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No. 280 October 11
small screen News Digest of Australian Council on Children and the Media (incorporating Young Media Australia) ISSN: 0817-8224 No. 280 October 2011 Classification update & call for action found on our website at Two significant policy reviews related asking about the process by which older http://www.youngmedia.org.au/pdf/me- to classification reach critical points this very violent games will be reclassified into dia_releases/Nov11_ALRC-proposals.pdf the new R18+ category (as promised). week. An article on this topic which appeared on- One is the review of the classification The second review is the Australian Law line in The National Times and also in The guidelines for computer games (includ- Reform Commission Review of the Na- Age, can be found on Page 6 of this small ing the proposed introduction of a new tional Classification Scheme. Their propos- screen. R18+ category). The “agreed” proposed als are out for public comment by Novem- new guidelines were released by the Min- ber 18 . ACCM wins Childrens Week Award Australian Council on Children and the ister for Home Affairs, The Hon Brendan ACCM comment: Media has won a 2011 Childrens Week O’Connor, on Friday Nov 4. [http://www. ACCM is disturbed by the underlying phi- Award for the Know Before You Go Movie classification.gov.au/www/cob/rwpattach. losphy of deregulation (that also underpins Review service for a significant contribu- nsf/VAP/] and will be debated at the meet- the Convergence Inquiry), and the argu- tion to the development and well–being ing of Federal, State and Territory Ministers ments that it’s too unwieldy and costly for of children, through provision of easily for Law and Justice in Hobart on Nov.18th. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Graphic Design and the Cinema: an Application of Graphic Design to the Art of Filmmaking
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2016 Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking Kacey B. Holifield University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Graphic Design Commons Recommended Citation Holifield, Kacey B., "Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking" (2016). Honors Theses. 403. https://aquila.usm.edu/honors_theses/403 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking by Kacey Brenn Holifield A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Fine Arts of Graphic Design in the Department of Art and Design May 2016 ii Approved by _______________________________ Jennifer Courts, Ph.D., Thesis Adviser Assistant Professor of Art History _______________________________ Howard M. Paine, Ph.D., Chair Department of Art and Design _______________________________ Ellen Weinauer, Ph.D., Dean Honors College iii Abstract When the public considers different art forms such as painting, drawing and sculpture, it is easy to understand the common elements that unite them. Each is a non- moving art form that begins at the drawing board. -
Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
Alumni Revue! This Issue Was Created Since It Was Decided to Publish a New Edition Every Other Year Beginning with SP 2017
AAlluummnnii RReevvuuee Ph.D. Program in Theatre The Graduate Center City University of New York Volume XIII (Updated) SP 2016 Welcome to the updated version of the thirteenth edition of our Alumni Revue! This issue was created since it was decided to publish a new edition every other year beginning with SP 2017. It once again expands our numbers and updates existing entries. Thanks to all of you who returned the forms that provided us with this information; please continue to urge your fellow alums to do the same so that the following editions will be even larger and more complete. For copies of the form, Alumni Information Questionnaire, please contact the editor of this revue, Lynette Gibson, Assistant Program Officer/Academic Program Coordinator, Ph.D. Program in Theatre, The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY 10016-4309. You may also email her at [email protected]. Thank you again for staying in touch with us. We’re always delighted to hear from you! Jean Graham-Jones Executive Officer Hello Everyone: his is the updated version of the thirteenth edition of Alumni Revue. As always, I would like to thank our alumni for taking the time to send me T their updated information. I am, as always, very grateful to the Administrative Assistants, who are responsible for ensuring the entries are correctly edited. The Cover Page was done once again by James Armstrong, maybe he should be named honorary “cover-in-chief”. The photograph shows the exterior of Shakespeare’s Globe in London, England and was taken in August 2012. -
Commercial Counterhistory: Remapping the Movement in Lee Daniels’ the Butler
Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S Commercial Counterhistory: Remapping the Movement in Lee Daniels’ The Butler LEIGH ANNE DUCK Lee Daniels’ The Butler () might seem an unlikely candidate for intervening in Hollywood’s civil rights genre, given both its nationalistic ending and its recuperation of iconic styles and images. This paper argues, however, that the film’s pastiche interrogates past cinematic tropes for race and space; in this sense, it proves counterhistorical, a term indicating not a lack of accuracy but a commitment to illuminating the role of visual media in shaping contemporary understandings of history and to encouraging fresh perspectives on the past. Examining the many forms of constraint produced by iconic images of black and gendered per- sonhood, the film also takes on the spatial icon with which many of these figures are associated – the southern plantation. Both exposing and challenging the ways in which spectacular accounts of southern racism occlude the geographic and political reach of African American movements against oppression, the film inconsistently insists on the importance of thinking across conven- tional demarcations of space and time. At these moments, it suggests possibilities for how even commercial cinema might contribute to new conceptions of black political history and possibility. We were right on the border: ten miles from Memphis and a million miles from the rest of the world. FBI agent Rupert Anderson (played by Gene Hackman) on his previous career as a small-town sheriff in Mississippi Burning () While Mississippi Burning, Alan Parker’s action-packed account of an FBI investigation into the disappearance of three civil rights workers, was widely lauded for its technical achievements, it became notorious almost immediately upon release for “whitewashing” the fight for African American rights. -
'Once Upon a Time... in Hollywood'
20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run. -
Jungle-Book-Playbill-Virtual.Pdf
Virginia’s Leading Family Theatre Company Hugh R. Copeland—Artistic Director PRODUCTION STAFF Director…………..……..….………..……………...………………… HUGH R. COPELAND Production Stage Manager……….……………………………….………….LAURA LAVAN Sponsored in part by Costume Designer……………………………………………….………...…..ANNE HILTON Costumers Volunteers……..….ROBIN POWELL, STACY CARTWRIGHT AND KATY DOTY, SEPHANIE TREVINO Set Crew…………………………….SCOTT CHASEY, BECKY CHASEY, ANDY THORNHILL KATY DOTY, DEANNA HAMMOND, JOHN LAPETINA, ALAN TAYLOR, JIMMY MCKENZIE AND KAYVON HOSSEINIPOOR Photographer………………………………………………………………….....JERRY DUCK Stage Managers………………………………… ANDY THORNHILL, STEPHANIE TREVINO Backstage Crew……….. SHANNON THORNHILL, LAURIE GLICK, MARIE VACCARELLA, KATY DOTY, ANGELA TAYLOR, THERESA BREMBY, JENNIFER WHITMORE, BETTINA SELBY, JESSICA MCKENZIE, MEGAN HOOSEINIPOOR Music and Lyrics by House Managers………………………………...THERESA HYLER, STACEY CARTWRIGHT Richard M. Sherman, Robert B. Sherman Ushers………………… ANGELA TAYLOR, SHAWTINA CROSS, MEGAN HOSSEINIPOOR THERESA BREMBY, KATY DOTY, DAWN KERMAN, VALERIE WANG, KELLY YOUNG And Terry Gilkyson JESSICA MCKENZIE Book adapted and Additional Lyrics by Marcy Heisler HURRAH STAFF Founder and Artistic Director……………………………………......HUGH. R. COPELAND Music Adapted and Arranged by Managing Director………………………………………....………..…….….KELSEY BACKE Bryan Louiselle Director of Education/ Box Office Manager…………………...…..……....LISA WALLACE Director of Development……………………………………………..…EILEEN CARPENTER Based on the Screenplay by Production Manager…………………………...………………………..…….LAURA -
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair -
Winter 2016 January – May 2016 OVERVIEW All Year, Winter 2016 at All Free the Power Plant
exhibitions / programs / events 1 Winter 2016 January – May 2016 OVERVIEW all year, Winter 2016 at all free The Power Plant As we enter the The Power Plant’s first For our Winter 2016 Season, The Power The Power Plant remains committed to welcom- Plant is pleased to present three solo ing a diverse public, and our seasonal roster exhibition season of 2016, we pause of education and public programs provide more to acknowledge the importance of the exhibitions by artists Patrick Bernatchez, opportunities to engage wider audiences with aLL YEAR, aLL FREE program. Leslie Hewitt and Aude Moreau, along- our current exhibitions. We welcome our French- speaking visitors to engage with artist Aude Thanks to the support of BMO Financial Group, side our Fleck Clerestory Commission Moreau and curator Louise Déry in our In Conver- the gallery is able to eliminate admission fees, by Carlos Amorales. sation series, a lecture presented in French with enabling all visitors, young and old, to access Alliance Française de Toronto. The season’s our exhibitions. Carlos Amorales’ Black Cloud, which launched our International Lecture Series will bring Sven Lütticken, Join us again this Winter and all year long at Fall 2015 Fleck Clerestory Commission Program, German author and lecturer of art history at the The Power Plant, where admission is always FREE. recreates an ecological phenomenon of the Industrial Vrije Universiteit Amsterdam, and James Lingwood Revolution by attaching thousands of black moths and Michael Morris, Co-Directors of London-based to the gallery walls, recalling The Power Plant’s past arts organisation Artangel, to Toronto. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler.