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Jhansi - Gwalior - Agra - Jaipur - Pushkar - Udaipur - Aurangabad - Mumbai
Duration: 16 Nights / 17 Days Places Covered: Delhi - Varanasi - Khajuraho - Jhansi - Gwalior - Agra - Jaipur - Pushkar - Udaipur - Aurangabad - Mumbai Day 01: Arrive Delhi Arrive at Delhi international airport. After warm receiving and greeting by our representative transfer to hotel for check-in. Delhi a bustling metropolis, and the capital city of India, successfully combines in its folds the ancient times with modern times. In fact, more mythological cities are believed to be here, like the city of Indraprastha from the Hindu epic Mahabharata, founded around 5000 BC. Numerous monuments were built over several centuries by different rulers like Qutub-ud- din Aibek, Alauddin Khilji, Tughlaks, Humayun & Shah Jahan, who built the Walled City Shah Jahanabad. Later in first half of 20th century much of New Delhi was planned by Sir Edwin Lutyens, who laid out a grandiose central administrative area as a testament to British rule in India. The division in walled city & New Delhi also marks the division in life styles. Rest of the day at leisure or walk around the city by your own. Over Night stay at hotel. Day 02: Delhi After Breakfast, we will visit the city. Visit “Old Delhi” with its narrow dirt roads, its myriad people and inexpensive and colorful bazaars that keep alive the traditional workmanship for which Delhi has always been famous. The first stop is Raj Ghat, the cremation ground of Mahatma Gandhi), The “Father of the nation”. Drive past the Red Fort, the red sandstone walled fort made in Mughal era by Emperor Shah Jahan. We end up at the Jama Masjid, the largest Muslim mosque in India. -
The Place of Performance in a Landscape of Conquest: Raja Mansingh's Akhārā in Gwalior
South Asian History and Culture ISSN: 1947-2498 (Print) 1947-2501 (Online) Journal homepage: https://www.tandfonline.com/loi/rsac20 The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior Saarthak Singh To cite this article: Saarthak Singh (2020): The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior, South Asian History and Culture, DOI: 10.1080/19472498.2020.1719756 To link to this article: https://doi.org/10.1080/19472498.2020.1719756 Published online: 30 Jan 2020. Submit your article to this journal Article views: 21 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsac20 SOUTH ASIAN HISTORY AND CULTURE https://doi.org/10.1080/19472498.2020.1719756 The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior Saarthak Singh Institute of Fine Arts, New York University, New York, NY, USA ABSTRACT KEYWORDS In the forested countryside of Gwalior lie the vestiges of a little-known akhārā; landscape; amphitheatre (akhārā) attributed to Raja Mansingh Tomar (r. 1488–1518). performance; performativity; A bastioned rampart encloses the once-vibrant dance arena: a circular stage dhrupad; rāsalīlā in the centre, surrounded by orchestral platforms and an elevated viewing gallery. This purpose-built performance space is a unique monumentalized instance of widely-prevalent courtly gatherings, featuring interpretive dance accompanied by music. What makes it most intriguing is the archi- tectural play between inside|outside, between the performance stage and the wilderness landscape. -
Colours, Flavours & Forts with Chris and Carolyn Caldicott 18Th February
Gwalior Fort © Chris Caldicott Central India: Colours, Flavours & Forts With Chris and Carolyn Caldicott 18th February – 6th March 2017 The Ultimate Travel Company Escorted Tours © Chris Caldicott Contact Sophie Lonsdale Direct Line 020 7386 4679 Telephone 020 7386 4620 Fax 020 7386 8652 Email [email protected] Chris Caldicott Since travelling to some of the most remote parts of the world as Photographer-in-Residence to the Royal Geographical Society, Chris Caldicott has continued his globetrotting lifestyle as a freelance photographer, writer and lecturer specialising in food and travel. He has had several books published about food, travel and the spice trade and