Interview with Ericka Huggins
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The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
Karenga's Men There, in Campbell Hall. This Was Intended to Stop the Work and Programs of the Black
THE BLACK P'"THRR. """0". J'"""V "' ,~, P'CF . ,J: Dr. Martin - II But there comes a time, that. peoPle get tired...tired of being segregated and humiliated; tired of being kicked about by the brutal feet of oppression. For many years, we have shown amazing patience. We have sometimes given our white brothers the feeling that we liked the way we were being treated. But we come here tonight to be saved from that patience that makes us patient with anything less than freedom and justice. "...If you will protest courageously, and yet with dignity and love, when history books are written in future genera- tions, the historians will have to pause and say, 'there lived a great peoPle--a Black peoPle--who injected new meanir:&g and dignity into the veins of civilization.' This is our challenge and our overwhelming responsibility." t.1 " --Dr. Martin Luther King, Jr. Montgomery, Alabama 1956 With pulsating voice, he made mockery of our fears; with convictlon and determinatlon he delivered a Message which made us overcome these fears and march forward with dignity . ALL POWER TO THE PEOPLE \'-'I'; ~ f~~ ALPRENTICE CARTER JOHN HUGGINS We commemorate the lives of two In the fall of 1968,Bunchy and John Karenga's men there, in Campbell of our fallen brothers, Alprentice began to participate in a special edu- Hall. This was intended to stop the "Bunchy" Carter and John Jerome cational program for poor Black and work and programs of the Black Pan- Huggins, who were murdered J anuary Mexican -American students at ther Party in Southern California. -
A Dramatic Exploration of Women and Their Agency in the Black Panther Party
Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in American Studies Capstones Interdisciplinary Studies Department Spring 5-2017 Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party. Kristen Michelle Walker Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/mast_etd Part of the African American Studies Commons, American Studies Commons, Playwriting Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Walker, Kristen Michelle, "Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party." (2017). Master of Arts in American Studies Capstones. 12. http://digitalcommons.kennesaw.edu/mast_etd/12 This Capstone is brought to you for free and open access by the Interdisciplinary Studies Department at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in American Studies Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. REVOLUTIONARY EVERY DAY: A DRAMATIC EXPLORATION OF WOMEN AND THEIR AGENCY IN THE BLACK PANTHER PARTY A Creative Writing Capstone Presented to The Academic Faculty by Kristen Michelle Walker In Partial Fulfillment Of the Requirements for the Degree Master of Arts in American Studies Kennesaw State University May 2017 1 TABLE OF CONTENTS Introduction…………………………………...…………………………………………...……. -
District-Wide Strategic Plan Update: 2011-2012
District-wide Strategic Plan Update: 2011-2012 Table of Contents Mission of the Peralta Community College District ........................................................................1 Message from the Chancellor ..........................................................................................................2 Guiding Framework for Strategic Planning .....................................................................................3 Strategic Planning Principles ...........................................................................................................4 Strategic Planning Goals ..................................................................................................................5 Integration of Four Planning Processes into One District Framework ............................................6 District Planning and Budget Integration Process and Committees ...............................................7 Strategic Goals and Institutional Outcomes: 2011-2012 ...............................................................10 Berkeley City College Accomplishments for 2011-2012 ..............................................................12 College of Alameda Accomplishments for 2011-2012 .................................................................18 Laney College Accomplishments for 2011-2012 ..........................................................................42 Merritt College Accomplishments for 2011-2012 .........................................................................57 Mission -
Warfare in the American Homeland: Policing and Prison in a Penal
WARFARE IN THE AMERICAN HOMELAND WARFARE IN THE AMERICAN HOMELAND POLICING AND PRISON IN A PENAL DEMOCRACY Edited by Joy James Duke University Press Durham and London 2007 © 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by Heather Hensley Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Acknowledgments for previously printed material and cred- its for illustrations appear at the end of this book. TO: OGGUN AND OSHUN Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction. —THIRTEENTH AMENDMENT, SECTION 1, U.S. CONSTITUTION As a slave, the social phenomenon that engages my whole consciousness is, of course, revolution. —GEORGE JACKSON Contents Preface: The American Archipelago xi Acknowledgments xix Introduction: Violations 3 joy james I. Insurgent Knowledge 1. The Prison Slave as Hegemony’s (Silent) Scandal 23 frank b. wilderson iii 2. Forced Passages 35 dylan rodríguez 3. Sorrow: The Good Soldier and the Good Woman 58 joy james 4. War Within: A Prison Interview 76 dhoruba bin wahad 5. Domestic Warfare: A Dialogue 98 marshall eddie conway 6. Soledad Brother and Blood in My Eye (Excerpts) 122 george jackson 7. The Masked Assassination 140 michel foucault, catherine von bülow, daniel defert translation and introduction by sirène harb 8. A Century of Colonialism: One Hundred Years of Puerto Rican Resistance 161 oscar lópez rivera II. -
