Artist: Tim Hecker Title

Total Page：16

File Type：pdf, Size：1020Kb

artist: Tim Hecker title: Dropped Pianos catalog#: krank161 formats available: LP / CD / digital upc code cd: 7 96441 81612 5 release date: October 10, 2011 content: !This new Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. !This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years. track listing: 1. Sketch 1 2. Sketch 2 3. Sketch 3 4. Sketch 4 5. Sketch 5 6. Sketch 6 7. Sketch 7 8. Sketch 8 9. Sketch 9 selected discography: Ravedeath, 1972 2011 An Imaginary Country 2009 Harmony in Ultraviolet 2006 press quotes for Ravedeath, 1972: "We can't think of another producer in the field who's had such an unstoppable winning streak over the past ten years." Altered Zones "So whatever grand plan Hecker may or may not have had in mind here, let#s just say that much of Ravedeath, 1972 will put you in the position of a slack-jawed medieval peasant, floored by hearing the power and beauty of that organ for the first time." Drowned in Sound "Easily his best yet, and one of our new favorite records, and for sure, a contender for record of the year, even just a little over a month in... " Aquarius Records "As the world spirals into hell these are the lullabies to dull the pain." Fact "...yet another in a long line of collections from Hecker that are both thoughtful and transcendent, meditative and freeing." Magnet "When the last ton of obsolete CDs is disposed of in the final acre of Euro landfill, this should be the soundtrack.” Mojo "That idea, the notion of music as a cheapened, battered object, touches nearly every aspect of Ravedeath, 1972, a dark and often claustrophobic record that is arguably Hecker's finest work to date. " Pitchfork [best new music] ph: 323.630.2434 email: [email protected] web: www.kranky.net.

Copy Link

Recommended publications

NEW RELEASE Cds 24/5/19
NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk..
[Show full text]
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
[Show full text]
Negotiating Sound, Noise and Silence Through Improvisation, Composition and Image
University of Huddersfield Repository Harvey, Stephen Negotiating sound, noise and silence through improvisation, composition and image Original Citation Harvey, Stephen (2014) Negotiating sound, noise and silence through improvisation, composition and image. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/23395/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Negotiating sound, noise and silence through improvisation, composition and image Stephen Harvey A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of MA by research August 2014 Copyright Statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.
[Show full text]
Music for the Augmented Pipe Organ
Music for the Augmented Pipe Organ by George Rahi B.A. (Hons.), University of British Columbia, 2011 Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the School for the Contemporary Arts Faculty of Communication, Art and Technology © George Rahi 2019 SIMON FRASER UNIVERSITY Spring 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: George Rahi Degree: Master of Fine Arts Title: Music for the Augmented Pipe Organ Examining Committee: Chair: Peter Dickinson Professor Sabrina Schroeder Senior Supervisor Assistant Professor Arne Eigenfeldt Supervisor Professor Giorgio Magnanensi External Examiner Artist Date Defended/Approved: January 15, 2019 ii Abstract Music for the Augmented Pipe Organ is a composition for a 74-rank Casavant pipe organ which incorporates newly devised digital controls systems. The work stemmed from research into the confluences between the pipe organ and contemporary electronic and digital music practices. With a reflexive attention to the organ‟s spatial context and unique embodiment of the harmonic series, the work explores new sonic terrains that emerge through a digital approach to the world‟s oldest mechanical synthesizer. Through this process of hybridizing acoustic and digital sonic imaginations, the work creates a dialog between the vibrant material and ethereal space of the organ and the techniques of electronic and post-digital music forms. Site-specific elements such as the church‟s architecture and interior acoustics are further incorporated into the work through the use of a controlled feedback system and projection mapping, considering the resonant relationships between the instrument and its surrounding space as a generative element interwoven into the composition.
