2008 Wexner Prize (December Update)
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Teaching the Levees
Teaching The Levees 7 Times-Picayune staff graphic by Emmett Mayer III; staff photos by Ellis Lucia, Alex Brandon, and Devaunshi Mahadevia Teaching The Levees A Curriculum for Democratic Dialogue and Civic Engagement 7 MARGARET SMITH CROCCO, Editor Teachers College Columbia University New York R This work is dedicated to the residents of the Gulf States, who survived the ravages of Hurricane Katrina by helping one another, and to those who died so tragically. R Published by Teachers College Press, 1234 Amsterdam Avenue, New York, NY 10027 Copyright © 2007 Teachers College, Columbia University. All rights reserved. This publication was made possible by a grant from the Rockefeller Foundation. Grateful acknowledgment is made to the following sources for permission to use their materials: Afro-American Newspapers Archives and Research Center for excerpt The Opportunity Agenda for reprinting of “The Opportunity from “Spike Lee captures pain, hope of Hurricane Katrina Agenda’s six core values” survivors,” by Zenitha Prince (August 26, 2006) Pew Research Center for reprinting of “Katrina has only modest AlterNet for excerpt from “Media hurricane is so much hot air,” by impact on basic public values” (September 22, 2005) Rory O’Connor (September 14, 2005) The Poynter Institute for excerpts from “Best practices: Images of The American Conservative for an excerpt from “The emperor’s new disaster and how they were captured,” by David Frank consensus,” by Scott McConnell (October 10, 2005) (September 3, 2005), and from “Katrina photos: A gallery & notes Associated Press for excerpts from “For now the offi cial Hurricane from photo editors,” by Kenny Irby (September 4, 2005) Katrina death toll stands at 1,697” (October 29, 2006) and from Reuters News Service for excerpt from “US censoring Katrina “Up to 35,000 kids still having major Katrina problems,” by Janet coverage,” by Deborah Zabarenko (September 8, 2005) McConnaughey (February 2, 2007) Joni Seager for excerpt from “Natural disasters expose gender divide,” Philip S. -
Tone Parallels in Music for Film: the Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra By
TONE PARALLELS IN MUSIC FOR FILM: THE COMPOSITIONAL WORKS OF TERENCE BLANCHARD IN THE DIEGETIC UNIVERSE AND A NEW WORK FOR STUDIO ORCHESTRA BY BRIAN HORTON Johnathan B. Horton B.A., B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Richard DeRosa, Major Professor Eugene Corporon, Committee Member John Murphy, Committee Member and Chair of the Division of Jazz Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Horton, Johnathan B. Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton. Doctor of Musical Arts (Performance), August 2017, 46 pp., 1 figure, 24 musical examples, bibliography, 49 titles. This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non- diegetic tone parallel that musically narrates several authentic characteristics of African- American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen. -
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films May 7, 2019 Longtime president of HBO Documentary Films to shepherd new generation of documentary filmmakers exploring issues that impact youth NEW YORK--(BUSINESS WIRE)--May 7, 2019-- MTV, a unit of Viacom (NASDAQ:VIAB), today announced that Sheila Nevins — the legendary producer who redefined modern documentary storytelling and won dozens of Emmy® and Peabody® Awards as President of HBO Documentary Films — will joinMTV to launch MTV Documentary Films. As part of MTV Studios, the new division will develop documentary films and specials for third-party streaming services, premium networks and MTV platforms. Under Nevins’ leadership, MTV Documentary Films will embrace a new generation of filmmakers exploring the social, political and cultural trends and stories important to young people. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190507005987/en/ “MTV has always been at the forefront of youth culture, and the generation that is growing up now will change the world in ways we can’t even imagine,” said Nevins. “I’m excited to join MTV with electrifying stories that explore the crises and commitments that young people face every day.” “Throughout her stellar career, Sheila has elevated documentaries into one of the most compelling, culturally influentially forms of modern storytelling,” said Chris McCarthy, President of MTV. “As we grow and expand MTV, we’re excited for Sheila to bring a new generation of filmmakers to the forefront and continue to extend our creativity and cultural impact.” Nina L. Diaz, President of Entertainment for MTV, added, “What we started two decades ago with MTV News and Docs continues to inspire today. -
Race & Ethnicity in America
RACE & ETHNICITY IN AMERICA TURNING A BLIND EYE TO INJUSTICE Cover Photos Top: Farm workers labor in difficult conditions. -Photo courtesy of the Farmworker Association of Florida (www.floridafarmworkers.org) Middle: A march to the state capitol by Mississippi students calling for juvenile justice reform. -Photo courtesy of ACLU of Mississippi Bottom: Officers guard prisoners on a freeway overpass in the days after Hurricane Katrina. -Photo courtesy of Reuters/Jason Reed Race & Ethnicity in America: Turning a Blind Eye to Injustice Published December 2007 OFFICERS AND DIRECTORS Nadine Strossen, President Anthony D. Romero, Executive Director Richard Zacks, Treasurer ACLU NATIONAL OFFICE 125 Broad Street, 18th Fl. New York, NY 10004-2400 (212) 549-2500 www.aclu.org TABLE OF CONTENTS INTRODUCTION 13 EXECUTIVE SUMMARY 15 RECOMMENDATIONS TO THE UNITED STATES 25 THE FAILURE OF THE UNITED STATES TO COMPLY WITH THE INTERNATIONAL CONVENTION ON THE ELIMINATION OF ALL FORMS OF RACIAL DISCRIMINATION 31 ARTICLE 1 DEFINITION OF RACIAL DISCRIMINATION 31 U.S. REDEFINES CERD’S “DISPARATE IMPACT” STANDARD 31 U.S. LAW PROVIDES LIMITED USE OF DOMESTIC DISPARATE IMPACT STANDARD 31 RESERVATIONS, DECLARATIONS & UNDERSTANDINGS 32 ARTICLE 2 ELIMINATE DISCRIMINATION & PROMOTE RACIAL UNDERSTANDING 33 ELIMINATE ALL FORMS OF RACIAL DISCRIMINATION & PROMOTE UNDERSTANDING (ARTICLE 2(1)) 33 U.S. MUST ENSURE PUBLIC AUTHORITIES AND INSTITUTIONS DO NOT DISCRIMINATE 33 U.S. MUST TAKE MEASURES NOT TO SPONSOR, DEFEND, OR SUPPORT RACIAL DISCRIMINATION 34 Enforcement of Employment Rights 34 Enforcement of Housing and Lending Rights 36 Hurricane Katrina 38 Enforcement of Education Rights 39 Enforcement of Anti-Discrimination Laws in U.S. Territories 40 Enforcement of Anti-Discrimination Laws by the States 41 U.S. -
Fall-Winter Covers
University of California, Berkeley School of Law Spring 2007 Vol. 39 No. 1 boalt halltranscript ClimateClimate ChangeChange GoesGoes toto CourCourtt AA NewNew BoaltBoalt EnvironmentalEnvironmental LawLaw CenterCenter TakesTakes onon RisingRising ChallengesChallenges Features 16 Climate Change Goes to Court Boalt’s California Center for Environmental Law and Policy tackles the rising challenges ahead BY JARED SIMPSON AND JOHANNA WALD 19 Sidebar: Stick Trumps Carrot Why market-based solutions to global warming may be ineffective BY RUTH GREENSPAN BELL ’67 22 Alumni Profile: Shooting for the Championship For Dallas Mavericks CEO Terdema Ussery II ’87, life is a slam dunk BY CHRISTOPHER E. BUSH ii Transcript Spring 2007 Contents Boalt Hall Transcript / Spring 2007 Vol. 39 No. 1 Departments 2 From the Dean 4 In Brief Record Attendance at Admitted Students’ Day, New Courses in Wine and Video Game Law, Post-Katrina Labor Woes, A New and Improved LSAT, Boalt’s Revamped LRAP Program, Checking out Legal Blogs 8 Forefront Money Talks 8; Patent Troll Tales 9; Bringing Law to the High Seas 11; Doctors, Lawyers, and Legal Relief 12; New Criminal Justice Director Makes His Case 14 26 On the Move Boalt Student Action Figures 28 On the Shelves New and Notable Works from the Boalt Community 30 Insight For Women Only BY JAN BLAUSTEIN SCHOLES ’77 31 Class Notes Transcript Spring 2007 iii From the Dean It’s been a while since a Boalt Hall Transcript arrived in your mailbox. Seventeen months, to be exact. You probably weren’t counting. But we were. And now that we’re back, I want to provide a bit of background on how we got to this point—and where we’re going from here. -