Black Revolutionary Icons and `Neoslave' Narratives
Social Identities, Volume 5, N um ber 2, 1999 B lack Revolutionary Icons and `N eoslave ’ Narrative s JOY JAMES U niversity of C olorado Over the centuries that America enslaved Blacks, those men and women most determined to win freedom became fugitives, ¯ eeing from the brutal captivity of slavery . Many of their descendants who fought the Black liberation struggle also became fugitives. These men and women refused to endure the captivity awaiting them in retaliation for their systematic effort to win freedom. But unlike runaway slaves, these men and women fought for a more expansive freedom, not merely as individuals, but for an entire nation, and sought in the face of interna- tionally overwhelming odds to build a more humane and democratic political order. (Kathleen Neal Cleaver, 1988) As a slave, the social phenomenon that engages my whole consciousness is, of course, revolution. (George Jackson, 1972) Neoslave Narrative s Historically, African Americans have found themselves corralled into dual and con¯ ictual roles, functioning as either happy or sullen slaves in compliant conformity or happy or sullen rebels in radical resistance to racial dominance. The degree to which historical slave narratives continue to shape the voices of their progeny rem ains the object of some speculation. In his introduction to Live from Death Row: This is M umia Abu-Jam al,1 John Edgar Widem an argues that many Americans continue to encounter black life and political struggles through the `neoslave narrative’ (popularise d in the 1970s by the television miniseries Roots based on Alex Haley’s ® ctional text of the same title). -
Women in the Black Panther Party: an Internal Struggle for Power, Equality, and Survival
TCNJ JOURNAL OF STUDENT SCHOLARSHIP VOLUME XVII APRIL, 2015 WOMEN IN THE BLACK PANTHER PARTY: AN INTERNAL STRUGGLE FOR POWER, EQUALITY, AND SURVIVAL Author: Robert James Seither Faculty Sponsor: Keisha Blain, Department of History ABSTRACT This essay examines the complex gender relations in the Black Panther Party (BPP). At the outset, hyper- masculine ideals drove the party forward as an organization of powerful men. This intrigued many African American males struggling to find an identity. Throughout the late 1960s and early 1970s, gender roles significantly changed within the party as male leaders were arrested or killed by police and opposing federal groups, and women began to move up the ranks in numbers and leadership. The gains made by women during their continued push for this equal footing made significant improvements for the Black community and kept the party afloat at its weakest times. Though women were eventually able to hold executive roles, true gender equality could never be achieved in the BPP given the party leaders’ sexist views and the party’s strict gender hierarchy. The continued struggle became a divisive issue that played a large part in the Party’s eventual demise. INTRODUCTION In the mid- to late 1960s, many African Americans became tired of the slow and sometimes superficial gains that the nonviolent advocate leaders like Martin Luther King Jr. were making. Drawing on many of the teachings of Malcolm X, and earlier Black nationalists, Huey P. Newton and Bobby Seale formed the BPP in Oakland, California in 1966 with the purpose of empowering the Black male and providing armed self-defense against police brutality. -
The Feminist Leadership of Ericka Huggins in the Black Panther Party
187 The Feminist Leadership of Ericka Huggins in the Black Panther Party Mary Phillips ABSTRACT Born on January 5, 1948, in Washington, D.C., Ericka Huggins was an important figure in the Black Panther Party (BPP) as well as a key Black Power era activist. A high-ranking member of the BPP, she served on the organization’s Central Committee. As a writer, poet, educator, former editor of the Black Panther and Director of the Oakland Community School, Huggins was vital to the BPP as an organizer and intellectual. This essay provides an in-depth analysis of Huggins’s feminist theory, her work as a revolutionary educator, and the impact of her incarceration on the BPP as a member of the New Haven 14. I argue that Huggins’s experiences serve as an example of progressive gender politics in the BPP. Until recently Black women’s activism has been largely neglected in BPP scholarship and this work contributes to the emerging scholarship on Black women in the most widely known organization of the Black Power Movement. This essay differs from previous interpretations on Ericka Huggins and the BPP by showcasing her voice on the intersections of Black Power and Black feminist politics in the BPP. On the front cover of the Saturday, July 12, 1969 issue of The Black Panther, an enlarged picture depicts a mother and child in a rat-infested apartment, with the mother pointing a loaded Black Diaspora Review 4(1) Winter 2014 188 rifle at a hole in the wall to kill the rats as they enter. -
DISCUSSION GUIDE Table of Contents
