DOCSLIB.ORG

Vive Le Rock Premieres Music Video for Statues New Single ”The Salt”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vive Le Rock Premieres Music Video for Statues New Single ”The Salt” Statues Jun 10, 2020 12:55 UTC Vive Le Rock premieres music video for Statues new single ”The Salt” Swedish alt. rock band Statues are back with a new release. Their album ”Holocene” will be released on Lövely Records during autumn 2020. The first single from the album, ”The Salt”, is set for release June 12. The single is released together with a music video that is available to watch now though UK based Vive Le Rock. Statues are back with a new album. ”Holocene” is the first release from the band since their debut ”Adult Lobotomy”, released on German label Crazysane Records in 2018. The debut sold out in no time, and received praise by critics as well as punk legend Walter Schreifels (Quicksand, Rival Schools, Youth of Today, Gorilla Biscuits) who claimed; ”In music it’s a rare balance to successfully blend politics and fun, aggression with melody. Drawing on some of my fave post-punk influences and classic rock grooves, Statues debut Adult Lobotomy walks a line like Phillippe Petit across the sky between Twin Towers, gracefully subversive.” Keeping the ball rolling, Statues will release their second album “Holocene” on Lövely Records this autumn. For the album, the band wrote over 40 songs. All of them were short, fast, and extremely intense. The band recorded 13 of these in just three hours. It was the first time in the history for Sandås Silence Studio to repay a band for pre-booked studio time. The first single of the release is ”The Salt”, an intense alt. rock outburst of sweet melodies with just the right amount of melancholic undertones, clocking in at just over 2 minutes. Johan Sellman (guitars/Vocals) explains the song; ”The Salt is about environment anxiety and the apocalypse. The lyrics play around with old ways of reading the future. Prophetic birds, tea leaves, swarm flights and reading the future in tea leaves and salt. And now there's all of a sudden a pandemic at our doorstep. Someone told us to be cateful, we didn't listen.” The Salt single and music video will be released on June 12 and is available to enjoy exclusively at Vive Le Rock now. Watch the music video through Vive Le Rock: https://vivelerock.net/statues-video-exclusive/ Statues: SpotifyApple Music FacebookInstagram Full biography, Press Pic, and single artwork are attached. For more info, listening links and requests, please contact Valdemar at [email protected] ”Holocene” will be released on Lövely Records on digital and vinyl format during autumn 2020. The Physical record will be distributed by: Cargo - Germany, Switzerland and Austria MVD - North America, Japan, New Zeeland and Australia Plastic Head - UK & Eire Border - Norway Supersounds - Finland Soundworks - France Mystic - Poland, Czech Rep, Slovakia and Slovenia Audioglobe - Italy Musicworld - Hungary Wizard - Bulgaria Suburban - Holland & Belgium Karonte - Spain & Portugal Almost Religious is an independent label group, managing Lövely Records, The Sign Records, Gaphals, Daughters and Sons Records and Religious Vömit. We release music by Swedish and International artists and bands on physical and digital formats and have worked with releases by Hällas, MaidaVale, The Dahmers, MCC, Priest, Honeymoon Disease, and Svartanatt to name a few. Contacts Valdemar Persson Press Contact PR Manager [email protected].
Load more

Recommended publications
  • Young People and Optimism a Pan-European View National Reports
    Young People and Optimism a pan-European View National Reports INDEX Foreword 3 The Participants 4 Impact of Optimism - European Level 5 What makes young European optimistic? 6 National Specifics 8 What’s next? 10 Top Drivers 11 Moderate Drivers 12 Impact of Optimism – National Variations 14 Austria 15 Belgium 18 Czech Republic 21 France 24 Germany 27 Greece 30 Ireland 32 Italy 34 Luxembourg 37 The Netherlands 40 Spain 43 Switzerland 46 Wales 49 Methodology 52 Scope of Project 55 Composition of target Index 56 Country Level – European Level 57 National Reports 58 Contact 61 FOREWORD Engaging with youngsters is a challenge all institutions face today, whether it be politics, education, media or other. An impossible task some say. Therefore the European Broadcasting Union is proud to have brought together 18 Members in 14 countries for the Generation What project which launched in April 2016 and gave a voice to this generation, a generation with a optimistic perspective of the future, as it turns out. Since then nearly a million young people have been given the opportunity by public service media (PSM) to speak up and to be heard. This “millennial” generation will, in the near future, be responsible for our continent so it is valuable to hear their voice and learn from what the survey has revealed. Public service media is not just listening though but providing a platform to build bridges, not just between generations but between citizens and the institutions that influence their lives. Generation What shall be the start of an increased dialogue between young people in the various countries, institutions, governments and the EU.
