Preas Choláiste Ollscoile Bhaile Átha Cliath University College Dublin Press UCD Press 2013–2014 Complete List Forthcoming, New and Recent Titles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sir John Lavery's the Dentist
Sir John Lavery’s The Dentist IN BRIEF • Sir John Lavery’s portrait of The Dentist (Conrad Ackner and his Patient) is an GENERAL unusual departure for a painter renowned (Conrad Ackner and his Patient) for his portraits of the contemporary celebrities. K. McConkey1 • It shows its subject in action. His patient, Hazel Lavery, one of the great beauties of the day, is partially obscured. • Lavery’s depiction of dentists’ equipment gives us an almost unprecedented view of a surgery of the 1920s. The rise of the dental profession coinciding with the invention and rapid spread of photography means that there are very few paintings of dentists in action. The present article describes Sir John Lavery’s unusual depiction of The Dentist (Conrad Ackner and his Patient) in which the conventions of contemporary society portraiture are set aside. The resulting canvas has much to tell us about the up-to-date equipment used in a surgery of the late twenties by a successful practitioner who pioneered the use of X‑rays. In 1929, Sir John Lavery exhibited one of in 1926, one commentator dubbed the com- His career blossomed after he moved his most striking portraits – The Dentist missions Lavery received in New York, Long to London and purchased 5 Cromwell (Conrad Ackner and his Patient) (Fig. 1). Island and Boston as portraits of ‘million- Famed for his pictures of society host- aires surrounded by their millions’.2 esses, political leaders and members of the The artist was 70 when this new genre Royal Family, Lavery had recently devel- emerged. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
Membership Brochure
MEMBERSHIP BROCHURE A New Hub for Art Professionals OUR HISTORY 1858-1859 Sir Charles James Freake builds 1-5 Cromwell Place. He creates We are a membership organisation providing a numbers 4 and 5 specifically for artists, marking the infancy of studio first-of-its-kind exhibition and working space for design. art professionals. 1861-1867 Since opening in October 2020, we are for the services and spaces you need, Pre-Raphaelite painter John Everett Millais moves into 7 Cromwell home to an international community whether that is viewing rooms, art storage Place, and artist Sir Coutts Lindsay inhabits 4-5 Cromwell Place, of some of the world’s most exciting or temporary exhibition space. welcoming guests such as Archibald Stuart-Wortley to work galleries, collectors, advisors, foundations, alongside him in his studio. institutions and art businesses. Located in the heart of South Kensington’s museum district, our 15 gallery and 25 office 1899 With a focus on connection, our arts hub spaces span five elegantly refurbished enables Members from a wide range of Grade II-listed townhouses. An area rich Sir John Lavery and his wife Hazel Lavery move into 4-5 Cromwell Place. They host notable figures including Winston Churchill, Auguste specialities and locations to collaborate with history, South Kensington was originally Rodin, George Bernard Shaw, J.A.M. Whistler and use the space to and flourish. known as Prince Albert’s ‘Albertopolis’ and host negotiations for the Anglo-Irish Treaty. developed into one of Europe’s most vibrant Designed in response to changing industry cultural centres. 1913-1942 demands, as a Member you will only pay Photographer Emil Otto Hoppé takes residence at 7 Cromwell place, followed by Francis Bacon moving to the same building in 1942. -
The Government's Executions Policy During the Irish Civil
THE GOVERNMENT’S EXECUTIONS POLICY DURING THE IRISH CIVIL WAR 1922 – 1923 by Breen Timothy Murphy, B.A. THESIS FOR THE DEGREE OF PH.D. DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor Marian Lyons Supervisor of Research: Dr. Ian Speller October 2010 i DEDICATION To my Grandparents, John and Teresa Blake. ii CONTENTS Page No. Title page i Dedication ii Contents iii Acknowledgements iv List of Abbreviations vi Introduction 1 Chapter 1: The ‗greatest calamity that could befall a country‘ 23 Chapter 2: Emergency Powers: The 1922 Public Safety Resolution 62 Chapter 3: A ‗Damned Englishman‘: The execution of Erskine Childers 95 Chapter 4: ‗Terror Meets Terror‘: Assassination and Executions 126 Chapter 5: ‗executions in every County‘: The decentralisation of public