Doctor Cornelius Knows It's Important That Caspian Know His Own History

Total Page:16

File Type:pdf, Size:1020Kb

Doctor Cornelius Knows It's Important That Caspian Know His Own History octor Cornelius knows it’s important that Caspian know his own history and the Dhistory of Narnia. Use the facts below to answer the questions on the activity page. NARNIA FACT FILE O When C.S. Lewis started writing his O In choosing the name, ‘Pevensie’, but the author of The Hobbit and The first story about Narnia, he began with C.S. Lewis may have been thinking of Lord of the Rings didn’t like the story the words: “This book is about four the village of Pevensey on the Sussex and Lewis almost didn’t write any children whose names were Ann, coast, which was the historic site of more. Martin, Rose, and Peter. But it is most an early Roman fort built to protect O It was C.S. Lewis’ good friend, about Peter who was the youngest.” England from invasion. It is also the writer Roger Lancelyn Green, who Peter was the only one of C S Lewis’ where Duke William the Bastard of encouraged the author to complete original names for the children to be Normandy came ashore for his the first book about Narnia and, later, used in the books and he was the invasion which culminated in the suggested giving the seven books the eldest not the youngest. Battle of Hastings. overall title, ‘The Chronicles of Narnia’. O C.S. Lewis probably chose the name O C.S. Lewis’ dedicated The Lion, O Although J.R.R. Tolkien didn’t really ‘Peter’ because it had been the name the Witch and the Wardrobe to his like C.S. Lewis’ first book about Narnia, of a pet mouse that he had kept when goddaughter, Lucy Barfield, and Lucy he did suggest approaching the he was a young boy. became the first of the four children to find a way into Narnia. illustrator Pauline Baynes who had O The young C.S. Lewis wrote stories recently illustrated his own book, about a heroic little character called O No one knows for certain why C.S. Farmer Giles of Ham. Sir Peter Mouse who was inspired by Lewis called his other world ‘Narnia’. O One of C.S. Lewis’ favourite books his pet mouse. Sir Peter, who carries He may have come across a reference when he was a boy was Beatrix a sword and conquers the nearby to the Italian town of Nequinium Potter’s The Tale of Squirrel Nutkin, a country of Cat-land, later became which the Romans renamed Narnia, character who inspired Pattertwig Reepicheep in Prince Caspian. after the river Nar, when they conquered it in 299 BC. the talkative squirrel in Prince Caspian. O The family name of the four O Following an outline of Narnian children in The Lion, the Witch and the O When C.S. Lewis was a child he History that C.S. Lewis drew up after Wardrobe and Prince Caspian was lived in Belfast, Northern Ireland, writing the books, Kings Peter, King ‘Pevensie’, although the name and had an Irish nanny named Lizzie Edmund, Queen Susan and Queen doesn’t appear until the third book Endicott who told him wonderful Lucy ruled Narnia for 15 years before written by C S Lewis, The Voyage of the bedtime stories about giants and hunting the White Stag and ‘Dawn Treader’. leprechauns. Lizzie and her stories probably inspired the nurse in Prince finding their way back through the Caspian who told the prince wardrobe into this world. tales about Old Narnia. O After writing The Lion, the Witch and O C.S. Lewis showed the first the Wardrobe, C.S. Lewis started work on a second book: it was a story chapters of The Lion, the Witch and the about a boy called Digory that would Wardrobe to his friend J.R.R. Tolkien, (continued) © Walden Media, LLC. All Rights Reserved. The Chronicles of Narnia ®, Narnia®, and all book titles, characters, and locales original to The Chronicles of Narnia are trademarks of C.S. Lewis, Pte, Ltd. Use without permission is strictly prohibited. Fact File courtesy of Brian Sibley. Used with permission. JOB NAME Narnia Educator Guide #2 JOB # WM08168 NARNIA ONLINE ACTIVITIES FILE NAME WM-Narnia Online Act-3 r1.qxd DESIGNER LH CLIENT Walden Media SAVE 4/29/08 11:25 AM PRINT 4/29/08 11:25 AM REVISION MORAES INCORPORATED 818.506.8901 ACTIVITY 3 1 FACT FILE (cont’d) eventually be published as The O The name Caspian may have been O In Prince Caspian, Peter finds the Magician’s