    [Show full text]
  • Nytt Album Med Rival Schools - Pedals Släpps 30/3
    2011-03-17 17:32 CET Nytt album med Rival Schools - Pedals släpps 30/3 Två magiska ord som utlöser yviga gester och fåniga leenden: Walter Schreifels. Rival Schools är för post-hardcore under 2000-talet vad Quicksand var för samma genre femton år tidigare. Och inget underligt med det då det är samma man bakom båda projekten. Just det, Walter Schreifels. Hans digra musikkarriär i akter som legendariska hardcorebanden Youth of Today och Gorilla Biscuits och melodiska CIV mynnade ut i hyllade Rival Schools. Bandet bildades i slutet av nittiotalet och släppte sin första, och enda officiella, fullängdare i början av tjugohundratalet. Det faktum att de senare var splittrade under ett antal år samt vägrade släppa sitt andra – men inspelade – studioalbum har gjort dem till en besatthet bland fansen. När skivan senare läckte på fildelarsajter världen över blev bandet lika mytomspunnet som Loch Ness-odjuret. Rival Schools har förutom Schreifels en inte helt okänd lineup i Sam Siegler från CIV, Cache Tolman från Iceburn och Ian Love. Sedan 2008 har Rival Schools återförenats och spelat live igen. De gästade Sverige med ett bejublat framträdande på Stockholmsfestivalen Where the Action is. Och nu är det dags igen. Ett nytt album ska nämligen släppas 28/3 och Schreifels och co. är på intåg igen! Pedals har gått ut i PlayMPE. För fysiska ex kontakta David Hellberg. Den 6:e april spelar Rival Schools på Debaser Slussen i Stockholm. Warner Music International, a leading company in national and international repertoire operates through numerous international affiliates and licensees in more than 50 countries.
    [Show full text]
  • Here Were Homeless People All Around Us and a Lot of Fighting Going On
    GUILT Ati Moran (Breaking Free Fanzine) on hardcore: Hardcore for me is definitely an idea, an expression of feelings and [an attitude of] never giving up on what you believe in. [It’s] an emotion you feel strong about that no one can take away from you! I also be- lieve hardcore has a lot to do with the people I met in the last 22 years who were apart of the scene - they weren’t everyday people. Besides hardcore being music, it was a place to get away from the normal world! Charles Maggio (Rorschach, Gern Blandsten Records) on hardcore: John Brannon said it best: hardcore is the “blues of the suburbs.” QUICKsaND Walter Schreifels (Quicksand, Gorilla Biscuits) on fighting/ disagreements in hardcore: In the scene there were homeless people all around us and a lot of fighting going on. There was the whole punks versus skins thing. There was that back drop, so it was a pretty obvious place to say something about it, and it’s cool to have a scene that allows for that discussion. That’s what gives it power in a way. The hardcore scene is like high school. There’s the typical bullshit that goes on everywhere, but it’s cooler because it’s like a musical high school and there’s something kind of romantic about that. There was also a lot of back and forth between hip- hop and hardcore at the time, too. There was a time when there was a lot of racism but there was a whole backlash against that.
    [Show full text]
  • Family Album
    1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini.
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • Empowering a New Generation
    PwC Young Workers Index October 2016 Empowering a new generation How governments and businesses can unlock a $1 trillion prize Click to launch Share of youth not in Youth unemployment employment, education School drop-out rate rate or training 50% 69% 36% 10% 9% 6% Germany Turkey Switzerland Greece Poland Mexico www.pwc.com 2 | PwC Young Workers Index Contents Executive Key results Potential boost to summary GDP Pg 4 1 Pg 6 2 Pg 11 3 Implications for In depth: The Individual labour policy and United Kingdom market indicators business Pg 16 4 Pg 23 5 Pg 31 6 Comparison with Conclusion Annexes other measures a. Methodology Pg 52 b. Contacts Pg 42 7 Pg 49 8 Pg 56 Executive summary Key results Potential boost Implications for In depth: Individual labour Comparison with Conclusion Annexes to GDP policy and business The United Kingdom market indicators other measures a. Methodology b. Contacts 3 | PwC Young Workers Index Empowering a new generation: how governments and businesses can unlock a $1 trillion prize Empowering a new generation: how governments and businesses can unlock a $1 trillion prize Every person is born with potential. The key In contrast, almost half of young people were As a young worker myself, I hope that I can show is how to unlock that potential. So, how can we unemployed in countries, such as Spain and Greece, how empowering young people can help your provide opportunities that empower young people to who have struggled to translate their policies into business and change the lives of generations to take ownership over their own future outcomes? In positive outcomes for young people.
    [Show full text]
  • YOUTH and NEWS in a DIGITAL MEDIA ENVIRONMENT • Nordic-Baltic Perspectives • Yvonne Andersson, Ulf Dalquist & Jonas Ohlsson (Eds.)
