Old Fulton NY Post Cards by Tom Tryniski

Total Page:16

File Type:pdf, Size:1020Kb

Old Fulton NY Post Cards by Tom Tryniski 28 THE NEW YORK DRAMATIC MIRROR DECEMBER 23, 1916 (Continued from page 27) side of a motion picture house will send a The production belongs to the old type is called Satanas, to report at headquarter* The best method of advertising the film lot of people inside. The story, too, is well of hectic melodrama, which is still popular ar once. This incident starts the sixth would be by means of the old song, which, known, so a valuable way to advertise this with a certain type of audience. A. G. S. episode In an interesting manner. Only while it only bears indirectly on the plot, feature would be simply to say " Clara after a well-defined warning does Moreno, is so well known as to be a tine medium lor Kimball Young in " The Foolish Virgin.' " accompanied by Irma Vep, with whom he F. T. "THE AWAKENING OF HELENA RICHIE" has fallen in love, keep the appointment. exploitation. Copies migbt be given away Satanas orders the pair to rob a certain at a first performance as souvenirs. The Five-Part Drama by Margaret Deland, rich man witb the threat of death if tbey picture may be announced as a life drama Featuring Ethel Barrymore and Directed disobey. A novel swindle is developed by of love and* revenge and tinal restitution. •• TRUTHFUL. TULLIVER " by John YY. Noble. Produced by Quality the new Grand Vampire, who dispatches A. H. S. Five-Part Drama by J. G. Hawks, Featuring for Release by Metro Dec. 18. the couple to carry it out. By some unique William S. Hart. Supervised by Thomas Helena Richie Ethel Barrymore tricks Moreno and Irma Vep bag their game H. Ince and Produced by Triangle Fine- Lloyd Pryor Robert Cummings and secure a large sum of money from the •THE WEAKER SEX" Benjamin Wright Frank Montgomery man. Arts. Dr. Lavendar J. A. Furey Five-Part Drama by Alice C. Brown. Featur­ "Truthful" Tulllver W. S. Hart Little David Maury Steuart Philip Guard, a reporter on a daily paper, ing Dorothy Dal ton. Produced by Tri­ Grace Burton Alma Reubens Sam Wright Hassan Mussalli who has been trailing the Vampires, gets angle-Fine Arts Under the Direction of York Cantrell Norbert A. Mylea Deacon Wright William Wiliams on their track following the robbery, and Raymond B. West. Daisy Burton Nina Byron Frederick Richie Robert Whittier by a ruse he places Moreno and Irma Vep " Silver Lode " Thompson Walter Perry Dr. King Charles Goodrich in the hands of the police. Rath Ttlden Dorothy Dalton " Deacon *• Doyle Milton Ross Mrs. King Hattie Delaro F. T. Jack Harding Charles Ray Unlike most heroes of mining town Mrs. Wright Mary Asquith Annette Loti Louise Glaum dramas, " Truthful Tulliver" is not " one Probably no actress of the stage or screen Raout Bown Robert McKIm of the boys" but a traveling journalist "THE SECRET KINGDOM" John Hardin? Charles K. French possesses more of the charm of womanly Marjory Lawton Margaret Thompson who setles in " Glory Hole " and proceeds sweetness than Ethel Barrymore; hers is a Serial Written by Louis Joseph Vance. Edward Tllden J. Barney Sherry to give the evil little town a newspaper personality which leaves an ineffaceable im­ Produced by Vitagraph Under Direction Mary Wheeler Nona Thomas which is more celebrated for its frankness pression and even without her glorious than for its diplomacy. An insult to the of Theodore Marston and Charles Brabin. Under the ironic title of "The Weaker voice we find her a compelling figure as King Philip Charles Richman girl be loves makes him resolve to clean Helena Richie. Princess Julia Arline Pretty Sex " we are introduced to a very modern up the place, which he does with character­ One might wish that this picturization Madame Savats Dorothy Kelly Portia, a woman lawyer who beats the istic skill and sang-froid. He is beset by of Margaret Deland's novel were a bit less Juan William Dunn district attorney at bis own game and un­ the lawless element in the camp and the tedious in the beginning; action does not Prime Minister Joseph Kilgour ravels a criminal law case which has duel between the power of darkness and really speed up until past the middle of the Count Ramon De Jalma West baffled the entire court by the overwhelming light ends in a sensational climax through film and certainly any less delightful and Episode 4, " Honorable Mr. Oxenham."