Nephew. While he was suggested by the Caspian Sea in the sword that he was given by Father thinking about this story, he came up Middle East, which is the world’s Christmas in The Lion, the Witch and the with another idea about children who largest inland sea. Wardrobe and with which he killed the get pulled into a magic picture of a Wolf and was knighted by Aslan. For O The book, Prince Caspian was ship and that later became The Voyage the first time, we discover that the dedicated to Mary Clare Havard, the of the ‘Dawn Treader’. But both these name of the sword is ‘Rhindon’. daughter of C.S. Lewis’ doctor. ideas had to wait when he thought of O The old Badger in Prince Caspian is the story for Prince Caspian. O In Prince Caspian, one of the named Trufflehunter because badgers animals that help the young prince O Prince Caspian began as an idea are known to be good at hunting out is the chatterbox squirrel, Pattertwig. jotted down in one of C S Lewis’ truffles, the edible fungus that grows This character was originally going to notebooks a few months after he had underground in woods and forests. appear in the story that became The finished The Lion, the Witch and the Magician’s Nephew. Pattertwig was O As a student, C.S. Lewis studied Wardrobe. This what he wrote: “Sequel going to talk to the boy Digory and — Greek and Latin and incorporated to LWW: The present tyrants to be as he does with Prince Caspian — characters from the mythologies of Men. Intervening history of Narnia was going to give him a nut from his ancient Greece and Rome into the told nominally by the Dwarf…” secret winter store. Chronicles of Narnia, such as the O C.S. Lewis’ original title for the book wine-god Bacchus and his O The idea of finding a way into we know as Prince Caspian was Drawn ompanion, Silenus, as well as fauns, another world through a wardrobe into Narnia but his publishers didn’t centaurs and the tree and water was probably inspired by C.S. Lewis like it. nymphs known as dryads and naiads. having read, as a boy, a story by O Looking for a new title for his the writer E. Nesbit (author of The O Narnia has its own stars and second book about Narnia C.S. Lewis Railway Children) in which a girl planets including Tarva the Lord of suggested A Horn in Narnia, but then called Amabel finds a magic railway Victory and Alambil, the Lady of Peace settled on Prince Caspian: The Return to station in her wardrobe called and in Narnia. Narnia. It is the only book in the series Bigwardrobeinspareroom. O The word ‘how’ in the name Aslan’s with a subtitle. O Prince Caspian discovers that How comes from an Old Norse word O The name Aslan comes from his uncle Miraz became ruler of meaning ‘hill’. Narnia by murdering his brother the Turkish word for ‘lion’. O (Caspian’s father) King Caspian IX. From C.S. Lewis’ chronological O In Peter, Susan, Lucy and Edmund’s As C.S. Lewis would have known history of Narnia, we know that when world the events described in Prince this plot is similar to the events in he became King, Caspian ruled the country for 53 years before his death. Caspian happen a year after they left Shakespeare’s play Hamlet. Narnia at the end of The Lion, the Witch and the Wardrobe. But, according to Narnia time, it is 1,288 years later when they return. © Walden Media, LLC. All Rights Reserved. The Chronicles of Narnia ®, Narnia®, and all book titles, characters, and locales original to The Chronicles of Narnia are trademarks of C.S. Lewis, Pte, Ltd. Use without permission is strictly prohibited. Fact File courtesy of Brian Sibley. Used with permission. N A M E _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ D AT E _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ow it’s your turn. Use the Narnia Fact File to answer the Nquestions below. Need help? Consult your copies of PRINCE CASPIAN, the other “Narnia” books, or a dictionary. 1. C.S. Lewis’ nanny, Lizzie, probably inspired what character found in Prince Caspian, who told the prince tales about Old Narnia? ______________________________________________________ 2. Beatrix Potter’s The Tale of Squirrel Nutkin. was the inspiration for the talkative squirrel in Prince Caspian. What is this character’s name? ____________________________________________ 3. Sir Peter Mouse, about whom C.S.