safety 163 Chapter 6: ‗The serious situation which the Executions have created‘ 202 Chapter 7: ‗Extraordinary Graveyard Scenes‘: The 1924 reinterments 244 Conclusion 278 Appendices 299 Bibliography 323 iii ACKNOWLEDGEMENTS I wish to extend my most sincere thanks to many people who provided much needed encouragement during the writing of this thesis, and to those who helped me in my research and in the preparation of this study. In particular, I am indebted to my supervisor Dr. Ian Speller who guided me and made many welcome suggestions which led to a better presentation and a more disciplined approach. I would also like to offer my appreciation to Professor R. V. Comerford, former Head of the History Department at NUI Maynooth, for providing essential advice and direction. Furthermore, I would like to thank Professor Colm Lennon, Professor Jacqueline Hill and Professor Marian Lyons, Head of the History Department at NUI Maynooth, for offering their time and help. -
W.T. Cosgrave Papers P285 Ucd Archives
W.T. COSGRAVE PAPERS P285 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2015 University College Dublin. All Rights Reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement viii CONDITIONS OF ACCESS AND USE Access ix Language ix Finding Aid ix DESCRIPTION CONTROL Archivist’s Note ix iii CONTEXT Biographical history William Thomas Cosgrave was born on 6 June 1880 at 174 James’ Street, Dublin. He attended the Christian Brothers School in Marino, and later worked in the family business, a grocers and licensed premises. His first brush with politics came in 1905 when, with his brother Phil and uncle P.J., he attended the first Sinn Féin convention in 1905. Serving as a Sinn Féin councillor on Dublin Corporation from 1909 until 1922, he joined the Irish Volunteers in 1913, although he never joined the Irish Republican Brotherhood. During the Easter 1916 Rising, Cosgrave served under Eamonn Ceannt at the South Dublin Union. His was not a minor role, and after the Rising he was sentenced to death. This was later commuted to penal servitude for life, and he was transported to Frongoch in Wales along with many other rebels. As public opinion began to favour the rebels, Cosgrave stood for election in the 1917 Kilkenny city by-election, and won despite being imprisoned. This was followed by another win the following year in Kilkenny North. Cosgrave took his seat in the First Dáil on his release from prison in 1919. -
Descriptive Catalogue
Papers of Bernard O'Rourke P117 Descriptive Catalogue UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 © 1996 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history iv CONTENT AND STRUCTURE Scope and content iv System of arrangement v CONDITIONS OF ACCESS AND USE Access vi Language vi Finding aid vi DESCRIPTION CONTROL Archivist’s note vi iii CONTEXT Biographical history Bernard O’Rourke was born on 3 November 1874 to Patrick and Anne O’Rourke, his father owned a mill which Bernard inherited. He married Clare Clinton in 1907 and they lived at Gleneven, Inniskeen, County Monaghan. They had four daughters, May, Eileen (b. 1909), Clare and Monica, and three sons, Patrick (1917–78), Brian (b.1919) and Clinton (b.1923). He was active in local and national politics, a member of Monaghan County Council, 1905–25 and 1929–45; a Justice of the Peace, 1904–16, a position from which he was removed by the Lord Chancellor in June 1916 almost immediately after his release from detention in the aftermath of the Easter Rising; chairman of the Carrickmacross Board of Guardians, 1915–17, 1919 and 1922; a magistrate in the Dáil Éireann courts and a member of the Free State Senate, 1922–38. Archival history The Bernard O'Rourke Papers were deposited in UCD Archives by Clinton and Emily O'Rourke in September 1993. CONTENT AND STRUCTURE Scope and content Easter Rising, 1916: correspondence between Bernard O’Rourke, imprisoned in Richmond Barracks, Dublin, in the aftermath of the Rising, and his wife Clare and other family members and friends; material concerning attempts to secure his release; official documents relating to his imprisonment (May 1916). -
Papers of Josephine Mcneill P234 Descriptive Catalogue UCD Archives