— circumstantial evidence. The personal note which the editor wins everlasting victory talented actress than Miss Barrymore The story continues witb a plentiful supply Is added by the fact that the district attor­ by lassoing the ringleaders of the dance would have found it extremely difficult to of the customary narrow escapes for the ney is her own husband who believes that hall gang and dragging them through the have kept the interest alive. It was even hero and heroine, who have by this time a married lawyer woman's place is the town on horseback. His triumph is spoiled difficult to sympathize greatly with the poet arrived in New York. An attempt is made hearth fire and who cannot understand her by a misunderstanding with his sweeheart, to murder Phillip, but he is only slightly preference for reading Blackstone instead which is cleared up again in another daring who killed himself for love of Helena. of Snappy Stories. The accused man whom Little David was excellent at times in wounded (why is it that screen villains exploit, and we leave the mining camp the small bands of Maury Steuart; Robert are invariably bad shots?), and while being she saves from the electric chair is her editor victorious with his erstwhile proof­ nursed back to health by Julia receives the young stepson who has learned to love the reader in his arms. Cummings made Lloyd Pryor a robust cabarets not wisely but too well and who figure, and Dr. Lavendar was adequately sealed packet, which has been stolen by has become fatally involved with an adven­ Will am Hart assumes the role of the done by J. A. Furey. Aside from the work Oxenham, a confederate of Madam Savatz. turess. Out of this domestic chaos, the editor and hero with his usual restrained of Miss Barrymore, the best acting was Another attempt to steal the papers Is young wife and lawyer restores order and energy and the laconic grin which makes that of Robert Whittier as Frederick. The frustrated by Julia, who is in turn rescued convinces her husband that a woman need him a cryptic but deadly enemy and an various others in the cast were satisfactory. by Phillip. not necessarily dispense with all her brains irresistible lover. Alma Reubens as bis The settings and costuming of the period Episode 5, "Carriage Call No. 101."— because she is joined in the holy state of girlish sweetheart but a world of significance were finely simulated and Old Chester Attempting to elope with Julia. Phillip Is into the rather slight role with her elo­ seemed very near and real. overpowered by the gang which is in pur­ matrimony. quent dark eyes. The mining camp types suit of him and left to die in a gas-filled Dorothy Dalton is most convincing as are realistic and not overdrawn and the The story is of Helena's misfortunes fol­ the lawyer and heroine and skillfully dis­ lowing her elopement with Pryor after her room. Julia is abducted and taken to a setting gives a perfect reproduction of the child has been killed by her husband while private asylum. Phillip is rescued, and pels the delusion that a woman cannot be local color in a crude and unruly mining starts out to get Julia away from the mad­ efficient and attractive at the same time. town. he is intoxicated. Pryor appears as her Charles Ray plays the part of the accused brother at Old Chester and she takes house by a daring ruse. The public will probably never tire of David, a small boy, to raise as part solace A. H. S. lad with bis usual ingenous charm which good Western drama with picturesque set­ makes him the natural prey of any vampire for her loss. Gossip in the narrow little ting and virile plot and the exhibitor can village becomes rife and the truth is that may be prowling about in the cast. rely on finding all of this in the Hart plays Louise Glaum is properly alluring as the learned. The husband dies in Paris, but "THE RINK" of which " Truthful Tulliver" is an excel­ Pryor refuses to marry Helena unless she Scarlet Woman, although one feels that the lent example. A. G. S. Two-Part Comedy Featuring Charlie Chap­ lad must have been infatuated indeed to will give up David. She declines and he lin. Released by Mutual. address a person of her substantial charms leaves. Later even the child is taken away, In " The Rink," Charlie Chaplin divides as " kittens." The setting and general di­ "MARRIAGE A LA CARTE" but in the end is restored to her as she his time between a fashionable restaurant rection was remarkably effective and artis- leaves the town by good Dr. Lavendar. where he is employed as a waiter and the tlc. Five-Part Comedy by Bertram Marbugh It is scarcely necessary to offer the ex­ skating rink which furnishes him and his There will undoubtedly be differences of and Washington Pezct, Under the Direc­ hibitor advice in the exploiting of this audience with an abundance of hilarious opinion on this most disputed theme which tion of James Young, Featuring Clara picture.