[Show full text]
Tim Hecker Virgins Download 320Kbps Full Album Tim Hecker
tim hecker virgins download 320kbps full album Tim Hecker. Montreal producer Tim Hecker made his initial breakthrough as Jetone, but followed with some incredible ambient work attributed to his born name. This experimental ambient work, released by Alien8 sublabel Substractif beginning in late 2001 with Haunt Me Haunt Me, Do It Again, won much acclaim. It also familiarised listeners with the producer himself, and not just because it featured his real name rather than a moniker: Hecker's self-titled work was much more personal than his Jetone recordings. As a graduate student studying digital acoustics and software, Hecker spent years dabbling with electronic music before finally debuting as Jetone in 2000 with Autumnumonia for Pitchcadet. The release interested Force Inc, which released Hecker's next album as Jetone, Ultramarin, a year later. Following this popular release, he aligned himself with Alien8, an experimental label based in Montreal. He recorded Haunt Me Haunt Me, Do It Again for the label's ambient sub-label, Substractif, and watched it inspire critical praise upon its release in late 2001. The album proved so successful that Substractif released a follow-up EP, My Love Is Rotten to the Core, less than a year later in hopes of building upon the lingering critical buzz surrounding Haunt Me. Hecker then recorded Radio Amor for Mille Plateaux, Force Inc's experimental ambient sublabel, which released the album in April 2003. Inspired by a 1996 journey to Central America, where he experienced a memorable boat ride off the coast of Honduras, Radio Amor consolidated the various aspects of Hecker's previous two efforts into his most accessible ambient work to date and accordingly won him yet more acclaim.
[Show full text]
Representée Par Galerie Charlot, Paris Galerie Ellephant, Montreal
Representée par Galerie Charlot, Paris Galerie Ellephant, Montreal Formation 2012 Université Concordia, Montréal, Canada, MFA Film Production 2011 Université Paris 8, Paris, France, Master Cinéma 2005 Université Concordia, Montréal, Canada, BFA Film Production Expositions solo / 2 personnes 2021 Installation vidéo, Cinémathèque Québécoise, Montréal, Canada 2019 Sabrina Ratté & Yoshi Sodeoka, UltraSuperNew Gallery, Tokyo, Japon Exposition solo, Galerie Charlot, Tel Aviv, Israël Exposition solo, Galerie Charlot, Paris, France Sabrina Ratté & Rick Silva, Transfer Gallery, Los Angeles Sabrina Ratté & Samuel Arsenault-Brassard, Ellephant Gallery, Montreal CA Exposition solo, Salisbury University Art Gallery, Salisbury, USA 2018 Exposition solo, Galerie Ellephant, Montréal, CA Machine for Living, installation vidéo, Festival Mirage, Lyon, France 2017 Aires, Never Apart, Montréal, CA Sabrina Ratté / Marie-Douce St-Jacques, Commissaire: Nathalie Bachand, 375e anniversaire de Montréal, CA 2016 Exposition solo, Young Project Gallery, Los Angeles, CA, USA Exposition solo, Dolby Gallery, San Francisco, CA, USA Installation vidéo, Atonal Festival, Berlin, Allemagne Installation vidéo, Société des arts technologiques (SAT), Biennale d’art numérique de Montréal 2015 Exposition solo, Window Display, Kuenstlerhaus Bethanien, Berlin, Allemagne Surabhi Ghosh et Sabrina Ratté, Ditch Projects, Springfield, Oregon, USA Felicia Atkinson & Sabrina Ratté, KRETS Gallery, Malmö, Suède Installation vidéo, The Museum of Moving Images, New York, USA Résidences / Prix
[Show full text]
Linda-I ENG.Pdf
linda is a weekly online magazine which Besides this compilation, we also present proposes to debate electroacoustic culture. in this edition two previously unpublished If at first the word electroacoustic was articles. Julia Teles asks where are the connected to musical traditions of France female composers, in a text addressing and Germany in the late 1940s, what is sexism within the world of music being brought up here now is absolutely composition. And Sérgio Abdalla brings us contemporary and Brazilian. Such a talk with Eva Sidén and Jens Hedman, in reservation is necessary for this edition. which the universes of musical creation, Not only is it essentially composed of a both in Brazil and Sweden, are discussed. compilation of the best articles written by May linda be a gateway for you to know a little its regular authors in the past quarter, it is more about what NME has made. Since you also our first bilingual edition. won’t be able to drop by one of our concerts, A compilation, in order to create new don’t miss the chance to listen to the albums intertextual narrative paths. available free of charge through our label – http://nmelindo.bandcamp.com –, iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii Bilingual, in order to put said production into or to watch our video-clips channel– iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii perspective, in the face of what has been http://youtube.com/nmeclipes. iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii produced around the world.