4 Little Girls.Pdf
A Brief Introduction by John Lansingh Bennett Let’s Ground Ourselves for Just a Moment . Alabama’s Capital: Montgomery Largest City: Birmingham “Pittsburgh of the South” Setting the Stage 1948 Truman’s Executive Order ends segregation in the Armed Services. 1954 Brown v. Board of Education ends segregation in public schools. (Many schools remain segregated.) 1955 14-yr-old Emmett Till murdered for allegedly flirting with a white woman. Rosa Parks triggers Montgomery bus boycott. Setting the Stage 1957 Little Rock Nine blocked from integrating Central High School; Eisenhower sends federal troops to escort them. 1960 Greensboro Four refuse to leave a “whites only” Woolworth’s lunch counter without being served, sparking sit-ins elsewhere. 1961 Freedom Riders protest segregated bus terminals & attempt to use whites-only facilities. Setting the Stage 1963 In June, Gov. Wallace blocks U. of Alabama doorway to two black students. Standoff continues until Kennedy sends in the National Guard. In August, March on Washington for Jobs and Freedom. Rev. Martin Luther King gives “I Have a Dream” speech at the Lincoln Memorial. In September, bomb at 16th Street Baptist Church in Birmingham kills four and injures others. With members working in mining and industry in the 1950s, KKK chapters had ready access to dynamite and other bomb materials. In fact, Birmingham earned the nickname “Bombingham” for the 50 explosions in the city between 1947 and 1965. (One neighborhood was targeted so often it was nicknamed Dynamite Hill.) The bombing of the 16th Street Baptist Church was the third bombing in 11 days following a federal court order that mandated integration of Alabama schools. -
Nyc | 2010 Watch It
Presented By SEPTEMBER 15-19 | NYC | 2010 WATCH IT. FEEL IT. REPORTING A half-hour special featuring Steve Harvey. PREMIERES SUNDAY, SEPTEMBER 26 10P/9c CONNECTING Major Guests. Big laughs. Thanks to Mo’Nique, late night feels good again. ALL-NEW EPISODES PREMIERE OcTOBER 4 WEEKNIGHTS 11P/10c REPRESENTING This awards show has the year’s best in hip hop down to a science. Watch the elements ignite. HOSTED BY MIKE EPPS PREMIERES TUESDAY, OcTOBER 12 8P/7c CELEBRATING Don’t miss this one-of-a kind tribute to our phenomenal sisters. SEPTEMBER 15-19 PREMIERES SUNDAY, NOVEMBER 7 8P/7c | NYC | 2010 UW10_ProgrammingAd.indd 1 BET.com 9/8/10 11:31 AM 2010 URBANWORLD FILM FESTIVAL FIVE YEARS LATER. FACING ANOTHER MAN-MADE DISASTER BUT STILL MARCHING ON. Festival Sponsors 4 Founder & Staff 5 Letter From The Executive Producer 6 Letter From The Presenting Sponsor 9 Schedule Of Events 14 Venues Map 15 Urbanworld Digital 16 Live Screenplay Readings 18 Special Screenings 21 Narrative Features 34 Documentary Features 41 Narrative Shorts 46 Documentary Shorts 66 Festival Jurors 72 Screening Schedule 78 Print Source Index 80 Acknowledgements 86 A SPIKE LEE JOINT ® THE FOLLOW-UP TO THE EMMY-WINNING “WHEN THE LEVEES BROKE” SEE IT ANYTIME ON HBO ON DEMAND® © 2010 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. TABLE OF CONTENTS | 3 2010 URBANWORLD FILM FESTIVAL 2010 URBANWORLD FILM FESTIVAL FESTIVAL AMBASSADOR PRESENTING SPONSOR Kerry Washington FOUNDER Stacy Spikes EXECUTIVE PRODUCER -
PDF MFA Social Documentary Film Dept Brochure