Recommended publications
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Movie Mirror Book
    WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al­ ways been at high pitch, so, in offering these concise his­ tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • CINE 26 Ai,, Rue PARIS HUGUETTE 26 Numéro»
    CINÉ POUR TOUS ABONNEMENTS: Adresser Correspondance France Etranger et mandats-poste : Pierre Hk.frRY, directeur 52 numéro... 20 h. 22 fr. LA PROIE CINE 26 Ai,, Rue PARIS HUGUETTE 26 numéro».. 10 fr. 1 1 fr. POUR Traver«ière ( XII' ) scénario mélodramatique de G. Roudès DUFLOS DÉPÔT DE VENTE A PARIS PUBLICITÉ mis en scène par Marcel Dumont , Agence Parisienne' de Distribution S'adresser : Levai et Ventillard — 20. Rue du Croissant. 20 — TOUS 121 - 123. Rue Montmartre, 121 - 123 Carlo Constant Rémy Hélène Marthe Vinot Géo Bout-de-Zan, Jack Watson Rolla-Norman Felicia Germaine Fontane LES FILMS DE LA QUINZAINE Ctesse de Maguelonne . Juanita de Fraizia CŒUR DE MANNEQUIN (The day she paid) VIOLA DANA LA POCHARDE Film Universai Edition Eclipse Du 3 Juin au 9 Juin : dans La Lampe merveilleuse (Premier épisode) Yvonne Francelia Billington LOUISE HUFF L'EPINGLE ROUGE dans Le Cachet de cire tiré du roman populaire de Jules Mary Rogers Charles Clan scénario dramatique de P. Bierïaimé (Omnia, Pathé-Palace, Ciné-Pax, mise en scène d'il. Etiévant réalisé par E. E. Violet Paris-Ciné, Artistic, Palais-Ro- Film Ermolieff Edition Pathé Film Lucifer Edition Aubert chechouart, etc..) Georges Lamarche . ... .M. Norville WALLACE REID Tchang-Kéou . - . Tsin-Hou CHABLES RAY Forest Donatien Charlotte Lamarche . Jacqueline Forzane dans La Revanche du Destin dans Au Pays des loups Jéan Berthelin . Emilien Richaud Madeleine Wills .... Simone Vaudry (Gaumont-Théâtre). Paul Valmont Félix Ford Mathis . • Rieffler CONSTANCE TALMADGE Aubert-Palace, Electric, Palaist^Roche- OWEN MOORE Clotilde de Thiellay . Mme Kotchakidsé dans Les Bas de sole dans Jim de Piccadilly chouart, Voltaire, Paradis, etc.
    [Show full text]
  • (Perth Amboy, NJ). 1920-04-03
    MAJESTIC D IT MAS TUESDAY AND WEDNESDAY THEATRE MONDAY, Crc^Tnl Ftuturo. COUNIHAN & SHANNON, Proprietors and Managers William Farnurn in "Wings of the Morning," will be seen for the last time tonight at the Crescent theatre. This photodrama is filled with thrill- eminent Wil- BY TODAY and the “RESPECTABLE ing situations liam Fox star never has been seen in a more heroic and picturesque role. One of the great outstanding features of this great picture is the realistic BRADY ocean liner wreck. Mix. PROXY” ALICE Tom —IN— In Tom Mix's new photodrama. "The Speed Maniac," showing at the Crescent theatre Monday, Tuesday WITH SYLVIA BREAMEE, ROBERT GORDON and Wednesday the man who lias the reputation of never faking on the AND AN ALL STAR CAST “The Dancer’s Peril” to reveal his skill screen is said that and prowess to such a degree THE “WAY DOWN EAST QUARTETTE his numerous admirers will won- DEMAND this fa- EXTRA ADDED ATTRACTION BY POPULAR ACTS der if there be anything AND 4 OTHER mous cowboy star cannot do. The story of "The Speed Maniac’ in TONICHT opens with Mix as a ranchman IN 'Nevada. The winding way of am- CHARLES CHAPLIN SHOWS—6 30, 9 P. M. to TWO COMPLETE j bit ion and adventure tikes him San Francisco, where he makes In His Famous Comedy I himself a hero by reecuing a pretty ! girl from a runaway and discover- a auto LIFE” ing Cupid; winning great “A DOG’S WED CHEATER I race in which he risks life and alve for i limb, and registers his inimitable INTERNATIONAL NEW WEEKLY FIRST RUN this Question yourself a and skill as a horseman, gunman A % Monday, Tuesday, Wednesday a boxer.