[Show full text]
Longlist 3/2019 Vom Preis Der Deutschen Schallplattenkritik E.V
Longlist 3/2019 vom Preis der deutschen Schallplattenkritik e.V. Jury Orchestermusik „Jet Set!“ – Symphonien & Arien von Abel, Mozart, Paisiello u.a. Otto, Murphy u.a. (Pentatone) Bartók: The Wooden Prince, Miraculous Mandarin Suite. Helsinki Philharmonic O, Mälkki (BIS) Bennett: Orchesterwerke Vol. 3. Connolly, BBC Scottish Symphony O, Wilson (Chandos) Berlioz: Symphonie fantastique, Lélio. Marsoner, Lafont u.a., Wiener Symph, Jordan (Solo Musica) Gossec: Symphonien op. IV, Nr. 1-6. Deutsche Kammerakademie Neuss, Gaudenz (cpo) Mahler: Symphonie Nr.1. Les Siècles, Roth (harmonia mundi) Mozart: Symphonien 39, 40 & 41. Le Concert des Nations, Savall (Alia Vox) Mussorgski, Rimski-Korsakow, Ljadow: Orchesterwerke. Gürzenich-O, Kitajenko (Oehms) Tschaikowsky: Symphonie Nr. 6. Berliner Phil, Petrenko (BPh Recordings) Weinberg: Symphonien Nr. 2 & 21. Kremer, City of Birmingham O u.a. Gražinytė-Tyla (DG) Jury Konzerte „Longing For Paradise“– Werke von Strauss, Goossens u.a. Mayer, Bamberger Symph, Hrůša (DG) Brahms: Violinkonzert u.a. Yang, Schwabe, DSO Berlin, Wit (Naxos) JS Bach: Violinkonzerte u.a. Faust, Loeffler, Akademie für Alte Musik, Forck (harmonia mundi) Locatelli, Nante: Le Fil d’Ariane. Marianne Piketty, Le Concert Idéal (Evidence) Rachmaninoff, Poulenc, Vierne: Orgelkonzerte. Carpenter, KonzerthausO Berlin, Eschenbach (Sony) Saint-Saëns: Klavierkonzerte. Kantorow, Tapiola Sinfonietta, Kantorow (BIS) Schostakowitsch, Weinberg, Kobekin: Cellokonzerte. Kobekina, Berner SymphonieO, Edusei (Claves) Jury Kammermusik „Quasi Morendo“ – Werke von Brahms, Pesson, Sciarrino. Bieri, Meta 4 (ECM) „The Yiddish Cabaret“ – Werke von Korngold, Schulhoff u.a.. Baggio, Jerusalem Q (harmonia mundi) JS Bach: Cellosuiten BWV 1007-1012. Gerhardt (Hyperion) Bartók: Intégrale des Quatuors à Cordes. Quatuor Diotima (naïve) Gernsheim: Streichquartette Vol. 1. Diogenes Quartett (cpo) Hindemith: Sämtliche Werke für Violine und Klavier u.a.
[Show full text]
The Cyber-Guitar System: a Study in Technologically Enabled Performance Practice
The Cyber-Guitar System: A Study in Technologically Enabled Performance Practice Jonathan Crossley (9405149d) Supervised by Professor Jeanne Zaidel-Rudolph and Dr Grant Olwage A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, in fulfilment of the requirements for the degree of Doctor of Philosophy March 2017 i Declaration I know that plagiarism is wrong. Plagiarism is to use another’s work and to pretend that it is one’s own. I have used the author date convention for citation and referencing. Each significant contribution to and quotation in this dissertation from the work/s of other people has been acknowledged through citation and reference. I declare that this dissertation is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. Jonathan Crossley 9405149d 01-09-–2017 ii Abstract This thesis documents the development and realisation of an augmented instrument, the cyber-guitar, expressed through the processes of artistic practice as research. The research project set out to extend my own creative practice on the guitar by technologically enabling and extending the instrument. This process was supported by a number of creative outcomes (performances, compositions and recordings), running parallel to the interrogation of theoretical areas emerging out of the research. In the introduction I present a timeline for the project and situate the work in the field of artistic practice as research, explaining the relationship between research and artistic practice as research.
