with lowered small caps variations. 012345 012345 Slashed Zero (ZERO) ▶ v Because in some circumstances ‘0’, can be mistaken for an ‘O’, alternative 012345 ▶ 012345 forms of ‘slashed zero’ are available for all styles of figures Arbitrary Fractions (FRAC) 21/2 31/10 ▶ 21/2 31/10 h Typotheque OpenType fonts already include a number of pre-designed fractions. Other arbitrary fractions are easily made by using the fraction feature. Tabular Lining Figures (TNUM+LNUM) ({[012-3456–789)]} s Tabular Oldstyle Figures (TNUM+ONUM) Proportional Oldstyle Figures (PNUM_ONUM) g Proportional Lining Figures (PNUM+LNUM) ({[012-3456–789]}) Changes figures to any selected style: Lining figures which fit better with f all-capital text, old-style figures, for use in a flow of lowercase and upper ([{012-3456–789}]) case text, or tabular (fixed width) versions. ({[012-3456–789]}) Discretionary Ligatures (DLIG) --> -> -^ ^- ▶ --> -> -^ ^- I The discretionary ligature feature creates real arrows when you type the combination -> (right arrow), <- (left arrow), -^ (up arrow) or ^- (down arrow). Type numbers between parenthesis or brackets for circled (r) (p) (u) (1) [2] ▶ (r) (p)(1) (u) [2] numerals. Discretionary ligatures are off by default in Adobe applications. Superscript / Superiors (SUPS) C2O2 ▶ C2O2 z Replaces all styles of figures (old style, tabular, lining) and letters with their superior alternates, which can be used for footnotes, formulas, etc. Superior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text. Subscript / inferiors (SINF) H2O ▶ H2O i Replaces all styles of figures (old style, tabular, lining) and letters with their inferior alternates, used primarily for mathematical or chemical notation. Inferior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text. © 2014, Typotheque.com. For information purposes only..
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