    [Show full text]
  • DAVIES, Tn--.A Midnight Be"Ussits First DES( RIBED A' )ST .PEREEOT
    PRAYXt UISEGLAl AY'ANDDRO )THYDLI TAN STAR V FIM MARION DAVIES, tn--.A Midnight Be"Ussits First DES( RIBED A' )ST .PEREEOT. BEAUTV Ann NiollkbsedwoC IWO Mre TodaY 3 MC O'Basa' Plays te fte 8s8n4 as Shwing FILM'S ather Of of "Jt Maris," st tMtropotan and SbabortIn Now Yrk,aoat tWe of Oliver Moresee's V"n ne@ now rebow.dn& -Lee Tb.e ..d METROPOLITAN '"ow 'ea,-- wri.. b.8 ,., to "A Midnight BO' a Japanese hes buft 8 tup et cartes 2ay win offer a ganuine Miseuit Rock, Paradox LakM New at York.. The Golernae"t has re- etodram.nic surprise Crandall's ordered browse tabl"t to a Theater this week In Led on the ae" for Natonal's splendid eree ver- is arodg-10, of Charles Hoyt's stage suceso Nichols' plays, but fgr bis. W~=t BIL' ical reasos, I "A Udnight Ban" are ea1ined "41"beats that seden hav been In- in starring vehicles for Three Roast fty. When the "t"em Of Pigs Is initiated Martin Tripp ur fired &om his job an For Movie Dinner salesman for a rubber.hs Will Rogers' latest pleture, "At . Penniless, he Is forced to in the small tow where he Unwilling Hero." ost th. company the 'blue" telegratam. three roazi pigs. During the filming Despite the protestations bt the of the Christmas dinner me In this merchant. he elects himself a 0. which will be the in the general store and Henry story, tely boosts sales to such an photodramatic attraction of the that he Is taken into the vaudeville and picture progran at sehold of the proprietor who in the Strani Theater al week begin.
    [Show full text]
  • Photoplay Magazine PUBLISHED MONTHLY A
    The Photoplay Magazine PUBLISHED MONTHLY A. H. McLAUGHUN, PUBLISHER PHOTOGRAPHIC NOTICE—Pay no money to anyone representing: the PHOTOPLAY MAGAZINE unless they bear credentials, properly signed, fron/the Company. Vol. Ill OCTOBER, 1912 No. 3 ART STUDIES TABLE OF CONTENTS COVER DESIGN "JACK" W. KERRIGAN THE GALLERY OF PHOTOPLAY STARS PHOTOGRAPHIC ART STUDIES 1-16 PLAYERS* PERSONALITIES 86 PHOTOPLAY STORIES UNDINE (Thanhouser) By Raymond L. Schrock SUNDERED TIES (Broncho) By Randolph Van Buren THE WORD OF HONOR (Eclair) By Philip White CALAMITY ANNE"S WARD (American) By J. Rutherford Caswell. KINGS IN EXILE XGaumont) By O. A. Miller THE BUTTERFLY (Majestic) By Alice Ward Bailey THE ADVENT OF JANE (Victor) By Edna Frances HEARTS AND SKIRTS (Nestor) By Russell E. Smith FILIAL LOVE (Eclair) CALEB WEST (Reliance) THE LITTLE BEGGAR BOY (Lux) THE FUGITIVE (Solax) SPECIAL ARTIGLES LATEST IN NEWSDOM—By Willard Howe THE NEW ERA (Poem)—By O, A. Miller INTERVIEW WITH FLORENCE LA BADIE (Thanhouser}. INTERVIEW WITH KING BAGGOT (Imp.) DEPARTMENTAL NEWS FROM THE WORLD OF THE PHOTOPLAY 74 REFLECTIONS OF THE CRITIC 77 THE PHOTOPLAYWRIGHT AND HIS ART-By A. W. Thomaa. 88 THE QUESTION BOX 92 JUST BETWEEN OURSELVES 100 WHAT THEY THINK ABOUT IT 102 THE PHOTOPLAY MAGAZINE. Copyright 1912 by Photoplay Magazine. Entered at the Postoffice at Chicago, Illinois, as second class matter, April 20th, 1912. under the act of March 3rd, 1879. Subscription $1.00 a year in advance in the United States, Cuba and Mexico; in Canada and in other foreign countries, $1.50. Single copies, 10 cents. Stamps accepted. All manu- facturers of Motion Pictures are invited to submit scenarios and photos.