visited 108 countries in search of the perfect meal, finding most of the top contenders on his many trips to Asia. As a journalist he is a regular contributor to publications such as Vanity Fair, Conde Nast Traveller, The Sunday Times, Harpers Bazaar, Tatler, House and Garden and the Telegraph. Chris will offer an initial workshop at the beginning of the trip on how to take better travel photographs and get the best out of your camera covering exposure, focus and composition illustrated with examples of his own work. He will also be offering one to one tutorials during the journey. Carolyn Caldicott Carolyn owed and ran the World Food Cafe in London’s Covent Garden for 20 years. She now works as an author and food writer and together with husband Chris has written several World Food Cafe recipe books about global cuisine. Her recent books including Vintage Tea Party, re-creating the nostalgic world of traditional English teatime treats; Rosehips On a Kitchen Table, a manual for foragers, farmers market shoppers and allotment gardeners; Comfort, recipes to warm the heart and feed the soul; Bombay Lunch Box, about Anglo-Indian Tiffin with a contemporary twist; and Great British Cooking, covering everything from roast beef to making marmalade. -
A Review on Historical Earth Pigments Used in India's Wall Paintings
heritage Review A Review on Historical Earth Pigments Used in India’s Wall Paintings Anjali Sharma 1 and Manager Rajdeo Singh 2,* 1 Department of Conservation, National Museum Institute, Janpath, New Delhi 110011, India; [email protected] 2 National Research Laboratory for the Conservation of Cultural Property, Aliganj, Lucknow 226024, India * Correspondence: [email protected] Abstract: Iron-containing earth minerals of various hues were the earliest pigments of the prehistoric artists who dwelled in caves. Being a prominent part of human expression through art, nature- derived pigments have been used in continuum through ages until now. Studies reveal that the primitive artist stored or used his pigments as color cakes made out of skin or reeds. Although records to help understand the technical details of Indian painting in the early periodare scanty, there is a certain amount of material from which some idea may be gained regarding the methods used by the artists to obtain their results. Considering Indian wall paintings, the most widely used earth pigments include red, yellow, and green ochres, making it fairly easy for the modern era scientific conservators and researchers to study them. The present knowledge on material sources given in the literature is limited and deficient as of now, hence the present work attempts to elucidate the range of earth pigments encountered in Indian wall paintings and the scientific studies and characterization by analytical techniques that form the knowledge background on the topic. Studies leadingto well-founded knowledge on pigments can contribute towards the safeguarding of Indian cultural heritage as well as spread awareness among conservators, restorers, and scholars. -
Indian Archaeology 1994-95 a Review
INDIAN ARCHAEOLOGY 1994-95 — A REVIEW EDITED BY HARI MANJHI C. DORJE ARUNDHATI BANERJI PUBLISHED BY THE DIRECTOR GENERAL ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA JANPATH, NEW DELHI 2000 front cover : Gudnapura, general view of remains of a brick temple-complex back cover : Kanaganahalli, drum-slab depicting empty throne and Buddhdpada flanked by chanri bearers and devotees © 2000 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price : Rs. 330.00 PRINTED AT M/S BENGAL OFFSET WORKS, 335, KHAJOOR ROAD, NEW DELHI - 110005 PREFACE In bringing out this annual Review after a brief gap of one month, I warmly acknowledge the contributions of all my colleagues in the Survey as also those in the State Departments, Universities and various other Institutions engaged in archaeological researches for supplying material with illustrations for inclusion in this issue. I am sure, that, with the co-operation of all the heads of respective departments, we will soon be able to