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Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
Elaine Brown Papers, 1977-2010 [Bulk 1989-2010]
BROWN, ELAINE, 1943- Elaine Brown papers, 1977-2010 [bulk 1989-2010] Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Brown, Elaine, 1943- Title: Elaine Brown papers, 1977-2010 [bulk 1989-2010] Call Number: Manuscript Collection No. 912 Extent: 68.25 linear feet (71 boxes), 2 oversized papers folders (OP), AV Masters: 1 linear foot (1 box), and 66 MB (332 files) born digital material and .5 linear feet (1 box) Abstract: Papers of civil rights activist Elaine Brown, including correspondence, personal papers, writings by Brown, records of organizations founded by Brown, records of her campaigns for President of the United States and Mayor of Brunswick, Georgia, and subject files. Language: Materials primarily in English with some materials in French. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact Rose Library in advance for access to this collection. Subseries 2.1: Michael Lewis' medical records are restricted until his death. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Emory Libraries provides copies of its finding aids for use only in research and private study. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Living for the City Donna Jean Murch
Living for the City Donna Jean Murch Published by The University of North Carolina Press Murch, Donna Jean. Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California. The University of North Carolina Press, 2010. Project MUSE. muse.jhu.edu/book/43989. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/43989 [ Access provided at 22 Mar 2021 17:39 GMT from University of Washington @ Seattle ] 5. MEN WITH GUNS In the aftermath of the Watts rebellions, the failure of community pro- grams to remedy chronic unemployment and police brutality prompted a core group of black activists to leave campuses and engage in direct action in the streets.1 The spontaneous uprisings in Watts called attention to the problems faced by California’s migrant communities and created a sense of urgency about police violence and the suffocating conditions of West Coast cities. Increasingly, the tactics of nonviolent passive resistance seemed ir- relevant, and the radicalization of the southern civil rights movement pro- vided a new language and conception for black struggle across the country.2 Stokely Carmichael’s ascendance to the chairmanship of the Student Non- violent Coordinating Committee SNCC( ) in June 1966, combined with the events of the Meredith March, demonstrated the growing appeal of “Black Power.” His speech on the U.C. Berkeley campus in late October encapsu- lated these developments and brought them directly to the East Bay.3 Local activists soon met his call for independent black organizing and institution building in ways that he could not have predicted. -
The Place of Art in Black Panther Party Revolutionary Thought and Practice: from Revolution to Reform, a Content Analysis
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2018 The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis Michael James Macaluso Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Politics and Social Change Commons Recommended Citation Macaluso, Michael James, "The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis" (2018). Dissertations. 3364. https://scholarworks.wmich.edu/dissertations/3364 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PLACE OF ART IN BLACK PANTHER PARTY REVOLUTIONARY THOUGHT AND PRACTICE: FROM REVOLUTION TO REFORM, A CONTENT ANALYSIS by Michael Macaluso A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology Western Michigan University December 2018 Doctoral Committee: Zoann Snyder, Ph.D., Chair Thomas VanValey, Ph.D. Richard Yidana, Ph.D. Douglas Davidson, Ph.D. Copyright by Michael Macaluso 2018 ACKNOWLEDGEMENTS First, I would like to thank Dr. Zoann Snyder, Dr. Richard Yidana, Dr. Thomas Lee VanValey, and Dr. Douglas Davidson for agreeing to serve on this committee. Zoann, I want thank you for your patience throughout this journey, I truly appreciate your assistance. Richard, your help with this work has been a significant influence to this study. -
A Dramatic Exploration of Women and Their Agency in the Black Panther Party
Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in American Studies Capstones Interdisciplinary Studies Department Spring 5-2017 Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party. Kristen Michelle Walker Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/mast_etd Part of the African American Studies Commons, American Studies Commons, Playwriting Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Walker, Kristen Michelle, "Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party." (2017). Master of Arts in American Studies Capstones. 12. http://digitalcommons.kennesaw.edu/mast_etd/12 This Capstone is brought to you for free and open access by the Interdisciplinary Studies Department at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in American Studies Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. REVOLUTIONARY EVERY DAY: A DRAMATIC EXPLORATION OF WOMEN AND THEIR AGENCY IN THE BLACK PANTHER PARTY A Creative Writing Capstone Presented to The Academic Faculty by Kristen Michelle Walker In Partial Fulfillment Of the Requirements for the Degree Master of Arts in American Studies Kennesaw State University May 2017 1 TABLE OF CONTENTS Introduction…………………………………...…………………………………………...……. -
