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Sir John Lavery's the Dentist
Sir John Lavery’s The Dentist IN BRIEF • Sir John Lavery’s portrait of The Dentist (Conrad Ackner and his Patient) is an GENERAL unusual departure for a painter renowned (Conrad Ackner and his Patient) for his portraits of the contemporary celebrities. K. McConkey1 • It shows its subject in action. His patient, Hazel Lavery, one of the great beauties of the day, is partially obscured. • Lavery’s depiction of dentists’ equipment gives us an almost unprecedented view of a surgery of the 1920s. The rise of the dental profession coinciding with the invention and rapid spread of photography means that there are very few paintings of dentists in action. The present article describes Sir John Lavery’s unusual depiction of The Dentist (Conrad Ackner and his Patient) in which the conventions of contemporary society portraiture are set aside. The resulting canvas has much to tell us about the up-to-date equipment used in a surgery of the late twenties by a successful practitioner who pioneered the use of X‑rays. In 1929, Sir John Lavery exhibited one of in 1926, one commentator dubbed the com- His career blossomed after he moved his most striking portraits – The Dentist missions Lavery received in New York, Long to London and purchased 5 Cromwell (Conrad Ackner and his Patient) (Fig. 1). Island and Boston as portraits of ‘million- Famed for his pictures of society host- aires surrounded by their millions’.2 esses, political leaders and members of the The artist was 70 when this new genre Royal Family, Lavery had recently devel- emerged. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
W.T. Cosgrave Papers P285 Ucd Archives
W.T. COSGRAVE PAPERS P285 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2015 University College Dublin. All Rights Reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement viii CONDITIONS OF ACCESS AND USE Access ix Language ix Finding Aid ix DESCRIPTION CONTROL Archivist’s Note ix iii CONTEXT Biographical history William Thomas Cosgrave was born on 6 June 1880 at 174 James’ Street, Dublin. He attended the Christian Brothers School in Marino, and later worked in the family business, a grocers and licensed premises. His first brush with politics came in 1905 when, with his brother Phil and uncle P.J., he attended the first Sinn Féin convention in 1905. Serving as a Sinn Féin councillor on Dublin Corporation from 1909 until 1922, he joined the Irish Volunteers in 1913, although he never joined the Irish Republican Brotherhood. During the Easter 1916 Rising, Cosgrave served under Eamonn Ceannt at the South Dublin Union. His was not a minor role, and after the Rising he was sentenced to death. This was later commuted to penal servitude for life, and he was transported to Frongoch in Wales along with many other rebels. As public opinion began to favour the rebels, Cosgrave stood for election in the 1917 Kilkenny city by-election, and won despite being imprisoned. This was followed by another win the following year in Kilkenny North. Cosgrave took his seat in the First Dáil on his release from prison in 1919. -
Papers of Josephine Mcneill P234 Descriptive Catalogue UCD Archives
Papers of Josephine McNeill P234 Descriptive Catalogue UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2009 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History iv CONTENT AND STRUCTURE Scope and content vi System of arrangement vi CONDITIONS OF ACCESS AND USE Access x Language x Finding Aid x DESCRIPTION CONTROL Archivist’s Note xi iii CONTEXT Biographical History McNEILL, Josephine (1895–1969), diplomat, was born 31 March 1895 in Fermoy, Co. Cork, daughter of James Ahearne, shopkeeper and hotelier, and Ellen Ahearne (née O’Brien). She was educated at Loretto Convent, Fermoy, and UCD (BA, H.Dip.Ed.). With a BA in French and German she began a teaching career, teaching at St Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde, the female counterpart of St Enda’s, established by her friend Louise Gavan Duffy (qv). A fluent Irish-speaker with an interest in Irish language, music, and literature, she took an active part in the cultural side of the