BURIED TREASURE Developing a Management Guide from Mountains of School Data
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Amazon's Antitrust Paradox
LINA M. KHAN Amazon’s Antitrust Paradox abstract. Amazon is the titan of twenty-first century commerce. In addition to being a re- tailer, it is now a marketing platform, a delivery and logistics network, a payment service, a credit lender, an auction house, a major book publisher, a producer of television and films, a fashion designer, a hardware manufacturer, and a leading host of cloud server space. Although Amazon has clocked staggering growth, it generates meager profits, choosing to price below-cost and ex- pand widely instead. Through this strategy, the company has positioned itself at the center of e- commerce and now serves as essential infrastructure for a host of other businesses that depend upon it. Elements of the firm’s structure and conduct pose anticompetitive concerns—yet it has escaped antitrust scrutiny. This Note argues that the current framework in antitrust—specifically its pegging competi- tion to “consumer welfare,” defined as short-term price effects—is unequipped to capture the ar- chitecture of market power in the modern economy. We cannot cognize the potential harms to competition posed by Amazon’s dominance if we measure competition primarily through price and output. Specifically, current doctrine underappreciates the risk of predatory pricing and how integration across distinct business lines may prove anticompetitive. These concerns are height- ened in the context of online platforms for two reasons. First, the economics of platform markets create incentives for a company to pursue growth over profits, a strategy that investors have re- warded. Under these conditions, predatory pricing becomes highly rational—even as existing doctrine treats it as irrational and therefore implausible. -
The Peculiar Mormon Paradox
Mormon Studies Review Volume 4 | Number 1 Article 4 1-1-2017 The ecP uliar Mormon Paradox Molly Worthen Follow this and additional works at: https://scholarsarchive.byu.edu/msr2 Part of the Mormon Studies Commons BYU ScholarsArchive Citation Worthen, Molly (2017) "The eP culiar Mormon Paradox," Mormon Studies Review: Vol. 4 : No. 1 , Article 4. Available at: https://scholarsarchive.byu.edu/msr2/vol4/iss1/4 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Mormon Studies Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Worthen: The Peculiar Mormon Paradox Review Essays The Peculiar Mormon Paradox Molly Worthen Review of Randall Balmer and Jana Riess. Mormonism and American Politics. New York: Columbia University Press, 2016; Neil J. Young. We Gather Together: The Religious Right and the Problem of Interfaith Poli- tics. New York: Oxford University Press, 2016; David E. Campbell, John C. Green, and J. Quin Monson. Seeking the Promised Land: Mormons and American Politics. New York: Cambridge University Press, 2014. When Joseph Smith ran for president in 1844, he spoke like a radi- cal democrat. “In the United States, the people are the government,” his campaign platform proclaimed. He enthusiastically endorsed popular sovereignty, offered a plan to abolish slavery by gradually buying out slaveholders with revenues from the sale of public lands, and proposed to pardon every convict, “blessing them as they go, and saying to them in the name of the Lord, go thy way and sin no more.”1 Smith’s rhetoric reflected the high view of human nature that is a cornerstone of Mormon theology. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Activity Sheet for the Viking Ireland Exhibition Viking Voyages Where Did the Vikings Come From?