further reduce the gap in the printing of the Review. If contributions are received in time in the required format and style, our task of expediting its publication will be much easier. The material incorporated herein covers a wide range of subjects comprising exploration and excavation, epigraphical discoveries, development of museums, radio-carbon dates, architectural survey of secular and religious buildings, structural/chemical conservation etc. During the period under review many new discoveries have been reported throughout the country. Among these the survey of buildings in and around Vrindavan associated with mythological tradition is particularly interesting. I would like to place on record my sincere thanks to my colleagues Shri Hari Manjhi, Shri C. -
Download Gwalior Fort
Gwalior Fort Gwalior Fort, Gwalior Gwalior Fort was built in 8th century and it consists of many palaces, temples, and other structures. The fort was built on a steep sandstone. Many rulers of different periods captured the fort and has seen many battles including the battles related to independence from the British. This tutorial will let you know about the history of the fort along with the structures present inside. You will also get the information about the best time to visit it along with how to reach the fort. Audience This tutorial is designed for the people who would like to know about the history of Gwalior Fort along with the interiors and design of the fort. This fort is visited by many people from India and abroad. Prerequisites This is a brief tutorial designed only for informational purpose. There are no prerequisites as such. All that you should have is a keen interest to explore new places and experience their charm. Copyright & Disclaimer Copyright 2017 by Tutorials Point (I) Pvt. Ltd. All the content and graphics published in this e-book are the property of Tutorials Point (I) Pvt. Ltd. The user of this e-book is prohibited to reuse, retain, copy, distribute, or republish any contents or a part of contents of this e-book in any manner without written consent of the publisher. We strive to update the contents of our website and tutorials as timely and as precisely as possible, however, the contents may contain inaccuracies or errors. Tutorials Point (I) Pvt. Ltd. provides no guarantee regarding the accuracy, timeliness, or completeness of our website or its contents including this tutorial. -
FORTS of INDIA Anurit Vema
FORTS OF INDIA Anurit Vema *'9^7” \ < > k M' . J . i <• : » I : *='>- >.% ' nvjl •I' 4 V FORTS OF INDIA ■ \ f 0i''. ■ V'; ’ V, , ’' I* ;■'; -r^/A ci''> Digitized by the Internet Archive in 2018 with funding from Public.Resource.org https ;//archive.org/details/fortsofindiaOOverm JAMkJ AND KASHMIR FORTS OF INDIA HARIPARBAT "■^Arot kangraW ( HIMACHAL\ ( .' V.PRADESH\ r PUNJAB S', i /kalibangM ■'HARYANA > ARUNACHAL PRADESH ®BIKANER \ A/ D. AMBEr'f-X UTTAR PRADESH^-'... ® RAJASTHAN ® X BHUTAN "'^JAISALMER BHARATPUR’^A--^,@i®/lGPA JODHPUR /^^f^ji^^i^gff^j^^®^ BWALIOR J ALLAHABAD ROHTASGARH MEGHALAYA 'KUMBHALGARH % (\ \ ®\ .0 n.1 , ^•‘-fCHUHAR BANGLADESH TRIPURA f AHtAADABAD ■> WEST C !■ r'^' BENGALI, ® .^XHAMPANIR MADHYA PRADESH FORT WILLIAM A RAT /rOABHOlV ®MANDU BURMA DAULATABAD MAHARASHTRA ^AHMEDNABAR SHJVNER ARABIAN SEA mSINHGARH l\i,' WARANGAL 1, bay of BENGAL RAIGARH . /“ < GULBARGA GOLKUNOA PANHALA BIJAPUR JANDHRA PRADESH VUAYANAGAR iKARNATAKA| '^RJRANGAPATAM m GINGEEi LAKSHADWEEP (INDIA) SRI \ INDIAN OCEAN LANKA 6aMd upon Survey ol India outline map printed in 1980 The territorial waters of India extend into the sea to a distance of twelve nautical miles measured from the appropriate base line. ) Government of India copyrliht. The twundary of Meghalaya shown on this map is as interpreted from the Nonh-Eestern Areas (Reorgamaaiion) Act, 1971. but has yet to be venlied 49 FORTS OF INDIA AMRIT VERMA PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND BROADCASTING GOVERNMENT OF INDIA May 1985 {Jyaistha 1907) ® Publications Division Price -
Current Affairs December 2020