Papers of Josephine McNeill P234 Descriptive Catalogue UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2009 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History iv CONTENT AND STRUCTURE Scope and content vi System of arrangement vi CONDITIONS OF ACCESS AND USE Access x Language x Finding Aid x DESCRIPTION CONTROL Archivist’s Note xi iii CONTEXT Biographical History McNEILL, Josephine (1895–1969), diplomat, was born 31 March 1895 in Fermoy, Co. Cork, daughter of James Ahearne, shopkeeper and hotelier, and Ellen Ahearne (née O’Brien). She was educated at Loretto Convent, Fermoy, and UCD (BA, H.Dip.Ed.). With a BA in French and German she began a teaching career, teaching at St Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde, the female counterpart of St Enda’s, established by her friend Louise Gavan Duffy (qv). A fluent Irish-speaker with an interest in Irish language, music, and literature, she took an active part in the cultural side of the Irish independence movement. She was also a member of Cumann na mBan and in 1921 a member of the executive committee of that organisation. She was engaged to Pierce McCann, who died of influenza in Gloucester jail (March 1919). In 1923 she married James McNeill, Irish high commissioner in London 1923–8. Josephine McNeill took reluctantly to diplomatic life, but it never showed in public. Her charm and intelligence were immediately apparent, and in a period when Joseph Walshe (qv), the secretary of the Department of External Affairs, viewed married diplomats and diplomatic wives with disdain, McNeill was a noted hostess, both in London and later in Dublin, where James McNeill was governor general of the Irish Free State (1928–32). -
Neil Jordan's Michael Collins and an Anti
Études irlandaises 38-1 | 2013 Varia “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Electronic version URL: http://journals.openedition.org/etudesirlandaises/3327 DOI: 10.4000/etudesirlandaises.3327 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 30 July 2013 ISBN: 978-2-7535-2673-0 ISSN: 0183-973X Electronic reference Jane Steel, « “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet », Études irlandaises [Online], 38-1 | 2013, Online since 30 June 2015, connection on 05 May 2019. URL : http://journals.openedition.org/etudesirlandaises/3327 ; DOI : 10.4000/etudesirlandaises.3327 © Presses universitaires de Rennes “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Lancaster University Abstract Neil Jordan has suggested that “when you have Shakespeare, why do you need movies?” This article seeks to highlight the analogies between some key themes from Shakespeare’s Hamlet and Jordan’s Michael Collins in order to suggest how Jordan’s question is, perhaps, ironic. Importantly, recourse to Hamlet is shown to supply an alternative method for the analy- sis of Jordan’s film and, in turn, demonstrate how literature per se can be deployed as a critical tool. An important aspect of this discussion includes a psychoanalytical framework that draws upon the work of Slavoj Žižek and a concept termed “extimacy”. Keywords: Extimacy, Hamlet, terrorist, film, Žižek, Michael Collins , Neil Jordan. Shake- speare, Gerry Adams, Peace Process. -
Richard Mulcahy Papers P7
Richard Mulcahy Papers P7 UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 1975 University College Dublin. All rights reserved ii Introduction ix Extracts from notes by Richard Mulcahy on his papers xii RICHARD MULCAHY PAPERS A. FIRST AND SECOND DÁIL ÉIREANN, 1919-22 iv B. THE PROVISIONAL GOVERNMENT AND v GENESIS OF THE IRISH FREE STATE, 1922-24 C. CUMANN NA NGAEDHEAL AND FINE GAEL, 1924-60 vii D. WRITINGS ON IRISH HISTORY AND LANGUAGE viii E. PERSONAL MATERIAL viii iii A. FIRST AND SECOND DÁIL ÉIREANN, 1919-22 I. Michael Collins, Minister for Finance a. Correspondence 1 b. Memoranda and Ministerial Reports 2 II. Richard Mulcahy, Chief of Staff, I.R.A. and Minister for National Defence i. Chief of Staff, I.R.A. a. Correspondence with Brigade O/Cs 3 b. Reports 6 c. Correspondence and memoranda relating to 6 defence matters d. Orders and directives 7 e. Statements 7 f. Newspapers cuttings and press extracts 7 ii. Minister for National defence a. Orders of the day, motions and agendas 8 b. Memoranda 9 c. Elections 9 d. Conference on Ireland, London 1921 9 e. Mansion House Conference 10 iii. Societies, the Arts and the Irish Language 10 iv. Dissociated material 10 iv B. THE PROVISIONAL GOVERNMENT AND GENESIS OF THE IRISH FREE STATE, 1922-24 I. Michael Collins, Commander in Chief, I.R.A. and Free State Army a. Correspondence with General Headquarters 11 Staff b. Correspondence with Commanding Officers 12 c. Correspondence and reports on railway and 13 postal services d. -