Graduate Programs giving students the benefit of their expertise. The department Documentary also works to foster a direct line to the production professionals who will be their best network after graduation. film has changed SocDoc alumni have made an impressive impact. Alumni films have received more than a million dollars in production dramatically funding from Sundance Institute, ITVS, JustFilms/Ford Foundation, Jerome Foundation, CAAM, IDFA Bertha Fund, over the years, evolving into a fully realized art form. Growing Chicken & Egg Pictures, Tribeca Film Institute, Frameline audiences watch nonfiction in theaters, on TV and online and others. They have won an Emmy and the Student to see fresh global stories, and be inspired by the lives of Academy Award, and received multiple nominations. change-makers, artists and everyday people. These stories Alumni have been broadcast on TV, garnered industry delve into our history, inspire action and let us discover support via international film markets, received theatrical distant regions and our neighborhoods with a fresh eye. But, release in the U.S. and around the globe, received countless as evolutions in technology make it easier to create films, views online and played top-tier festivals including Berlin, more content competes for the opportunity to be seen. So it Sundance, IDFA, SXSW, Hot Docs, Busan and Tribeca. becomes vital to have the talent to produce a film that stands Now in our 12th year, MFA SocDoc is proud to inspire and out. Those with true fluency in the form—and a network of support the next generation of documentary filmmakers. A like-minded artists and mentors—have a crucial advantage. -
Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 500 Nations DVD-0778 10 Days to D-Day DVD-0690 500 Years Later DVD-5438 180 DVD-3999 56 Up DVD-8322 1-800-India: Importing a White-Collar Economy DVD-3263 60's DVD-0410 1930s (Discs 1-3) DVD-5348 Discs 7 Up/7 Plus Seven DVD-1056 1930s (Discs 4-5) DVD-5348 Discs 7 Years DVD-4399 1964 DVD-7724 70 Acres in Chicago: Cabrini Green DVD-8778 1968 with Tom Brokaw DVD-5235 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1983 Riegelman's Closing/2008 Update DVD-7715 70's Dimension DVD-1568 1993 World Trade Center Bombing DVD-1891 9/11 c.2 DVD-0056 c.2 20 Years Old in the Middle East DVD-6111 900 Women DVD-2068 DVD-4941 9500 Liberty DVD-8572 21 Up DVD-1061 Abandoned: The Betrayal of America's Immigrants DVD-5835 21 Up South Africa DVD-3691 Abolitionists DVD-7362 24 City DVD-9072 Aboriginal Architecture: Living Architecture DVD-3261 24 Hours 24 Million Meals: Feeding New York DVD-8157 Abraham and Mary Lincoln: A House Divided DVD-0001 28 Up DVD-1066 Absent from the Academy DVD-8351 3 Times Divorced DVD-5100 Absolutely Positive DVD-8796 30 Days Season 3 DVD-3708 Absolutely Positive c.2 DVD-8796 c.2 35 Up DVD-1072 Accidental Hero: Room 408 DVD-5980 4 Little Girls DVD-0051 Act of Killing DVD-4434 42 Up DVD-1079 Addicted to Plastic DVD-8168 -
A Spike Lee Joints Retrospective, Jun 29—Jul 10
BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year. -
Films in the AMC A
Films in the AMC "O" (Tim Blake Nelson, 2001, USA, 90 min) “O” (Othello) (2001,J.Hartnett/J. Stiles/M. Phifer; 90 min.) 11'09"01 - September 11 (Ken Loach et al., USA, 2002, 123 min.) 12 Angry Men (Sidney Lumet, 1957, USA, 92 min.) 12 Years a Slave (Steve McQueen, 2013, USA, UK, 134 min.) 2001: A Space Oddisey (Stanley Kubrick, 1968, USA, 141min.) 2012 (Roland Emmerich, 2009, USA, 158 min) 21 Grams (Alejandro González Iñárritu, 2003, USA, 120 min.) 25th hour (Spike Lee, 2002, USA, 129 min. - German Title: 25 Stunden) 32A (Marian Quinn, 2007, IRL, 89 min.) 500 years later (Owen Alik Shahadah, 2005, UK/USA, 106min.) 7 Zwerge Part 1 + 2 (Sven Unterwaldt) 8 Mile (Curtis Hanson, 2002, USA, 106 min.) A brief history of time (Errol Morris, 1991, UK/Japan; USA, 80min.) German Title: Eine A kurze Geschichte der Zeit. Based on the book by Stephen Hawking A Cat in Paris (Felicioli; Gagnol, 62 min.) A Collection of 2005 Academy Award Nominated Short Films (5 Live Action Short Films and 3 Animated Short Films) A Day Without A Mexican (Sergio Arau, 2004, USA, 100min.) A Midsummernight's Dream (Michael Hoffman, 1999, Italy/UK/USA, 115 min.) A Street Cat Named Bob (Spottiswoode, 2016, 99 min.) A Streetcar Named Desire (Elia Kazan, 1951, USA, 120 min.) A Thousand Acres (Jocelyn Moonhouse, 1997, USA, 101min.) (Loosely based on King Lear) A United Kingdom (Asante, 106 min.) A Way of Life (Amma Asante, 2004, UK, 87 min.) About a Boy (Chris Weitz, 2002, GB, 97 min.) About Schmidt (Alexander Payne, 2002, USA, 120 min.) Acadie Liberté (Tim Radford, 1993, Canada/USA,