Irish independence movement. She was also a member of Cumann na mBan and in 1921 a member of the executive committee of that organisation. She was engaged to Pierce McCann, who died of influenza in Gloucester jail (March 1919). In 1923 she married James McNeill, Irish high commissioner in London 1923–8. Josephine McNeill took reluctantly to diplomatic life, but it never showed in public. Her charm and intelligence were immediately apparent, and in a period when Joseph Walshe (qv), the secretary of the Department of External Affairs, viewed married diplomats and diplomatic wives with disdain, McNeill was a noted hostess, both in London and later in Dublin, where James McNeill was governor general of the Irish Free State (1928–32). -
Neil Jordan's Michael Collins and an Anti
Études irlandaises 38-1 | 2013 Varia “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Electronic version URL: http://journals.openedition.org/etudesirlandaises/3327 DOI: 10.4000/etudesirlandaises.3327 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 30 July 2013 ISBN: 978-2-7535-2673-0 ISSN: 0183-973X Electronic reference Jane Steel, « “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet », Études irlandaises [Online], 38-1 | 2013, Online since 30 June 2015, connection on 05 May 2019. URL : http://journals.openedition.org/etudesirlandaises/3327 ; DOI : 10.4000/etudesirlandaises.3327 © Presses universitaires de Rennes “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Lancaster University Abstract Neil Jordan has suggested that “when you have Shakespeare, why do you need movies?” This article seeks to highlight the analogies between some key themes from Shakespeare’s Hamlet and Jordan’s Michael Collins in order to suggest how Jordan’s question is, perhaps, ironic. Importantly, recourse to Hamlet is shown to supply an alternative method for the analy- sis of Jordan’s film and, in turn, demonstrate how literature per se can be deployed as a critical tool. An important aspect of this discussion includes a psychoanalytical framework that draws upon the work of Slavoj Žižek and a concept termed “extimacy”. Keywords: Extimacy, Hamlet, terrorist, film, Žižek, Michael Collins , Neil Jordan. Shake- speare, Gerry Adams, Peace Process. -
MCGUCKIAN, MEDBH, 1950- Medbh Mcguckian Papers, 1964-2006
MCGUCKIAN, MEDBH, 1950- Medbh McGuckian papers, 1964-2006 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: McGuckian, Medbh, 1950- Title: Medbh McGuckian papers, 1964-2006 Call Number: Manuscript Collection No. 770 Extent: 49.5 linear feet (96 boxes), 1 oversized papers box and 2 oversized papers folders (OP), and AV Masters: .25 linear feet (1 box) Abstract: Personal papers of Irish author Medbh McGuckian including correspondence, literary manuscripts, printed material, and audiovisual material. Language: Materials mostly in English, with some material in Gaelic and other languages. Administrative Information Restrictions on Access Special restrictions apply: Subseries 1.3 contains restricted correspondence of John Drexel. Series 7,Unprocessed correspondence is closed to researchers. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Medbh McGuckian papers, 1964-2006 Manuscript Collection No. -
The Crawford at the Castle
THE CRAWFORD AT THE CASTLE Dublin Castle Education Resource Pack Leaving Certificate Art History Question Introduction Jack B. Yeats, A Race in Hy Brazil 1937, oil on canvas, 71 x 91.5cm (courtesy Crawford Art Gallery, Cork) The Education Pack – How to use this resource This resource contains information about The Crawford at the Castle: Three Centuries of Irish Art from a National Collection, an exhibition held at Dublin Castle from 8 October 2016 to 12 February 2017. It includes information relevant to the written Leaving Certificate Appreciation of Art examination paper. For the exhibition question, students must discuss an exhibition they have visited. This resource is structured in three parts based on what is relevant to the exam question: Part A – About the Exhibition – visiting the exhibition, curation, display (lighting, design and layout), Part B – Artefact or Piece from the Exhibition and Part C – Access, Engagement and Additional