[Show full text]
13-03-01 Full Stock List
DRONE RECORDS FULL STOCK LIST A-Z - 1. MARCH 2013 - (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Amish Glamour (Music for the Sixth Sense) (CD-R, 2008, Lucioleditions llns one , €9) Moune (CD, 2010, Nitkie patch four, €13) Yoshiwara (do-CD, 2011, Nitkie label patch seven, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10, 2007, Angle Records A.R.10.03, €10) New Travel (CD, 2007, Edgetone Records EDT4062, €13) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) Resting on A (CD, 2009, Edgetone Records EDT4088, €13) 1 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO The Culling is Coming (CD, 2003, LTM Publishing / Boutique BOUCD 6604, €15) Seven Songs (CD, 2008, LTM Publishing LTMCD 2528, €14.5) Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED The Religious Experience (LP, 2007, Soleilmoon Recordings SOL 147, €25) Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5F-X The Xenomorphians (CD, 2007, Hands Production D112, €15) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth
[Show full text]
Billboard Magazine
11.02.2013 billboard.com billboard.biz ATLANTIC'S SUPER BOWL PLAY Doritos Partnership Drives Synchs NEW LIFE FOR RHAPSODY Telecom Bundles Drive 13* Scale FILM/TV MUSIC CONFERENCE HELLO, SIA 4. IL r!1 ti 14,1 410 $6 99US $8.99CAM 4 2> 7 896 47205 9 UK £5.50 "ONE OF THE BESTWorldMags.net"THE ARRIVAL OF "ONE OF THE MOST STRIKING STORIES IN POP" A NEW KIND OF STAR " ARTISTS IN R&B " -- ROLLING STONE -- ENTERTAINMENT WEEKLY -- NEW YORK TIMES * * * * * * * * * * taylor swift lorde the weeknd *IDE / BILLBOARD TOP 200 ALBUMS a1 DEBUT / BILLBOARD TOP ROCK ALBUMS / BILLBOARD TOP R&B ALBUMS siSINt "I KNEW YOU WERE TROUBLE" #1 SINGLE "ROYALS"' "LIVE FOR" Source: Billboard Hot Digital Songs Source: Billboard Hot too Songs Source: rTunes / Top R&B / Soul Song's (8.20.13) "THIS MIGHT BE THE MOST -AN AMALGAM OF EVERYTHING "THE BIGGEST STORY IN COUNTRY INVITING POP RECORD OF 20f3 " YOU'D WANT FROM A NEW MUSIC THIS YEAR [201.91 IS MOST -- LA TIMES BLACK SABBATH ALBUM" -- NME CERTAINLY FLORIDA GEORGIA LINE" * * -- THE ARGUS LEADER * * * * * ariana grande black sabbath florida #1 DEBUT / BILLBOARD TOP 200 ALBUMS / BILLBOARD TOP 200 ALBUMS #1 SINGLE "THE WAY"" "GOD IS DEAD" georgia line #1 DEBUT / BILLBOARD TOP COUNTRY ALBUMS #1 SINGLE "CRUISE"` -.+111P. Source: iTures / Top Singles (3.25.r3) Source: Mechabase Mainstream Rock (5.24,3) "...HELLA-COOL DEBUT" `AN ARTISTIC TOUR DE FORCE THAT ROWLAND STEPS OUT WITH PEOPLE FURTHERS THE POTENT/AL SHOWN SURE FOOTING, A GIRL -NEXT * * * * ON GROUP'SAWARD-WINNING DEBUT. " DOOR WHO BELONGS ON TOP" -- THE ASSOCIATED PRESS - SPIN of monsters * * * * * and men the band perry kelly rowland *1DEBI./ BILLBOARD TOP ROCK ALBUMS #1 DEBUT / BILLBOARD TOP COUNTRY ALBUMS / BILLBOARD TOP R&B ALBUMS "LITTLE TALKS" #1 SINGLE "BETTER DIG TWO"` "KISSES DOWN LOW" *t- IN V ' Atk 4446 A Irrirffei Source: Billboard Country Airplay republic for your grammy® consideration WorldMags.net WorldMags.net THIS WEEK Volume 125 [ No.
[Show full text]
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr.
[Show full text]