Pledge Ourselves and Our People” Irish Archives Education Pack “Pledge Ourselves and Our People” P1
pA “Pledge Ourselves and Our People” Irish Archives Education Pack “Pledge ourselves and our People” p1 Contents Introduction 2 Timeline 3 Background 4 Extension of Franchise 6 Election Campaigning 8 Successful Candidates 10 Establishment of Dáil Éireann 14 Aftermath and Impact 15 Further Sources 17 The IAR is funded by the Department of Culture, Heritage and the Gaeltacht; the Department for Communities, Northern Ireland and the Heritage Council and the work of the IAR would not be possible without this assistance for which we are most grateful. This pack has been funded by the Heritage Council and we would like to thank the Heritage Council for their continued support and help with this project. It would not be possible to make these resources available without the archives services and cultural institutions that safeguard this rich heritage and we would like to thank all of those who so kindly contributed to the project. The pack was written and produced by IAR Steering Group members Joanne Rothwell, Natalie Milne and David Gunning and designed by Red Heaven Design -www.redheavendesign.com IE/DCC/14/3/5/1 Representation of the People Act, 1918 Explanatory Booklet. By kind permission of Donegal County Archives. Copyright Irish Archives Resource, 2017 www.iar.ie EPH F202 Sinn Féin Manifesto. By kind permission of the National Library of Ireland www.nli.ie INTRODUCTION The Irish Archives Resource (IAR) is an online portal to archive collections across Ireland, north and south. The goal of the IAR is to introduce people to the wealth of archival resources available in Ireland. -
Irish Masculinity, Violence, and the Cultural Politics of Sports in a Portrait of the Artist As a Young Man and Ulysses
“Building Up a Nation Once Again―: Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses Peter C.L. Nohrnberg Joyce Studies Annual, Volume 2010, pp. 99-152 (Article) Published by Fordham University Press DOI: 10.1353/joy.2011.0005 For additional information about this article http://muse.jhu.edu/journals/joy/summary/v2010/2010.nohrnberg.html Access Provided by UFMG-Universidade Federal de Minas Gerais at 11/07/12 11:50AM GMT ‘‘Building Up a Nation Once Again’’ Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses PETER C.L. NOHRNBERG It is true that advanced capitalist orders need to ward off alienation and anomie with some kind of collective symbolism and ritual, complete with group solidarity, virile competition, a pantheon of legendary heroes and a carnivalesque release of repressed energies. But this is provided by sport, which conveniently combines the aesthetic aspect of Culture with the corporate dimension of culture, becoming for its devotees both an artistic experience and a whole way of life. It is interesting to speculate what the political effects of a society without sport would be.1 In Terry Eagleton’s account of the role played by sports in contemporary society, athletics offers a collective ritual that can give meaning to the dreadful banalities of life under the sign of late-stage capitalism while avoiding the violence that religion in its most sectarian aspect cultivates. This description invites us to consider the relationship between the rise of organized sports as a collective cultural practice in the West and both the gradual fading of religious belief and the ascendancy of nationalism as a political ideology. -
MCGUCKIAN, MEDBH, 1950- Medbh Mcguckian Papers, 1964-2006
MCGUCKIAN, MEDBH, 1950- Medbh McGuckian papers, 1964-2006 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: McGuckian, Medbh, 1950- Title: Medbh McGuckian papers, 1964-2006 Call Number: Manuscript Collection No. 770 Extent: 49.5 linear feet (96 boxes), 1 oversized papers box and 2 oversized papers folders (OP), and AV Masters: .25 linear feet (1 box) Abstract: Personal papers of Irish author Medbh McGuckian including correspondence, literary manuscripts, printed material, and audiovisual material. Language: Materials mostly in English, with some material in Gaelic and other languages. Administrative Information Restrictions on Access Special restrictions apply: Subseries 1.3 contains restricted correspondence of John Drexel. Series 7,Unprocessed correspondence is closed to researchers. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Medbh McGuckian papers, 1964-2006 Manuscript Collection No.