DISCUSSION GUIDE Table of Contents Using this Guide 1 From the Filmmaker 2 The Film 3 Framing the Context of the Black Panther Party 4 Frequently Asked Questions 6 The Black Panther Party 10-Point Platform 9 Background on Select Subjects 10 Planning Your Discussion 13 In Their Own Words 18 Resources 19 Credits 21 DISCUSSION GUIDE THE BLACK PANTHERS Using This Guide This discussion guide will help support organizations hosting Indie Lens Pop-Up events for the film The Black Panthers: Vanguard of the Revolution, as well as other community groups, organizations, and educators who wish to use the film to prompt discussion and engagement with audiences of all sizes. This guide is a tool to facilitate dialogue and deepen understanding of the complex topics in the film The Black Panthers: Vanguard of the Revolution. It is also an invitation not only to sit back and enjoy the show, but also to step up and take action. It raises thought-provoking questions to encourage viewers to think more deeply and spark conversations with one another. We present suggestions for areas to explore in panel discussions, in the classroom, in communities, and online. We also include valuable resources and Indie Lens Pop-Up is a neighborhood connections to organizations on the ground series that brings people together for that are fighting to make a difference. film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships. -
All Power to the People: the Black Panther Party As the Vanguard of the Oppressed
ALL POWER TO THE PEOPLE: THE BLACK PANTHER PARTY AS THE VANGUARD OF THE OPPRESSED by Matthew Berman A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in American Studies Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2008 ALL POWER TO THE PEOPLE: THE BLACK PANTHER PARTY AS THE VANGUARD OF THE OPPRESSED by Matthew Berman This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Christopher Strain, and has been approved by the members of her/his supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Christopher Strain ____________________________ Dr. Laura Barrett ______________________________ Dean, Wilkes Honors College ____________ Date ii ACKNOWLEDGMENTS The Author would like to thank (in no particular order) Andrew, Linda, Kathy, Barbara, and Ronald Berman, Mick and Julie Grossman, the 213rd, Graham and Megan Whitaker, Zach Burks, Shawn Beard, Jared Reilly, Ian “Easy” Depagnier, Dr. Strain, and Dr. Barrett for all of their support. I would also like to thank Bobby Seale, Fred Hampton, Huey Newton, and others for their inspiration. Thanks are also due to all those who gave of themselves in the struggle for showing us the way. “Never doubt that a small group of people can change the world. Indeed, it is the only thing that ever has.” – Margaret Mead iii ABSTRACT Author: Matthew Berman Title: All Power to the People: The Black Panther Party as the Vanguard of the Oppressed Institution: Wilkes Honors College at Florida Atlantic University Thesis Advisor: Dr. -
MXGM Statement on the Passing of Our Comrade Geronimo Ji Jaga
NAPO/ MXGM statement on the passing of our Comrade Geronimo ji Jaga The New Afrikan Peoples Organization and the Malcolm X Grassroots Movement salute the life of our brother and comrade Geronimo ji Jaga. The life of Geronimo, or “G” as he was affectionately known, represents a freedom fighter that sacrificed and loved Afrikan people and humanity. Geronimo was given the name Elmer Gerard Pratt at birth on September 13, 1947, in Morgan City, Louisiana. He was born into a loving family that would nurture him and provide support throughout his life. He grew up in a community where he and other youth had to fight white supremacists from the “other side of the tracks.” Geronimo said he was encouraged to go into the US military by his community Elders, who had roots in Marcus Garvey’s Universal Negro Improvement Association and the Deacons for Defense. His objective was to learn military skills to be utilized for the defense of our community and our people. “G” was a decorated soldier in the wrong army, earning two Bronze Stars, a Silver Star and two Purple Hearts. He distinguished himself as a Sergeant and Ranger in the 82nd Airborne of the US Army. His Elders would redeploy him, after returning from two Vietnam combat tours, to the greater Los Angeles area. There he would work with Alprentice “Bunchy” Carter, the principal organizer of the Southern California Chapter of the Black Panther Party (BPP). Carter and Geronimo both became students at the University of California at Los Angeles (UCLA). They participated in the Black student movement and the formation of the Black Studies department at UCLA. -
BPP Stamp Book Edition of 100, 2021 Black Panther Party Book of Postage Stamps, 2021 a Portfolio of 25 Stamps, Printed on Dry Gu
BPP stamp book Edition of 100, 2021 Black Panther Party Book of Postage Stamps, 2021 A portfolio of 25 stamps, printed on dry gum adhesive paper with pinhole perfo- ration. Housed in a blue Asahi book cloth clamshell box screen printed with the Black Panther Party logo. Screen printed inside front and back pages on paper. Edition of 100. The book is signed and numbered on the inside back page and on the back of each print. Measurements: Box: 9.3125”height, 11.75”width, .875”depth (closed) Stamp Pages: 8.5” x 11” 1. A photo taken at a Free Huey Newton Rally in 1968 with five of the six women identifiable—Delores Henderson, Joyce Lee, Mary Ann Carlton, Joyce Means and Paula Hill Photographer: Pirkle Jones, American, 1914 - 2009 2. Black and white poster of Huey Newton and Bobby Seale Distributed by Black Panther Party, American, 1966 - 1982 3. Free Huey/Free Bobby Rally, San Francisco, California, 1970 Photographer: Stephen Shames, American, born 1947 Photo is of unidentified men, women and children This stamp carrys the original Black Panther Party (BPP) logo, designed by Doro- thy Zellner 4. Angela Davis speaks at a Free Huey Rally in DeFremery Park, Oakland, Nov. 12, 1969 Photographer: Stephen Shames, American, born 1947 Angela Y. Davis, American, born 1944 Angela Davis speaks at a Free Huey Rally in DeFremery Park, Oakland, Nov. 12, 1969 5. Flier for the Black Community Survival Conference Original flyer was created by Black Panther Party, American, 1966 - 1982 Huggins, Ericka, American, born 1948 6. Imagre is from a “Free Bobby”, “Free Erikca” rally flier in New Haven, Connecticut.