Recommended publications
  • The Magician's Nephew Is a Fictional Fantasy
    CHAPTER 1 INTRODUCTION 1.1. Background of the Research The Chronicles of Narnia: the Magician’s Nephew is a fictional fantasy novel written by C. S. Lewis as the sixth book of the series. This novel was published in 1955 by HarperCollins. Even though it was published as the sixth book, chronically the story of the novel happened before The Lion the Witch and the Wardrobe, which makes this novel as the first book of the series. The Chronicles of Narnia consists of seven books; “The Magician’s Nephew”, “The Lion, The Witch and The Wardrobe”, “The Horse and His Boy”, “Prince Caspian”, “The Voyage of the Dawn Treader”, “The Silver Chair” and “The Last Battle”. The story of The Magician’s Nephew is about Digory Kirke and Polly Plummer, two children characters, which have to protect and save Narnia from Queen Jadis and Uncle Andrew, two adult characters that want to exploit and destroy it. There is an irony about how children grow up with a lesson that they have to save the nature, but the adults ruin it. Based on that fact, I believe that humans can be divided into two types of behavior seen from the way they are treating the nature, the protector and the destroyer. This novel describes that the serenity of nature is the important thing that becomes the reason of Digory and Polly to begin their journey. Based on that aspect, humans know nature is a thing that cannot be avoided in our life since humans grow up in nature and most of bedtime stories and fairytales take nature as its settings.
    [Show full text]
  • The C.S. Lewis Letters Collection
    C.S. Lewis Letters at the Marion E. Wade Center BBC Correspondence Wade Binder Title BBC Correspondence Collection# Date Author Recipient Phys Description Location L-BBC1 February 10, 1941 C.S. Lewis Mr. [James W.] Welch 1 p. on 1 lf. ALS X L-BBC2 February 17, 1941 C.S. Lewis Mr. [Eric] Fenn 1 p. on 1 lf. ALS X L-BBC3 May 12, 1941 C.S. Lewis [Eric] Fenn 1 p. on 1 lf. ALS X L-BBC4 May 13, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC5 July 22, 1941 EF [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC6 August 1, 1941 EF [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC7 August 7, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC8 August 18, 1941 H.A. Purser [Unknown] 1 p. on 1 lf. TLS X L-BBC9 August 28, 1941 [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TL X L-BBC10 August 28, 1941 [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X Monday, February 3, 2020 Page 1 of 263 BBC Correspondence L-BBC11 August 28, 1941 [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC12 [n.d.] C.S. Lewis [Eric Fenn] 1 p. on 1 lf. ALS X L-BBC13 September 4, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC14 September 7, 1941 C.S.
    [Show full text]
  • The Great War and Narnia: C.S. Lewis As Soldier and Creator
    Volume 30 Number 1 Article 8 10-15-2011 The Great War and Narnia: C.S. Lewis as Soldier and Creator Brian Melton Liberty University in Lynchburg, VA Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Melton, Brian (2011) "The Great War and Narnia: C.S. Lewis as Soldier and Creator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 30 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol30/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Looks at influence of orldW War I in Lewis’s autobiography and on war in Narnia, correcting mistaken search by some critics for deep-seated war trauma in Lewis’s life. Reinforces that Lewis and Tolkien were not psychological twins, had differing personalities going into the war, and came out of it with different approaches to dealing with war in their fiction.
    [Show full text]
  • The Horse and His Boy
    Quick Card: The horse and his boy The Horse and His Boy, by C. S. Lewis. Reference ISBN: 9780007588541 Shasta, a Northerner enslaved to a Calormene fisherman, dreams of escape to the free North of Archenland. With the help of a talking horse named Bree, Shasta flees, meeting another pair of fugitives along the way: Plot Aravis and her talking horse Hwin. As they journey northwards, the four uncover a plot by Rabadash, the prince of Calormene, to conquer Archenland and threaten the peace of the northern lands. They race to warn the Archenlanders and rally the Narnians to their aid. This story is set during the Golden reign of the Pevensie children: Peter, Susan, Edmund, and Lucy. Calormene- A land South of Narnia, it is home to cruel, pagan slave lords: the Tarquins. Setting Narnia- Home of the four kings and queens of legend and kingdom of the lion Aslan, the Son of the King Beyond the Sea. Archenland- Borderland between Calormene and Narnia, populated by free people whose loyalty is to Narnia and Aslan. Shasta- The protagonist of the piece is a young boy, uneducated and neglected. Though he is immature, he has an inbred longing for freedom and justice and an indomitable hope to escape to the free North. Bree recognizes at once that he must be “of true Northern stock.” Bree- Pompous and self-important, the Narnian horse brags about his knowledge of the North and plays the courageous war-horse though he is really a coward at heart. Despite his boorish tone, he is a loyal friend.