    YOUTH AND NEWS IN A DIGITAL MEDIA ENVIRONMENT • IN A DIGITAL AND NEWS YOUTH Ongoing digitalization has fundamentally transformed the entire media landscape, not least the domain of news. The blurring of previously sharp distinctions between production, distribution and consumption have challenged the established news industry and brought into question long-held assumptions of what journalism is or should be, who is a journalist and how we define, consume and use “news”. This ant- hology aims to shed light on the implications of these transformations for young pe- ople in the Nordic and Baltic countries. It focuses on three themes: youth participating in news and information production; news production by established media organiza- tions and novel information providers aimed at children and youth; news use among youth. Taken together, the chapters illustrate the complexity of news use among youth and offer some rather different examples of strategies that news organizations might consider for reaching young people with news – or involving them in the production of news. Furthermore, the book might serve as a basis for reflecting on the urgent, but Perspectives Nordic-Baltic cumbersome, area of media and information literacy in these media saturated times. Youth and News in a Digital Media Environment consists of contributions from Norway, Denmark, Finland, Sweden and Estonia, written by scholars and people working in the media industry. The target audience of this book is students, professionals and • Yvonne Andersson, Ulf Dalquist & Jonas Ohlsson (eds.) Andersson, Yvonne researchers working in the field of journalism, media and communication studies, YOUTH AND NEWS children and youth studies, media and information literacy and digital civic litera- cy.
    [Show full text]
  • Salad Days Magazine È Una Rivista Registrata Presso Il Tribunale Di Vicenza, Shorter, Faster, Louder Get in Touch - 84
    1 Cover Monotonix- Padova Pic Rigablood Below watching the barrels - Cap Breton, Francia Pic Rigablood WHAT’S HOT 4 Library 6 Custom Toy 8 Twttr Rcrd Rvws 10 Pharoahe Monch BACKSTAGE 12 Leo Romero Street Dogs Editor In Chief/Founder - Andrea Rigano 16 18 Brian Ewing Art Director - Alexandra Romano, [email protected] Portugal the Man Managing Director - Luca Burato, [email protected] 23 Executive Producer - Mat The Cat 26 Giorgio Zattoni Editing - Silvia Rapisarda The Chariot Photo Editor - Rigablood 31 Translations - Alessandra Meneghello 34 Evidence Angelo Bonomelli Photographers - Luca Benedet, Mattia Cabani, Lance 404, 36 Marco Marzocchi, Alex Ruffini, 40 Dufresne - Wild Russian Tour Tiberio Sorvillo, Eric Znyder, Wiser 44 Paul Booth Illustrations - Marcello Crescenzi/Rise Above 48 Moustaches Iride Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Enrico Belloni, 52 2 Marco Capelli, Paola Dal Bosco, GianGiacomo De Stefano, Flavio Ignelzi, Fra, 56 Walter Schreifels Martina Lavarda, Lupo Horiokami, Davide Martinazzo, Andrea Mazzoli, Family Album Filippo Mursia, Alexandra Oberhofer, Eros Pasi, Mike Pireddu, Andrea Salaris, 58 Giovanna Serblin, Alberto Scabbia, Alex ‘Wizo’, Marco ‘X-Man’ Xodo, 62 The Lobster Warehouse Experience Davide Zenorini, Ramon Zuliani 66 Anti-Flag Stampa - Tipografia Nuova Jolly 70 Affordable Hybrid viale Industria 28 Dorian Concept 35030 Rubano (PD) 72 66 Glamour Kills Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Highlights N. 1221 del 04/03/2010. 74 78 Saints and Sinners Get in touch - www.saladdaysmag.com Stokin’ The Neighbors [email protected] 80 81 American Live L’editore è a disposizione di tutti gli interessati nel collaborare Shorter, Faster, Louder con testi immagini.
    [Show full text]
  • “Punk Rock Is My Religion”
    “Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area.