War Against the Panthers: a Study of Repression in America
War Against The Panthers: A Study Of Repression In America HUEY P. NEWTON / Doctoral Dissertation / UC Santa Cruz 1jun1980 WAR AGAINST THE PANTHERS: A STUDY OF REPRESSION IN AMERICA A Dissertation submitted in partial satisfaction of the requirements for the degree of: DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS by Huey P. Newton June 1980 PREFACE There has been an abundance of material to draw upon in researching and writing this dissertation. Indeed, when a friend recently asked me how long I had been working on it, I almost jokingly replied, "Thirteen years—since the Party was founded." 1 Looking back over that period in an effort to capture its meaning, to collapse time around certain significant events and personalities requires an admitted arbitrariness on my part. Many people have given or lost their lives, reputations, and financial security because of their involvement with the Party. I cannot possibly include all of them, so I have chosen a few in an effort to present, in C. Wright Mills' description, "biography as history." 2 This dissertation analyzes certain features of the Party and incidents that are significant in its development. Some central events in the growth of the Party, from adoption of an ideology and platform to implementation of community programs, are first described. This is followed by a presentation of the federal government's response to the Party. Much of the information presented herein concentrates on incidents in Oakland, California, and government efforts to discredit or harm me. The assassination of Fred Hampton, an important leader in Chicago, is also described in considerable detail, as are the killings of Alprentice "Bunchy" Carter and John Huggins in Los Angeles. -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip. -
Empowering a New Generation
| 1 Tuesday, January 29, 2019 Empowering a New Generation From Black Panther and convict to writer, poet, producer, college professor, Academy Award nominee, and youth advocate, Jamal Joseph’s life has taken a circuitous path to the present. His is a story of perennial social activism, advancing lessons from his Black Panther days to empower a new generation. Excuse Me, Young Brother, I Just Did In the late 1960s, Eddie Joseph was a high school honor student, slated to graduate early and begin college. That path took a detour. A long one. Impassioned to resolve the social, economic, and political wrongs he saw in his Bronx community and the nation, 15-year-old Eddie was drawn to the ideology of the Black Panther Party, which was just gaining a national presence. He remembers riding the subway to the Panther office in Harlem with two friends to offer his services, enraged by the recent assassination of Dr. Martin Luther King Jr. He was ready to fight, even kill if necessary, to serve the cause. At the Panther office, a leader called the earnest teen up front. As Joseph stood by his side, the leader pulled open a desk drawer and reached far into it. Joseph’s heart pounded. He was prepared to be handed a gun—the power for social change. Instead, he was handed a stack of books, such as The Autobiography of Malcolm X and The Wretched of the Earth, Frantz Fanon’s 1961 work on the cultural foundations of social movements. Taken aback, Joseph said, “Excuse me, brother, I thought you were going to arm me.” The Panther’s reply: “Excuse me, young brother, I just did.” By 16, Eddie—now called Jamal—learned that the militant group the FBI declared to be “the greatest threat to America” was a multifaceted entity. -
Interview with Ericka Huggins
Winthrop University Digital Commons @ Winthrop University Browse All Oral History Interviews Oral History Program 5-27-1994 Interview with Ericka Huggins Ericka Huggins Follow this and additional works at: https://digitalcommons.winthrop.edu/oralhistoryprogram Part of the Oral History Commons Recommended Citation Sixties Radicals, Then and Now: Candid Conversations with Those Who Shaped the Era © 2008 [1995] Ron Chepesiuk by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com. This Interview is brought to you for free and open access by the Oral History Program at Digital Commons @ Winthrop University. It has been accepted for inclusion in Browse All Oral History Interviews by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. LOUISE PETTUS ARCHIVES AND SPECIAL COLLECTIONS ORAL HISTORY PROJECT Interview #248 HUGGINS, Ericka HUGGINS, Ericka Former Black Panther, AIDS activist, meditation teacher Interviewed: May 27, 1994 Interviewer: Ron Chepesiuk Index by: Alyssa Jones Length: 1 hour, 10 minutes, 28 seconds Abstract: In her May 1994 interview with Ron Chepesiuk, Ericka Huggins discussed her part in the 1960s radical movements. Huggins described motivation for joining the BPP and her time as a member, her current work as an AIDS activist, and her work with prison inmates. Huggins covered several topics of the time, including Black Power, Huey Newton, separation movements, FBI involvement, the US Organization, and Charles Hamilton. She also discussed the Thomas-Hill hearings, COINTELPRO and its involvement, the NAACP, the Oakland Community Learning Center, her husband, AIDS and HIV, and her work at the Shanti Project.