    [Show full text]
  • (Perth Amboy, NJ). 1916-12-05
    £- Quick. Service Theatre p"'h ■"··■<« °« ▼«H.tie, C0UN1HANMajestic & SHANNON, Props *»«». j F BULLWINKEL, Mgr. No ONLY TWO PLACES TO GO—THE MAJESTIC AND fcOME Admission 10c Children Under Ten 5c Long Delays The Screen's Greatest Character Actor I Reductions Accepted DEC. 5th- THEODORE ROBERTS TODAY, TUESDAY, —IN— | HARRY HASTINGS' BIG SHOW WITH DAN COLEMAN AND A GLEYER CAST are the features of our MORTGAGE "ANTON THE TERRIBLE" of 50 business. People—Burlesque As You Like It. With ANITA KING and a Perfect Lasky Cast 20 New Song Hits, 12 Beautiful Scenes AM New. Seats New On Sale Burton Holmes Travel Series and Others ~ Tomorrow Triangle Plays and Players Boynton Brothers & Company Presents Dec. 6th Thomas II. Ince 87 Smith St. Perth Amboy, N. J, TOMORROW, Wednesday, LOUISE GLAUM —IN— 6 - Ail Star Acts and - 6 "THE WOLE WOMAN" Photoplays NIGHT and a Side Splitting 2 Part Keystone Comedy V» Wli'J : .f/:'» ><MAWn't MM MATINEE'!, 5c AND 10c "ONLY" Se, 10c, 15c and 25c You Never to See Expected A of Special Offering Oat Fur Sets and Pieces "Tomorrow Night," Try Night - MARY PICKFORD Value - - In a Bath Tub, Did You? Well That is Just One of the At 1 -4 Off the Original 10 BIG MAJESTIC VAUDEVILLE ACTS -10 looo Scenes In I have pur- THURSDAY FRIDAY chased the ot "LESS THAN THE DUST" RECENTLY surplus 7th Episode of BAZAAR NIGHT a stock of the That Is Coming Next Monday and Tuesday bankrupt All Kinds of Presents Given Away, and a Laugh choicest Fur Sets and "The Yellow Menace" a Minute Pieces, including Mar- mouth, Silver Fox,Black Fox, and other much Next Week, Monday Night Only Dec.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • *11 BILLS Itectoils of WKST VIRGINIA Faiit ASKOCIATIOX
    ORPHEUM Star Theatre PALACE THEATRE THEATRE . TTRAH TEE GREAT ORGAN TODAY and The Lewis-Oliver Players "THE LURE OF THE THE HOUSE THAT PRESENT THE CADENZA YUKON" Change of Program Today RAISED THE STANDARD ORCHESTRA A dramatization re¬ plete with thrills in 3 HesryE. Jftg Matl £2 acts, pictured and'play¬ Maids Musical TODAY ed in the North Empress T'1® Comedy You TTtro see the great DtXcyS Time Everyone Itciul the U«kiIc The Feature* llroudway West. Comedy Ha* Horn Now . Company . MeatCSt 011v" .FrmBl. Present TODAY w«'u»«10 s«> the i»i»y. FLORENCE TURNER "THOSE KIDS AND Greatest .AXI). CUPID" Starting |iri>iii|i(I.i m is o'clock fomejy ever ALBERT CHEVA LIKIt A (VOOIl) to -v .IN. Nestor Comedy 'WHENTHECOMET STRUCK' The Box written Tho Immortal Coster Sung. Classic. AT YOUIt ItKQUKST Also other Pictures will New Songs, Wardrobe and Comedy The Oneie Big Dramatic Treat ho shown. of the Season "My Old Dutch" TODAY A drama THURSDAY PICTURE'S you'll alwny* remem¬ "The Christian" ber SPECIAL "REAPERS OP THE WHIRLWIND" 'THE MISLEADING CLUE" 2-part Vitngraph Comedy (A<l«|iltil from Hall Citlnp'N Powerful TOMORROW Btor) of (hp Snnio Title.) The Gift Center "DIVORCED" A 2-Part Special ALSO TWO GOOD COMEDY PICTURES FenturlnK HILDA SPONtJ Feature. is H thbltOCGHIA" IXTKItKSTIXU * Wihon the art of to a ACTS you employ giving oontey ,'| Equitable program, will be shown to¬ atizeil by Charles Tyler. This was u kindly expression of regard, of to commemorate some morrow. It la a Ave-purl society phenomenal success for several sea-' with sweet oocasiou in the life of dear ones or drama, with Hilda Spong.