    [Show full text]
  • 6.-9.JULI 2017 1 3 BOCHUM TOTAL 2017 Vorwort
    6.-9.JULI 2017 BERMUDA3ECK www.bochum-total.de 1 Moop Mama – SO. 09.07. 20.45 – 1LIVE Bühne 3 BOCHUM TOTAL 2017 Vorwort „Ohne Musik wäre das Leben ein Irrtum“, so der große Denker Eine ganz besondere Partnerschaft feiert in diesem Jahr ein Jubi- Friedrich Wilhelm Nietzsche. Recht hat er damit. Musik überwindet läum. 1Live hat sich vor 20 Jahren zum ersten Mal mit einer Bühne Grenzen, Musik schafft ein Miteinander und einen Austausch. Musik präsentiert. Und seit dieser Zeit haben die Wellenreiter aus Köln das ist es auch immer wieder, die unterschiedlichsten Menschen mitein- Publikum im Pott immer wieder mit tollen Konzerten von großartigen ander verbindet. In unserem Fall schafft es die Musik, dass wir nicht Bands und Künstlern beglückt. Seien es nun die Chartstürmer von nur Bands und Künstler aus der ganzen Welt in Bochum begrüßen Silbermond, Kraftklub, Frida Gold, The Boss Hoss, Casper, Mark dürfen, sondern in den letzten Jahren auch mit zahlreichen Initiativen Foster, Andreas Bourani, Seeed und vielen mehr, sie alle erlebten und Institutionen kooperieren. Wobei dieses Wort eigentlich nicht auf dieser Bühne ihre Feuertaufe. 1Live hat uns dabei nicht nur diese den ganzen Umfang der Zusammenarbeit widerspiegelt. Unter ande- großartigen Musiker auf die Bühne geholt, sondern diese auch von rem sind zu dem Polnischen Institut Düsseldorf enge Bande geknüpft großartigen Moderatoren präsentieren lassen. Stellvertretend sei worden. Auch der gelebte deutsch-polnische Bandaustausch hat hier Tobi Wienke genannt, dessen Verbindungen zu Bochum mittler- viele neue Freundschaften entstehen lassen. weile so eng sein sollen, dass er angeblich lieber Pils statt Alt trinkt. Aber im Ernst, es ist für uns einmal die Gelegenheit, Danke zu sagen.
    [Show full text]
  • Listesommer2010.Pdf
    Kink Records Tel.: 06221/729646 Alstater Str. 33 Stand: Sommer 2010 http://www.kink-records.de 69124 Heidelberg [email protected] Wie immer wurde die Mailorderliste wieder ein paar Wochen später fertiggestellt, als ich eigentlich geplant hatte, aber passend zu den sommerlichen Temperaturen der letzten beiden Wochen gibts jetzt endlich den Katalog für Sommer 2010. Mittlerweile sind die beiden, in der letzten Liste angekündigten, neuen Kink Records Releases erschienen und ihr könnte die Years of Decay / Sand Creek Massacre – Split LP und die Hellborn Messiah / Post War Depression – Split LP hier erwerben. Für den weiteren Verlauf des Jahres sind noch einige weitere Veröffentlichungen geplant - als nächstes wird wohl die Tape-Version des Demos von Life Ends (http://www.myspace.com/lifeendsgrindcore) erscheinen. Weiterhin geplant ist die Debüt 7" von The Rätz (http://www.myspace.com/1234theratz) zusammen mit That Lux Good Records und die Debüt 7" von SLUMP (http://www.myspace.com/slumpgrind) zusammen mit Vulgar Records. Vom SLUMP Demo-Tape habe ich noch ein paar wenige Exemplare hier, ebenso von der Lipkick 7". Um das alles realisieren zu können, hoffe ich auf eure Bestellungen ... Und zum Schluss noch meine persönlichen Favoriten von den neuen Platten in der Liste : All Aboard! 7", Atentado 7", Bernays Propaganda LP, Cold Death Demo Tape, Disco Vietnam – Dong Xuan 7", Dramamine LP, The Estranged LP, Government Flu 7", Government Warning – Executed 7", Herpes LP + 7", Hex Dispensers – Winchester Mystery House LP, Killerlady 7", Knuste Ruter LP + 7", Nails 7", Red Dons LP, Something Fierce 7", Vengeance 7" und natürlich die neue Ausgabe vom Short, Fast & Loud Fanzine inkl.
    [Show full text]
  • 2016 CCD Ourglass
    Community College of Denver Student Literary & Art Magazine 2015 & 2016 Community College of Denver Student Literary & Art Magazine 2015 & 2016 Hi! Ourglass, now in its 36th year of publication, is the journal of the English, Graphic Design, and Visual Arts departments at Community College of Denver, dedicated to providing a forum for the poetry, prose, drama, design, and artwork of our students. Please consider submitting your work to Ourglass. If you are attending CCD or have attended in the past, you are eligible to submit. Submissions are accepted between September 15th and March 24th of each year. We accept submissions of poetry, fiction, non-fiction, drama, and artwork, as well as any interesting combinations thereof, exclusively through our email address: [email protected]. All work submitted must include your name, phone number and current email address. Submit one story or essay at a time; poems can be sent in groups. Send in only low-resolution copies of artwork; we will contact you for high-resolution versions at a later time. Due to the sheer volume of work we must consider, we can only notify you if your work is chosen to be published. If you don’t hear from us, please do try again next year! We love hearing from CCD students and alumni. Follow US! Facebook | Facebook.com/CCDOurglass Twitter | Twitter.com/OurglassCCD If you have any questions, please email us at [email protected]. Thanks, The Editors Poetry & Prose Harmony Sheehan Gemini 1 Harmony Sheehan What They Don’t Tell You 4 Claudia Graham Kaleidoscope Eyes 5 Amber Dorr The Problem with Soulmates 11 Kelly Kracke Muses pt.
    [Show full text]