    [Show full text]
  • Fantastical Worlds and the Act of Reading in Peter and Wendy, the Chronicles of Narnia, and Harry Potter
    Bucknell University Bucknell Digital Commons Master’s Theses Student Theses Spring 2021 Fantastical Worlds and the Act of Reading in Peter and Wendy, The Chronicles of Narnia, and Harry Potter Grace Monroe Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/masters_theses Part of the Children's and Young Adult Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Monroe, Grace, "Fantastical Worlds and the Act of Reading in Peter and Wendy, The Chronicles of Narnia, and Harry Potter" (2021). Master’s Theses. 247. https://digitalcommons.bucknell.edu/masters_theses/247 This Masters Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Master’s Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. I, Grace Monroe, do grant permission for my thesis to be copied. FANTASTICAL WORLDS AND THE ACT OF READING IN PETER AND WENDY, THE CHRONICLES OF NARNIA, AND HARRY POTTER by Grace Rebecca Monroe (A Thesis) Presented to the Faculty of Bucknell University In Partial Fulfillments of the Requirements for the Degree of Master of Arts in English : Virginia Zimmerman : Anthony Stewart _____May 2021____________ (Date: month and Year) Next moment he was standing erect on the rock again, with that smile on his face and a drum beating within him. It was saying, “To die would be an awfully big adventure.” J.M. Barrie, Peter and Wendy Acknowledgements I would like to thank the many people who have been instrumental in my completion of this project.
    [Show full text]
  • Research Journal of English(RJOE) Vol-3,Issue-4,2018 an International Peer-Reviewed English Journal ISSN: 2456-2696
    Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 Archetypal Approach Spins around C.S.Lewis’s the Chronicles of Narnia Dr.J.Sripadmadevi Assistant Professor Department of English (SF) Nirmala College for Women Coimbatore,Tamilnadu,India Abstract As archetypes are recurrent patterns in literature, they shine exuberantly in the genre of high fantasy, which derives much of its power from the archetypal models it incorporates with the subject matter; and The Chronicles of Narnia series is of no exception in this regard. They are finely embedded with the archetypal images such as light and darkness, sibling rivalry, tyrannical bullies, quest motif and character types. Albeit, the series has hooked up with various archetypal characteristics such as the theme of virtue conquers vice, it is the archetypal patterns in characters which have left a sturdy imprint to execute the thematic design of good versus evil in the entire plot structure. The intrinsic study of the series illustrates the infinite variety of experience of the dominant characters; wherein it reveals certain archetypal traits. Hence, the present paper explores on the variety of Archetypes in C.S.Lewis‟s The Chronicles of Narnia. Key Words: Archetypes, Types of Archetypes, Child archetypes Research Journal Of English (RJOE) Copyright Oray’s Publication Page 173 Oray’s Publications Research Journal Of English(RJOE) Vol-3,Issue-4,2018 www.rjoe.co.in An International Peer-Reviewed English Journal ISSN: 2456-2696 As Children‟s literature has provided with numerous archetypes, the eminence of series lies more on archetypal figures and images which it shares with other texts in the huge gamut of stories ranging from oral roots of tales to the latest fantasy narratives.
    [Show full text]
  • An Introduction to Narnia - Part II: the Geography of the Chronicles
    Volume 2 Number 3 Article 5 Winter 1-15-1971 An Introduction to Narnia - Part II: The Geography of the Chronicles J. R. Christopher Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, J. R. (1971) "An Introduction to Narnia - Part II: The Geography of the Chronicles," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 3 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol2/iss3/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Part two is an overview of the geography of Narnia based on textual clues and maps. Speculates on the meaning of the geography in theological and metaphysical terms. Additional Keywords Lewis, C.S. Chronicles of Narnia—Geography This article is available in Mythlore: A Journal of J.R.R.