Viking Challenge! ACTIVITY SHEET FOR THE VIKING IRELAND EXHIBITION Viking Voyages Where did the Vikings come from? The Vikings brought walrus tusks from BRATTAHILD the north of Norway and Greenland to Ireland and carved them to make objects like dice and pendants. ATLANTIC OCEAN The Vikings came from an area of Northern Europe called Scandinavia. Scandinavia is made up of three countries: Denmark, Norway and Sweden. They travelled all around Europe, sailed across the Atlantic Ocean to Canada and ventured as far east as Russia. This map shows some of the routes that the Vikings travelled. The Vikings liked the Irish fashion of using a ringed pin (like the one in the picture above) to fasten clothing. One Viking even wore his ringed pin on a trip to Canada! Sailing Routes Baltic Sea to Ireland Glendalough, Co. Wicklow to Roskilde, Denmark Ireland to Newfoundland, Canada Byzantium to Co.Westmeath, Ireland STERN THE BACK OF A SHIP Greenland to Dublin 2 NORTH SEA Archaeologists discovered a Viking ship in Roskilde, Denmark that was made with wood from Ireland.The longship must have been made in Ireland and then sailed back to Denmark! OSLO BIRKA Amber is a material which is made when the resin of pine trees becomes fossilised over millions of years. Over 3,000 ROSKILDE pieces of amber were found at one Viking workshop in Dublin, amber is not found in Ireland so the DUBLIN Vikings must have brought it here! KIEV Precious silk was transported from Byzantium and Baghdad to Dublin. Silver coins with Arabic writing on them have been found here in Ireland. -
Galleon Compass Treasure Cutlass Pirate Adventure Sailing
CLASSES 2LW, 2LB, 2KD Dear Children and adults, DATE SET Our topic for Autumn 2 is Pirates! We will be learning th Friday 20 October about famous pirates, using maps to find places they DATE DUE travelled to, and reading and writing our own pirate Wednesday 20th December adventure stories! It can be completed by the children on their own or with an adult. SPELLING MATHS READING Remember to revise your weekly number facts to earn Don’t forget spellings will your reward based on your rocket card! Remember to read go home Friday – please each day and get learn for the following Children will be tested each week on their number facts an adult to sign week! – they will be told which ones to learn by their teacher. your red reading Prizes will be awarded in assembly to children who are diary. successful. Don’t forget Please don’t forget to log onto Mathletics! Reading Eggs! WRITING AND TOPIC Topic Words You have a scrap book to use to complete your homework project. Do you know what these Over the next six weeks complete some of these activities or make some words mean and how to spell up of your own. them? COMPLETE AT LEAST ONE OF THE WRITING TASKS galleon 1. Find out about a famous pirate and write a FACT FILE about compass them. treasure 2. Write a letter to someone at home about your imaginary adventures on board a pirate ship. cutlass NOW CHOOSE SOME OR ALL OF THESE pirate 1. Create a ‘Wanted’ poster for a new pirate to join your pirate ship adventure crew! Include a drawing and a list of skills and talents you want them to have using adjectives for description! sailing 2. -
Pirate Palooza! at Home! Arrrghh, Mateys! Let’S Dive Into Some Pirate Themed Fun
School Aged Activities Pirate Palooza! at home! Arrrghh, Mateys! Let’s dive into some pirate themed fun. Get ready to dress like a pirate, create an engineering treasure adventure, aim the cannons in pirate battleship and more! Kind Kids Club Acrostic Poem An acrostic poem is a type of poetry where the first letter in each line spells out a word. Write one about someone else and give it to them! Here Are Some Ideas to Get Started: My Dog Angus First name of a family member Awesome dog Your whole name Napping is his favorite The name of a pet Great and gentle Your teachers name Unique and one-of-a-kind The season Snuggly and sincere Something that you love YMCA of Southern Maine | ymcaofsouthernmaine.org HLB: 04-23-20: 060 Artist’s Alley Pirate Portraits A self portrait is a piece of art that an artist makes of themselves. You are going to imagine you are a pirate and create a pirate self portrait! Try to fill the whole page with your art. You can make the portrait a view of your head and shoulders or of your whole body. If you are creating a self portrait that is your head, neck and shoulders try this. First, create a large oval for your head. Then, at the bottom of the oval, add two lines extending almost to the end of the page for your neck. You can then add two sloping lines for your shoulders. Don’t forget to add the pirate details like an eye patch, bandana, hook hand, striped shirt, and more! Treasure Map Pirate Costume Creation Create a map to your hidden treasure! Grab what you can to create your Draw out the map on the paper of a own pirate costume! Use a scarf as a brown bag or stain your white paper bandana, use a stuffed animal as your with tea bags. -
The Golden Age of Piracy Slideshow