COMPLETE COVERAGE OF MONTHLY CURRENT AFFAIRS DECEMBER 2020 Corp. Office: # 61/3rt, 2nd Floor, SR Nagar, Near Community Hall, Hyderabad, Telangana-500 038. Main Campus: Padmashali Seva Samajam Boys Hostel, Opp: St. Martins Eng. College, Dulapally Road, Kompally, Hyderabad, Telangana-500 014. Phone: 7997992479 DECEMBER 2020 HISTORY AND CULTURE SOCIAL ISSUES & WELFARE Remembering Jyotibaphule 4 State of the Education Report for India - 2020 38 Traditional Toys 5 Human Development Index: UNDP 38 World Heritage City 5 Health of India 39 Idol of Devi Annapurna 6 E-Sampada Web Portal 41 Guru Nanak Jayanti 6 Swachhata Abhiyan Mobile APP 41 Online Exhibition of Shanghai Cooperation Organisation on Shared Buddhist Heritage 7 ECONOMY Dr. Rajendra Prasad Birth Anniversary 7 Dedicated Freight Corridor 42 Yogasana as Sport 8 Municipal Bonds 42 Indigenous Games to be a part of Khelo India Youth Games 9 Atal Mission for Rejuvenation and Urban Transformation Visva-Bharati University 11 (AMRUT) 43 Madan Mohan Malviya 12 Human Development Index 44 Goa Liberation Day 12 International Association for Insurance Supervisors 45 PM-WANI 46 GEOGRAPHY & ENVIRONMENT Quality Council of India 47 Great Conjunction 13 Skill Strengthening for Industrial Value Enhancement (STRIVE) 48 Elephant Corridors In India 14 Chennai- Bengaluru Industrial Corridor (CBIC) 49 Emissions Gap Report 2020 16 Meeting of Financial Stability and Development Council State of the Global Climate 2020 Report 16 (FSDC) 50 Scented products add to Air Pollution 17 Google Pays India Equalisation Levy -
ANSWERED ON:06.02.2017 E-Ticketing at Monuments Gavit Dr
GOVERNMENT OF INDIA CULTURE LOK SABHA UNSTARRED QUESTION NO:659 ANSWERED ON:06.02.2017 e-Ticketing at Monuments Gavit Dr. Heena Vijaykumar;Jayavardhan Dr. Jayakumar;Mahadik Shri Dhananjay Bhimrao;Patil Shri Vijaysinh Mohite;Satav Shri Rajeev Shankarrao;Sule Smt. Supriya Sadanand Will the Minister of CULTURE be pleased to state: (a) whether the Government has launched e-ticketing facility at Monuments to provide an online booking facility for foreign and domestic visitors and if so, the details thereof; (b) whether this facility is introduced in all the monuments and if so, the details thereof vis-a-vis the number of monuments of ASI where fees are charged from visitors to visit the monuments; (c) whether the Government is also in the process to procure hardware to have computerized facility for the sale of e-tickets at monuments and if so, the details thereof; and (d) whether the Government has launched a portal in this regard and if so, the details thereof? Answer MINISTER OF STATE, (INDEPENDENT CHARGE) CULTURE & TOURISM (DR. MAHESH SHARMA) (a) Yes Madam, the E-ticketing facilities have already introduced on 116 ticketed monuments with effect from 25th December, 2015. The online ticketing system is in operation for 109 ticketed monuments / sites out of 116 ticketed monuments under Archaeological Survey of India. Details are given at Annexure-1. (b) There are 116 ticketed monuments / sites out of 3687 monuments / sites of national importance under ASI where fees are being charged from the visitors for visiting these monuments. Details are given at Annexure-2. (c) The hardware has already been procured for facilitating computerize E-ticketing at all 116 ticketed monuments / sites. -
Glimpses of Jhansi's History Jhansi Through the Ages Newalkars of Jhansi What Really Happened in Jhansi in 1857?
T A B L E O F C O N T E N T S Glimpses of Jhansi's History Jhansi Through The Ages Newalkars of Jhansi What Really Happened in Jhansi in 1857? Attractions in and around Jhansi Jhansi Fort Rani Mahal Ganesh Mandir Mahalakshmi Temple Gangadharrao Chhatri Star Fort Jokhan Bagh St Jude’s Shrine Jhansi Cantonment Cemetery Jhansi Railway Station Orchha I N T R O D U C T I O N Jhansi is one of the most vibrant cities of Uttar Pradesh today. But the city is also steeped in history. The city of Rani Laxmibai - the brave queen who led her forces against the British in 1857 and the region around it, are dotted with monuments that go back more than 1500 years! While thousands of tourists