Resources. Explore & Learn at Dublin Castle. © Dublin Castle Education 1 Introduction Exterior views of Dublin Castle State Apartments and Coach House The Crawford at the Castle: A Brief Overview The Crawford at the Castle: Three Centuries of Irish Art from a National Collection sees the collection of the Crawford Art Gallery, Cork travel to Dublin for the first time in its near 200 year history. The Crawford at the Castle comprises a selection of fifty-nine works of Irish art from the Crawford’s permanent collection, which will be exhibited in both Dublin Castle’s historic State Apartments and the Coach House. Among the selected works are iconic pieces from the Crawford Collection, including Daniel MacDonald’s The Eviction (c.1850), Sean Keating’s Men of the South (1921-2), and John Lavery’s The Red Rose (1923). -
O'casey, Sean List 75
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 75 Sean O’Casey Papers (MS 37,807 - MS 38,173, MS L 93) Accession No. 5716 Correspondence between Sean O’Casey and academics, agents, writers, theatre producers, actors, friends, fans and others. Also; copy articles, notes, sketches and proofs, along with press cuttings and production programmes from Ireland, Britain, Europe and North America. Compiled by Jennifer Doyle, 2003 Table of Contents Introduction 4 Select Bibliography 8 I. Correspondence 9 I.i. Academics, Students & Librarians 9 I.ii. Actors 39 I.iii. Agents & Publishers 45 I.iv. Artists, Designers & Musicians 66 I.v. Awards and Honours 70 I.vi. Business and Financial Affairs 72 I.vi.1. Domestic 72 I.vi.2 Royalties & Tax 73 I.vii. Clerics 77 I.viii. Critics 82 I.ix. Family 90 I.x. Fan Mail and Unsolicited Letters 92 I.xi. Friends 104 I.xii. Gaelic League and St Laurence O’Toole Pipe Band 111 I.xiii. Invitations and Requests 114 I.xiii.1. Political 114 I.xiii.2. Charitable 124 I.xiii. 3. Literary 126 I.xiii. 4 Social 137 I.xiv. Labour Movement 140 I.xv. Magazines and Periodicals 150 I.xvi. Newspapers 166 I.xvii. Theatre, Film and other Productions 181 I.xvii.1 Theatre Producers & Directors (alphabetically by individual) 198 I.xvii.2. Film & Recording 220 I.xvii.3. Television and Radio 224 I. xviii. Translations 232 I.xix. Women 236 I.xx. Writers - Aspiring 240 I.xxi. Writers 241 I.xxi.1. Union of Soviet Writers 257 II. -
68 Sir John Lavery Ra Rha Rsa (1856
68 SIR JOHN LAVERY RA RHA RSA (1856 - 1941) The Gap of Dunloe Oil on board, 50 x 60cm (19¾ x 24”) Signed, also signed, inscribed “For the High Commissioner of the Irish Free State in London from the Artist” and dated 1924 verso The William Rodman Gallery Belfast (original label verso) and label from John Magee Gallery Provenance : A gift from the artist to James McNeill, Ireland’s first High Commissioner to the Court of St. James, London. In August 1924 Lavery and his wife Hazel made their annual trip to Dublin for the Horse Show staying at the Vice-Regal lodge with Tim Healy . They also attended the Aonach Tailteann games in Croke Park at the invitation of W.B. Yeats.The Lavery’s then took an automobile tour of Wicklow,Wexford and Cork where they visited Bealnablath on route to Kerry, staying with Lord Castlerosse at Kenmare House and at The Great Southern Hotel at Parknasilla. The paintings done in the gardens of Kenmare House are well known but Lavery also endeavoured to paint a series of southern landscapes taking their inspiration directly from the Kerry countryside, with the intention of staging an ‘Irish’ exhibition. Unfortunately bad weather thwarted the artists intentions but he did manage to paint several views of the Kerry Hills,such as this one, between showers . Another work from this suite of paintings was “Bringing home the turf : The Kingdom of Kerry” which was sold in these rooms 4th December 2013 Lot 22. The artist was intent on capturing the elusive and shifting light patterns of the moody Kerry landscape. -
Preas Choláiste Ollscoile Bhaile Átha Cliath University College Dublin Press UCD Press 2013–2014 Complete List Forthcoming, New and Recent Titles