    [Show full text]
  • Edmund Pevensie As an Example of Lewis's 'New Kind of Man'
    Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on Article 12 C.S. Lewis & Friends 5-29-2008 A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Jordan, Pamela L. (2008) "A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man'," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 6 , Article 12. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/12 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan A recurring theme in The Chronicles of excitement and eagerness to explore, likening their Narnia is that Narnia changes those who enter. The new adventure to being shipwrecked (he had read all narrator repeatedly notes the restorative power of the right books). Just as the debate about eating the Narnia and calls the reader's attention to the sandwiches brings tempers to a boil, Edmund is able difference in the children (and adults in The to diffuse the situation with his adventuresome spirit.
    [Show full text]
  • A Study of Trumpkin, Trufflehunter, and Nikabrik
    Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 10 A Collection of Essays Presented at the Tenth Frances White Ewbank Colloquium on Article 74 C.S. Lewis & Friends 6-5-2016 When Friendship Sours: A Study of Trumpkin, Trufflehunter, and Nikabrik Victoria Holtz Wodzak Viterbo University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Holtz Wodzak, Victoria (2016) "When Friendship Sours: A Study of Trumpkin, Trufflehunter, and Nikabrik," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 10 , Article 74. Available at: https://pillars.taylor.edu/inklings_forever/vol10/iss1/74 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. When Friendship Sours: A Study of Trumpkin, Trufflehunter, and Nikabrik by Victoria Holtz Wodzak Vickie Holtz Wodzak earned her doctorate in medieval and eighteenth century British literature from the University of Missouri-Columbia in 1996. She now teaches writing and literature courses at Viterbo University, a Franciscan liberal arts institution. Her most recent scholarship has considered the influence of World War I on the work of Tolkien. She has presented at a variety of international, national, and regional conferences, and published her work in Tolkien Studies and Mythlore. In Lewis’s chapter on friendship in The Four Loves, he says that when individuals “share their vision—it is then that friendship is born” (92).
    [Show full text]
  • An Introduction to the Chronicles of Narnia
    Table of Contents Introductory Material Meet the Author ............................................................................................................. 4 An Introduction to The Chronicles of Narnia .......................................................... 5 Using This Teacher’s Guide ..........................................................................................6 Creating a Journal ...........................................................................................................7 The Magician’s Nephew Introduction ..................................................................................................................10 Worksheets and Activities ..........................................................................................11 Final Test ........................................................................................................................38 The Lion, the Witch and the Wardrobe Introduction ..................................................................................................................39 Worksheets and Activities ..........................................................................................40 Final Test ........................................................................................................................67 The Horse and His Boy Introduction ..................................................................................................................68 Worksheets and Activities ..........................................................................................69
    [Show full text]
  • The Christian Mythology of CS Lewis and JRR Tolkien
    Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings.
    [Show full text]
  • Visions/Versions of the Medieval in C.S. Lewis's the Chronicles of Narnia
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boise State University - ScholarWorks VISIONS/VERSIONS OF THE MEDIEVAL IN C.S. LEWIS’S THE CHRONICLES OF NARNIA by Heather Herrick Jennings A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University Summer 2009 © 2009 Heather Herrick Jennings ALL RIGHTS RESERVED v TABLE OF CONTENTS LIST OF ABBREVIATIONS .................................................................................... vii CHAPTER ONE: INTRODUCTION ........................................................................ 1 Lewis and the Middle Ages ............................................................................ 6 The Discarded Image ...................................................................................... 8 A Medieval Atmosphere ................................................................................. 10 CHAPTER TWO: THE HEAVENS OF NARNIA .................................................... 13 The Stars above Narnia ................................................................................... 15 The Narnian Planets ........................................................................................ 18 The Influence of the Planets ........................................................................... 19 The Moon and Fortune in Narnia ................................................................... 22 An Inside-Out Universe .................................................................................
    [Show full text]