The Following Suggestions Represent Typical Choices for Audition Repertoire Which Meet the Expectations of the Faculty in Levels of Complexity

The following suggestions represent typical choices for audition repertoire which meet the expectations of the faculty in levels of complexity: Voice Two selections of contrasting character. Ideally, one song should be in a foreign language, such as the pieces in the volume Twenty-Four Italian Songs and Arias of the Seventeenth and Eighteenth Centuries. This might be paired with another song in English from a more recent time period. At least one selection should come from the Classical art-song or opera tradition. Piano Any piece in the Baroque style A Sonatina by Clementi A movement of a Mozart or Haydn piano sonata A movement of a sonata by Beethoven or Schubert A character piece by Chopin by or Schumann A short piece by Debussy or another 20th-century composer Flute C. Saint-Saens, Romance for Flute and Piano GF Handel, Sonata in C, Op. 1, No. 7 F. Devienne, Adagio from Sonata in E-flat Major Clarinet Th. Verhey, Nocturne Niels Gade, Ballade, Op. 43, No. 3 CM von Weber, Grand Duo Concertant, Mvt 1. Saxophone Leroy Ostransky, Canzonetta and Gigue GF Handel, Largo and Allegro from Sonata No. VI, transcribed by Voxman Eugene Bozza, Aria Trumpet JE Barat, Andante and Scherzo JS Bach, Air, from Suite No. 3 W Hartley, Sonatina Horn O. Ketting, Intrada C. Saint-Saens, Romance, Op. 36 WA Mozart, Andante from Concerto No. 2 in E-flat Major, K. 417 Trombone GF Handel, Sarabande and Vivace Ostransky, Concerto Minature WA Mozart, Canzonetta Euphonium J.E. Barat, Introduction and Dance H.L. Clarke, Shores of the Mighty Pacific J. Curnow, Rhapsody for Euphonium Tuba Robert Schumann, The Jolly Peasant, arranged by Holmes H Purcel, Recitative, Song, and Chorus, arranged by Morris W Benson, Arioso .

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Romantic Listening Key
Name ______________________________ Romantic Listening Key Number: 7.1 CD 5/47 pg. 297 Title: Symphonie Fantastique, 4th mvmt Composer: Berlioz Genre: Program Symphony Characteristics Texture: ____________________________________________________ Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: timp start, high bsn solo Number: 7.2 CD 6/11 pg 339 Title: The Moldau Composer: Smetana Genre: symphonic poem Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: flute start Sections: two springs, the river, forest hunt, peasant wedding, moonlight dance of river nymphs, the river, the rapids, the river at its widest point, Vysehrad the ancient castle Name ______________________________ Number: 7.3 CD 5/51 pg 229 Title: Symphonie Fantastique, 5th mvmt (Dream of a Witch's Sabbath) Composer: Berlioz Genre: program symphony Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: funeral chimes, clarinet idee fix, trills & grace notes Number: 7.4 website Title: 1812 Overture Composer: Tchaikovsky Genre: concert overture Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: soft beginning, hunter motive, “Go Napoleon”, the battle Name ______________________________ Number: 7.5 website Title: The Sorcerer's Apprentice
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Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
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Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
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Steinway Society 2018-2019 Program
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21M011 (Spring, 2006) Ellen T. Harris Lecture VIII Romantic Era (Nineteenth Century) Literature: Gothic Novels (Mary Shelley, F
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Brahms and the Character Piece: Emotion Guided by Intellect
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Formal and Harmonic Considerations in Clara Schumann's Drei Romanzen, Op. 21, No. 1
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