Golden Age of Piracy Golden Age of Piracy Buccaneering Age: 1650s - 1714 Buccaneers were early Privateers up to the end of the War of Spanish Succession Bases: Jamaica and Tortuga – Morgan, Kidd, Dampier THE GOLDEN AGE: 1715 to 1725 Leftovers from the war with no employment The age of history’s most famous pirates What makes it a Golden Age? 1. A time when democratic rebels thieves assumed sea power (through denial of the sea) over the four largest naval powers in the world - Britain, France, Spain, Netherlands 2. A true democracy • The only pure democracy in the Western World at the time • Captains are elected at a council of war • All had equal representation • Some ships went through 13 capts in 2 yrs • Capt had authority only in time of battle • Crews voted on where the ship went and what it did • Crews shared profit equally • Real social & political revolutionaries Pirate or Privateer? •Privateers were licensed by a government in times of war to attack and enemy’s commercial shipping – the license was called a Letter of Marque •The crew/owner kept a portion of what they captured, the government also got a share •Best way to make war at sea with a limited naval force •With a Letter of Marque you couldn’t be hanged as a pirate Letter of Marque for William Dampier in the St. George October 13, 1702 The National Archives of the UK http://www.nationalarchives.gov.uk/pathways/blackhisto ry/journeys/voyage_html/docs/marque_stgeorge.htm (Transcript in Slide 57) The end of the War of Spanish Succession = the end of Privateering • Since 1701 -
Using Satellite Imagery to Track the Developmental Effects of Somali Piracy
Africa Programme Paper: AFP PP 2012/01 Treasure Mapped: Using Satellite Imagery to Track the Developmental Effects of Somali Piracy Dr Anja Shortland Brunel University January 2012 The views expressed in this document are the sole responsibility of the author(s) and do not necessarily reflect the view of Chatham House, its staff, associates or Council. Chatham House is independent and owes no allegiance to any government or to any political body. It does not take institutional positions on policy issues. This document is issued on the understanding that if any extract is used, the author(s)/ speaker(s) and Chatham House should be credited, preferably with the date of the publication or details of the event. Where this document refers to or reports statements made by speakers at an event every effort has been made to provide a fair representation of their views and opinions, but the ultimate responsibility for accuracy lies with this document’s author(s). The published text of speeches and presentations may differ from delivery. Programme Paper: Treasure Mapped SUMMARY POINTS There are increasing pressures to develop land-based approaches to Somali piracy. By making use of non-traditional data sources including local market data and satellite images, this paper is intended to be an objective analysis of who benefits from pirate ransoms. Significant amounts of ransom monies are spent within Somalia, but conspicuous consumption appears to be limited by social norms dictating resource-sharing. Around a third of pirate ransoms are converted into Somali shillings, benefiting casual labour and pastoralists in Puntland. Data analysis is complemented by examination of satellite imagery to establish where the beneficiaries are located. -
The Price of Amity: of Wrecking, Piracy, and the Tragic Loss of the 1750 Spanish Treasure Fleet
The Price of Amity: Of Wrecking, Piracy, and the Tragic Loss of the 1750 Spanish Treasure Fleet Donald G. Shomette La flotte de trésor espagnole navigant de La Havane vers l'Espagne en août 1750 a été prise dans un ouragan et a échoué sur les bancs extérieures de la Virginie, du Maryland et des Carolinas. En dépit des hostilités alors récentes et prolongées entre l'Espagne et l'Angleterre, 1739-48, les gouvernements coloniaux britanniques ont tenté d'aider les Espagnols à sauver leurs navires et à protéger leurs cargaisons. Ces gouvernements, cependant, se sont trouvés impuissants face aux “naufrageurs” rapaces à terre et les pirates en mer qui ont emporté la plus grande partie du trésor et de la cargaison de grande valeur. The Spanish treasure fleet of 1750 sailed from Havana late in August of that year into uncertain waters. The hurricane season was at hand, and there was little reason for confidence in the nominal state of peace with England, whose seamen had for two centuries preyed on the treasure ships. The bloody four-year conflict known in Europe as the War of Austrian Succession and in the Americas as King George's War had been finally concluded with the signing of the Treaty of Aix-la-Chapelle only in October 1748 by the wearied principal combatants, France and Spain, which had been aligned against England. England and Spain, in fact, had been at war since 1739. Like many such contests between great empires throughout history, the initial Anglo-Spanish conflict and the larger war of 1744-48 had ended in little more than a draw. -
Reading Resources E.O.C. Reading