Preas Choláiste Ollscoile Bhaile Átha Cliath University College Dublin Press UCD PRESS 2013–2014 Complete List Forthcoming, new and recent titles All UCD Press titles may be ordered through booksellers or through them behind these invented European identities, our website www.ucdpress.ie or by telephone to + 353 1 477 9813 . by drawing on elements of national tradition while at the same time invoking modernity. The mass (Cover illustration is a reproduction of a £100 bank note image of Charles media and popular culture were harnessed to Stewart Parnell, reproduced by kind permission of the Central Bank of Ireland.) the demands of propaganda. Even the built environment was mobilised to this end. The Prices and availability subject to change without notice. antithetical character of the two blocs was not in all respects as absolute as it seemed at the time. Similar cultural and social trends influenced the politics of culture on both sides of the Iron Curtain. This book sheds new light on some of these similarities and parallels as well as the intentions and articulation of official policy. Exploring a dimension of the political and diplomatic rivalry, these essays offer a fresh insight into the cultural History dimensions of the early Cold War. Ireland’s Czar Parnell Reconsidered July 2013 234 x 156 mm 256 pp + 8 illustrated Gladstonian Government and the Lord edited by Donal McCartney and Pauric Travers 978-1-906359-37-9 hb €60 £50 Lieutenancies of the Red Earl Spencer 1868– This new study offers fresh and revealing perspectives 86 on Parnell’s career, providing contemporary insights Judith Devlin is a lecturer in modern history at UCD. -
The Irish Boundary Crisis and the Reshaping of British Politics: 1920
The Irish Boundary Crisis and the Reshaping of British Politics: 1920-1925 by Charles Kevin Matthews The London School of Economics and Political Science A Thesis submitted for the Degree of Doctor of Philosophy in the University of London. 2000 UMI Number: U150458 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U150458 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 "Theses . F. 3 5 W - 5 ■ ABSTRACT This thesis investigates the interaction between the evolution of the Irish Question and the re-emergence of Britain's two-party political system after World War I. It challenges the contention summed up in A.J.P. Taylor's suggestion that David Lloyd George 'conjured' the Irish Question out of existence with the Anglo-Irish Treaty of 1921. Here, it is shown that on the contrary the Irish dispute continued to be a highly sensitive issue for successive British governments until the Treaty's Boundary Commission report was shelved in 1925. This was so because British politics was then undergoing a profound revolution. -
Music by Joshua Salzman Book and Lyrics by Ryan Cunningham
Michael Collins 1.3.19 -1- Salzman and Cunningham Michael Collins Music by Joshua Salzman Book and Lyrics by Ryan Cunningham Michael Collins 1.3.19 -2- Salzman and Cunningham SYNOPSIS MICHAEL COLLINS follows the true story of the Irish Rebel of the same name—but it’s more than just an Irish story. It’s a universal story of how people respond to oppression and the terrible cost to the oppressed when that response is violent—even if it ultimately leads to freedom. It begins in 1916, during the failed Easter Rising against the British. As a young soldier, Michael Collins sees the flawed methods that continually lead the Irish people to lose in uprising after uprising. Upon being released from prison, he joins with other rebels (Eamon De Valera, Harry Boland, Arthur Griffith, Cathal Brugha, and Tom Hales) to start a new kind of revolution: one that would eventually bring the British to the negotiating table for the first time in history and free Ireland—and cost Michael everything he holds dear. Michael Collins 1.3.19 -3- Salzman and Cunningham CAST: 14: 7 men—4 principals; 7 women—3 principals (CASTING NOTE: The cast should be made up of people who reflect the community in which the show is being presented—including and especially ethnic background and gender. The people of that community are telling an Irish story—but they begin the play as themselves in their own accents, presenting in their chosen gender. As the show begins, they pick up Irish instruments, adopt Irish accents, don Irish clothing, and portray character-specific genders