visit Jhansi each year, many miss the layered past of the city. In fact, few who visit the famous Jhansi Fort each year, even know that it is in its historic Ganesh Mandir that Rani Laxmibai got married. Or that there is also a ‘second’ Fort hidden within the Jhansi cantonment, where the revolt of 1857 first began in the city. G L I M P S E S O F J H A N S I ’ S H I S T O R Y JHANSI THROUGH THE AGES Jhansi, the historic town and major tourist draw in Uttar Pradesh, is known today largely because of its famous 19th-century Queen, Rani Laxmibai, and the fearless role she played during the Revolt of 1857. There are also numerous monuments that dot Jhansi, remnants of the Bundelas and Marathas that ruled here from the 17th to the 19th centuries. -
Orchha Travel Guide - Page 1
Orchha Travel Guide - http://www.ixigo.com/travel-guide/orchha page 1 Cold weather. Carry Heavy woollen, umbrella. When To Max: Min: 15.5°C Rain: 204.0mm Orchha 20.70000076 2939453°C Photographer's delight and Aug explorer's paradise, Orchha in VISIT Cold weather. Carry Heavy woollen, Madhya Pradesh is a retreat of umbrella. http://www.ixigo.com/weather-in-orchha-lp-1143848 Max: Min: Rain: 282.0mm absolute bliss away from the drill 22.79999923 16.89999961 and drone of city life. Explore the 7060547°C 8530273°C Jan Orchaa Fort or take long nature Cold weather. Carry Heavy woollen. Sep walks in the surrounding woods, Max: 17.5°C Min: Rain: 0.0mm Cold weather. Carry Heavy woollen. 8.199999809 Max: Min: Rain: 15.0mm feasting your eyes on the 265137°C 19.79999923 15.19999980 landscape. 7060547°C 9265137°C Feb Famous For : City Cold weather. Carry Heavy woollen. Oct Max: Min: Rain: 45.0mm Pleasant weather. Carry Light woollen. 17.20000076 9.199999809 Max: Min: 20.5°C Rain: 9.0mm A scenic place where man's architecture and 2939453°C 265137°C 26.10000038 1469727°C nature's artistry are in perfect symphony, Mar Orchha was founded by Maharaja Rudra Cold weather. Carry Heavy woollen. Nov Pratap Singh in 1501. The Orchha fort was Max: 18.0°C Min: Rain: 12.0mm Pleasant weather. Carry Light woollen. constructed at the same time. The Rama 12.89999961 Max: Min: Rain: 0.0mm 8530273°C 25.79999923 18.10000038 Raja Temple and Jahangir Mahal here are of 7060547°C 1469727°C major tourist interest, with delicately Apr Pleasant weather. -
Historical Tour of Madhya Pradesh
Tour Code : AKSR0357 Tour Type : Heritage Tours 1800 233 9008 HISTORICAL TOUR OF www.akshartours.com MADHYA PRADESH 6 Nights / 7 Days PACKAGE OVERVIEW 1Country 5Cities 7Days 10Activities Accomodation Meal 02 Night Accomodation In Bhopal 06 Breakfast 01 Night Accomodation In Khajuraho 01 Night Accomodation In Orchha 01 Night Accomodation In Gwalior 01 Night Accomodation In Agra. Visa & Taxes 5% GST Applicable Highlights Accommodation on double sharing Breakfast and dinner at hotel Transfer and sightseeing by pvt vehicle as per program Applicable hotel taxes SIGHTSEEINGS OVERVIEW - Bharat Bhawan, Indira Gandhi Rashtriya Manav Sangrahalaya, Laxmi Narayan Or Birla Temple, Upper & Lower Lake And Jama Masjid. - Bhojeshwar Temple. - Prehistoric Rock Paintings. - The Masterpieces Of Buddhist Art, Stupas, Monasteries, Temples And Pillars. - Khajuraho Temples. - Jahangir Mahal, Raj Mahal Ram Raja Temple And Chaturbhuj Temple. - Gwalior Fort, Jai Vilas Palace. - Taj Mahal, Mehtab Bagh. SIGHTSEEINGS Bharat Bhavan - Bhopal Bharat Bhavan Is An Autonomous Multi-Arts Complex And Museum In Bhopal, India, Established And Funded By The Government Of Madhya Pradesh.The Architect Of Bhavan Is Charles Correa. Opened In 1982, Facing The Upper Lake, Bhopal, It Houses An Art Gallery, A Fine Art Workshop, An Open-Air Amphitheater, A Studio Theatre, An Auditorium, A Museum Tribal And Folk Art, Libraries Of Indian Poetry, Classical Music As Well As Folk Music. Sanchi Stupa Sanchi Sanchi Stupa Is A Buddhist Complex, Famous For Its Great Stupa. The Great Stupa At Sanchi Is One Of The Oldest Stone Structures In India, And An Important Monument Of Indian Architecture.It Was Originally Commissioned By The Emperor Ashoka In The 3rd Century BCE.