Reading Resources for E.O.C. Reading SOL Paired Passages New SOL Question Formats Reading and Thinking Resources Inference Comprehension Resources Literature Resources State Testing Resources Developed by High School Reading Specialists Loudoun County Public Schools March 2013 Page 1 of 245 Purpose This booklet is designed for LCPS High School English Teachers and Reading Specialists to use during classroom instruction as we prepare our 11th grade students for the upcoming spring E.O.C. Reading SOL. The Virginia Department of Education has changed the format and content of the E.O.C. Reading SOL test. The new test will contain paired passages and newly formatted questions. Students will be expected to read and to compare nonfiction, fiction, or a poem focused on the same topic. Students will answer questions about the paired passages and will be expected to answer questions comparing the content, style, theme, purpose, and intended audience for both passages. The paired passages in this booklet are literature selections from various state released E.O.C. Reading tests. The LCPS High School Reading Specialists wrote test questions for these passages using the new released VA DOE question formats. In addition, the High School Reading Specialists contributed helpful reading and literature tips that can be used during classroom instruction to prepare our students. High School Reading Specialists Loudoun County Public Schools Page 2 of 245 These Loudoun County Public High School Reading Specialists put forth time and effort to create this resource booklet for teachers and students. Dr. Dianne Kinkead, LCPS Reading Supervisor K-12 Jane Haugh, Ph.D. -
CQR Genetically Modified Food
Res earc her Published by CQ Press, an Imprint of SAGE Publications, Inc. CQ www.cqresearcher.com Genetically Modified Food Should labels be required? alifornia voters will decide in November whether foods produced with genetically modified ingredients — so-called GM foods — should bear special labels. C The controversial measure reflects the uneven ac - ceptance of genetically engineered crops since their rise in the 1990s. Organic farmers and other opponents of GM foods contend they may pose health or environmental risks, despite widespread scientific consensus that they are not inherently more risky than other crops. Foes of the labeling referendum, including GM farmers and seed producers, such as Monsanto, say that GM crops are more Plant breeder Alamgir Hossain is developing Golden Rice for Bangladesh. Supporters of the genetically engineered variety say it could save the lives of up to productive, pest-resistant and environmentally friendly than conven - 2.7 million children a year, but it has yet to be planted commercially; the Philippines may approve it for tional crops and that the fast-growing organic industry and misguid - cultivation in 2013. ed consumer groups are to blame for confusion about the science I behind them. Even as GM crops have been embraced by U.S. N THIS REPORT commodity growers, Europe remains skeptical. However, eight of S THE ISSUES ....................719 I the 10 countries with the most acreage in biotech crops are now BACKGROUND ................726 D in the developing world. CHRONOLOGY ................727 E CURRENT SITUATION ........732 CQ Researcher • Aug. 31, 2012 • www.cqresearcher.com AT ISSUE ........................733 Volume 22, Number 30 • Pages 717-740 OUTLOOK ......................735 RECIPIENT OF SOCIETY OF PROFESSIONAL JOURNALISTS AWARD FOR BIBLIOGRAPHY ................738 EXCELLENCE N AMERICAN BAR ASSOCIATION SILVER GAVEL AWARD THE NEXT STEP ..............739 GENETICALLY MODIFIED FOOD CQ Re search er Aug. -
Platform, Vol. 3, No. 1
Platform, Vol. 3, No. 1 Richard Maxwell and the Paradox of Theatre Theron Schmidt (Queen Mary, University of London) The seemingly simple aesthetic form of performances by Richard Maxwell and the New York City Players, in which actors speak and move with minimal emotional affectation and in which the scripts are constructed largely out of apparently insignificant elements of everyday speech, seems to baffle academic and popular critics alike. We read into these choices a set of apparent contradictions and paradoxical strategies which seem to challenge our conception of how theatre works. So Philippa Wehle in Theatre Forum and Robin Pogrebin in the New York Times both grapple with the curious way in which they come to have emotional investment in the characters in Maxwell’s plays, with Wehle asking “what is the appeal of these curious stock figures who barely move and who deliver their mundane monologues in a flat monotone […]?” (75) and Pogrebin puzzling that “[s]omehow the less demonstrative their behavior, the deeper they seem” (1). In the Guardian, Lyn Gardner similarly describes the effect as “weirdly compelling” and “curiously moving” (my emphasis), and Sarah Hemming writes in the Financial Times, “paradoxically, [the characters] and their troubles seemed unusually vivid and moving.” There is clearly something enigmatic about Maxwell’s work, and as an audience member at 2006’s The End of Reality at the Barbican, London, I left not quite sure of what I had seen. Despite the presence of all the traditional elements of a play – including