    [Show full text]
  • Ten Thousand Humanas
    "My sister wore her hair in flats Illn most issues of THEATRE around her head with a huge dog­ ORGAN magazine, I read fas- cinating biographies of former HARK! ear bow of ribbon, fastened at the back. She wore an especially-made theatre organists, and very often, pink dress, made of the latest ma­ mention is made of someone with terial, decorated in pink rosebuds. whom I have worked or been associ­ She wore high-top, black buttoned ated. During the 1972 ATOS Con­ Ten shoes. Today, she wouldn't be caught vention in the Potomac Valley area, dead in such an outfit! I wore a dark there were many of my friends and Thousandblue suit with knee pants, white former associates there, and some shirt, and a large bow tie which whom I had not met previously but stuck out so far I could hardly see who approached me and said, 'Well, Vox the piano keys! Billy Barnes! I've often wondered "To get to Hanestown, we went in whatever happened to you! What a Model T Ford, owned by my teach­ have you been doing all these years? Humanas er's daughter, and replete with You look just as you always did.' "Of course, that was the remark isinglass curtains. We were cramped like sardines as there were others who which impressed me most. After a • went along. To top it off, it poured lot of explanation, many of them rain! There weren't too many paved said, 'Why don't you write up all of roads, and the car was covered with this for the ATOS magazine?' So, THE mud by the time we arrived at the having given it a lot of thought and with a lot of urging from my friend recital hall.
    [Show full text]
  • I WAS THERE Carl I Elinor and Mr
    organist, Arthur G. Shaw, in a "fade­ The sleight-of-hand magic in music was Lee Haggart observes very deceptive or­ in" from orchestra to organ. Many starting! Musicians from the percussion gan-orchestra coloration. times before we had tried to pin-point and brass sections of the orchestra were this elusive trick, the moment of cross­ silently making their way toward the over, which had been worked out by "green room" door under the stage. I WAS THERE Carl i Elinor and Mr. Shaw shortly after The music-rack lights were now out Mr. Shaw had been appointed "top" and the remaining orchestra members by Lee Haggart, Burbank or solo organist at the California The­ were playing without visible notes. It was the usual exciting Sunday eve­ atre. The hard listening was now at hand. ning in 1921 at Miller's California The­ The "fade" from orchestra to organ We closed our eyes and concentrated on atre in Los Angeles*. The grand or­ was, of course, done in many "presen­ the beautiful sounds. Violins, clarinets, chestra, the stage presentation, in keep­ tation" theatres and was often well flutes, an oboe, 'cello and double-bass, ing with the theme of the (silent) fea­ done. But if complete illusion is a cri­ all playing softly now. We sneaked a ture picture, had been thoroughly enter­ terion, the Elinor /Shaw crossover look at the podium; Carli Elinor was taining. For weekends the 35 man or­ would be the far-in-front winner. still there directing; more intense listen­ chestra was augmented to 75.
    [Show full text]